Tim Heidecker & Davin Wood announce new album, prompting swift and taut media reports such as this one

Tim Heidecker & Davin Wood announce new album, prompting swift and taut media reports such as this one http://www.tinymixtapes.com/sites/default/files/1308/news-13-08-heidecker-wood.jpg

Oh. Hello again, there, American actor, comedian, musician, writer, and director Mr. Tim Heidecker. I hope you’re well. I was quite pleased to hear that you — along with “longtime musical collaborator composer/multi-instrumentalist Davin Wood” — will be releasing your follow-up to 2011’s Starting from Nowhere (TMT Review), entitled Some Things Never Stay the Same, this coming November 12 on the Little Record Company label. I’ve been informed by your official press release (and am happy to re-report) that you’ve worked with some truly excellent L.A.-based musicians this time around, including Aimee Mann on some guitar, Eric Johnson (The Shins, Fruit Bats) on some vocals, and some great performances from a few former Rilo Kiley members. That sounds like good content for a news story, to be sure! However, in order to bring a little bit of additional context to the situation for the benefit of any readers whom may require (or at least appreciate) it, I thought I’d quote your press release more directly for a moment; I trust that’s alright.

“Let’s lay it all out on the table: this is the self-indulgent sophomore album,” it begins. “The horns, the female back-up singers, the songs about life on the road and redemption for indiscretions that remain vague to protect the innocent, but mostly the guilty,” the paragraph continues. Finally, it concludes thusly: “It’s by turns pompous, funny, overproduced, underbaked, overly serious and not serious enough. All in a good way, of course!” Well, splendid. I look forward to hearing all of this in full in a few months. In the meantime, it’s been both educational and interesting to write about this follow-up album of yours, and I am excited to post its complete tracklisting below, as well as a live rendition of the song “Cocaine,” which inaugurates the album. Cheers, my good sir!

Some Things Never Stay the Same tracklisting:

01. Cocaine
02. What Else Is New
03. Getaway Man
04. This Is Life
05. Tell Her I Love Her
06. Coming Home
07. Sunday Man
08. Hurricane
09. On Our Own
10. Salvation Street
11. Next Ten Years

• Heidecker & Wood: http://www.heideckerandwood.com
• Little Record Company: http://www.littlerecordcompany.com

Lucrecia Dalt readies new full-length album Syzygy, a harnessing of her inner movie buff

Questionable is the notion of trip-hop’s existence in the 2010s, but a listen to Lucrecia Dalt’s sophomore album Commotus just prior to the writing of this article couldn’t help but inspire a mild reminiscence of the genre’s heyday around the early-to-mid-90s. To be sure, as my colleague Birkut points out in his review of the album, the influences are numerous, and the Badalamenti qualities ever-present, but I personally hear a soulful fragility that otherwise came to define that particular genre, until people brought in associations with Björk and DJ Shadow that made me ultimately go “WTF” at the genre’s mutating definition. Still, right away with the opener “Saltación,” I’m reminded that emotional vulnerability and coolness can often go hand in hand. In fact, you’re probably less cool if you don’t cry about things, I’ve just now decided.

Commotus brought a personal excitement, because while it was or is certainly a worthwhile listen, full potential didn’t feel like it had yet been met. For that, we can possibly look to Dalt’s next LP Syzygy, out October 15 via Human Ear Music. Filmic influences and a general depth of thought were made clear, among other sources, in a personal introduction to an exclusive Choco mix for TMT, and so continues the method. “Swirling complex themes,” as a press release puts it, see their origins in texts by Walter Benjamin and Italo Calvino, and in films by Michelangelo Antonioni and Ingmar Bergman. Muted emotion would appear to be the feature here, however.

Trailer? Trailer.

Syzygy tracklist:

01. Glosolalia
02. Inframince
03. Soliloquios
04. Vitti
05. Levedad
06. Volavérunt
07. Edgewise
08. Murmur
09. Mirage

• Lucrecia Dalt: http://www.lucreciadalt.com
• Human Ear: http://humanearmusic.de

Juana Molina comes out of hiding to release new album Wed 21 this October

It’s been nearly five years since Juana Molina released the superb Un Día (TMT Review). In the interim, the Argentine songstress did her first full band tour of the US and, well, not much else in the English-speaking world.

