Herman Dune Have Already Played Their Canadian Dates; America To See You Soon
By Trillian on 10-08-2008
Apologies for the weak pun, and apologies to those Canucks who rely on a U.S.-based internet music zine for their tour news, because you have indeed missed some Herman Dune shows. Perhaps you should keep more of an eye out, so then next time you won't miss out on the sassy musical stylings of David-Ivar and Neman Herman Düne again. I don't know, maybe you were worried about the polar bears or your igloo melting and failed to notice that France's premier anti-folk band are hitting up North America in support of their upcoming album, Next Year In Zion. It certainly isn't my fault.
Nothing to regret for those of us in God's chosen country! All U.S. dates are with lovely and talented Texan Jolie Holland (we won't talk about her involvement with The Be Good Tanyas). And, as for all you Canucks, you've lucked out: some Canadian dates have just been added to the tour.
Next Year In Zion will be released in the States October 21. Here's the tracklisting:
Clinic Collaborate with Animator Clemens Habicht as Planetarium of the Soul on Upcoming Tour
By Mango Starr on 10-07-2008

Ade Blackburn and his cronies in Clinic are once again setting their sights on YOUR money with a relatively short European stint in November. But this ain't no typical stint. This tour will see Clinic collaborating with animator Clemens Habicht as Planetarium of the Soul, which is being dubbed as "live music and animation bleeding together in a contemporary vortex of psychedelic sight and sound." Sounds uh-mazin'!
Clinic's latest, Do It! (TMT Review -- it got , FYI), was released earlier this year on Domino, and the album's third single, "Tomorrow," will be unveiled November 24, just as the Planetarium of the Soul tour wraps up. The single will include a DFA remix, some new music, and a video by Wiz.
Most importantly, however, Clinic opened for Radiohead back in the day. Yep.
Planetarium of the Soul tourdates (all dates with Threatmantics):
DiMA & NARM Stand Up for Fair Use of 30-Second Song Samples; Find Inspiration After Watching Erin Brockovich on TBS
By David Nadelle on 10-07-2008
Market instability, oil price lunacy, hearing 30 seconds of 30 Seconds to Mars... it doesn't take much to get some organizations in a huff over what they believe to be their bucks. Music's publishing bodyrollaz like ASCAP and BMI are always trying to get paid in the name of protecting their musical charges, but it looks like they may be in for a fight when it comes to screwing royalties from those intent on using 30-second music clips. In an amicus brief filed jointly by DiMA (Digital Media Association) and NARM (National Association of Recording Merchandisers) last month, the two groups asked a federal court to apply "fair use" with regard to the use of 30-second song samples on the internet.
"DiMA supports fair compensation for copyright owners," states DiMA Executive Director of Jonathan Potter. "DiMA members pay tens of millions of dollars in royalties to songwriters and publishers for online music sales. But the performing rights organizations (ASCAP, BMI and SESAC) who represent songwriters and publishers demand additional payment for the preview clips that facilitate these online sales."
The legal action stems from an ASCAP vs. AT&T case, which has the telephone/DSL/wireless giant fighting for its right to use 30-second ringtone and ring-back-tone song previews. Amicus briefs contain pertinent but unsolicited information filed by "friends of the court" in order to get judges to consider broader legal implications and third-party ramifications when making their decisions. In this instance, DiMA and NARM would like a federal district court, in deciding the AT&T case, to consider protection and fair use for internet retailers that use 30-second song preview clips. If the courts decide on the side of ASCAP, then it may mean a double payday for publishing houses and songwriters in the future.
Lay back and let Potter further seduce you with his amicus brief impetuses:
Internet retailers sell an extraordinary percentage of all recorded music. The iTunes Store is America’s largest music retailer, and Amazon.com, Best Buy and other DiMA members use 30-second clips to sell both CDs and digital downloads. If ASCAP succeeds in pressing its demand for a new payment for these previews, Internet music retailers would be disadvantaged simply because they are selling online, and songwriters and music publishers would be getting a royalty for the preview on top of the appropriate and well-deserved royalty that is paid when the music itself is sold.
The joint filers hope the federal court will see the possible benefits of protected use of these 30-second clips. Essentially this is free promotion for the artists, songwriters, and publishers themselves and could only help to sell their products in the long run. But the law is an unpredictable, prickly beast. For instance, a court found O.J. Simpson guilty of armed robbery and kidnapping last week. That guy's never done anything wrong!
Be careful the next time you fart... an ASCAP stooge may request royalties on behalf of someone like Daughtry or something.
Ween Release Early Live CD/DVD, Weirdness Free with Purchase
By Scott Lauer on 10-07-2008
The very strange/very talented band we know as Ween will be taking fans on a trip down bizzaro memory lane November 11 with the release of an early live CD/DVD package from MVD. The CD will contain an entire show from 1992 at The Cat's Cradle in Chapel Hill, NC (which happens to be one of my favorite venues). Those of you who have seen Ween live in recent years should expect something very different from this package, as early performances consisted solely of Dean and Gene Ween with a few samples, tapes, and a drum machine.
Meanwhile, the bonus DVD contains footage from several shows, including some from Halloween 1991 in Holland and 1992 in Columbus, OH. Actually, here's the tracklist for the bonus DVD: