The Body sign to Thrill Jockey, announce summer tour of DOOOOOOM

The Body sign to Thrill Jockey, announce summer tour of DOOOOOOM


Portland-based doom metal duo The Body have signed to popular record label Thrill Jockey. The band plans on releasing a new full-length on the label this fall. They also have a new EP, Master, We Parish out on At A Loss Records right now. You may check out a video for “The Ebb and Flow of Tides in a Sea of Ash,” one of the EP’s tracks, right here. It is very disturbing and, most likely, not safe for work-viewing.


The Body will be heading out on tour this spring. The tour will continue on into the summer months, for some dates in both June and July. The band will play songs.


The Body dates:

05.07.13 - Boise, ID - Red Room
05.08.13 - Salt Lake City, UT - The Salt Haus
05.10.13 - Kansas City, MO - PUA Gallery
05.11.13 - Iowa City, IA - Gabe’s Oasis
05.12.13 - Lincoln, NE - Bourbon Theatre
05.13.13 - Dubuque, IA - Eronel
05.14.13 - Chicago, IL - Empty Bottle
05.15.13 - Cleveland, OH - Now That’s Class
05.16.13 - Harrisburg, PA - Grindlab Skatepark
05.17.13 - Philadelphia, PA - Heaven’s Gate
05.19.13 - Pawtucket, RI - Machines with Magnets
06.09.13 - Brooklyn, NY - The Acheron
06.10.13 - Brooklyn, NY - The Acheron
06.30.13 - Berkeley, CA - This is Not a Step Fest
07.03.13 - Seattle, WA - Black Lodge *
07.04.13 - Oakland, CA - 1234 Go Records *
07.05.13 - La Puente, CA - Bridgetown *
07.07.13 - Riverside, CA - Blood Orange *
07.08.13 - San Diego, CA - Che Cafe *

* Subservient Fuck

• The Body:
• Thrill Jockey:

Neutral Milk Hotel, Godspeed You! Black Emperor, Animal Collective, Silver Apples, and more to play Mountain Oasis Electronic Music Summit! Best worst-named festival EVER!

What’s in a name, reader? Surely a rose by any other name would present just as deadly a threat to unsuspecting hemophiliacs, right? Therefore, by the Lazy Associative Property of Wonky Poetic Metaphor that I just made up, an electronic-leaning summer music festival that used to be called Moogfest, when called by any other, less-catchy, less-fun, more convoluted name, should theoretically have just as badass a lineup of must-see artists. Right! Don’t question it; let’s just move on.

As Pitchfork reports, the 2013 lineup for the newly-titled Mountain Oasis Electronic Music Summit, which takes place October 25-27 in Asheville, North Carolina, basically has everyone that’s ever been cool ever playing at it. We’re talking the works here, people: a newly reinvigorated Neutral Milk Hotel (with Daniel Johnston and Half Japanese), Nine Inch Nails, Godspeed You! Black Emperor, Animal Collective, How to destroy angels_, Gary Numan, Chromatics, Rustie, Jessie Ware, Zola Jesus and JG Thirlwell, Disclosure, Tricky, Jacques Greene, Pretty Lights, Bassnectar, The Bug, Bosnian Rainbows, and even freaking Silver Apples! Oh, and did I mention that that’s not all? Because that’s not all. The full lineup is expected to be announced in the next few weeks.

What more could you even want? Worried that it’ll be too chilly for an incredible electronic music festival at the end of October?? No problem. According to the festival’s site, all the shows will take place at venues which are “indoors, within easy walking distance of one another, in the heart of downtown Asheville.” Too lazy or internet-challenged to find out when and where tickets can be procured? No problem. Passes go on sale THIS THURSDAY, May 2 at Noon EST right over here. Just plain hate reading things? No problem. Here’s a goddamn video reiterating everything I just said! (Although one has to wonder how you even got this far.)

• Mountain who-cares-what-it’s-called Fest:

Northern Spy to release premier album of jazz-weirdness quintet Black Host, a valiant attempt to make improv jazz slightly more accessible

I can’t pretend to “get” Free Jazz too often. If you knew me, which of course you don’t because I’m just a name on a screen to you, that previous statement may have made you raise an eyebrow. This mild show of interest would probably have been triggered when you tried to reconcile that you know I love experimental music, early industrial, and noise; musical forms that all have roots in improvisation and branches in eye-twitch-inducing sounds, with the fact that free jazz holds little appeal for me.

You’d say, “I really can’t even begin to understand the ins-and-outs of your tastes, Ryan.”

And I would say something really disappointing and non-committal, like “I dunno.”

Luckily enough, Northern Spy has stepped in to fill in the holes and complete the code like John Hammond with a bucket full of frog DNA. The debut album from New York quintet Black Host is likely to draw one of the stranger and more diverse followings out there, featuring the combined talents of Gerald Cleaver, Cooper-Moore, Brandon Seabrook, Darius Jones, and Pascal Niggenkemper. Their first step into a larger world is entitled Life in the Sugar Candle Mines and consists of eight tracks of straight-up weird, noisy, snare-driven jazz with a nice trimming of piano. All of it plays with the jazz improvisation firmly entrenched in the collective unconscious and festoons it with guitars, saxophone, and synthesizers that poke around the edges of post-punk and noise. The result is not quite a missing link nor a natural descendant of any one musical origin. This shambling, stitched-up creation makes its way off the operating table and into the sunlight (or moonlight perhaps) on May 28; hear a representative track below. I would ask that at least one person get a copy and then do their level best to explain where in my brain the disconnect between various improvised forms of music happens.

