Rivers Cuomo announces Japanese-language album made with guy from Allister, evidently is in possession of my high school journal

Rivers Cuomo announces Japanese-language album made with guy from Allister, evidently is in possession of my high school journal http://www.tinymixtapes.com/sites/default/files/1305/news-13-05-rivers-cuomo-allister.jpg

When I was 17, I listened to Weezer’s 1996 record Pinkerton, the record that made public Rivers Cuomo’s fascination with Japan, every day. If I wasn’t listening to Pinkerton, I was probably listening to Alkaline Trio or the 2003 Warped Tour compilation CD. That compilation contained a song by the pop-punk group Allister called “Somewhere on Fullerton.” While I enjoyed that song at the time, I have never thought of Allister outside of that particular context.

As Pitchfork reports, Rivers Cuomo and Scott Murphy, formerly of Allister, have made a self-titled Japanese-language record under the name Scott & Rivers, released by Delicious Deli (a Universal Music Japan imprint). Clearly, Rivers Cuomo has gained possession of my high school diary. How did he get it? Actually, my high school diary was just a LiveJournal page. How does Rivers Cuomo know about my high school LiveJournal?

Anyway, the record is out now in digital format through Delicious Deli and Universal Music Japan. You can watch the video for the record’s first single “Homely Girl” below. It sounds basically about how you might expect, while also probably being better than every Weezer song of the past five years. There’s also a tracklist, which you can see below. You might note that “Butterfly” is on that tracklist and, also, that “Butterfly” is the name of the last song on Pinkerton. Is it the same song, but in Japanese? I have no idea.

Scott & Rivers tracklist:

01. Break Free
02. Homely Girl
03. Freakin’ Love My Life
04. おかしいやつ
05. 朝は近い
06. 終わりのないこの詩
07. 遠く離れても
08. I Need Somebody
09. はじける
10. ほどけていたんだ
11. Butterfly
12. 君と二人で

• Scott & Rivers: https://www.facebook.com/scottandrivers
• Rivers Cuomo: http://riverscuomo.com
• Delicious Deli: http://www.universal-music.co.jp/delideli

Sled Island: a place where Swans, Mount Eerie, and The Jesus and Mary Chain share tunes and cheery mugs of cocoa

Sled Island! It sounds like a magical winter playground where it’s never uncomfortably cold, snowmen dance and sing with you, and everyone’s skis are made of candy canes. Sled Island! Yes, that’s right: for seven years, Calgary, Alberta has kept the plains rockin’ with its wondrously-named festival, and this year over 250 bands will converge upon good old Stampede City, which is, according to Wikipedia, a nickname for this fair town situated “in an area of foothills and prairie.” Sounds bucolic!

From June 19-22, the likes of OFF!, The Thermals, The Besnard Lakes, and Suuns will descend upon this hard rockin’ prairie city, taking over 30 or so downtown Calgary venues. Art! Film! Comedy! It’s all there at Sled Island, where Swans wander into gumdrop forests to build snowmen that sing Mac DeMarco songs and everyone toasts each other with a cheery mug of hot cocoa spiked with heavy quantities of cheap whiskey. The lineup also includes The Jesus and Mary Chain, Explosions in the Sky, Divine Fits, Joel Plaskett Emergency, Iceage, Superchunk, Colin Stetson, The Jon Spencer Blues Explosion, Torche, Metz, Tim Hecker, Thee Oh Sees, The Night Marchers, Unknown Mortal Orchestra, John K. Samson, Mount Eerie, BadBadNotGood, Ryan Hemsworth, White Lung, Javelin, The Ghostlamp Killer, Jerusalem Is My Heart, Keys N’ Krates, Ken Mode, THEESatisfaction, Samantha Savage Smith, Renny Wilson, Cousins, and Pete Swanson.

And, of course, like 200+ more bands. Tickets are available online, so nab ‘em.

• Sled Island: http://www.sledisland.com

Matias Aguayo advocates spontaneously dancing into your neighbors’ homes, announces The Visitor LP for June release on Cómeme

So, the crux of this article should understandably center around the news of Matias Aguayo announcing his first album in four years, but it would be a mistake to assume that the Chilean-born producer/DJ, what with his palpable energy and gibberish-laden enthusiasm for ice cream, had ever really been absent from the music scene. Sure, we can point to his recent contributions to the annual Kompakt compilations, but what else has he been doing since Ay Ay Ay (TMT Review), aside from making cl-cl-clubgoers around the world realize the faults of boilerplate minimal techno?

The Visitor will be released on June 24, and it’ll be Aguayo’s first via Cómeme, the label that he founded in 2009, and has been pushing as an international (though mostly South American) beacon for musical integrity ever since. As far as album titles go, this one’s duly fitting when you consider both Aguayo’s personal history and the production of the record itself. Aguayo was raised in Germany, has otherwise lived in both France and Argentina, and The Visitor was recorded, according to Resident Advisor, over a five-year period in locations around the world, including Argentina, Mexico, Colombia, France, and Germany. I’m not a fan of the term either, but I’ll bite down for the sake of its appropriateness — you’re a citizen of the world, Matias.

Joining him on the record are fellow Cómemers Phillipp Gorbachev, Daniel Maloso, Ana Helder, and Alejandro Paz, as well as numerous guest vocalists. Adding to the credit intrigue, Scott Monteith a.k.a. Deadbeat handled the mixing duties. Pluralize the title, and listen to the obscenely groovy track “El Sucu Tucu” below.

