Trentemøller invites sad friends from Blonde Redhead, Low, and The Raveonettes to make beautiful, sad music together on new album

Trentemøller invites sad friends from Blonde Redhead, Low, and The Raveonettes to make beautiful, sad music together on new album

“Hmm,” says Trentemøller, as he readies his new album in his Copenhagen studio. “I’m so excited about releasing my third album, but it’s missing something. How can I make this album more depressing? HOW?” And so it was that the Danish electronic artist set about to inject his latest, Lost, with a refined sense of Scandinavian ennui. He looked up at the moonlit night sky. He looked deep into his heart. He looked into his Rolodex. “Ah ha!” he said. “I’ll call up my sad friends from Low and Blonde Redhead, etc., and get them to do guest spots! And then I’ll film a video for my new song “Never Stop Running” with Jonny Pierce of The Drums and fill it chock full of pensive-looking people who look like they’re on the worst weekend cabin vacation of all time!”

He rubbed his delicately manicured Danish hands together. “Now I’ve got it!” And so it was that Anders Trentemøller invited pals Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Sune Rose Wagner (The Raveonettes), and basically everybody in Low to his Sad Cabin of Musical Collaboration. (Okay, this album might not actually be that sad — I’ve only heard the one song — but come on, you gotta admit there’s a lot of melancholy potential here.) With a release date of September 24 on the In My Room label, the album features 12 tracks that break the Trentemøller mold, such as it is, including a little number with Sune Rose Wagner called “Come Undone,” which we can only hope is a cover of the totally bummer yet totally awesome Duran Duran song.

Lost tracklisting:

01. The Dream (feat. Low)
02. Gravity (feat. Jana Hunter of Lower Dens)
03. Still On Fire
04. Candy Tongue (feat. Marie Fisker)
05. Trails
06. Never Stop Running (feat. Jonny Pierce of The Drums)
07. River Of Life (feat. Ghost Society)
08. Morphine
09. Come Undone (feat. Kazu Makino of Blonde Redhead)
10. Deceive (feat. Sune Rose Wagner of The Raveonettes)
11. Constantinople
12. Hazed

• Trentemøller:
• In My Room:

Arnold Dreyblatt and Megafaun collaborate on new full-length for Northern Spy; generations to come will speak in hushed tones of the APPALACHIAN EXCITATION

SEPTEMBER! SEPTEMBER! SEPTEMBER! Get ready, internet, for the biggest collaborative experimental folk LP of the year! This September, your brain is going to explode! Drink will flow!! Blood will spill!! MEGAFAUN and ARNOLD “DRY SPLAT” DREYBLATT come together to collaborate in destruction. It’s the APPALACHIAN EXCITATION! Psych-folk trio Megafaun, living up to their genre, are unstoppably psychotic. Dreyblatt is known the whole world over for grinding his opponents to an even more minimal pulp than his compositions! On September 17, tune in when the two go head-to-head in collaborative fury inside the NORTHERN SPY RECORDS THUNDERDOME ARENA OF DEATH!!!

Megafaun and Dreyblatt have intermittently worked together since 2008 when Megafaun unleashed some of Dreyblatt’s compositions at the Wire Festivals in Chicago, Boston, and New York City. But those, those were mere warning shots. The true frenzy did not come to pass until the two collaborated at last year’s Hopscotch Music Festival and later entered the steel-cage battle studio of Pinebox Recording in Graham, North Carolina (the collaboration was put off for so long because of conflicting schedules and fear of uncontrollable outcomes!!!) Recorded mostly live and without a click track, Megafaun’s Joe Westerlund says the album “marks a step towards Megafaun becoming more of a live-in-the-studio recording band,” one capable of unimaginable fervor!! Of collaborations such as this, Dreyblatt has said, “We are no longer one-dimensional people,” because the unbridled furor violates the very laws of physics!!

