Mike Love gets one step closer to being the only Beach Boy

Mike Love gets one step closer to being the only Beach Boy http://www.tinymixtapes.com/sites/default/files/news-12-09-beach-boys.jpg

After reading that headline, how many of you thought that a couple more Beach Boys had died? Well, you can be relieved because it’s nothing that grim. Unless you consider a Beach Boys line-up that consists of Mike Love and no other founding members grim. Which I do, and you should, because Mike Love has taken The Beach Boys back to “Kokomo” style, boring, state-fair playing, Oldies-playing, money-grubbin’, bullshit Beach Boys, and has kicked out the coolest, most talented, founding member.

According to a public statement released by Mr. Love (via The Huffington Post): “As we (The Beach Boys) move on, Bruce (Johnston) and I look forward to performing live for Beach Boys fans everywhere. The 50th Reunion Tour was designed to be a set tour with a beginning and an end to mark a special 50-year milestone for the band.”

And apparently that “end” is halfway through the anniversary tour. In a nutshell, Mike Love has kicked Beach Boys founding members Brian Wilson and Al Jardine, as well as long-time member David Marks, OUT of The Beach Boys. And I repeat, in the middle of their tour. Mikey thinks that The Beach Boys with only one founding member makes better fiscal sense, in the same way that idiots think that a car with only one tire is better in the long run.

Let him explain: “You’ve got to be careful not to get overexposed. There are promoters who are interested [in more shows by the reunited line-up], but they’ve said, ‘Give it a rest for a year’. The Eagles found out the hard way when they went out for a second year and wound up selling tickets for $5.” Mike Love must be unaware, however, that The Eagles are the worst.

Brian Wilson let loose his grief on CNN: “I’m disappointed and can’t understand why he (Love) doesn’t want to tour with Al, David and me. We are out here having so much fun. After all, we are the real Beach Boys.”

You see that Mike? WE. Not MIKE LOVE and other people.

• The Beach Boys: http://www.thebeachboys.com

The Replacements documentary gets a DVD release date; break out the whiskey and crushed dreams!

Transplanted Minnesotans weeping into a pile of flannel, Paul Wellstone bumper stickers, and whiskey, take note! (And any other fans of straight-up-good-old-fashioned punk rock music.) You know that Replacements documentary your mom kept sending you newspaper clippings about? That documentary that was blowing up the festival circuit? Well, now that very documentary, Color Me Obsessed, is now being released on DVD, thanks to MVD Entertainment Group. So pick up one of the 35 plaid shirts balled up on your floor, tear the Wellstone bumper sticker off your sobbing mouth, and dry your booze-streaked eyes, because you’re gonna need those peepers to shove Color Me Obsessed into your DVD player and you’re gonna need that mouth to sing along.

Color Me Obsessed includes interviews with Replacements-lovin’ musicians like Colin Meloy, Tommy Ramone, Grant Hart, Patrick Stickles, and (HOLD THE PHONE!) Craig Finn, plus noted music critic types Robert Christgau and Greg Kot. The doc also features interviews with Hollywood fans Dave Foley, Tom Arnold, and George Wendt. Plus interviews with just straight-up normal fans, whether they’ve seen the band three times or 300. The DVD includes 19 deleted scenes, complete interviews, and various behind-the-scenes moments. You can check out the trailer at Prefix. Color Me Obsessed drops November 20.

• The Replacements: http://colormeimpressed.com
Color Me Obsessed: http://www.whatwerewethinkingfilms.com/colormeobsessed
• MVD Entertainment Group: http://www.mvdb2b.com

Crystal Castles announce new album, tourdates, ongoing depression

Toronto screamers Crystal Castles are back with a fun new record full of party rock anthems and catchy lil’ tunes about girls ‘n’ cars! Just kidding, it’s an album about oppression. Says Alice Glass, “Oppression is a theme, in general… A lot of bad things have happened to people close to me since II and it’s profoundly influenced my writing as I’ve realized there will never be justice for them. I didn’t think I could lose faith in humanity any more than I already had, but after witnessing some things, it feels like the world is a dystopia where victims don’t get justice and corruption prevails.” Heavy stuff, but then, it’s been a heavy decade. The album cover art features Samuel Aranda’s award-winning photograph of Yemeni mother Fatima al-Qaws cradling her son Zayed, who’s suffering from the effects of tear gas after a street protest.