Apparently, her hiding spot was at home. For the past few years, she’s been holed up in her Buenos Aires studio working on new stuff. The fruits of her labor will be available on October 28 when Crammed Discs releases Wed 21. She’s been busy creating a true one woman show, composing, performing, recording, and producing the record on her own. In order to satiate your craving for some of her new material, those fine folks were kind enough to drop a SoundCloud link with the song “Eras.” Move your eyes slightly downward and you can see that I was nice enough to include that in this article so you wouldn’t have to use your best Google-Fu to find it:

Like most of her work, “Eras” is pretty heavily layered. You have a bunch of different types of percussion and string instruments working to create an expansive but focused sound, sort of the thing she’s known for. Noticeably present is the use of electric guitar. While I’m not sure if this is exactly the first time she’s used electric guitar, it is something of a departure as Molina mainly works with acoustic ones. The new record will actually see her incorporating more more electric and electronic instrumentation into her songs than her previous work, expanding on what was already a ridiculously textured sound.

In addition to the record, she’ll be touring Europe in November before taking some time off and going on an extensive tour in 2014.

While you patiently wait for her to hit your city, take a look at the Wed 21 tracklist:

01. Eras
02. Wed 21
03. Ferocísimo
04. Lo Decidi Yo
05. Sin Guía, No
06. Ay, No se Ofendan
07. Bicho Auto
08. El Oso de la Guarda
09. Las Edades
10. La Rata
11. Final Feliz

• Juana Molina: http://www.juanamolina.com
• Crammed Discs: http://www.crammed.be

Light in the Attic releasing sick 2CD/3LP box set of private press new age music spanning 1950-1990

Light in the Attic Records releases a lot of magical, forgotten reissues. It’s easy to imagine a herd of well-coiffed Lisa Frank unicorns answering the phone there, sorting out rights to obscure 7-inch releases, and laughing at memes on the Unicorn Internet while Witch Interns get them fancy lattes. And maybe now that’s not so far from the truth, because Light in the Attic is boldly daring to go where very few super-cool indie labels have really ever gone before: giving props to New Age music.

This ain’t your mom’s Yanni Best Of or one of those ocean waves CDs you can get from Target and preview on a display. This has organs and drones and weird experimental shit, ladies and gentlewarlocks: welcome to I Am the Center: Private Issue New Age Music in America 1950-1990. The 2CD or 3LP release showcases analog, handmade, weirdo recordings that wouldn’t be out of place at an experimental music festival in some cool Eastern European city (KRAKOW *cough cough*, you know you’re cool). Plus a lot of the tracks have awesome/ridiculous names like “The Struggle of the Magicians part three,” or “Witch’s Will,” or my new life theme song from Brian Eno/Blues Control collaborator Laraaji, “Unicorns in Paradise.” Fun fact: one of the tracks on here, Gail Laughton’s “Pompeii 76 AD” was on the Blade Runner soundtrack. I Am the Center is available on October 29.

I Am the Center: Private Issue New Age Music in America 1950-1990 tracklisting:

01. Gurdjieff / de Hartmann, “The Struggle of the Magicians part three”
02. Gail Laughton, “Pompeii 76 A.D.”
03. Nesta Kerin Crain, “Gongs in the Rain”
04. Wilburn Burchette, “Witch’s Will”
05. Iasos, “Formentera Sunset Clouds”
06. Steven Halpern, “Seventh Chakra Keynote B (violet)”
07. Joel Andrews, “Seraphic Borealis”
08. Constance Demby, “Om Mani Padme Hum”
09. Daniel Emmanuel, “Arabian Fantasy”
10. Don Slepian, “Awakening” (excerpt)
11. Laraaji, “Unicorns in Paradise” (excerpt)
12. Peter Davison, “Glide V”
13. Joanna Brouk, “Lifting Off”
14. Michael Stearns, “As the Earth Kissed the Moon” (excerpt)
15. Aeoliah, “Tien Fu: Heaven’s Gate” (excerpt)
16. Daniel Kobialka, “Blue Spirals”
17. Larkin, “Two Souls Dance”
18. Judith Tripp, “Li Sun”
19. Mark Banning, “Lunar Eclipse” (excerpt)
20. Alice Damon, “Waterfall Winds”