Life in the Sugar Candle Mines tracklist:

01. Hover
02. Ayler Children
03. Citizen Rose
04. Test-Sunday
05. Amsterdam/Frames
06. Gromek
07. Wrestling
08. May Be Home

• Black Host:
• Northern Spy:

The Fall to release new album on May 15 despite the obvious/awesome PR opportunity to release it in THE FALL

Hey, guys. Did you know already that The Fall’s Mark E. Smith and his buddies (whom are currently still Peter Greenway, Keiron Melling, Elena Poulou, David Spurr, and presumably FUCKING NO ONE ELSE) announced (via FACT) that they’ll be releasing a post-punkin’ new album on May 15 via the UK label Cherry Red?

Well, come to think of it, if you didn’t know that stuff already, it’s probably because you’re not really a fan of that band, am I right? I mean, if you were, you’d already be “up” on this sort of thing, you know? This story is old as fuck! And you’d be all like: “Formed in the year blah-blah-blah and with over X albums to their name, The Fall are a British post-punk band from Manchester, UK that features an ever-changing line up centered around founder Mark E. Smith, who…” And if that were the case, then it would logically follow that you wouldn’t need me here to be all like:

Hey, I’m Nobodaddy! I’m a real smartass! Get this, dudes, the new Fall album is called Re-Mit and follows this or that other album from 2011! Casual swearing is not only acceptable on the internet, but it’s totally awesome! Exclamation points and italics forever!

Whoa. Yeah, that’s right. I totally just put myself in a block quote. This news story is over, pal.

Re-Mit tracklisting:

01. No Respects (instrumental)
02. Sir William Wray
03. Kinder Of Spine
04. Noise
05. Hittite Man
06. Pre-MDMA Years
07. No Respects rev. (featuring vocals)
08. Victrola Time
09. Irish
10. Jetplane
11. Jam Song
12. Loadstones

• The Fall:
• Cherry Red:

Goblin to play live soundtrack to Dario Argento’s Suspiria at the Housecore Horror Film Festival, attend and prove yourself the Gothiest of your friends!

Goblin are as important to electronic music as Kraftwerk. Now that I have your attention with that hyperbolic and probably indefensible statement, I’m going to explain it as if it were neither of those things. Goblin’s scores for Dario Argento’s films during the 70s and 80s formed a blueprint (along with John Carpenter and Fabio Frizzi, but let’s stay focused) for the likes of Xander Harris, Umberto, Mater Suspiria Vision, a good chunk of the “witch house” movement and, if we are being honest, probably The Haxan Cloak. And that’s just bands that are still active; Coil sampled Goblin back in the 90s, which is basically like knighting them, in my never-humble opinion.

That previous series of wild and largely unsubstantiated claims I made? That was all for your benefit, gentle reader. Let me put it this way: have you ever stumbled upon a band only to find that they just toured through your town naught but two months ago? Do you remember the feelings of regret upon the realization that the songs that now have 50+ plays on your iPod could have been vibrating straight through you live? Well one of those normally overlooked events is coming up: Goblin is playing a live soundtrack to Suspiria during the course of the Housecore Horror Film Festival. The $175 price tag for a three-day ticket is pretty hefty, but being that this is the first time Goblin has played in the good ol’ USA it’s worth it. So now that the importance of this event has been explained, if you have the expendable income to both fly to Austin, Texas around October 25-27 of this year and get yourself a ticket to the show, you have no choice but to go. You will be compelled to, in fact. Now aren’t you happy this was brought to your attention?

• Goblin:
• Housecore Horror Film Festival:

Lieven Martens Moana (Dolphins Into The Future) readies Music From the Guardhouse LP; guardhouses are now pretty interesting

In his rather extensive overview of Lieven Martens Moana’s Dolphins Into The Future project, my colleague and aspiring masseuse M Rubz initially, and aptly, brought up the kosmische character of the now-disbanded Emeralds. Though the “Emeralds” name might seem satisfactorily fitting given the electronic allure of their output, it’s hard to think of a moniker more surprisingly appropriate, once you’ve had the chance to listen to his music, than its sea-mammal counterpart. First it inspires thoughts about super-intelligent dolphins building their own time machine, but listen through the suboceanic drift of the synthesizer, and you’ll realize those dolphins are much more concerned with technological advancements in human sedation. Enslavement may or may not follow.

In what’s arguably a move designed to avoid giving sea creatures any ideas, Moana’s next release will come under his own name; Music From the Guardhouse will be released on June 3 via the Belgian label KRAAK.

The switch in name coincides with a relatively harsh change in style, whereby the “sedation” previously referenced is replaced with sparsely-positioned notes of electronic blurbage. Literary references and themes of nature persist, helped along by the familiar utilization of field recordings and various MIDI devices, but it’s all for a different, more challenging purpose. For their part, KRAAK describes the album as a “blue print for the future of compositions,” which, ignoring any exaggeration, should be more than enough to inspire curiosity. Prepare your brain, and stuff.

• Lieven Martens Moana: