Sasquatch! Festival unveils Jack White, Beck, Bon Iver as headliners… and shows us their boobs

Sasquatch! Festival unveils Jack White, Beck, Bon Iver as headliners... and shows us their boobs http://www.tinymixtapes.com/sites/default/files/news-12-02-sasquatch-festival.jpg

Four days of beer-chugging, eating overpriced food, and constantly brainstorming creative ways to avoid the long porta-potty lines is nearly upon us. Bask in the wonderfulness that is the Sasquatch! Festival! This year headliners Jack White, Beck, and Bon Iver will bring their latest batch of stuff to the Memorial Day weekend festival at The Gorge in George, Washington.

White will, no doubt, be promoting his first solo output, Blunderbuss, and Bon Iver will continue to gain massive amounts of fans, but as for Beck… that’s anyone’s guess. Could he possibly be ready to release new material? His last album Modern Guilt (TMT Review) came out way back in the pre-Facebook Timeline days of yore known as 2008.

If you are a rare bird and only go to festivals for the non-headliners, then you’ll be pleased to know that you can catch a shit ton of goodness at this year’s festival: The Shins, Beirut, The Roots, Feist, St. Vincent, Wild Flag, tUnE-yArDs, Shabazz Palaces, Kurt Vile, Zola Jesus, Active Child, The War on Drugs, Cass McCombs, Ted Leo and the Pharmacists, Dum Dum Girls, Mogwai, Explosions in the Sky, Metric, The Joy Formidable, Apparat, The Walkmen, Clap Your Hands Say Yeah, Spiritualized, Grouplove, SBTRKT, Here We Go Magic, AraabMuzik, Com Truise, and Purity Ring, to name a few.

Festival passes go on sale February 11 at 10 AM PST at SasquatchFestival.com, where you can go to view the full lineup. Watch the animated festival trailer below and try not to wet yourself.

Sasquatch! Music Festival 2012 Lineup Announcement from Sasquatch Festival on Vimeo.

• Sasquatch! Festival: http://www.sasquatchfestival.com

Nate Wooley starts quarterly online music journal — for the people!

Free-jazz trumpeter and improvisational artist Nate Wooley has announced the premiere of his quarterly online music journal, Sound American, operating through the Database of Recorded American Music. The full Sound American site will launch Monday and aims to provide a platform for a more-casual and less “difficult” discussion of experimental music. Wooley explains the goal as “balancing out the academicism of [DRAM] and fostering a newer, younger audience.”

This is definitely exciting news for fans of Wooley and experimental music alike, especially for those of us who wish experimental genres beginning with the prefix “free” weren’t so confined — as the Sound American site puts it — “by a group of depraved, anti-socials that enjoy defining their superiority to the unwashed masses by adding layers of complexity, abstraction and obfuscation to their hobby worlds, thus sucking all the joy out of everything they touch.” Damn, that quote just made me pump my fist so hard that I dislocated my shoulder.

Presently, there is a “soft launch” of the site that can be viewed here for now. Also, in other related news, Nate Wooley has a new split CD with Peter Evans, entitled Instrumentals Vol. 1 that can be mail-ordered here.

• Sound American: http://www.soundamerican.org
• Nate Wooley: http://natewooley.com
• Database of Recorded American Music: http://www.dramonline.org

oOoOO releasing new EP Our Loving Is Hurting Us on Tri Angle in April; oOoOOh snap!

oOoOOh shit! The band with the unpronounceable name (I mean, I guess you can pronounce it “oh,” but that just seems like a waste of drama and o’s) has a new EP in the works for dark-natured It label Tri Angle. In that good ol’ spoOkOOky spirit, the mysterious San Francisco-based musical project of actual non-witch (MAYBE) human Chris Dexter Greenspan is calling said EP Our Loving Is Hurting Us. It’s jam-packed full of five ethereal tracks, two of which are collaborations with the lovely Parisian Butterclock. The EP was created in such “I’m an artist” locales as Berlin, New York, and Greenspan’s hometown, San Fran. It’s due April 10, and you can check a track from the EP, “NoWayBack,” at the Chocolate Grinder.

So, mark your calendars, fans of all things witchy! Case study: the last release from Tri Angle, label head dude Robin Carolan’s Lies Ballad, was a limited little number, with only 100 copies available. That rekkid is planned to appear in stores at intervals throughout 2012. So, oOoOO fans will wanna keep an eye out for that one. As is this way with Tri Angle releases, cult fans scoop this ish up faster than a gelato shop in Los Angeles on a 98-degree day.