• Light in the Attic: http://lightintheattic.net

Richard Youngs announces double LP on MIE, continues encouraging pattern of mimicking the career path of Hootie & the Blowfish

Following the path blazed by the indomitable Darius Rucker of Hootie & the Blowfish fame, earlier this month Richard Youngs announced he would be releasing his first country album, entitled Summer through My Mind. Many prominent voices in the imaginary blogosphere in my head wondered if this might indicate a permanent shift in Youngs’ approach before going on to encourage me to engage in risky behavior and steal things from my roommates.

Well, prominent voices, now you have your answer! Youngs has announced yet another full-length LP for 2013 (apparently he wants to release as much music as possible before he becomes Richard Olds). Regions of the Old School is a double LP out from MIE, and it steps back from the pastoral descriptions of God, country, and pickup trucks of Youngs’ brief “country phase.” Instead, it offers five sprawling songs with an ambitious array of instrumentation, from hand drums and gongs to the shakuhachi flute and synthesizer contributions from Neil Campbell. Out October 15 in the US and September 23 in the rest of the world, the album arrives in a limited run of 500 gatefold LPs with artwork by Madeleine Hynes (who also contributes guest vocals to the album). The album is distributed in the United States by Revolver USA and around the world by Morr Music.

Youngs is also touring North America starting in September. Though I continue to refuse to believe that calendars are a “real thing,” I’ve posted the dates below anyway, just for a laugh. I mean, what the hell, right? It’s the internet!

Regions of the Old School tracklist:

01. Insomniac Takeover
02. Another Zonal Air
03. Celeste
04. The Thoughtlife
05. My Love Holds the Galaxy in Her Heart

Dates:

09.02.13 - Northampton, MA - Feeding Tube Records #
09.03.13 - Boston, MA - Great Scott
09.05.13 - Brooklyn, NY - ISSUE Project Room
09.07.13 - Raleigh, NC - Hopscotch Festival $
09.10.13 - Washington, DC - Black Cat %
09.11.13 - Philadelphia, PA - Old First Reformed Church
09.13.13 - Montreal, QC - Casa Del Popolo

# Magik Markers, Ben Chasny
$ John Cale, Pelt, Cian Nugent
% Terrence Hannum of Locrian

• Richard Youngs: http://nofansrecords.wordpress.com
• MIE: http://mie.limitedrun.com

L. Pierre announces EP of vinyl surface noise, engages listener with maddening puzzle of time

For years, vinyl purists have used the cracks and pops of old records as an argument for the format’s superiority. “I just like the atmosphere,” one might say, while scraping a nail to the side of an old Bing Crosby album. At one point, a lover of vinyl found a monkey paw and wished for even more hisses, pops, crackles, and static. Fortunately or unfortunately, depending on how you see things, this was a bargain-price monkey paw, so all it did was put an idea into Aidan Moffat’s head. That idea was for the former Arab Strap frontman and current L. Pierre to put out a new EP consisting almost entirely of vinyl hisses, scratches, and pops. As such, he’s doing exactly that.

On September 20, Moffat will put out a new L. Pierre EP called Surface Noise through Melodic (following up The Island Come True, one of our favorite albums (so far) this year). As directed by the light nudges of the monkey’s paw, Surface Noise will contain just that, surface noise. Though not completely comprised of the noise of record wear, those sounds are the primary element of the recordings. Moffat intends for the EP to be ” an affectionate tribute to the wear and tear of overplayed vinyl; the hiss, scratch and pop of records long loved but worn down.” Appropriately, Surface Noise will be available only on 10-inch format, so you can wonder for the rest of your life what pops came with the record and which came naturally with time. Great news: this record may drive you insane.

• Aidan Moffat: http://www.aidanmoffat.co.uk
• Melodic: http://www.melodic.co.uk

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