Hey, you guys know John Carpenter, right? American film director, screenwriter, producer, editor, and composer dude? Worked his magic on, among other stuff, all kinds of iconic horror-ish, sci-fi-ish, thriller-ish movies from the 1970s and 80s like Escape from New York, Halloween, The Fog, and of course, my personal favorite, They Live???
Right. Good. Well… old guy must have gotten wind of David Lynch and Angelo Badalamenti’s megasweet plans to reissue the Twin Peaks soundtracks in January of next year in advance of the spooky mystery series’ triumphant return in 2016 and felt a tad bit jealous! Because — and this is all according to the blood-and-gore-fetishizing website Shock Till You Drop that I read all the time — THAT VERY SAME John Carpenter (along with Halloween star Jamie Lee Curtis, of course) participated in a Q&A last night in Hollywood, CA following a screening of that film put on as part of this creepy nerd festival thing that I totally attend all the time called Beyond Fest. And while he was there, among other presumably excruciatingly-specific details of his film and music prowess, Carpenter also happened to reveal that he plans on putting out “an album that will contain all of his ‘lost’ themes” sometime “early next year”!
Bam! Take that, Lynch and Badalamenti! You’re not the only ones who can cash in on everyone’s current seemingly non-ironic obsession with eerie, murky, ethereal, and lugubrious musical themes played oh-so-gravely on the most cheeseball-sounding synthesizers the time period had to offer!
Unfortunately, beyond Carpenter’s assurance that the thing is coming out, there’s not much more information to go on (apparently, all Carpenter said beyond that was “buy it”!), so… the race is on to see whose album actually comes out first next year. Oh, what an exciting time to be alive, readers!
• John Carpenter: http://www.theofficialjohncarpenter.com
Wu-Tang Clan sign with Warner Bros. for release of new album, A Better Tomorrow, RZA runs for congress under similar slogan
While releasing one singular copy of an album for a bazillion dollars is certainly one way to go about the business of being a non-starving recording artist… it appears as though the good, enterprising folks who work for the small business venture known collectively as Wu-Tang Clan (RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa, and Cappadonna, respectively) may have hit upon a new and revolutionary business model: instead of trying to sell just the ONE RECORD, maybe make a BUNCH of COPIES of it and sell LOTS of those! For a cheaper price! To more people! In more places!
To this end, Wu-Tang have announced that they’ll be signing to the Warner Bros. label and (finally) releasing their “highly anticipated 20th anniversary album A Better Tomorrow,” as, you know, a whole BUNCH of COPIES on December 2!
“Wu-Tang Clan is excited to join the Warner family of esteemed artists,” the group said in a statement. “After 20 years in the business with different label outlets, we are delighted to be amongst a team of industry professionals who understand our unique artistry and will help spread it to the masses unadulterated […] RZA and his brother Divine CEO of Wu-Tang felt synergy with executive/producer Rob Cavallo and Cameron Strang and decided Warner Bros. would be a suitable home for their brand and band and a great place to carry on the Wu-Tang saga.” Yes! Masses! Yes! This idea is just crazy enough to work!
But don’t just take the group’s word for it. In a recent conversation with Billboard, Warner Bros. Chairman and CEO Cameron Strang emphatically delivered these pretty EPIC-sounding statements about this whole highly experimental situation:
Wu-Tang Clan is responsible for creating a deep discography of iconic rap music, spawning incredibly successful careers for each of the group’s individual members, and launching Wu-Tang into a full-fledged brand beyond their music. Two decades on, they remain a major force in hip hop. I speak for everyone on our team when I say how thrilled we are to be the new home for one of hip hop’s most influential groups. This is an exciting day in the history of Warner Bros. Records, and we can’t wait to contribute to the next phase of their careers.
Ooh, I’m tingly just thinking about the possibilities! Radical as it may be, this idea has some potential, my friends! Hey, here’s some older shit of theirs while we wait.
Veteran Atlanta street rap wizard Rome Fortune has followed up his Beautiful Pimp II mixtape from earlier this year with another sweaty, left-field rap release called Small VVorld.
