Vice Reissues Six Boredoms Albums; Somewhere, 154 Arms Are Really Sore

If your plans for July 7 (7/7/07) of this year include "getting high" and "being in New York City," you might want to consider attending a special performance by the legendary Japanese outfit Boredoms. Not feeling content with a mere reputation as one of the greatest live acts of our time, they have decided to one-up themselves with "77 DRUM": a Boredoms show featuring 77 drummers. The show will take place in NYC at a location that has not yet been disclosed.

Not since the recent announcement that Sofia Coppola will be directing a sequel to the 2002 classic Drumline have music lovers everywhere been so excited about a drumming performance. Titled "Drumline: Miami Beach," the movie will star Brad Garrett, and in honor of his sure-to-be monolithic performance in the upcoming film, Vice Records has decided to reissue six Boredoms albums in the first two months of this year: January 23 will see the release of Super Roots, Super Roots 3, and Super Roots 5, while Super Roots 6, Super Roots 7, and Super Roots 8 will be released on February 20.

Further details and interesting fun Boredoms tidbits can be found at the Vice website.

Yes, The Talkdemonic Tour Started Already, But We’re Here to Tell You That It’s Eventually Going to End

So, everybody (not literally everybody) is talking about Lisa Molinaro, Talkdemonic's viola whiz, and her touring gig with the mother-scratching Decemberists. They're kind of a big deal right? Not like Paul Wall big deal, but whatever. That is some kick-ass shit that puts me in a "Hell motherfuckin' yeah" kind of mood for Talkdemonic, who will be meandering their way down and then back up the West Coast following shows in Seattle and native Portland. Shit has been going well for the duo who recently found themselves ankle deep in a, thus far, 12-track bucket of an album I have tentatively dubbed, The Bucket Album, the follow-up to 2006's sophomore ARRCO release Beat Romantic (TMT Review). Talkdemonic is also currently in the heavy petting process with One Little Indian, a pretty sweet label in the United to the Kingdom. But before all that, get out while the gettin' is good. And don't be using weather as a reason to not go Eugene, Oregon. You're better than that:

EMI Re-Considers Stabbing You

Proving that major labels have their fingers on the pulse of a rotten plank of wood that they've mistaken for a discerning music consumer, EMI said this week that it is "evaluating" its CD copy protection technology but is not planning on disposing of it. Although no new CDs have been manufactured with copy protection software for the last few months, EMI must be worried that consumers will begin to smile again and actually purchase its products I guess.

Digital Rights Management technology has been under fire from consumer groups since its introduction, with side-effects driving more consumers to piracy than was inversely intended:

- Doesn't work with iPod
- Infects computer with debilitating virus
- Changes all .jpg files to .bmp
- Changes all .bmp files to desktop-size photos of Gene Shalit
- Sends slightly discourteous e-mail to Grandma
- Wraps thick arm tightly around your waist in front of Grandma
- Derails a train somewhere in the desert

And this was just with the Sony BMG case. Best of luck in your evaluation, EMI. Make that business strategy hurt.

Blonde Redhead Tours, Releases New Album, Documents My Quarter-Life Crisis

After three long, quiet years, Blonde Redhead have announced plans to release a new album. You probably read all about it in an exclusive from these dudes a few days ago. I bet you're pretty smug. Think you got the whole story, huh? Well, you're wrong. Dead wrong. Okay, so you know that the album's set for an April 10 release. You may even know that Europeans will have to wait until April 23 for their Kazu fix. And I'm sure you've heard all about their spring tour. Heck, you may have found out that that they're calling the album 23 (4AD)... but do you know why? Huh? Do you? No, I didn't think so.

You see, kids, the album is about me. If this sounds strange to you, crawl out from under that rock. I'm pretty famous, and my life is interesting to lots of people. No small number of cultural luminaries consider me a muse. Rumor has it that [?Dave Eggers] and [?Jonathan Lethem] are currently feuding over the right to document my high school years. [?Damien Hirst] recently pickled a goat and titled the work Judy Ain't No Punk, Age 6 1/2 (it's a compliment, trust me). And now Blonde Redhead have recorded an album inspired by and released to coincide with my 23rd year on this here Earth.

The album will explore the depths of passionate, dramatic pathos that I colloquially refer to as "my quarter-life crisis." While "Silently" describes the existential angst that stalks me on my daily commute to work, "Publisher" delves into the occasional suicidal thoughts I experience while staring deep into manuscripts and wondering whether my job title will always include the words "Assistant to." "Heroine" serves as a sort of testimony to my vital presence in the universe.

Now, aren't you glad I set the record straight?

Like sands through the hourglass, so is the tracklist of my life:

Islands Return To The Studio; Remember The Unicorns?

On New Year's Eve, I made a resolution to try and do one thing worth remembering each and every day of this year. The point of the resolution is to have something to say to people who ceaselessly ask, "What have you been doing lately?" when all you seem to remember of the last three months is the distinctly chewy texture of slightly-stale chocolate Teddy Grahams. Last year I attempted this, and though I spent January 1 at a store called Hobo, purchasing a plush horse-head on a stick, I recall nothing of the next 12 months. This year got me a little further, but before I knew it, it was 4 A.M. on January 3 and The Mighty Ducks was blaring in the other room. I am a failure.

Islands, on the other hand, are ready for 2007 in a way that few are. They've been readying new material for their follow-up to last year's Return To The Sea (TMT Review) and are entering the studio in February to crank out tha tunez. While I was buying a gumball from the machine outside of Meijer, Nick Thorburn and his friends were making songs "10 minutes long with innumerable key & tempo changes, modulation, genre-meddling bombastic progressive rock existential death-defying dangerousness." And I'm cool with that.

"Hey!" you might say. "Did you just write Nick Thorburn?? Don'tcha mean Nick Diamonds???" I hope you might say that. Hell, I hope that someone, somewhere is reading this. Regardless, your lukewarm potential concern is touching. Yes, Nick Diamonds has indeed cast off his flashy alias and reverted to his real name, though Thornburn sounds pretty badass if you think about it. I've had a lot of time to think about it in between swigs of Mountain Dew.

Apparently the group has been so productive that it has a slew of shorter, "more subdued" pop songs on hand that they might try to do something with, if they have time. Which they will. Album title and tracklisting are forthcoming (slackers!!), but chances are they'll release that information before I get home from Blockbuster.