Pas/Cal Set To Release Debut LP In February 2008

While the Detroit area may be better known for musical phenomenons such as Motown, garage (a four-letter word to locals) rock, and white rapping, there also exists a small but formidable clan of pop (a four-letter word to most) maestros working to create hit singles for another world (a world not controlled by greedy record companies who employ producers and writers like scientists on a mission to make pop music and money from talentless, pretty-face types). People like Saturday Looks Good To Me's Fred Thomas, the bands of the Suburban Sprawl label, and Casimer Pascal from Pas/Cal have devoted much time, effort, and talent in the Detroit area to creating sonic harmony and musical beauty.

Pas/Cal in particular have been a shinning light ever since they broke onto the scene with 2003 EP The Handbag Memoirs (Le Grand Magistery). Now, five years later (and with two more EPs under their belt), the band has completed a new full-length record, to be released February 2008 on Le Grand Magistery. The 12-song LP, I Was Raised On Matthew, Mark, Luke & Laura, was mostly recorded in Casimer's garage studio over the course of three years.

He spoke about the LP via-email, saying that the record's theme is "shaped in large part by the mash-up of a Roman Catholic education and trashy pop culture (Luke & Laura were an infamous soap opera couple in the 80s)." The title, I Was Raised On Matthew, Mark, Luke & Laura, is part of a more general theme based on a song Casimer is currently working on, but one that won't be included on the release. The songs on the album may look occasionally to the past (with a few songs recalling and appearing on the aforementioned EPs) as well as the future, with Pascal stating that "I think there are things on the new LP that people who own the three EPs (Handbag Memoirs, Oh Honey We're Ridiculous, and Dear Sir) will find a bit hard to swallow at first. There have been many hints at the more adventurous side of my song writing & arrangements on previous releases, but with the full-length, I kind of got carried away with elaborate song structures and lots of words."

Further shades of The Fiery Furnaces appear when he goes on to say that "I constantly strive to write the perfect 2 and half minute pop song... sometimes it just happens two or three times within the same track!" The three "Suite Cherry" songs find the group splintered, but also features expanded duties for some members, with "Suite Cherry: Cherry Needs a Name" being sung by guitarist Gene Corduroy and his wife, and former guitarist Trevor Naud singing lead on "Suite Cherry: Cherry Tree." Even Casimer's children make an appearance, as they are pictured with him on the album's cover.

More info about the album and touring is expected in the next few weeks.

I Was Raised On Matthew, Mark, Luke & Laura tracklist:

Up Next In One of Our Era’s Most Important Legal Issues: RIAA Hires Unlicensed Law Company and Is Thereby Forced to Settle Their Case Against An Elderly Woman Who Never Shared Music and Who Also Recently Had Her Home Destroyed By a Hurricane

Let me be among the first to wish a merry Christmas to Rhonda Crain, a grandmother who was displaced by Hurricane Rita in 2005 and has been under legal attack by the RIAA for roughly three years.

The RIAA dropped their monetary claims against her recently, not because of her housing situation or the fact that she adamantly denied ever participating in any illegal file-sharing. No, the RIAA dropped their claims because MediaSentry, the multimedia copyright law company hired by the RIAA to fleece Ms. Crain, is not a licensed investigator in Crain’s home state of Texas. Whoops!

Crain has filed a counterclaim, presumably stating “b-but you guys ruined my life for a pretty long time.” The RIAA is (understandably, I guess) trying to keep it from getting too far. In the meantime, the labels have asked that the judge issue a demand that Crain not engage in copyright infringement anymore and delete all of the files that she cannot account for to begin with.

I will end this story with a quote from Crain who, I will remind you, had her home destroyed by a hurricane in September 2005:

"For the last three years [I have] been living a nightmare, thanks to Warner Music, EMI, Vivendi Universal, and Sony/BMG's RIAA," (Emphasis added)

Waxploitation Announces Auction to Go with Benefit Comp for Darfur (Which Is in Africa – A Continent, Not A Country)

Have you noticed that TMT can be pretty political? That's because we're not just esoteric music aficionados -- we're also hard-hitting, investigatory journalists with an obligation to report on the music industry at large. It is in this spirit that we yet again report news coming from Waxploitation.

Waxploitation, the longtime artist management company known most notably for working with the prodigious Danger Mouse and his numerous incarnations, has reached out and united a variety of artists for a compilation whose proceeds will be split between three nonprofits working in Darfur: Doctors Without Borders, Human Rights Watch, and Oxfam America. As reported earlier (TMT News), Causes 1: Darfur is, as has been made explicitly clear by the number "1," the first of an anticipated many in the Causes series, created to benefit the victims of what has been called "one of the worst crisis in the world today," a "massive violation of human rights," and "a humanitarian tragedy," but what everyone knows to be a straight up, capital g, Genocide.

