Terry Riley’s "In C" Turns 45 With Reissue, Performance, Stark Aplomb

The score for "In C” is comprised of 53 short musical phrases that can be repeated ad infinitum, leading to performances as long as four hours.

Terry Riley's landmark minimalist composition "In C" will be reissued March 24 on Sony Classical.

The musicians arbitrarily choose which phrase to play and for how long before moving on to the next, making each performance unique.

New liner notes feature interviews with Riley and the supporting musicians.

“In C” was a huge influence on the future work of composers such as Philip Glass and Steve Reich.

This edition, which is remastered from the original session tapes, is part of a new branded series through Sony Classical, called “Carnegie Hall Presents.”

In addition, the piece will be performed April 24 at New York's Carnegie Hall.

This reissue commemorates the 45th anniversary of its premiere.

Performers are Carnegie Hall will include Riley himself, as well several of the participants from the original 1964 recording.

Some editions of the score indicate that it is customary for one musician ("traditionally played by a beautiful girl," Riley notes) to play the note C in repeated, octave eighth notes on a piano. This functions as a metronome and is referred to as "The Pulse."

The piece was named for its constant pulse of C notes on the piano.

Steve Reich even participated in its first performance, possibly keeping the C “metronome” pulse on the piano?

Players are also encouraged to play the phrases starting at different times, even if they are playing the same phrase.

The phrases are supposed to be played in order, but I’m pretty sure that you could mix them up however you’d like, if you were so inclined.

Steve Reich is not a beautiful girl.

Hear Times New Viking’s Velvet Underground Tribute Show!

As we reported pre-show on Friday (TMT News), Times New Viking played a Velvet Underground tribute set at the Mershon Auditorium in Columbus' Wexner Center for the closing party of the "Andy Warhol: Other Voices, Other Rooms" exhibition. Thanks to reader Pat Leonard, those of you who didn't happen to be in Ohio Saturday night (and let's hope that was most of you — just kidding, we love you Ohio!) can hear the show in MP3 form on Leonard's website. C. Spencer Yeh and Mike Hummel join TNV on violin and guitar/vocals, respectively. The MP3 also includes openers Psychedelic Horseshit's set, which featured two VU classics, "Sister Ray" and "Stephanie Says."

Here's the full setlist:

Psychedelic Horseshit:

Sister Ray

Stephanie Says

Times New Viking:

Run Run Run

I'll Be You're Mirror

I'm Waiting for My Man

All Tomorrow's Parties

Sunday Morning

Venus in Furs

I Can't Stand It Anymore

Heroin

Pale Blue Eyes

Here She Comes Now

After Hours

YACHT Has Great Merch, Tours

YACHT, DFA's newest addition, have amazing merchandise. I mean, wow. They come into town with anchors emblazoned, full bleed and metallic, and the next day everyone you know and their uncle is showing off their new ironic threads. I mean, check this shit out:

Does Andrew Lloyd Webber know about that that shirt? And that album of Nirvana covers with Bob Marley on the cover -- Courtney is gonna crap her panties. Get there early and come with $50 to blow on new clothing and accessories, and leave as soon as you're bored with the jams (it's alway been around song two or three for me). But seriously. Their merchandise is AWESOME.

Oh, and longtime collaborator Adam Forkner, of Portland's psychotropic White Rainbow, will be joining YACHT on tour this time, too. Check it:
02.22.09 - Los Angeles, CA - The Roxy
02.27.09 - Melbourne, Australia - Prince Bandroom (w/CSS)
02.28.09 - Sydney, Australia - Future Music Festival at Randwick Racecourse
03.01.09 - Perth, Australia - Future Music Festival at Wellington Park
03.05.09 - Sydney, Australia - The Metro (w/CSS)
03.07.09 - Brisbane, Australia - Future Music Festival at Doomben Racecourse
03.08.09 - Melbourne, Australia - Future Music Festival at Flemington Racecourse
03.09.09 - Adelaide, Australia - Future Music Festival at Rundle Park
03.12.09 - Las Vegas, NV - NEON REVERB Music Festival at Beauty Bar
03.13.09 - Cleveland, OH - Grog Shop *
03.14.09 - Chicago, IL - Schuba's
03.16.09 - St. Louis, MO - Gargoyle Club*
03.17.09 - Lawrence, KS - The Jackpot Saloon*
03.18.09 - Norman, OK - Opolis*
03.19.09 - Austin, TX - SXSW
03.22.09 - Dallas, TX - House of Blues Pontiac Garage*
03.23.09 - Houston, TX - Warehouse Live*
03.24.09 - Baton Rouge, LA - Spanish Moon*
03.25.09 - New Orleans, LA - House of Blues Parish*
03.26.09 - Tallahassee, FL - Club Downunder*
03.27.09 - Athens, GA - 40 Watt Club*
04.10.09 - New York, NY - The New Museum
05.01.09 - Copenhagen, Denmark - VEGA
05.02.09 - Krems, Austria - Donaufestival @
05.07.09 - Marseille, France - L'Espace Sextius
05.08.09 - Luxembourg - Exit07