Our Loving Is Hurting Us tracklisting:

01. TryTry
02. Springs (ft. Butterclock)
03. Starr
04. Break Yr Heart
05. NoWayBack (ft. Butterclock)

• oOoOO: http://www.myspace.com/wkwkwkwkwkwkwkwk
• Tri Angle: http://tri-anglerecords.com

Oneohtrix Point Never and Sun Ra Arkestra added to Jeff Mangum’s ATP lineup. Suck it, Lollapalooza 95!

Hey you moops. I’m not gonna sugar coat this. Or check the spelling. Or the grammar. Or the Mangum/Magnum thing that people always do. So, Jeff Magnum just added Sun Ra Arkestra to the ATP he’s curating next month at Butlin’s Holiday Centre, Minehead, UK on March 9-11. Probably because he likes horns and because he’s a fan of this video. He also asked ATP to curate one of the venues themselves for the Saturday of the event, and they just added Oneohtrix Point Never and Feathers. Probably because they like Jeff Magnum and read Tiny Mix Tapes.

Did I mention that he’s also headlining (alongside Joanna Newsom and Magnetic Fields) with a set of Neutral Milk Hotel tunes and other rarities and that the total capacity of the whole fest is only 5000? And that all tickets include accommodations in “a heated apartment with TVs, beds, bathroom facilities and kitchens (in Self Catered apartments)” and that all this shit is happening indoors in three heated venues so you won’t have to deal with all the dumb mud and rain and other crap that made Woodstock fucking suck so bad???

Yeah, I know man. Get there.

• ATP: www.atpfestival.com

Jack White to release his first solo album on April 24. Just kidding, all of his albums are solo albums.

Enigmatic longhair John Anthony “Jack White” Gillis set the internet ablaze this past Tuesday with the digital release of his new single, “Love Interruption.” White is set to release an LP of solo recordings on Third Man Records, an exclusive deal that he secured by being said record company’s owner and only employee. The album, titled Blunderbuss, will mark his debut as a solo artist, unless one chooses to consider White’s contributions to the Cold Mountain soundtrack, the single “Fly Farm Blues,” his recording of the unfinished Hank Williams song “You Know That I Know,” and all six White Stripes albums.

Even The Raconteurs, a supposed collaboration between Jack White and an assortment of lesser-known musicians, was actually the result of a double-booked recording studio time slot. According to a Rolling Stone interview, White had intended to “lay down some hot riffs” and “vamp all night” at a rented jam space in Detroit. When he walked into the room to discover some soft-faced Midwesterners rehearsing, White allegedly told them that they could play “next to [him].” As the session was completed, Brendan Benson is said to have asked White for his thoughts on their new tracks, to which White replied “La la la! I can’t hear you!” This is why the band is known as The Saboteurs in Australia.

Young TMT readers should be reminded that Love Interruption has a failure rate of 15%-28%, though “streaming” between uses can greatly increase its efficacy. More effective methods can be obtained free of charge at your local Planned Parenthood.

• Third Man: http://www.thirdmanrecords.com

Swans release limited edition two-disc live album, which consequently sells out faster than the speed of our typing

Swans were dead, and we give our eternal thanks to the inimitable Michael Gira for resurrecting them in a manner as miraculous and significant as the one depicted in the Bible, though with considerably less brain-gorging. Swans Are Dead, released in 1998, symbolized what Gira believed to be the band’s permanent disintegration, but luckily for us, the release of We Rose from Your Bed with the Sun in Our Head (also a two-disc live album) signals the complete opposite. Unluckily for us, we’re reporting on this somewhat belatedly, so that album — which came in a limited edition of 1000 — has completely sold out. Luckily for us, all of the revenue earned from the sale of those handmade and personalized (as the disappointment sets in…) albums reportedly “CONTRIBUTES DIRECTLY” to the recording cost of an entirely new Swans album, The Seer, which is already in progress.

If you’re thinking that an album selling out isn’t something to bat an eye at, considering you just download all of your music illegally through fantastically stocked private trackers, it’s worth noting that Gira personally advises against this, on an implied penalty of death: “By the way, these are for YOU only. Please, please, please do not “share” these, or any of the other recordings on the goddamn internet or anywhere else. Would really appreciate your attention to this request!” I guess you can’t blame him for trying.

If you’re interested in learning more about the creation We Rose from Your Bed with the Sun in Our Head despite the fact that it’s most definitely sold out, click here. And don’t forget to scan the list of solo tourdates if you’re intent on catching Michael Gira live in the coming months. Wait… isn’t he supposed to be working on a new Swans album? Shenanigans!

• Swans: http://www.facebook.com/pages/Swans/13879391977
• Young God: http://www.younggodrecords.com

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