Oneohtrix Point Never compiles (sick) commissioned work for Record Store Day 12-inch, plots more tour dates
Weep no more, children. Record Store Day is coming soon, so your tears are understandable, but I bring good news. Your options have expanded. 180 gram Toys in the Attic is not the only way to show your support for independent retailers. You don’t need to buy that Built to Spill one-sided picture disc 7-inch again this year. Oneohtrix Point Never is here. He’s got a 12-inch. It’s pretty. Let me tell you about it.
Commissions I compiles three OPN compositions originally commissioned for artwork, film, and/or performance. The most recent, “Music for Steamed Rocks,” is an interpretation of Polish composer Witold Lutoslawski’s Preludes and was part of a Polish Icons series at Sacrum Profanum:
Track 2 is “Meet Your Creator,” the 2012 quadrotor flying robot dance for Saatchi & Saatchi’s New Directors’ Showcase, and the B-side is Lopatin’s stunning rework of “I Only Have Eyes For You,” originally part of Doug Aitken’s “SONG1 Happening” installation event at the Hirshhorn Museum, and re-engineered by R Plus Seven (TMT Review) collaborator Paul Corley/mastered by Bedroom Community’s Valgeir Sigurðsson. The 12-inch comes in a fancy foil jacket with some die-cut peek-a-boo going on, the cover was designed by Robert Beatty, and it’s out on Warp. I’m in.
Commissions I tracklist:
01. Music for Steamed Rocks
02. Meet Your Creator
03. I Only Have Eyes for You
Lopatin has also added another slate of tour dates so Mr P can go see him in Minneapolis:
03.21.14 - Tokyo, Japan - Unit
03.22.14 - Osaka, Japan - Circus
03.27.14 - Miami, FL - Perez Art Museum
03.29.14 - Knoxville, TN - Big Ears Festival
04.02.14 - Grinnell, IA - Grinnell College
04.03.14 - Iowa City, IA - Mission Creek Festival
04.04.14 - St. Louis, MO - Kranzberg Art Center
04.05.14 - Oberlin, OH - Oberlin College
04.06.14 - Detroit, MI - Museum of Contemporary Art
04.18.14 - Istanbul, Turkey - Club2Club
04.19.14 - Brussels, Belgium - AB
04.23.14 - Zurich, Switzerland - Exil
04.24.14 - Turin, Italy - Hiroshima Mon Amour
04.25.14 - Krems, Austria - Donau Festival
04.26.14 - Berlin, Germany - Radialsystem V
04.29.14 - Milan, Italy - Teatro San Fedele
04.30.14 - Rome, Italy - Parco della Musica Auditorium
05.02.14 - Austin, TX - Austin Psych Festival
05.02.14 - Austin, TX - Austin Psych Festival
05.08.14 - Pittsburgh, PA - Andy Warhol Museum
05.16.14 - Brooklyn, NY - MHOW
05.27.14 - Montreal, QC - MUTEK
05.30.14 - Lyon, France - Nuits Sonores
06.04.14 - Amsterdam, Netherlands - Holland Festival
06.07.14 - London, UK - Field Day
06.08.14 - Bristol, UK - Arnolfini
06.13.14 - Barcelona, Spain - Sonar Festival
06.18.14 - Winnipeg, MB - Union Sound Hall
06.19.14 - Minneapolis, MN - Cedar Cultural Center
06.20.14 - Toronto, ON - NXNE BLKBOX
06.21.14 - Toronto, ON - NXNE Geary St. Warehouse
07.06.14 - George, WA - Sasquatch Festival
Islaja plans new album SUU with Monika Enterprise, read all about it in Tiny Mix Tapes’ proprietary Hilarious News Post© format
Have you ever thought about how weird mouths are? I mean, they’re just big holes on your face where you put food. And sometimes words come out of them? Personally, I hate my mouth. It gives me nothing but trouble, and I think it’s kind of a visual blight on my otherwise smooth face skin. Alright, well now that I’ve gotten the Introductory Non-Sequitur© out of the way, I can tell you all about the new album from Finnish avant-folk/electronic artist Islaja. It’s called SUU, which as it turns out is Finnish for “mouth,” making that Introductory Non-Sequitur© somewhat more of a Tangentially Relevant Introductory Personal Revelation©, I guess. Either way, though, I can already tell we’re becoming better friends.