* Playing with Chairlift

@ Antony and the Johnsons, Cocorosie, Stereolab, Aphex Twin DJ Set

Comprised of James Iha, Cheap Trick Members, and Taylor Hanson, Tinted Windows Already Gives Supergroups a Bad Name

Much like Communism, credit cards, and Calvin Coolidge, supergroups have always sounded great in theory but in practice leave much to be desired. Bringing musicians from big bands together may appear to be a stroke of genius, but it too often descends into money-grabbing conventionalism.

Nevertheless, despite their existence as mammoth cash-cows, supergroups have always oozed "coolness," whether it’s Velvet Revolver’s licks and lovers or A Perfect Circle’s passion and power. The latest group to acquire the ‘super’ prefix is Tinted Windows, which features James Iha and former members of Cheap Trick (Bun E. Carlos), Fountains of Wayne (Adam Schlesinger), and err Hanson (Taylor Hanson). Apparently, the band seems to have decided to forget the music, drop the “cool” pretense, and focus their efforts entirely on making as much money as possible.

At least previous supergroups were made up of musicians who were in vaguely respectable bands. But Hanson? Guys, come on -- when making a supergroup, you need to at least have consumers thinking “Damn that’s cool” (like Slash and Scott Weiland in a band together, for example). People are just going to see ‘Tinted Windows’ and think “Hmmm, where are my Smashing Pumpkins CDs?”

Anyway, the "supergroup" has already recorded an album and will be playing at SXSW -- although, if they value their dignity it would probably be best to avoid Austin completely. I doubt they’ll have too many people rocking out to “MMMBop” with chugging guitar lines.

RIP: Louie Bellson, jazz drummer

From the LA Times:

Louie Bellson, a jazz drummer and bandleader who combined remarkable instrumental virtuosity with far-ranging compositional skills, has died. He was 84.

According to his wife, Francine, Bellson died Saturday at Cedars-Sinai Medical Center in Los Angeles of complications of Parkinson's disease following a broken hip in November.

Bellson's long, productive career stretched from his teens -- when, in competition with 40,000 other young players, he won the Slingerland National Gene Krupa drumming contest -- to the tours and seminars he continued until 2008.

- Louie Bellson official website
- Louie Bellson Wikipedia entry

Indie Band Pays YOU to Download Their Record, Core Temperature of Hell Currently Unstably Hovering at 33 Degrees Fahrenheit

At TMT, we’re all about the jokes. And yes, here in 2009, both the economy and the state of the old-school Record Industry model are ripe for ceremonious and symbolic cage-rattling, irreverent flouting, and semi-satirical marketing exploitation. But come on, people. A band paying the consumer to download their album digitally? Well, that’s just the kind of ridiculous thing that those VH1 I Love Nostalgia shows will devote an entire segment to when the 2009 show comes along (in 2010).

As part of a marketing campaign motivated by, among other things, a seeming desire to finally “get famous,” Philly-based indie rock band Officer Roseland is paying fans $1 to download their new, unfortunately titled, and woefully graphic-designed album, Stimulus Package, from their website MyStimulusPackage.org.

In case you were wondering, the album is being called “satirical” and supposedly skewers the commercialism of the recording industry -- and of American society at large -- “with a warped sense of humor that is the band's signature.” Blah blah blah. Anyway, upon visiting the site, the band offers fans two options: The first, labeled "TAKE," pays YOU $1 to download the album. The second, labeled "GIVE," donates that $1.00 to the charity Mr. Holland's Opus Foundation, an organization that donates instruments to music programs that are already in place but lack the funding to maintain their equipment.

Okay, okay... I admit it. That whole donations thing is actually a really reputable thing to do. But come on, do we really have to resort to using the crippled state of the economy as a publicity scheme to sell our new products? And isn’t “giving things away” actually just harmful to the economy’s capitalism-based progress in the long run?? And, hey wait a minute; aren’t we just feeding this marketability anyway by posting a story about it and name-checking the band??? Aww, man. My head hurts; I think I’m going to go lie down for a minute and watch I Love the 90’s for the 16th time.

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