The new album, appropriately entitled (III) is the first to be produced entirely by Crystal Castles’ Ethan Kath, and was recorded in Berlin and Warsaw. The duo were like “sorry synths and keyboards” and enacted a “no computers” rule this time around. Everything on (III) was recorded straight onto tape, in one take to get that raw “one take” energy. The new album drops November 6 in the US, and the band is planning a cross-Canadian/American jaunt to introduce the new tracks to fans. In the meantime, here’s a link to a website devoted entirely to pictures of cats in sinks. Don’t be sad, everybody. For every Yemeni protestor getting teargassed, there’s a kitten spooning a bigger cat in a OH GOD THERE ARE NOT ENOUGH KITTENS SPOONING BIGGER CATS :-( Also the band is touring with HEALTH and Kontravoid. Yay?

Dates:

09.27.12 - Charlotte, NC - Fillmore Charlotte *
09.28.12 - Atlanta, GA - Counterpoint Music Festival *
09.29.12 - Washington, DC - 9:30 Club *
09.30.12 - Washington, DC - 9:30 Club *
10.02.12 - Philadelphia, PA - Electric Factory *
10.03.12 - New York, NY - Roseland *
10.06.12 - Boston, MA - House of Blues *
10.07.12 - Montreal, QC - Metropolis **
10.09.12 - Royal Oak, MI - Royal Oak Music Theatre **
10.10.12 - Columbus, OH - Newport Music Hall **
10.11.12 - Nashville, TN - Marathon Art Works **
10.13.12 - Austin, TX - Emo’s East **
10.14.12 - Austin, TX - Austin City Limits **
10.16.12 - Kansas City, MO - Liberty Theater **
10.17.12 - Denver, CO - Ogden **
10.18.12 - Salt Lake City, UT - In The Venue **
10.20.12 - Los Angeles, CA - Hollywood Palladium **
10.21.12 - San Diego, CA - Soma **
10.22.12 - San Francisco, CA - Fox Theater **
10.24.12 - Portland, OR - Roseland **
10.25.12 - Seattle, WA- Showbox Sodo **
10.26.12 - Vancouver, BC - Commodore **
10.28.12 - Calgary, AB - Mac Ewan Hall **
10.29.12 - Edmonton, AB - Edmonton Events Centre **
10.31.12 - Winnipeg, MB - Garrick Center **
11.01.12 - Minneapolis, MN - First Ave **
11.02.12 - Chicago, IL - Congress Theater **
11.03.12 - Toronto, OH - Kool Haus **

* HEALTH
** HEALTH, Kontravoid

• Crystal Castles: http://crystalcastles.com
• Fiction: http://www.fictionrecords.co.uk
• Casablanca: http://www.casablanca-music.com
• Universal Republic: http://www.universalrepublic.com

Brian Eno announces new solo album LUX. I hope nothing on it SUX.

Day-yum! Just when you thought it was safe to stop pretending to like ambient music, here comes Brian “The Bald Bull” Eno, charging hard to the house with a new solo album for the Warp label! This shit’s called LUX, because, say it with me, now: this man is All. About. The. Razzle. Dazzle! Woooo, you know that it’s true! LUX is the Bald Bull’s first solo album for the Warp team and his first solo album since 2005’s Another Day on Earth, and yo, if I can holler out to his press release for a minute, y’all, this shit finds him “expanding upon the types of themes and sonic textures that were present on such classic albums as Music For Films, Music For Airports and Apollo: Atmospheres and Soundtracks.” You just can’t make this stuff up! And folks, this thing will be comin’ at you IN EYE-POPPING 3D on vinyl (Double 180g LP in gatefold sleeve with 4 x 300x300mm prints and download redemption code card) November 11 and CD (in gatefold sleeve with 4 x 120x120mm prints) and download on November 13. Now that’s what I call skills to pay the BILLS, kids. Oh, how sweet it is!

But that ain’t all, folks! Not by a long shot. This. Man. Is. Re. Lent. Less. Unlike his first two joints with Warp, (Small Craft on a Milk Sea with Jon Hopkins and Leo Abrahams and Drums Between the Bells with Rick Holland), my man also sees the new album “as a continuation of his “Music for Thinking” project that includes Discreet Music (1975) and Neroli (1993).” Specifically, it’s a “76 minute composition in twelve sections that evolved from a work currently housed in the Great Gallery of the Palace of Venaria in Turin, Italy.” Hell yeah, what’d I tell ya? The Bald Bull is RELENTLESS! Maybe that’s why any time this powerhouse of a man does anything out there on the court, I’m all up here in the press box going “Sonic BOOOOOOM!”