To go ahead and dive right in to the Second Paragraph Inclusion of Actual Detail About the Topic at Hand©, SUU is Islaja’s first solo release since 2010’s Keraaminen pää, and it’s also her first for Gudrun Gut’s Berlin-based Monika Enterprise. Over the course of several releases for Finnish label Fonal, such as 2007’s Ulual YYY (TMT Review), Islaja has developed a pretty free-form back catalog of avant-singer-songwriter and psychedelic pop type music (how’s that for a Very Briefy and Only Kind of Helpful Genre Description©?). In addition to performing as a solo artist, however, Islaja also contributes to the Finnish experimental folk group Hertta Lussu Ässä, as well as the more free-improv-oriented groups Kemialliset Ystävät and Avarus.
As for Additional Clarification Regarding How the Release Under Discussion Fits Within the Artist’s Discography©, SUU will reportedly find Islaja venturing into a significantly more electronically influenced sound. You know, with synthesizers? And robot drums? Anyhow, the album is out on March 24, which, not to go too far down the rabbit hole of another Tangentially Relevant Personal Revelation©, is right around when I go in for some pretty major dental surgery (#nervous). Check out the video for “Skeleton Walk” from the album below.
01. Skeleton Walk
02. See No Sun
03. Chaos Pilot
04. Temporary Haven
05. Travel Light
06. Siren Call
07. Shit Hit the Fan
08. Music Is Mine
09. Dust from Heaven
10. Sandals of Alice
11. Lay by My Side
YYU espouses multitasking, announces Kiss As We Walk 12-inch while whittling a statuette; new album in September
My venerable colleague and metronome enthusiast James Parker expounded in great detail upon the significance of repetition on YYU’s 2012 album TIMETIMETIME&TIME (TMT Review), our #9 favorite album of that year, but with the announcement of a new 12-inch single, Kiss As We Walk, as well as the “announcement” of a proper full-length scheduled for release later this year (around September), we have the chance to see if the 21-year-old Kansan with a penchant for vowels and semi-vowels alike really has what it takes… to repeat things. To repeat things. To repeat things. To repeat things. Just look at my amateur skills vis-à-vis repeating things! If YYU deigned to impress, his next long-player would not only contain the same tracks as his last, but it would be his last! Add to cart, get to the confirmation page, and suddenly [insert name of new album] would become &TIME. A massive conspiracy necessitating the collusion of many online retailers. Awesome.
And awesomely unlikely, I’m afraid, especially considering I’ve listened to the new 12-inch single and can thus confirm that it so consists of all new material. Furthermore, flip to the B-side (in a few weeks, on March 24) and notice the relative linearity of “When We Are Old,” which was recorded in an “old bathroom” and contains little more than the man’s beautifully solemn vocals, a guitar, and birds — surely unharmed. It signifies a mild fade from the abstractness that we were previously so bowled over by, but it may or may not double as foreshadowing. Equally disruptive of pattern is YYU’s switch from the vaporwaving Beer On The Rug to the UK-based RAMP Recordings.
There’s nothing new that I can actually share. Here’s an oldie:
Kiss As We Walk tracklisting:
01. Kiss As We Walk
02. When We Are Old
Once, there was a band called The Notwist. Great news: there’s still a band called The Notwist! It’s just been a little while since we’ve heard from them, what with their last album, The Devil, You + Me, having been released in 2008. But the long-running German electronic-but-formerly-metal band recently broke their silence with a new record titled Close to the Glass (TMT Review), out now through Sub Pop. Now, any good businessperson knows you don’t release a new album and not tour. By that measure, The Notwist are fantastic businessmen, as they’re got a quite extensive itinerary of both European and North American dates in the pipeline.
