Deerhoof Hit a Homerun with Ken Griffey Jr. and Now They’re Touring Like Touring Just Went Out of Style
By Emceegreg on Mar 22 2007
Let me be James Blunt for a minute. I work at a record store in bumfuck, U.S.A. (let's just call this place Mung's Record and Video for now), and I work right next to the glorious section of pop/rock Ds all in misleading alpha order. People will often sift through this section with morbid curiosity of why Def Leopard has such a large catalog, and then there are those who like to giddily point and laugh at a little-known band of jokesters known as Deerhoof. Why do they point and laugh, you must ask? The casual TMT reader is most likely crushed at this point. How could someone laugh at my precious Deerhoof? And how could this "douche of the year" writer (I don't even think that title is deserving for Mr. Emceegreg in this case) call my sacred love affair "little-known"? Seriously! What the fuck?
Let me vaguely explain by remaining purposely off topic. Deerhoof has recently released Friend Opportunity (TMT Review) and you're most likely a loser if you haven't checked it out yet. And by loser, I am referring back to the people who mocked your beloved experimental rock band. For now, let's call these people "anti-hipsters," and let's just further generalize those people as young, white college students who hate Muslims. Skinny white girls (let's just call them Skeletors, for now) have often come to the 'D' section shouting in my fragile ears, "I can't stand that lead singer. Her voice is weird. She's crazy. My boyfriend listens to them. My boyfriend is cool. He's a lot cooler than the guy working right there. Shh... I think that little terd is listening."
You can trust me as a reliable narrator that I hear things like that all of the time. I also could tell that the girl was misspelling the word 'turd' just from how she said it. Yeah, maybe your boyfriend is better than me, but I bet he doesn't have a Ken Griffey Jr. rookie baseball card! In your face, guppie! First of all, it's alright if you don't like Deerhoof, but at least have an open mind. Stop riding off the coattails of your frat fuck buddy! Nobody becomes a cornhole champion. If you understand cornhole, which is just an elementary school game of bean bag toss, then how can you not grasp the matter-changing sounds of Deerhoof?
I'm not here to judge, but when you ridiculed the lovely Satomi Matsuzaki and the even more attractive Ken Griffey Jr., you offended me. Now I know that the frustrated TMT reader wants to know the point of all this mess. To be honest, I had no idea where I was going with any of this. I want to thank everyone in Deerhoof, Mr P, Matt Weir, Ken Griffey Jr., and his hit SNES game Ken Griffey's Winning Run. Without you guys, I don't think this article would have made it this far. Okay, let me try to make a point of all this gibberish: If you don't go see Deerhoof on their European Tour, then you probably support terrorism. See I just blew your mind once again. I had my mind blown once too, so don't begin to think of me as some sort of god or anything. This customer once panhandled me by tricking me into giving him money from the cash register and confusing me with large amounts of numbers. My cash register ended up more than $200 short. I think we all know what lesson to gain from all of this. Deerhoof is splendid!
Tourdates (I hope the play "Panda Panda Panda," garsh):
* with The Blow
# with Akron/Family
Portland Tries To Put Some Good Out Into The World. How About A Benefit Album?
By C. Schell on Mar 22 2007
What is the only thing in the world that could combine The Decemberists, Night Ranger, Britt Daniel, Sam Cooke, and Led Zeppelin? No, not a soundtrack to a Cameron Crowe semi-autobiographical, semi-emotional film romp, but you are close. Ozzfest?!? Getting colder. Stop guessing; it's a benefit album. Sure you knew that -- I bet it was on the tip of your tongue. But this is not just a regular ol' benefit album, but a benefit album of cover tunes. The album, Bridging The Distance, features many Portland-based artists, as well as a few out-of-towners, covering songs for local non-profit group p;ear. p;ear work to help homeless and transitional youth through education, art, and recreation. The album will be out April 17 via Arena Rock Recording Co.
BTD features The Decemberists, Britt Daniel, The Dandy Warhols, The Thermals, Talkdemonic, and others, covering songs by a bevy of famous artists. The songs covered run the gamut from silly ("Sister Christian") to annoying ("Sister Christian") to amazing ("Sister Christian"). Additionally, those purchasing the record through digital means will be treated to free bonus tracks not available on the CD. While you may look at the tracklist and cringe at the thought of something like The Dandy Warhols' take on "She Sells Sanctuary," we here at TMT would like to remind you that this LP is for charity, and only a giant douche would bag (ha, get it) on the noble work of others. Motorin?!