Sonic BOOOOOOOM (LUX tracklist):

01. LUX 1 (19:22)
02. LUX 2 (18:14)
03. LUX 3 (19:19)
04. LUX 4 (18:28)

• Brian Eno: http://www.brian-eno.net
• Warp: http://www.warp.net

X mark some spots for a fall tour, including Austin’s Fun Fun Fun Fest

Spring arrives. Baby birds are born. Lambs frolic. College dudes on Midwestern college campuses start wearing shorts even though it’s like 50 degrees out. Summer comes. The beach explodes in a riot of teens and hormones. Ice cream is born. It’s America’s birthday and all of her children celebrate by getting capital-W Wasted. Fall arrives. Election ads get all up in your television. Leaves turn (somewhere in America that is not stupid Los Angeles). X goes on tour. Such is the circle of life in America these days, and in the case of seminal L.A. punk band X’s annual cross-country migration, it is a beautiful thing.

X have been going strong for 35 hard-rockin’ years, and making regular jaunts across the US for the past several or so. And this year’s no different. John Doe, Exene Cervenka, Billy Zoom, and D.J. Bonebrake are kicking things off this November with an appearance at Austin’s Fun Fun Fun Fest, before heading out to Dallas and then descending upon the historic and whale-filled East Coast. X will be joined from New York on by the Reverend Horton Heat and Austin’s Not in the Face.

Dates:

11.02.12 - Austin, TX - Fun Fun Fun Fest
11.03.12 - Dallas, TX - Granada Theater
11.30.12 - New York, NY - Irving Plaza *
12.01.12 - New York, NY - Irving Plaza *
12.02.12 - Boston, MA - Paradise *
12.04.12 - Washington, DC - 9:30 Club *
12.05.12 - Baltimore, MD - Baltimore Soundstage *
12.06.12 - Philadelphia, PA - Theatre of the Living Arts *
12.07.12 - Sayreville, NJ - Starland Ballroom *

* Reverend Horton Heat, Not in the Face

• X: http://xtheband.com

[Photo: Irfan Khan]

US Congress to spin magic ‘wheel of destiny’ to determine the future of internet radio royalty schemes

Does anyone actually know how royalties are awarded to rights holders when their copyrighted material is played online and through other non-traditional (a.k.a. non-AM/FM radio) channels? Slate sure does, and it’s a lot more complicated than you probably thought. While AM and FM stations don’t pay royalties thanks to a sweet deal they got before computers ruled our waking existence, the exciting world of the 1990s brought us the reality artists, labels, publishers, and songwriters deal with today when their content is streamed online or through satellite radio.

Because services like Sirius and XM (now Sirius XM) were up and running when the Digital Millennium Copyright Act was passed in 1998, their royalties scheme was set up under something known as the 801(b) standard. This royalties provision requires services like Sirius XM to pay a portion of their gross revenues as royalties. In 2008 it was 6% and is expected to hit the mid-teens in the coming years. That actually doesn’t seem like a bad deal given that the people they’re paying royalties to are providing the subscription services with their bread and butter, the actual music they provide to customers.

What we know today as internet radio wasn’t so lucky. Services like Pandora have to pay royalties based on something called ‘willing user/willing seller.’ This has resulted in Pandora reporting a royalty payout of nearly 50% of gross income in 2012, with those rates continuing to rise. The problem with this scheme is that it arbitrarily sets rates based on what the industry determines is fair market value, without an actual fair market in existence from which to draw its conclusions. Being a self-serving and -destructing scheme could lead to bankruptcy for streaming services in the coming years, ultimately removing a huge source of exposure that rights holders need in order to keep collecting the royalties they need to make money in the first place. The vicious cycle.

So, what’s to be done? Having two separate and definitely not equal schemes for providers who are essentially doing the same thing, delivering music to consumers, doesn’t make any sense. In an attempt to reform the schemes, two congressmen and a senator have proposed a bill (the Internet Radio Fairness Act) that would streamline the royalty scheme to reflect the 801(b) standard for all satellite and internet music providers. And right on cue, another senator has stepped in to fill the US government’s apparent contrarian requirement by submitting a bill — the Interim Fairness in Radio Starts Today (FIRST) Act — that would impose the unsustainable willing user/willing seller model on to all of the players in the game.

Reform is needed, and if you like the cheap or even free services you get through Last.fm, Pandora, etc., TMT would recommend you contact your lawmakers and ask them to support the Internet Radio Fairness Act, even if it doesn’t have a catchy acronym like the FIRST Act. Do it for the internet.

• Internet Radio Fairness Act: http://www.pandora.com/static/ads/irfa/irfa.html