Adopting the “fuck-it-you-can-have-it-for-free sales model, Rome Fortune dropped the record onto SoundCloud this week, a pretty nice early Christmas present considering that Small VVorld features collaborations with fellow underground Atlanta rap luminaries OG Marco and ILoveMakonnen as well as production from Four Tet and Blood Diamonds.
You can enjoy the record below and the album artwork above (which is possibly a comment about drought-saving measures we can all adopt, such as sharing a bath?) or grab the download here.
Small VVorld tracklist:
01. The Experiment feat. OG Maco [prod. by Cubby]
02. 4 Seasons feat. OG Maco [prod. by Dizzle]
03. Why [prod. by Pat Lukens]
04. 5 second RULE [prod. by SuicideYear]
05. Workin’ Gal (Interlude) [prod by Lava Dome]
06. Workin’ Gal [prod. by SuicideYear]
07. FriendsMaybe feat. ILoveMakonnen [prod. by Money Karlo]
08. No Evidence (Demo) [prod. by Blood Diamonds]
09. Flashback [prod. by Bassnectar]
10. Suit Case feat. OG Maco [prod. by SuicideYear]
11. One Time For [prod. by Four Tet] (bonus)
• Rome Fortune: https://soundcloud.com/romefortune
After two surreal solo LPs on the Digitalis label, Boston-based musician Ricardo Donoso has returned with a film score to christen his newly founded label, Kathexis. Produced by Brooklyn artist Julie Nymann, A Song for Echo premiered at the Boston Museum of Science’s Charles Hayden Planetarium last September. Full dome projection, baby, like a Pink Floyd laser light show.
The experimental film follows a protagonist’s “spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall.” Donoso’s score is at turns ambient and classical, with moody synth compositions that swell and fade into washes of texture. The second side of the score gets even darker, falling into some frightening, emotive dirges that are meant to be “all-consuming” and “disorienting.” Real fun stuff guys. Donoso’s score will be released on November 11 in a limited run of 300 LPs; stream the entire epic below.
A Song for Echo tracklist:
01. Part I
02. Part II
03. Part III
04. Part IV
05. Part V
06. Part VI
07. Part VII
Get your Xanax out, fans of cult-classic-campy-murder-mystery-influential-inspirational-many-other-adjectives TV series Twin Peaks. You’re probably already overexcited at the news of the series’ return in 2016. Special Agent Dale Cooper! Audrey Horne! Perhaps even Log Lady! They all might be coming back in 2016 (and, duh, original director David Lynch is writing and directing all of the new episodes)!
But wait! There’s more! Try to contain yourself: the classic Angelo Badalamenti soundtrack to the show’s first season, plus the soundtrack to the Twin Peaks film Fire Walk With Me, are set for a fancy vinyl reissue on Death Waltz in January 2015. The soundtracks haven’t been released on vinyl since the early 90s when the show originally aired, so get ready to relive that part of your life (personally, I was a baby at that time, but I’ll still feel some sense of faux nostalgia, I’m sure).
So while you’re waiting for the new episodes to launch on Showtime in two years or whatever, you’ll at least have the soundtrack to tide you over. Maybe do some yoga or something in the meantime.
• Death Waltz: http://deathwaltzrecordingcompany.com
British guitar legend Fred Frith and saxophone innovator John Butcher have announced a new collaborative LP, The Natural Order. Though the duo have been playing together for over a decade, they had never recorded as an ensemble up to this album. Moreover, this is not exactly a new LP, as it was recorded in 2009 and mixed in 2012, although it does document the duo’s first in-studio meeting. The Natural Order was recorded as close to the live setting as possible, eschewing overdubs in what essentially amounts to an hour-long jam, later divided into 10 tracks. The album offers what both of these musicians have come to be known for (a deconstructive guitar technique, multitracked sax harmonic weaving), but still manages to offer some unexpected twists; for instance, when Frith takes a second seat to Butcher’s saxophone lead, or Butcher pushes his style to levels of aggression rarely heard in his solo work.