The new news? Waxploitation recently announced that even more money will be raised from the soon-to-occur, fourth annual Waxploitation rock star's stuff auction through MissionFish.org. Items to be launched through the normal individual's price ceiling include guitars and covet-worthy merchandise signed by acts such as Avril Lavigne, Norah Jones, The Flaming Lips, The Deftones, Common, Gnarls Barkley, Kanye West, Gorillaz, Coldplay, Wilco, TV on the Radio, The Decemberists, Bloc Party, Macy Gray, Nickelback (as good as donations to charitable causes are, I strongly discourage involving yourself in a bidding war over anything signed by Nickleback, ever), and Thievery Corporation.

Now, show some support!

Rancid to Cash In on B-Sides Comp, TMT to Cash In on Yet Another Cheap Joke at A Band’s Expense

EEEEEEEW, rancid B-sides for sale?!?

Who the HECK in their right mind would want to buy a bunch of rancid B-sides? That's just gross; that's just unsanitary; that's just...

Wait... what's that, Mr P?

OOOOOH, I get it: Rancid B-sides!

Wait...

Who the HECK in their right mind would want to buy a bunch of Rancid B-sides?!?

Ziiiiiiing!

Okay, okay. But seriously. B Sides and C Sides:

Uh, let's see.

What else... what ELSE...

Oh, December 18.

Rancid Records.

I guess that's it.

Merry Christmas, unemployable Mohawk Guy.

2(x + 5) = Neko Case Announces Concert Dates With Help from Crooked Fingers’ Eric Bachmann

In between her work on a forthcoming album and the recent Bloodshot Records reissues of Furnace Room Lullaby, Blacklisted, and the super special totally amazing new bonus version of 2006's Fox Confessor Brings the Flood, it has been a busy year for Neko Case*. And things don't look to be slowing down. In a move that will thrill alt-country fans, New Englanders, and the lovelorn man who stood next to me and repeatedly shouted "I love you, Neko! Oh yeeeeeah!!" the last time she played my hometown, Neko Case has announced a string of concert dates in the eastern part of these fine United States. Case just put the finishing touches on some new tracks, and she and her band will be testing them out on unsuspecting (until now!) New England audiences this winter. Case will be joined in her systematic track-testing endeavors by Eric Bachmann of Crooked Fingers, who will be providing both musical and scientific support. Better fire up those Bunsen burners, Eastern seaboard, and don't forget your safety goggles -- the winter months just got a little hotter!

* Well, sort of. I mean, those reissues were kind of already written, but you know what I mean.

Flywheel Venue in MA Is Moving on Up, And You Can Help!

I don't know if you've heard of Flywheel -- I haven't, considering I'm on the other side of the country -- but it's a non-profit arts collective/venue in Easthampton, MA. Playing host to everyone from Ted Leo and Deerhoof to Magik Markers and Fat Worm of Error (as well as many other totally amazing weirdo and non-weirdo bands), the collective is associated with the totally gnarly label Ecstatic Peace, who are of course home to a slew of Thurston-approved artists. Anyway, Flywheel is currently gearing up to move into a bigger, nicer venue, where it can more readily reach its full potential. So, what do they need from you?

Donations!

Volunteers!

Go here to learn more about how to help out some like-minded, art-damaged nerds.

Want to here it straight from the dudes? Check it:

Hey Folks-

As many of you know, Flywheel, in Easthampton, MA is a non-profit multi-use art space that has hosted some of the country's most innovative and unsung performers. Artists such as Ted Leo, Fugazi, Deerhoof, Lightning Bolt, Sonic Youth not to mention dozens of Ecstatic Peace artists, have played Flywheel along the way. Flywheel has also hosted film screenings, cabaret, spoken word, art openings, children's programs and even a traveling circus over it's storied nine year history.

Earlier this year Flywheel was given the opportunity to move into a beautiful new space twice the size of it's previous one. The new centralized location will significantly raise the public profile of Flywheel and allow them to finally live up to their original vision of serving a wider portion of the community. The increased size of the new performance hall will also allow Flywheel to book shows and put on performances that were impossible in the old space.

They've been busy raising the funds necessary to renovate and maintain this new space and would like to reopen in early 2008. Ecstatic Peace has made a commitment to help Flywheel and we hope you'll also consider doing what you can.

How You Can Help
1) Make a donation via PayPal to support Flywheel's general expenses.
2) You can also donate by mail. Make checks payable to Flywheel and mail to:

Flywheel
43 Main Street

Easthampton, MA 01027
3) Sign up to be a monthly supporter via your credit or debit card. Simply email fundraising@flywheelarts.org for details.
4) If you live near Easthampton, you might also consider volunteering for Flywheel.

For more information about Flywheel, go to their website:
http://www.flywheelarts.org

That's it for now. On behalf of Ecstatic Peace and Flywheel, thanks for the help and support.

Andrew