Bridging The Distance tracklist:
1. The Decemberists - Think About Me (Fleetwood Mac)
2. Pat McDonald - The Harder They Come (Jimmy Cliff)
3. The Joggers - Long Distance Runaround (Yes)
4. The Snuggle Ups - Dancing In The Dark (Bruce Springsteen)
5. The Thermals - Tangerine (Led Zeppelin)
6. Christopher Walla -Shattered Dreams (Johnny Hates Jazz)
7. Viva Voce - Eye In The Sky (The Alan Parsons Project)
8. The Minus 5 - That Smell (Lynyrd Skynyrd)
9. Talkdemonic - Sombre Reptiles (Brian Eno)
10. The Minders - Don't Bring Me Down (Electric Light Orchestra)
11. The Kingdom - Sister Christian (Night Ranger)
12. Lacktherof - What A Fool Believes (The Doobie Bros)
13. Whip - White Wedding (Billy Idol)
14. Wet Confetti - Invincible (Pat Benatar)
15. The Dandy Warhols - She Sells Sanctuary (The Cult)
16. Point Juncture, WA - Pearl Of The Quarter (Steely Dan)
17. Blitzen Trapper - Crazy On You (Heart)
18. Crosstide - (What's So Funny 'Bout) Peace, Love and Understanding (Nick Lowe/Elvis Costello)
19. Britt Daniel - Bring It On Home To Me (Sam Cooke)
Digital Bonus Tracks:
Wroom - Black Sabbath (Black Sabbath)
Tara Jane O'Neil - They Don't Know (Kirsty MacColl)
Boy Eats Drum Machine - Starman (David Bowie)
The Punk Group - I Saw Your Mommy (Suicidal Tendencies)
Mirah w/ Golden Bears - Til Death Us Do Part (The Kinks)
Swan Island - Free Money (Patti Smith)
When TV On The Radio Release an EP, It Makes Every Male – Well, It Makes At Least One Male – Question His Manhood
By David Nadelle on Mar 22 2007
Man, it's tough to muster up the energy just to walk around downtown without begging every passerby to just put you out of your misery and pummel your brains in with their change-cup-on-a-pole or hook-for-a-hand (man, I love my neighborhood). It is bad enough to be widely known as the male news writer with the least impressive lower body appendage (voted at the annual Tiny Mix Tapes “Cockrings for Clodhoppers” benefit gala), but I seem to be drawing stories with the smallest, most ineffectual tracklistings lately too! Look at this shitty pittance:
1. Blues From Down Here
2. Wolf Like Me
4. Wash the Day Away
Four tracks. Sure, all four are live recordings, were recorded at an Amoeba Music in-store last September, and as you quickly recognized, are stand-out songs that originally appeared on a stand-out album called Return To Cookie Mountain by one of Earth's most revered pop bands, TV on the Radio. That is perfectly peachy keen, but it's not making me feel any more potent or important. Making sure you get a copy of this curio will most assuredly make you feel better about everything both south and north of the equator, but me, I'm already a lost cause.
Not funnily enough, the EP is called TV on the Radio Live at Amoeba Music, and it is a limited-edition release that will be available March 27 to download from Amoeba Music or to purchase in the flesh at one of its three legendary California store locations (Sunset Blvd. in Los Angeles, Haight St. in San Francisco, and Telegraph Ave. in Berkley). Pretty self-explanatory and pretty cool, huh? I think so, too. So much so that I'm contemplating opening a store just so I can bring bands in to play and then release live EPs of my own. Small is in, so who's in? I promise to pull my weight, as light as it may be.
Paul McCartney Signs to Starbucks’ New Record Label; Becomes “The Caffeinated Beatle”
By Heidi Vanderslice on Mar 22 2007
Personally, I'm usually smarting too much from the bill at Starbucks to consider buying a weak jazz compilation I could slap together on Soulseek, but apparently Starbucks has tapped into an entire market of folks who just need a little somethin' somethin' for their Volkswagen 6-CD changers. This week, Starbucks announced the official launch of Hear Music, a new label comprised of Starbucks and the Concord music group. Their first big star? Sir Paul McCartney, who may or may not also be doubling as Barista Paul McCartney.
Capitol Records is reported to be crying into their budget lattes from 7-Eleven, but hey, now's a whole different time, man. All Sir Paul needed was love. Now, well... I guess he needs, uh, coffee.
The Shins’ Wincing the Night Away Finally Reviewed! Tour!
By Grant 'Gumshoe' Purdum on Mar 21 2007
One of the best things about writing news is that you can sneak in little jabs here and there. Like, say, for example, you were supposed to review the latest Shins record for a certain website, and you just didn’t really get around to it. Or maybe you didn’t have much to add to the reviews already posted on those other, stinky sites. Or maybe you were trying to scare up some hot-ass grits; whatever. Now, you didn’t get to review Wincing the Night Away, but you CAN always write a news story about The Shins and inject your opinion every chance you get! Hey, that sounds pretty sweet, don’t it!? Hmmmm, let’s try doing that, starting right...