Frith is best known as one of the leading forces behind RIO titans Henry Cow, later joining the similarly prog-revolting Art Bears and the noise-jazz trio Massacre. He is rightfully held as one of the most original guitar players of all time, melding jazz, rock, noise and avant-garde trappings into a highly personal style. An avid collaborator, aside from regularly playing with his former Henry Cow and Art Bears cohort Chris Cutler, Frith has worked with John Zorn (as a member of Naked City), Brian Eno, The Residents, Bill Laswell, Derek Bailey, Robert Wyatt, etc. John Butcher’s name too stands out among the improvised music greats. A worthy heir of Evan Parker’s explorations, Butcher toys with multitracking and controlled feedback as ways of taking the saxophone to new places. A serial collaborator himself, Butcher has played with Derek Bailey, John Tilbury, Phil Minton, The Ex, Eddie Prévost, Radu Malfatti, Christian Marclay and many others.
So yeah, The Natural Order honors its title by rising as the one album which finally connects everyone to everyone in the experimental music scene. It’s pretty much Paul Erdös in LP form. Seriously, how did it take so long for these two restless experimentalists to find each other and play together, let alone commit their music to an album? And though the resulting work does not precisely break new ground, it is an interesting addition to two long and distinguished careers in experimental music.
The Natural Order is out on November 18, via Northern Spy.
The Natural Order tracklisting:
01. That Unforgettable Line
02. Delirium Perhaps
03. Dance First, Think Later
04. Faults of His Feet
05. Colour of an Eye Half Seen
06. Turning Away in Time
07. The Welts, the Squeaks, the Belts, the Shrieks
08. Butterflies of Vertigo
09. Be Again, Be Again
10. Accommodating the Mess
Pontiak and Wovenhand hit the road, both literally and figuratively, with their fists and in tour vans
Pontiak are planning to hit the road! With their fists! Even though I’ve told them more times than I can count that it’s just an idiom! They’re so literal! Joining them both in road hitting and in touring is the group Wovenhand, because everybody knows that if you’re going to punch asphalt, it’s better to do it among friends. Pontiak are touring in support of their full-length from earlier this year called Innocence. Wovenhand are touring in support of 2014’s Factory Obdurate as well as in support of the guys in Pontiak who, sorry to keep harping on this, literally cannot stop themselves from hitting the road with their hands. I don’t know guys, I know it’s not really my place, but maybe just quit doing it? Punching the road with open or closed fists, I mean. Don’t stop touring! Do that all you want!
Speaking of segues, in between touring and getting their knuckles bandaged, the fellas in Pontiak also put together a new LP with Heat Leisure, their collaborative group with members of Guardian Alien, Beach House, and Arboretum. The album is called III & IV and it’s out on October 21. You can read all about it by clicking this mysterious blue text.
11.06.14 - Lubbock, TX - Bash Riprock’s #
11.07.14 - Austin, TX - FFF Nites #
11.08.14 - Dallas, TX - City Tavern #
11.10.14 - El Paso, TX - Lowbrow Palace #
11.11.14 - Phoenix, AZ - Pub Rock Live #
11.12.14 - Los Angeles, CA - Jewel’s Catch One # $ %
11.13.14 - Atascadero, CA - Molly Pitcher
11.14.14 - San Francisco, CA - Bottom of the Hill #
11.15.14 - Arcata, CA - The Alibi #
11.17.14 - Portland, OR - Hawthorne Theatre #
11.18.14 - Bellingham, WA- The Shakedown #
11.19.14 - Vancouver, BC -TBA #
11.20.14 - Seattle, WA - Highline # $
11.21.14 - Boise, ID - Neurolux #
11.22.14 - Salt Lake City, UT - The Garage #
$ King Dude
% Spencer Moody, DJ Chelsea Wolf
Shrimp on barbies, tins of Fosters and men who hunt crocodiles. That’s Australian, right? Well, er, actually we call them prawns, Fosters is barely available in pubs anywhere in Australia, and the crocodiles… well, most Australians don’t wrestle them.
So now that all those myths are busted, you’re sitting there wondering what the fabric of Australian culture is actually made up of. Come October 20 you can become a whole lot better informed when you get your mitts on the 5 Years of Bedroom Suck Records compilation which, as you’d probably guess, condenses five years of a pretty exciting time in Australian music onto a handy two-disc set.
Much like the New Zealand Flying Nun jangle scene, Bedroom Suck Records have been at the epicenter of an emerging slacker sound in Australian music dubbed down here as Dolewave which partly embraces the cultural cringe of being Aussie while at the same time blowing those myths out of the croc-infested water.
