Noveller announces December tour with Anna von Hausswolff, together they create new holiday: Novhaussmas!

Noveller announces December tour with Anna von Hausswolff, together they create new holiday: Novhaussmas!

Forget Christmas. Forget Hanukkah. Forget Kwanzaa. Forget Thanksgiving, if you can. There is only one fourth-quarter holiday worth celebrating now. I speak, of course, of Novhaussmas, the one true holiday. Forgo gift-giving and feasting this holiday season, your only gift, your only sustenance will come from the elemental power of a crushing drone. Many historians have asked where this new holiday came from, but what they should be asking is, where will it come from? The one true holiday has not been invented, yet it soon will be, when drone-but-not-drone guitarist Noveller goes on tour with gothic-but-not-gothic songwriter Anna von Hausswolff. Praise be and all that.

And, hey, if you’re looking to cook up some of that Novhaussmas cheer with some new music, have I got some great suggestions for you! Noveller just released her sixth record, No Dreams, through Important Records, while Hausswolff released Ceremony last year. Boy, will these releases put you in the right frame of mind to think about the crushing everything of existence! Happy holidays.

Noveller and Anna von Hausswolff dates:

12.04.13 - Washington, DC - Lang Theatre (Atlas Performing Arts Center)
12.05.13 - Philadelphia, PA - Johnny Brenda’s
12.06.13 - Brooklyn, NY - Union Hall
12.07.13 - New York, NY - Mercury Lounge
12.09.13 - Chicago, IL - Schubas Tavern
12.10.13 - Minneapolis, MN - 7th St Entry
12.13.13 - Seattle, WA - The Vera Project
12.14.13 - Portland, OR - Doug Fir Lounge
12.15.13 - San Francisco, CA - Rickshaw Stop
12.17.13 - Los Angeles, CA - Bootleg Bar

• Noveller:
• Anna von Hausswolff:

Lynchian artist David Lynch announces new 12-inch on Sacred Bones, features Cronenbergian Venetian Snares remix

Sometimes when things have a certain way, a certain atmosphere, we refer to them as “Lynchian.” Usually a little creepy, focusing on the horror of the mundane, sometimes there’s clowns, sometimes there’s roadies in plain sight. It’s a popular lens to see things through, but if we’re being honest, it has only one master: David Lynch. Yes, this director/musician has an unprecedented control over all things Lynchian. Just this past July, he put out his very Lynchian second album The Big Dream (TMT Review). But when the Lynchian-ness overflows from your very pores, there’s bound to be a few extras that don’t quite make the record. As such, on November 12, the most Lynchian label in the game, Sacred Bones, is putting out a limited 12-inch of “Bad the John Boy,” an unused track from The Big Dream’s recording process.

To maximize the Lynchian nature of things, the release is limited to a one-time pressing of 1,500 copies. Those who acquire one can revel in an ocean of Lynch, though, as each copy includes a 24” x 24” poster of an original David Lynch painting. Regarding the song itself, I’ll let Dean Hurley, Lynch’s Lynchian producer, describe it: “[It’s] music for the end crawl of a bootlegged sci-fi/horror film that you borrowed from your friend’s older brother and caused you to realize for the first time that you were actually scared in broad daylight.” Pretty Lynchian, guys, pretty Lynchian.

On the record’s B-side sits a remix of the song by Canadian producer Venetian Snares. Now, look, Venetian Snares is a great producer. He’s put out a ton of excellent work, which I heartily recommend you check out. But, let’s face it, he’s clearly Cronenbergian.

• David Lynch:
• Sacred Bones:

Dum Dum Girls announce new full-length Too True, a self-described really awesome game of laser tag with pop music

For people who, through some unfortunate combination of genetics and circumstance, excel at the art of being terrible, third-party self-deprecation has limited appeal. This applies to comedians who make the method a key part of their repertoire, or to bands who playfully yet insensitively refer to themselves as a collective of “dum dums,” musical homages aside, and regardless of blatant evidence to the contrary. I haven’t listened to Dum Dum Girls beyond a couple of tracks, but further acquaintance isn’t needed to make an inerrant judgment on their intellectual capacity and their ability to spell simple words correctly. An ongoing relationship with Sub Pop and a healthy following since the release of 2010’s I Will Be indicate, why… they’re not dumb at all! In fact, they’re apparently more musically talented than the average human being! How inconsiderate of those who are truly suffering.

Allow for forgiveness, because for the auditory benefit of their fans, Too True is set for release January 27 in Europe and January 28 in North America. Credit-wise, Robert Gottehrer returned as producer — he’s been producing DDG since their debut LP — alongside Sune Rose Wagner of The Raveonettes, also with whom they’ve both worked and covered. Dee Dee Penny, certainly the foremost member of the band, describes the album as her “best attempt at joining the rock’n’roll ranks, of chasing pop into the dark…”.

