Polyvinyl to reissue American Football’s lone album with tons of rare material on May 20

Polyvinyl to reissue American Football's lone album with tons of rare material on May 20 http://www.tinymixtapes.com/sites/default/files/1404/news-14-04-american-football.jpg

I first heard American Football in English class, played as inspiration for a creative writing exercise. Junior year of high school, maybe senior year. The band’s self-titled album soon became the soundtrack for every Friday night I spent holed up in my bedroom wishing I had something cooler to do.

Now I’m listening to that album for the first time in forever and reliving that adolescent despondency, which I promise isn’t as depressing as it sounds. I love American Football, and on May 20, Polyvinyl will be reissuing the band’s self-titled album as a deluxe edition. American Football was originally released in 1999, and the deluxe edition will include live recordings, demos, and practice sessions that document songs the band never ended up recording elsewhere, as well as photographs by Chris Strong, lyrics sheets, liner notes written by the band, and band pictures that no one’s ever seen before.

American Football (Deluxe Edition) will be available as a double LP, double CD, and cassette tape, as well as plain old digital files. When Polyvinyl first announced pre-orders, the label’s website crashed for the first time ever due to such high demand, a testament to how much this album means to so many people. Snag a copy here, and check out “The 7’s,” a previously unreleased track that guitarist Steve Holmes says was one of the first songs American Football ever wrote and one that they typically played as a closer until they wrote “Stay Home”:

• American Football: http://americanfootball.bandcamp.com
• Polyvinyl: https://www.polyvinylrecords.com

Polyvinyl to reissue American Football’s lone album with tons of rare material on May 20

I first heard American Football in English class, played as inspiration for a creative writing exercise. Junior year of high school, maybe senior year. The band’s self-titled album soon became the soundtrack for every Friday night I spent holed up in my bedroom wishing I had something cooler to do.

Now I’m listening to that album for the first time in forever and reliving that adolescent despondency, which I promise isn’t as depressing as it sounds. I love American Football, and on May 20, Polyvinyl will be reissuing the band’s self-titled album as a deluxe edition. American Football was originally released in 1999, and the deluxe edition will include live recordings, demos, and practice sessions that document songs the band never ended up recording elsewhere, as well as photographs by Chris Strong, lyrics sheets, liner notes written by the band, and band pictures that no one’s ever seen before.

American Football (Deluxe Edition) will be available as a double LP, double CD, and cassette tape, as well as plain old digital files. When Polyvinyl first announced pre-orders, the label’s website crashed for the first time ever due to such high demand, a testament to how much this album means to so many people. Snag a copy here, and check out “The 7’s,” a previously unreleased track that guitarist Steve Holmes says was one of the first songs American Football ever wrote and one that they typically played as a closer until they wrote “Stay Home”:

• American Football: http://americanfootball.bandcamp.com
• Polyvinyl: https://www.polyvinylrecords.com

Gardland releasing 12-inch of improvisations ripped from live radio performances! (you gotta pay money for ‘em now)

Hey kids! Remember last year when your goofy experimental-electrotastic buddies Mark and Alex from the band Gardland totally invented twerking with the release of their double-LP Syndrome Syndrome?

Well, forget all that shit, because now they only want you to focus on the fact that they’re releasing a brand-new EP on April 29 via RVNG Intl.! Yup, it’s called Improvisations and consists of “three live performances ripped from local Australian radio in early 2012.”

“What? Ripped from the radio?” you say? “How am I supposed to know if that sounds cool or terrible?” you say?

Well, Magic Mark and Magic Alex are a step or two ahead of you, reader. Because today ALSO happens to mark the official release of this-here official music video for the track “0214 Pt.2.” Check it out below. The press release calls it a “desiccated, teleological frenzy.” But I dunno. Sounds a little more “decimated” than desiccated to my ears? Or maybe “decapitated”? Either way, definitely totally teleological. I’m feeling that.

Improvisations EP tracklisting:

01. 0214
02. 0315
03. 0214 Pt.2

• Gardland: http://soundcloud.com/gardland
• RVNG Intl: http://igetrvng.com

Russell Haswell and Pain Jerk remove the need for this descriptive article with upcoming 2CD Electroacoustic Sludge Dither Transformation Smear Grind Decomposition nO!se File Exchange Mega Edit

When I think of musical collaborations, silly me, I tend to have my head naively stuck in an age prior to the popularization of personal computers; as in, I often think artists necessarily have to be within close proximity to one another in order to actually collaborate. Obviously, presently, that’s not at all the case, and it’s easy to imagine (and probably recall) albums being crafted in unison thousands of miles apart, as well as rappers choking their producers via a creative series of emoticons. Still, it’s probably more common for collaborations to at least start out in person.

The Tokyo venue 20000 Volts was the initial meeting place for British multidisciplinary artist Russell Haswell (who’s previously collaborated with the likes of Aphex Twin, Peter Rehberg, and Florian Hecker) and Pain Jerk a.k.a. Gomi Kōhei, whose prolificacy in the genre of dynamic Japanese noise has been more or less ongoing since the early 90s. They met there in 1997, swooned over their mutual ability to remove frequencies from the human auditory system, and vowed to collaborate at some point in the future. It wasn’t until 2012, when they performed together at the Rammel Club in Nottingham, UK, that things started progressing toward something special.