All this talk about touring and new records has got me thinking about gigantic apes. Sorry, my brain works in strange ways. That said, it’s all working out in a logical fashion, since The Notwist have released a new video for Close to the Glass track “Kong.” Watch that right here or below:
The Notwist dates:
03.10.14 - Stuttgart, Germany - Wagenhallen
03.11.14 - Lyon, France - Epicerie Moderne
03.12.14 - Nantes, France - Stereolux
03.13.14 - Paris, France - La Maroquinerie (SOLD OUT)
03.14.14 - Lille, France - Le Grand Mix
03.15.14 - Manchester, UK - The Deaf Institute
03.16.14 - Glasgow, UK - Mono
03.17.14 - Bristol, UK - The Fleece
03.18.14 - London, UK - Village Underground
03.19.14 - Brussels, Belgium - Botanique
03.20.14 - Cologne, Germany - E-Werk
04.05.14 - Milano, Italy - Magnolia
04.06.14 - Foligno, Italy - Serendipity
04.07.14 - Roma, Italy - Auditorium Parco della Musica
04.08.14 - Bologna, Italy - Estragon
04.09.14 - Padova, Germany - Mame
04.10.14 - Ljubljana, Slovenia - TBA
04.11.14 - Zagreb, Croatia - Mochvara
04.12.14 - Linz, Austria - Posthof
04.13.14 - Munich, Germany - Circus Krone
05.26.14 - Berlin, Germany - C-Club
05.27.14 - Hamburg, Germany - Laeiszhalle
05.28.14 - Amsterdam, Netherlands - Melkweg
06.09.14 - New York, NY - Webster Hall
06.10.14 - Philadelphia, PA - Theatre of Living Arts
06.11.14 - Montreal, QC - Société Des Arts Technologiques
06.12.14 - Toronto, ON - Lee’s Palace
06.13.14 - Chicago, IL - Bottom Lounge @ House of Blues
06.14.14 - San Francisco, CA - The Regency Ballroom
06.15.14 - Los Angeles, CA - The Fonda Theatre
06.28.14 - St. Gallen, CH - Open Air St. Gallen
07.04-06.14 - George, WA - Sasquatch Festival
07.19.14 - Gräfenhainichen, Germany - Melt! Festival
Composer, producer, and love of my life Ben Frost had us all in a choke-hold with 2009’s By the Throat, but he slowly relaxed his grip and drifted off into collaborative ventures, leaving me surfing OkCupid for a new partner who was into strangling. But as of a recent announcement, I can already feel the neck burns reforming about my vulnerable nape as Mr. Frost will indeed release his first solo follow-up on May 27, entitled A U R O R A!
This will be Frost’s fifth solo record, performed by himself with Greg Fox, Shahzad Ismaily, and Thor Harris of SWANS. Whew, buddy, I can barely breathe, may start hallucinating some auroras right now. Such strong hands, Ben.
The release will also be preceded by a series of live dates, including a London performance at the Village Underground on April 26:
04.26.14 - London, UK - Convergence Festival
05.15.14 - Dublin, Ireland - The Button Factory
05.16.14 - Cork, Ireland - Triskel Arts Centre
05.17.14 - Elsinore, Denmark - CLICK Festival
05.18.14 - Leuven, Belgium - STUK
05.20.14 - Amsterdam, Netherlands - Muziekgebouw at Trouw
05.21.14 - Leipzig, Germany - UT Connewitz
05.22.14 - Berlin, Germany - Berghain
05.23.14 - Prague, Czech Republic - MeetFactory
05.24.14 - Zagreb, Croatia - Žedno Uho Festival
05.29.14 - Montreal, QC - MUTEK Festival
06.12.14 - Barcelona, Spain - Sonar Festival
07.11.14 - Keflavík, Iceland - ATP Festival
• Ben Frost: http://ethermachines.com
From The Guardian:
The experimental composer Robert Ashley has died, aged 83.