Hey y’all, how the heck are you? Good? Good. Getting down to business, The Shins released a record on Sub Pop this year that did pretty well, hitting the Billboard charts with a giant ‘THWUMP’ and knocking Chumbawamba or whoever out of the no. 1 slot. But did ya know that the album really isn’t that good? I mean, the first track gets you all wet and sticky; as soon as you hear it you’re thinkin’ “DAMN, that’s one hot number!” But then things calm down reallll quick, and you’re left with a pile of mediocre pap and very few stand-outs. What’s most annoying is James Mercer’s voice, which used to be all high and angelic. Now? It’s lower, prolly because he wants to be able to duplicate the songs live (a problem with certain Oh, Inverted World songs). But it doesn’t work as well, and he always does this annoying thing where he links two words together and sings them faster than the others, and he does it every song now!
If, say, I were assigned to review this album (WHICH I WAS) and actually reviewed it (WHICH I DIDN’T), I would have given it a really low score, probably a ‘4,’ maybe even a ‘4.5’ ... oh, btw, did I explain the TMT rating system to you? No? FUCK ME, no wonder you always have that confused — and rather ugly, I might add — look on your face! Man, I feel like a real ass-shark! Here, lemme make things right by explaining our rating system. I think it’ll really clarify things for you! Shit, you probably thought we liked Sung Tongs and hated Lil’ Eazy E’s latest... man, thank god I caught this, we could have become a laughing stock! Anyway, here’s how the Tiny Mix Tapes grading system works:
0 - 1: This album is so goddamned spectacular we sold our rare Magma and La Dusseldorf LPs to get it. We’d step over our own mums to find this on vinyl, and we’d probably include it in a Desert Island Discs round-up, so you’d better come correct!
1 - 2: Not exactly profoundly, resoundingly, ass-poundingly excellent, but still a lot of great tunes to be had. Great artists like Teddy Bears, MC Lars, and their ilk often end up here because we WUV THEM SO MUSH...
2 - 3: Still a pretty tasty record, but if you pawn your limited-edition Charlie’s Angels lunchbox to get it, you now have a dozen eggs on your face. Don’t worry, I meant in the figurative sense...
3 - 4: Now we’re starting to get to the stuff that sucks. You know when you’re playing Bubble Bobble and you thought you got one of those wands that makes all the yummy fruit descend from the top of the screen, but when you pop the last bad guy’s bubble nothing special happens? Yeah, it’s kinda like that...
4 - 5: This is where the lame-duck discs go to die. That piece of shit by Raccoo-oo-oon last year was put to pasture here, as was that awful new Scott Walker album. If you see one of these attached to an album you regularly listen to, have some pride and never show your face ’round here again. Yeah, that’s it...
And there we are! That felt good, lemme tell ya. Since we got that straightened out, I might as well do my duty, which is, surprisingly, not to tell jokes, make a mockery of TMT’s storied grading system, relate stories from my life, or commission wacky cartoons. I’m supposed to be telling you about The Shins’ tour plans, which will find the band traveling near, far, like, medium-far, and maybe, just MAYBE, to a venue near you. Hey, that wasn’t so hard, was it! Mr P’s going to be so happy with me; maybe he’ll even let me out of his dungeon... nah.
If you can pinpoint the moments of biting sarcasm above, I just might agree to fuck Mr P at one of the following tourdates:
03.25.07 - Glasgow, UK - ABC
03.26.07 - Wolverhampton, UK - Wulfrun Hall
03.27.07 - Manchester, UK - Manchester University
03.28.07 - London, UK - The Forum
03.29.07 - London, UK - The Forum
04.01.07 - Paris, FRA - Trabendo
04.03.07 - Cologne, GER - Gebaude 9
04.04.07 - Berlin, GER - Postbanhof Berlin
04.05.07 - Amsterdam, NET - Paradiso
04.06.07 - Brussels - Botanique
04.10.07 - Albuquerque - El Ray Theater
04.11.07 - Phoenix, AZ - Celebrity Theatre
04.12.07 - San Diego, CA - SOMA San Diego
04.14.07 - Universal City, CA - Gibson Amph. At Univ. CityWalk (KRCW)
04.15.07 - Los Angeles, CA - Orpheum Theatre
04.16.07 - San Francisco, CA - Warfield Theatre
04.17.07 - San Francisco, CA - Warfield Theatre
04.22.07 - Austin, TXThe Backyard (MtvU "Campus Invasion Music Festival)