The other kind of special. No, the other kind of special. No, the psychopathic kind of special. Two years in the making, Electroacoustic Sludge Dither Transformation Smear Grind Decomposition nO!se File Exchange Mega Edit (due out June 9 on Editions Mego) is the result of their Nottingham performance + solo recordings, subjected to an obscene amount of edits and re-edits that were sent back and forth between the two. Thank the heavens for our evolved inbox storage capacities! And leave purity to the devout. Have a listen to one perennially fucked-with excerpt off the double album below. I’m not sure how much more convincing you need:

Electroacoustic Sludge Dither Transformation Smear Grind Decomposition nO!se File Exchange Mega Edit tracklisting:

01. Russell Haswell’s Mega Edit
02. PAIN JERK’s Mega Edit

• Russell Haswell: http://haswellstudio.com
• Pain Jerk: http://painjerk.blogspot.com
• Editions Mego: http://editionsmego.com

King Dude releasing new album in May, joining Ghost for tour of every House of Blues in America

Seattle’s King Dude is the fire-and-brimstone preacher nursing whiskey in the back of a strip club in hell, spewing vitriol and God’s saving grace at anyone who happens to come near him. Or at least that seems to be the concept of the new video for “Fear Is All You Know,” the lead track off the goth-folk singer’s new album Fear. Strip club in hell, Amigo Room at the Ace Hotel in Palm Springs… it’s really hard to say what this joint is, but it looks pretty damn cool. (And sorta NSFW, unless you want your H&R department head to think you’re a damn weirdo.)

Fear is King Dude’s first release for his new Not Just Religious Music label, following up 2012’s Burning Daylight (TMT Review). Produced by Bill Rieflin, who has also worked with Ministry, Swans, and Pigface, its sonic themes include — you guessed it — fear. Plus telephones and mirrors! Those are also the themes. And to get King Dude’s take on those matters, you can see him live and in effect when he joins Ghost on a tour itinerary that asks the burning question now on so many minds, “How many damn House of Blues venues ARE there, really?” King Dude’s new album drops May 6.

Fear tracklisting:

01. Open the Door
02. Fear Is All You Know
03. Maria
04. Devil Eyes
05. Cloven Hooves (of Fear)
06. Demon Caller Number 9
07. Bloody Mirror
08. Lay Down in Bedlam
09. Bottomless Pit
10. Never Run
11. Miss September
12. Empty House
13. Watching Over You

Ghost/King Dude tour dates:

04.17.14 - Toronto, ON - Phoenix Theatre
04.18.14 - Pittsburgh, PA - Stage AE
04.19.14 - Chicago, IL - Vic Theatre
04.20.14 - St. Louis, MO - Pageant
04.22.14 - Lawrence, KS - Granada Theater
04.23.14 - Boulder, CO - Boulder Theater
04.25.14 - Las Vegas, NV - House of Blues
04.26.14 - San Diego, CA - House of Blues
04.27.14 - Los Angeles, CA - The Fonda
04.28.14 - Santa Ana, CA - The Observatory
05.01.14 - Austin, TX - Emo’s East
05.02.14 - Houston, TX - House of Blues
05.03.14 - Dallas, TX - House of Blues
05.04.14 - New Orleans, LA - Civic Theatre
05.06.14 - Orlando, FL - The Beacham Theater
05.07.14 - Ft. Lauderdale, FL - Revolution Live
05.09.14 - Atlanta, GA - Center Stage
05.10.14 - Chattanooga, TN - Track 29
05.11.14 - Raleigh, NC - Lincoln Theater
05.12.14 - Asheville, NC - The Orange Peel
05.14.14 - Silver Spring, MD - The Fillmore
05.15.14 - Philadelphia, PA - Trocadero Theatre
05.16.14 - Poughkeepsie, NY - The Chance
05.17.14 - New York, NY - Best Buy Theater

• King Dude: https://www.facebook.com/kingdudemusic
• Not Just Religious Music: http://notjustreligiousmusic.com

Billy Corgan climbs the turnbuckle to release experimental album AEGEA

In the midst of putting the concept of avant-garde music in a headlock, Zwan’s Billy Corgan has announced an experimental double LP known as AEGEA, to be released sometime in the next few weeks. Before tangling with the musical concept, Corgan descended from the rafters, as smoke billowed in from the ceiling and, appropriately enough, Smashing Pumpkins’ “Zero” played through the arena’s sound system. As Consequence of Sound reports, Corgan mentioned that the record was comprised of recordings dating back to the spring of 2007, which some know as the Zeitgeist era. Corgan then put his opponent in the dreaded Scorpion Death Lock.

Upon landing a series of devastating body blows, the Zwan frontman revealed that the record would be limited to 250 vinyl copies, most of which would be available online. As his opponent stood dazed, Corgan said that a few copies would be available at his Madame Zuzu’s Teahouse establishment in Highland Park, Illinois. The creator of 2005’s TheFutureEmbrace then executed a perfect DDT on avant-garde music, while announcing that AEGEA would be available at the very reasonable price of $59.95.

In addition to this experimental record, Corgan has kept busy working on a pair of new Smashing Pumpkins albums. He also recently did two very ambitious, very long performances based around modular synth, at least one of which Daniel Lopatin watched. One. Two. Three. Billy Corgan has pinned avant-garde music. Billy Corgan is your new heavyweight champion.

• Billy Corgan: http://www.smashingpumpkinsnexus.com

[Photo: Michael Tercha]