Bedroom Suck started by two Brisbane blokes like most indie labels as an incestuous avenue to distribute the music their friends were releasing and has seen a bunch of those bands such as Blank Realm and Scott & Charlene’s Wedding go on to grab some respectable international attention.
The compilation gives a good primer to what Bedroom Suck is all about: think broad Australian accents mumbling witty word-plays about everyday Australian concerns over sloppy, stoner jams; sludgey dirges; wigged out home-made electro-excursions, and the occasional tongue in cheek hip-hop track. Beauty mate!
Listen to a preview track from Totally Mild below:
5 Years of Bedroom Suck Records tracklist:
01. Blank Realm - Digging up my Bones
02. Folk Foulk - Pussy
03. Slug Guts - Dealin in the Dark
04. Loose Grip - Country Cop
05. Marl Karx - Claus
06. Knee Chin - Tropics of Comfort
07. Chanbara - Appleseed
08. Per Purpose - Blind and Assistant
09. Peak Twins - China White
10. Terrible Truths - False Hope
11. Bitch Prefect - Special Boy
12. Boomgates - Tight Knit
13. Absolute Boys - At Last
14. Scraps - SYBIMH
15. Ela Stiles - Misplaced Charity
16. Full Ugly - Same Familiar Street
17. Hissey Mayake - Waste Time
18. Primitive Motion - Bodies of the Placid Fu…
19. Superstar - Glistening Bliss
20. Scott And Charlenes Wedding - 1993
21. Peter Escott - The Missing O
22. Circular Keys - Baby (Lite)
23. Leighton Craig - Catch Me Im on
24. Totally Mild - Take Today
25. Silly Joel and the Candymen - Heroic Heart…
26. Love of Diagrams - Eyes
27. Angel Eyes - Bed
Laurie Osbourne (a.k.a. Appleblim) and Alec Storey (a.k.a. Second Storey, formerly Al Tourettes), two superheroes moonlighting as DJs, have joined forces for a new live-focused act called ALSO. All caps baby, because you know this is gonna be powerful. Also because it links the two producers’ initials together, and spells an un-Googleable word! Couldn’t they have just been boring and gone with Apple Story?
In any case, the legendary Belgian outpost R&S have already signed off on the duo, and will be releasing ALSO’s EP01 next month. Well, hopefully the music is bursting with color and life, if not for the naming. As Osbourne explains it, “There’s so many people making sonically ‘correct’ or refined 4x4 music, we just wanted to explore everything other than that, whilst still keeping the dance floor moving.” I couldn’t agree more. Created primarily from freewheeling, in-studio jams, these refined gentlemen hope to shake up predictable rhythmic frameworks with some experimental and emotive sounds. EP01 drops November 24; maybe by then you’ll have figured out a search phrase that will find their music. Please let me know if you do!
The Dutch duo of Harm Coolen and Merijn Scholte Albers a.k.a. Weval have had a very good year. It started with a Schweppes commercial — respectable in itself, as their ginger ale is known for its superb quality — which featured the pair’s song “Detian,” along with Penelope Cruz going in on some Schweppes at the club. So very European. Now, like orange Fanta, Weval are making for the main stage with a signing to German outpost Kompakt, on the back of a well-received Gui Boratto remix. Their first EP for the label, Easier, will drop this fall.
In anticipation of their new release, the two pals from the Netherlands have shared a stream of opening cut “Gimme Some,” which rides a slinky techno rhythm filled with haunting atmospherics and a soulful vocal refrain. It’s at turns poppy, ambitious, and mildly bizarre, but the production quality remains admirable throughout. And it’s not for nothing when Kompakt describes you as their “most exciting new addition of recent time.” What, Dauwd ain’t no thing now? The guy hasn’t even put out a full-length and Weval’s already the new name in town. In any case, the Dutch pair will play their first high-profile showcase at ADE on October 18, alongside label artists Gui Boratto, Superpitcher, Rebolledo, Michael Mayer, Kölsch, and yes, Dauwd. Easier is out on November 24, and a stream of “Gimme Some” can be found below.
01. Gimme Some
03. Thinking Of