The APPALACHIAN EXCITATION, coming this September is a once-in-a-lifetime event that only the gravest of fools would dare to miss. Listen to “Home Hat Placement” from the album below, if you feel you are prepared. SEPTEMBER! SEPTEMBER! SEPTEMBER!


01. Home Hat Placement
02. Recurrence Plot
03. Edge Observation
04. Radiator

• Megafaun:
• Arnold Dreyblatt:
• Northern Spy:

Now, more than ever, the world needs an Egyptian Lover anthology box set

Girls. Freaky girls. Egypt. Partying in Egypt. Partying in Egypt with freaky girls. The growing pangs of a new democracy. These topics are the stuff seminal West Coast electro-rapper Egyptian Lover’s dreams are made of. Well, maybe not that last one, but who knows? Maybe Egyptian Lover will spit some rhymes about the Arab Spring on his forthcoming new release. Sure, the 80s were about girls, partying, and Egypt, but it’s a new world now, and that new world needs Egyptian Lover’s innovative blend of electronic music and old school hip-hop now more than ever.

And so, L.A.’s own Stones Throw label is giving the Lover the retrospective treatment he so richly deserves. The man known to his mama as Greg Broussard is in the midst of compiling his work into an anthology box set featuring classic and, yes, unreleased tracks for a 2014 release. The Stones Throw anthology will also include some mysterious kind of 12-inch — be it a new track or a classic track, only one thing can be sure, this 12-inch will probably relate back in some way to the land of the pharaohs. After all, Egyptian Lover’s oeuvre is a very consistent one. Known for singles like “”Egypt, Egypt,” “My House (On the Nile) and “Dial-A-Freak,” Broussard made Egyptian Lover a household name by releasing mixtapes of artists like Kraftwerk and Rick James together with his own 808-heavy tunes, later joining rap crew Uncle Jamm’s Army. Recently, Egyptian Lover has toured with M.I.A., and he’ll be DJing and performing at Hollywood’s Amoeba Records on July 26.

• Egyptian Lover:
• Stones Throw:

Internet piracy news of the week: Google filtering out Grooveshark

As you may or may not have noticed, the almighty Google does not always give you the results you’re looking for. There are a few reasons for that. First, you might be looking for a band with a common word for a name, like, say, Earth or Clinic. Second, there’s the off chance that you might be looking for something real old or so incredibly obscure that it doesn’t have a footprint on the internet. Third, you might be trying to find something Google doesn’t want to show you.

Since early 2011, piracy and piracy-related websites fall under that third umbrella, where services and sites such as The Pirate Bay or Rapidshare only come up in the autocomplete or instant search suggestions when fully spelled out. For example, typing “the pirate b” suggests “the pirate bureau.” Well, now you can add Grooveshark to the list of piracy-related websites that Google is purposely obfuscating.

You can read the whole story, with all kinds of cool graphs and charts, over at TorrentFreak. The basics of the story are pretty simple: Grooveshark is being blocked, and no one can really figure out why Grooveshark was added to the blacklist. TorrentFreak speculates that the major labels and copyright holders might have had a hand in taking Grooveshark off the autocomplete list, because though they have had some DMCA complaints (an average of 12 per week according to the TorrentFreak article), a site like BTloft gets over 1,700 per week.

On the other hand, this could be an example of a major corporation casting such a wide net that it ensnares irrelevant or unrelated websites. This of course leads to the common fear of these blacklistings snowballing out of control.

This isn’t an uncommon fear, and it’s a topic that has come up a lot recently in online advocacy circles as the UK is preparing to launch a similar but harsher program to block pornography. There’s a pretty good article over at Forbes if you want to see some of the potential problems and fears of internet censorship programs. Substitute “pornography” with “music” and the whole “won’t someone think of the children!” with “we’re protecting artists’ property” and you have the same straw man arguments that always come from governments and corporations regarding these sorts of things.

Anyway, Grooveshark is going to be a little harder to find. Whether or not that leads to less web hits has yet to be seen.