Kyle Gann, who recently wrote a biography on the composer, wrote on his website that he had received confirmation of the composer’s death. Ashley had been diagnosed with cirrhosis of the liver last June. He died on 3 March at approximately 1:30pm.
“Bob was one of the most amazing composers of the 20th century, and the greatest genius of 20th-century opera,” Gann writes. “I don’t know how long it’s going to take the world to recognize that.”
As well as being known for his radical reinvention of the operatic form, fusing electronic music into his operas and theatre works, Ashley also co-founded the Cooperative Studio for Electronic Music in 1958 alongside Gordon Mumma, before creating the performing arts event ONCE Festival in the 60s. He won the John Cage Award for Music from the Foundation for Contemporary Performance Arts in 2002.
According to Gann’s blogpost, Ashley completed a piece before he died entitled Mixed Blessings, Indiana.
• Robert Ashley: http://www.robertashley.org
Stephen O’Malley, Oren Ambarchi, and Randall Dunn advise watch synchronization so you don’t miss the release of their 2xLP Shade Themes from Kairos
Oh lord, here we go again with another convoluted and plot hole-ridden cinematic foray into the concept of time manipulation. At least Looper (TMT Review) had the chutzpah to work in actual dialogue attesting to the subject’s possibly inherent paradoxes, but is it too much to ask for some Bishop cameos, even in stories supposedly outside the X-Men universe? I feel as though time travelers with jheri curls lend a degree of credence. All that grease just has to play a role in the slipping of humans into different historical periods.
Kairos, the short film from Belgian filmmaker Alexis Destoop, unveiled in 2009 and serving as a fictional tale of time-turned-commodity, sadly lacked a spontaneous comic book crossover, but fulfilling the “badass” adjective nonetheless, the feature contained a score recorded and co-produced by Randall Dunn (Master Musicians of Bukkake), and composed by Oren Ambarchi and Stephen O’Malley. The ancient Greeks apparently had two words for time, neither of which accurately capture its seeming elongation that one time I found myself making direct eye contact with a urinating homeless man: “chronos,” which refers to chronological time, and “kairos,” which refers to an opportune moment.
With respect to the latter, the trio clearly appreciated something in their initial temporal collaboration. Shade Themes from Kairos, set for release May 19 via Drag City, is an extension of the aforementioned score, with further recording and mixing done at Dunn’s (now closed) Aleph studio in Seattle, and further “emanations evoked” (eh?) through the utilization of drums, analog synths, vibraphones, crotales, the requisite guitars, a shruti box, and a mellotron.
Shade Themes from Kairos tracklisting:
01. That Space Between
02. Temporal, Eponymous
03. Circumstances of Faith
05. Ebony Pagoda
NXNE wants you to come to a sexy Canadian pool party with Spoon, Swans, Sleigh Bells, Spiritualized and some other bands that don’t start with “S”
While music industry hearts across America dream of warmer climes, of margaritas consumed outdoors, and of hotel pools, our friends to the North in Toronto are all like, “Hey! Don’t make it all about Austin, guys! We’ve got fun, too! We’ve got NXNE!” And it’s true, they do. And summer will come, if only for the week of June 13-22, when Toronto gears up for its 20th NXNE.
The festival recently made its second round of artist announcements, so now you can prepare to get your Canadian pool party on with the likes of Spoon, Sleigh Bells, Spiritualized, tUnE-YaRdS, A$AP Ferg, Metz, Ryan Hemsworth, Swans, Goat, The Barr Brothers, Oneohtrix Point Never, Low, Fuck Buttons, Tim Hecker, Eagulls, Glasser, Kelela, Ratking, Perfect Pussy, Small Black, Le1f, The Pizza Underground, Swearin’, Dan Croll, DJ Jonathan Toubin, Astro, Juan Wauters, Mutual Benefit, Guerilla Toss, Laurel, Calvin Love, Alvvays, Hunters, Saint Rich, Death Hymn Number 9, Criminal Hygiene, Elektrisk Gønner, Krazy Drazy, and the always intriguing “more.” You can check out the full lineup at the official NXNE website.