Go on and watch the video for the first single below. Interesting story: it actually premiered through an initiative with H&M Life, a project of, you know, the clothing company. So, I guess if you like music videos sponsored by clothing companies… ??

Too True tracklisting:

01. Cult of Love
02. Evil Blooms
03. Rimbaud Eyes
04. Are You Okay
05. Too True to Be Good
06. In the Wake of You
07. Lost Boys and Girls Club
08. Little Minx
09. Under These Hands
10. Trouble Is My Name


12.10.13 - Amsterdam, Netherlands - Paradiso
12.11.13 - Hasselt, Belgium - Muziekodroom
12.12.13 - Amiens, France - La Lune Des Pirates
12.13.13 - Fontenay-sous-Bois, France - Espace Gerard Philipe
12.14.13 - London, UK - Hoxton Bar and Grill
12.15.13 - Athens, Greece - AN Club
01.28.13 - Los Angeles, CA - The Echo
01.30.13 - New York, NY - Mercury Lounge (sold out)

• Dum Dum Girls:
• Sub Pop:

Kanye announces updated Yeezus tour schedule. Kanye WEST, that is! Sorry, you probably didn’t know who I was talking about at first.

Okay, right, so I know you probably don’t give a shit about Kanye West and that obnoxious Yeezus hoopla and its related tour circuses and whatnot, like, at all (that’s why you’re reading this article all ‘bout them, right??). And, okay, THAT’S COOL. ME NEITHER. But look, whatever, here’s what you need to know to, you know, “stay current.”

Last week, this happened to Kanye’s goofy tour. In fact, there was a press release and everything. It went like this:

Yesterday, on the road to Vancouver, a truck carrying The Yeezus Tour’s custom-made video truss and 60-ft circular LED screen was in an accident that damaged the gear beyond repair. This gear is central to the staging of The Yeezus Tour, and central to the creative vision put forth by Kanye West and his design team at DONDA. As a result of this event, it is impossible to put on the show and The Yeezus Tour will be postponed until these essential pieces can be reengineered and refabricated. Kanye West will not compromise on bringing the show, as it was originally envisioned and designed, to his fans. The Vancouver, Denver and Minneapolis dates have been postponed. Further details on the affected tour dates will be announced shortly.

I know, I know; sounds lame or whatever. You don’t care. But the point is, our boys over at the fork have just reported that Mr. West has announced that the whole shebang will be getting back on track starting November 16 in Philadelphia. Unfortunately, only three of the canceled shows (the ones in Chicago, Toronto and Detroit, because those cities are actually important) are being made-up. They’re just being jammed onto the end of the tour in late December now, instead. As for the other shows? Well, those other cities (Vancouver, Denver, Columbus, Montreal, Minneapolis, and St. Louis) just aren’t important enough to the history and/or future of RAP MUSIC to make it worth his while. Sorry.

Anyway, yeah. Here’s the rundown. As Samuel Jackson would say, “hang onto your butts!” Oh, sorry. That’s Samuel L. Jackson! You probably didn’t know who I was talking about at first.

11.07.13 - Chicago, IL - United Center #
11.08.13 - Columbus, OH - Nationwide Arena #
11.09.13 - Chicago, IL - United Center #
11.10.13 - Detroit, MI - Palace of Auburn Hills #
11.12.13 - Toronto, ON - Air Canada Centre #
11.13.13 - Toronto, ON - Air Canada Centre #
11.14.13 - Montreal, QC - Bell Centre #

11.16.13 - Philadelphia, PA - Wells Fargo Center #
11.17.13 - Boston, MA - TD Garden #
11.19.13 - Brooklyn, NY - Barclays Center #
11.20.13 - Brooklyn, NY - Barclays Center +
11.21.13 - Washington, DC - Verizon Center #
11.23.13 - New York, NY - Madison Square Garden #
11.24.13 - New York, NY - Madison Square Garden +
11.27.13 - Nashville, TN - Bridgestone Arena #
11.29.13 - Miami, FL - AmericanAirlines Arena #
11.30.13 - Tampa, FL - Tampa Bay Times Forum #
12.01.13 - Atlanta, GA - Philips Arena #
12.03.13 - Kansas City, MO - Sprint Center #
12.05.13 - New Orleans, LA - New Orleans Arena #
12.06.13 - Dallas, TX - American Airlines Center #
12.07.13 - Houston, TX - Toyota Center #
12.08.13 - San Antonio, TX - AT&T Center #
12.10.13 - Phoenix, AZ - US Airways Center #
12.13.13 - Anaheim, CA - Honda Center
12.17.13 - Chicago, IL - United Center #
12.18.13 - Chicago, IL - United Center #
12.19.13 - Detroit, MI - Palace of Auburn Hills #
12.22.13 - Toronto, ON - Air Canada Centre #
12.23.13 - Toronto, ON - Air Canada Centre #

# Kendrick Lamar
+ A Tribe Called Quest

• Kanye West:
• Island Def Jam:

Blackest Ever Black preps dark, scary new release from Barnett + Coloccia (members of Oakeater, Mamiffer)

“Dark and scary, ordinary /
Explanation, information /
Nice to know ya, paranoia /
Where’s my mother, biofather?”