Nat Baldwin goes on fall North American tour, while accomplishing all the things you could not

Most people accomplish maybe one, two things in their lives. I’ve got my Pinewood Derby trophies, you were named Employee of the Month at Circuit City, November 2006. That’s about it, but that’s okay. Except when some folks (say, the Nat Baldwins of the world) mess up the curve. Baldwin’s best known for being a member of Dirty Projectors, the sort of position that would have been the sole crowning achievement in a dull life for most other people. But, noooooo, Baldwin has to live the kind of life where that’s just one of many amazing achievements. He’s also played on incredibly popular records like Grizzly Bear’s Shields, Vampire Weekend’s Contra, and Department of Eagles’ In Ear Park. And get this: dude makes solo albums, too. In 2011, he put out People Changes and this guy has the nerve to make plans to put out another solo album next year. Jesus christ, this guy.

Ugh, I’m sorry. Clearly, I have worked myself into a jealous fury. This is not appealing for anyone. Nat Baldwin’s a great musician and probably a very nice guy. Let me try to mend some bridges by telling you about his upcoming tour. In September, Nat Baldwin, who thinks he’s so great, sorry, let me try that again. In September, Nat Baldwin will head out on a tour primarily focused on the Northeastern United States. I’m sure all these shows will be really, really wonderful. No, I’m not gritting my teeth and thinking about my failures.

Nat Baldwin dates:

09.20.13 - Jamaica Plains, MA - Deep Thoughts !
09.21.13 - Hudson, NY - The Spotty Dog Books & Ale
09.22.13 - Buffalo, NY - Perot Grain Silos at Silo City
09.24.13 - Toronto, ON - Monarch Tavern #
09.25.13 - Oberlin, OH - Cat in the Cream Coffeehouse #
09.26.13 - Cincinnati, OH - Midpoint Music Festival
09.26-28.13 - Champaign, IL - Pygmalion Music Festival
09.29.13 - Chicago, IL - Hideout #
10.01.13 - Youngstown, PA - Cedar’s Lounge
10.02.13 - Philadelphia, PA - First Unitarian Chapel
10.03.13 - Ithaca, NY - Culture Shock Ithaca @
10.30.13 - Mechanicsburg, PA - Messiah College, Larsen Student

! Sophie Dickinson and Chris North
# Justin Walter
@ Keir Neuringer

• Nat Baldwin:

33 1/3 releases schedule for next batch of books, encourages you to submit George Michael fanfic for next open call

“Take a look/it’s in a book/a reading rainbow,” LeVar Burton once sang. (At least I always assumed it was LeVar singing that song. Maybe it wasn’t. But that’s beside the point.) The rainbow of 33 1/3 titles is about to get so many new colors, it’ll blow your miiiiiimd, maaaaan. It’s like a Super Tropical Melting Polar Icecaps Flavor Skittles level of new colors. After 10 years in the music book game, 33 1/3 has a lot to celebrate, and they’re starting with a dazzling cornucopia of new titles, including works on Serge Gainsbourg’s Histoire de Melody Nelson by Darran Anderson, S. Alexander Reed and Philip Sandifer’s take on They Might Be Giants’ Flood, professional party monster Andrew W.K.’s I Get Wet by Phillip Crandall, a study of Aphex Twin’s Selected Ambient Works Volume II by Marc Weidenbaum, and Luis A. Sanchez’s views on The Beach Boys’ SMiLE. Titles have publication dates ranging between late October and post-SXSW time in March.

Impending releases include books on the works of J Dilla, Bobbie Gentry, Gang of Four, Richard Hell and the Voidoids, Oasis, Liz Phair, Sigur Rós, Björk, Kanye West, Danger Mouse, Michael Jackson, Hole, Dead Kennedys, and Devo, which will bring the 33 1/3 release catalog up to the magical, mystical number of 100. And if you want to submit a proposal for a book on say, Wham! or whatever, the next open call for submissions takes place January 31, 2014 — so start plotting that George Michael fanfiction now.

• 33 1/3:


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