• NXNE: http://nxne.com
tUnE-yArDs announces details of Nikki Nack coming in May. Personally, I can’t wait to hear what Chuck Klosterman thinks of it.
Did you know that Merrill Garbus, the lovable tUnE-yArDs lady who manages to keep all of her looping pedals in perfect working order but somehow has a bUsTeD cApS-lOcK kEy, just celebrated her birthday? Go write an impersonal ironic emoji-laden message on her Facebook wall before it’s too late! My advice? Make liberal use of the “:putnam:” guy if you want it to be extra funny. Oh, and you know what, if you actually want to make it a little more personal, consider mentioning her rEcEnTlY aNnOuNcEd NeW aLbUm!! It’s called Nikki Nack.
Nikki Nack is Garbus’ first full-length since 2011’s marvel of spacebar technology w h o k i l l (T M T R e v i e w), and it’s out May 6 in the United States. Garbus says to listeners, “Thanks for all your support and patience while we cooked this chicken!” That’s either a joke, or in the short break she took between albums, she got totally confused about what albums are and how they’re different from chickens. Jokes: I love to make them, but I’m terrible at interpreting them when others make them. Anyhow, Garbus has put together what she’s calling a “Megamix” of the album, which you can hear in the YouTube embed below. She’s also going on an international and festival-heavy tour starting in; scope those dates below and see if any of them are near your house! Really, the only thing left for us to do is to wait for Chuck Klosterman to follow up his oH sO vErY InSiGhTfUl and t o t a l l y c o h e r e n t think-piece on w h o k i l l with something similar for Nikki Nack. Get stoked!
05.05.14 - Los Angeles, CA - Masonic Lodge @ Hollywood Forever
05.07.14 - Brooklyn, NY - Rough Trade
05.12.14 - London, UK - Village Underground
05.14.14 - Berlin, Germany - Berghain
05.15.14 - Hamburg, Germany - Nochtspeicher
05.16.14 - Brussels, Belgium - Les Nuits-Cirque Royal
05.18.14 - Amsterdam, Netherlands - Bitterzoet
05.19.14 - Paris, France - Café de La Danse
05.23.14 - Bend, OR - Les Schwab Ampitheater*
05.23-25.14 - George, WA - Sasquatch Festival
05.31.14-06.01.14 - Houston, TX - Free Press Summerfest
06.18-22.14 - Toronto, ON - Massey Hall
06.19-22.14 - Dover, DE - Firefly Festival
07.19.14 - Chicago, IL - Pitchfork Festival
* The National
Dean Blunt records a video single, Mersh 12-inch imminent, Black Metal full-length TBC on Rough Trade
The increasingly prolific Dean Blunt returned over the weekend in Hype mode on new pollyjacobsen video “Mersh,” a familiar sedentary YouTube scene chopped into twitching slices of white light and dark red, Friday night hyper-reel in place of slo-mo Sunday surreal, though perhaps not by choice: room-tone shit-speaker treble fills the air (“I Am Smoking In A Room”) and a nearly hidden sub-bass line rattles the floor, a head-nodder but only at Blunt’s slumped level. He sits up twice, addresses the camera, and freestyles, haltingly, about the maybe-importance of knowing your limits when feeling anxious or confused and also where dat w33d at. “It’s a problem,” but it’s also the new single.
And it’s a physical single, mate. Mersh as a 12-inch is “imminent” and then, believe it or not, date TBC, there’s a full-length album coming on Rough Trade Records called Black Metal. Not sure if “Mersh” is on both releases but the word on this comes straight from Jah.