The Visitor tracklisting:

01. RRRR
02. Dead Inspector
03. By the Graveyard
04. Llegó El Don
05. Una Fiesta Diferente
06. El Sucu Tucu
07. Aonde
08. El Camaron
09. Do You Wanna Work
10. Levantate Diegors
11. Las Cruces
12. A Certain Spirit

• Matias Aguayo: https://www.facebook.com/pages/Matias-Aguayo/17836647687
• Cómeme: http://www.musicacomeme.com

Decoder rises a third time, made with the gestalt of ex-Foxy Digitalis writers and a sexy CMS

In times of old, site relaunches tended to occur on the simple Rule of Sexy and/or Cool: If your site’s design looks old and busted, you create a new site design and relaunch, trumpeting with the glory of a dehydrated Coachella attendee on psychotropics. With the new site design, people will come back and think of your site as cool and sexy again and keep coming back… assuming, of course, you made a good site design. Design, like content, is King (thus making the two Co-Kings), and is an important aspect of making sure your site is with it.

In the case of seminal site Decoder Magazine, they kind of did that last Thursday. However, their motives were more than just getting sexy down: back in February, we (or rather, I) announced the end of another seminal site, Foxy Digitalis. In its conclusion, owner Brad Rose stated that, in working with editor Dwight Pavlovic at Decoder, the writing staff would be joining the latter site as part of the now-hip relaunch (exception given supposedly to Jonathan Patrick, who was found mewing on Mr P’s doorstep on the Floating Platform one morning). Originally, the planned relaunch was said to be February. However, as any site designer will tell you, you should read any completion date and add three weeks or three months to it, depending on how much the designer is paid.

In any event, the new site design is a lot less bloggy, and a lot more site-y. Previous entries pre-launch remain mysteriously hidden from human sight, but that may be subject to change. Additionally, the site hints at possibly expanding its scope, with links to future articles on food, fashion, literature, and art. Hopefully, this means we will finally get to learn how Michael Gira makes spicy fondue. I hear it’s a hit at house shows.

• Decoder: http://www.secretdecoder.net

Ryan Power seduces your ears next month with a new album for NNA Tapes

TMT Action News is excited to bring you the EXCLUSIVE story of a brand spanking new Ryan Power album to be released on NNA Tapes June 25. TMT: unless you like know Ryan Power’s mom or something, you heard it here first.

Titled Identity Picks, Power’s sixth album (and second for NNA, following last year’s I Don’t Want to Die) offers up eight lusciously intimate jazz-pop gems crafted to make you smile as you drive down the boulevard with your windows down, the sun in your eyes, and the wind in your hair. Unless you listen to the actual lyrics, that is, which are cuttingly personal and a bit of a contrast to the smooth stylings of the album’s overall tone. Think Kaputt with a little more atmosphere as penned by Will Oldham and produced by Hot Chip. Believe me, it works! Listen to “The Prize” below.

In other news, I kept typing Powter instead of Power, which lead me to read all about Susan Powter, so I’m going to go eat something healthy for my body now to accompany the highly nutritious ear candy my auditory canals just digested thanks to Mr. Power. Yum! Mark your calendars and get in on the action next month.

Identity Picks tracklisting:

01. Sample Lives
02. The Prize
03. New Attitude
04. Sweetheart
05. Earth to Fuckface
06. Identity Picks
07. Well on Your Way
08. Rip the Blood

• Ryan Power: http://ryanpower.org
• NNA Tapes: http://nnatapes.com

Kanye West tweets “June Eighteen” indicating a possible album release date; people on the internet get kind of excited

Picture this: it’s an alternate universe and Kanye West is riding a massive dragon over the Southwestern US. A whole bunch of music writers and dedicated fans are tethered to the dragon’s tail, riding on hover-skateboards and getting their thumbs ready for the Tweet-frenzy of their lives (this is how music journalism gets done in the alternate universe). It’s nighttime, and alternate universe urban America pulses below, the denizens of which are only dimly aware of the fire that ‘Ye is keeping at bay.

All of a sudden, there’s a crackle, like a massive heavenly loudspeaker resuscitated by pure egotistical will. And then: “JUNE EIGHTEEN!”. It booms forth, slow and authoritative, with low frequencies powerful enough to re-ruffle the already ruffled hair of the nearest tail-attached Tweeters. “A new album!” they all shout in unison. “That’s what this must mean!” Without warning, however, the power to the hover-skateboards suddenly fails, and the dragon tethers are cut. The Tweeters find themselves plummeting, helpless.

Kanye looks on, uncaring, as he pats the dragon on the head. As he and the dragon ride off into the night accompanied by the opening chords of My Beautiful Dark Twisted Fantasy (TMT Review), the dragon burps forth a cloud of flame that incinerates most of Tucson. Moments later, Rap Radar’s Elliott Wilson comes by with a generator for the hover-skateboards. “He’s saving us!” the falling Tweeters cheer as their hover-skateboards power back up. Wilson booms (quieter than Kanye, though can you blame him?) “Chris Atlas at Def Jam confirmed. Kanye West. New album. 6.18.13.” However, moments later, the generator fails, and he’s all like “Oh wait, never mind, my bad, that info is not actually confirmed.” He goes on to repeat, “Oops, my bad” several times, though it offers little solace to the plummeting hover-skateboarders whose iPhones and mangled bodies will soon dot the alternate landscape of the Southwest.

• Kanye West: http://www.kanyewest.com



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