— Blink-182, “Aliens Exist”

Gather ye rosebuds while ye may because a SYNONYM FOR “DARK” new record is on the horizon for Blackest Ever Black. This latest release pairs Faith Coloccia (of Mamiffer and Everlovely Lightningheart) and Alex Barnett (of Oakeater) for their collaborative debut under the totally predictable band name Barnett + Coloccia. The album’s called Retrieval. All signs indicate that this record, out on LP December 2, will be of a piece with the consistently high quality, SYNONYM FOR “DARK”, and SYNONYM FOR “SCARY” music we’ve come to expect from those rascals over at Blackest Ever Black.

Though Barnett and Coloccia live several thousand miles apart, the bulk of the recordings came about as a result of “condensed in-person meetings,” because, all things considered, composing by way of online file sharing is really not SYNONYM FOR “DARK” or SYNONYM FOR “SCARY” enough. Combining treated vocals, tape-manipulation, AM radio sounds, synths out the wazoo, and drum loops so SYNONYM FOR “SCARY” your jaw will drop, over a series of short and intense sessions, they arrived at Retrieval. The album is reportedly a big-ole-grab-bag-pile of everything from techno and psychedelia all the way into straight noise. That’s definitely pretty SYNONYM FOR “DARK” sounding, but maybe not so SYNONYM FOR “SCARY” since it is more or less typical Blackest Ever Black fare. I don’t know though, reader. You can decide for yourself; after all, you’re the one who gets to fill in all these adjectives later! Check out “Hallway” off the album below. You can also preorder the thing over at the Blackest Ever Black site.

Retreival tracklisting:

01. Harbor
02. Switch
03. So How Much Do You Know About Me?
04. Hallway
05. Repeating Pit
06. Retrieval
07. Birds Eye

• Mamiffer:
• Oakeater:
• Blackest Ever Black:

Actress unveils new 3xLP Ghettoville, box set with remastered debut, a fest he plans on playing, and maybe nothing-else-ever!

Oh yeah, baby; it’s happenin’. All of it. Ghettoville, baby, Ghettoville. Talkin’ fuckin’ Actress, mo-fos. Talkin’ fuckin’ January 27 release via Werkdiscs/Ninja Tune. Talkin’ triple-disc-ass-mother-fluxin’ follow-up to 2012’s wicked R.I.P. (TMT Review) and press-release-touted “sequel” to bangin’ 2009 debut Hazyville (TMT Review). Also-talkin’ some long-awaited vinyl release of some Hazyville shit, totally-remastered and made all-available as part of this Ghettoville box set that I’m about to lay out for ya (it’s got a 32-page booklet, triple-vinyl Ghettoville, and double-vinyl Hazvyville). Yo, you digging this? I SAID YOU DIGGING THIS?

Well… good, because all hype aside, the press release seems to indicate (it’s hard to say, really; it’s even more of a cryptic mess than my first paragraph up there) that this might be Darren Cunningham’s final release under the Actress moniker.

Ghettoville is the bleached out and black tinted conclusion of the Actress image. Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout. Four albums in and the notes and compositions no longer contain decipherable language. The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited. Spitting flames behind a white wall of silence, the machines have turned to stone, data reads like an obituary to its user. A fix is no longer a release, it’s a brittle curse. Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues. R.I.P Music 2014.


Well, maybe you can ask him to clarify this shit yourself when you go see him play as part of this year’s Brooklyn Electronic Music Festival on November 9. Either way, let’s see: new record and vinyl debut release in January; Pre-order for the new one over here; festival appearance in like four days; maybe the end of the whole damn project. You with me? Good, because that’s about as clear as it’s gonna get.

Ghettoville tracklisting:

01. Forgiven
02. Street Corp
03. Corner
04. Rims
05. Contagious
06. Birdcage
07. Our
08. Time
09. Towers
10. Gaze
11. Skyline
12. Image
13. Don’t
14. Rap
15. Frontline
16. Rule

Actress World Tour 2013:

11.09.13 - New York, NY - Music Hall of Williamsburg (Brooklyn Electronic Music Festival)

• Actress:
• Werkdiscs:
• Ninjatune: