Bonnie “Prince” Billy announces tour, walks wagging down the asphalt

Hail! And farewell! The bonny prince himself — goes by Billy or sometimes Will — is an erstwhile Wolfroy, and he who walks wagging down the asphalt looking for glass windows cracked for his glad gaze has made big his mouth hole and shouted emissions of language and sound and exclamatory gestures only he, the noise-roided wolf, could dare to spackle forth these dim days anyhow, and these noises, known by few in some parts and by more in others, they find themselves magnified electronically, recombined by digital clouds and rained down on the eye stalks of a grinning public only ever wanting to order their reality in lists of dates and locations and various punctuation that dare to indicate this friend or that friend or this festival or that in some small or small-ish town in Austria we’d imagine, or if not, maybe amongst the Swiss or the Michiganders brewing beer (he’s familiar, at least, with that much), supported all the while by the live band of long-term buds like Danny Kiely on the bass, Van Campbell drumming, Drew Miller with a saxophone, and Chris “Roadie” Rodahaffer fashioning chunks of fallen trees into externally-powered non-air guitars, supported sometimes by Faun Fables and other times by Lutto Lento and Piotr Kurek, and other times by a mere nation-state.

TL;DR: Bonnie “Prince” Billy is going on tour. The dates are below.


07.15.15 - Chicago, IL - Old Town School of Folk Music *
07.16.15 - Kalamazoo, MI - Bell’s Brewery *
07.23.15 - Dornbirn, Austria - Dornbirn Conrad Sohm #
07.24.15 - Sittersdorf, Austria - Lakeside Festival
07.25.15 - Vienna, Austria - Arena #
07.26.15 - Linz, Austria - Rosengarten #
07.27.15 - Zurich, Switzerland - Kaufleuten #

* Faun Fables
# Lutto Lento and Piotr Kurek

[Photo: Elsa Hansen]

• Bonnie “Prince” Billy:

Lizzy Mercier Descloux, the bizarro Patti Smith, gets reissue treatment

If you were to attempt to conjure up an image more gut-wrenchingly fantastic than Patti Smith, it would have to be Patti Smith with a french accent. Right? Lo and behold, such a thing already exists: her name was Lizzy Mercier Descloux, and she kicked around the same late-70s NYC art and punk scene as Smith et al. and made some pretty great records.

Understandably, you might think that this is information more people ought to be aware of. Well, Light In The Attic agree and has therefore decided to reissue the Parisian’s back catalogue, starting with her debut opus Press Color on August 14.

Press Color is the early blueprint for the punk-funk radness that bands like The Rapture lit up your dancefloors with at the dawn of this century, and as usual, returning to the source material is always more rewarding. For example, check out the dance moves displayed by Descloux in this video for “Fire,” the lead single off Press Color:

The Electric Six couldn’t even dream of such mind-blowing awesamity* in an ironic way.

Of course, being a reissue, Light In the Attic has remastered the record and crammed the release with rarities, including the closer “Morning High,” which is a collaboration with Patti Smith drawing on the words of their darling poet idol Rimbaud.

Press Color

01. Fire
02. Torso Corso
03. Mission Impossible
04. No Golden Throat
05. Jim On The Move
06. Wawa
07. Tumor
08. Aya Mood
09. Mission Impossible 2.0
10. Rosa Vertov
11. Decrypted
12. Herpes Simplex
13. Larousse Baron Bic
14. Tso Xin Yu Yin
15. Nina con un tercer ojo
16. Birdy Num-num
17. Hard-Boiled Babe
18. Morning High

*Awesamity is a word I just invented. It means a 50/50 combination of awesome and insanity.

• Lizzy Mercier Descloux:
• Light In the Attic:

Dam-Funk announces first record in six years, anxiously frets about a world without funk

According to a website discovered through a quick, specific Google search, the most common fear people have is the fear of flying, closely followed by the fear of public speaking. Somewhere on that list must be the fear of a world without funk. Perhaps you’ve never thought about that possibility, but you are now thinking about it and, likely, are horrified about that possibility. Dam-Funk’s been thinking about that, too, but more importantly, he’s actually doing something about it. On September 4, Dam-Funk will release Invite The Light through Stones Throw, his first album in six years.

Like all of Dam-Funk’s work, one can reasonably assume Invite The Light is actively contributing to a funkier world. And yet,the record begins and ends with a bone-chilling warning about a world with no funk, delivered by Junie Morrison of funk legends The Ohio Players. Morrison is one of the record’s many guests, including Q-Tip, Ariel Pink, Snoop Dogg, the father-son team of Leon Sylvers III & IV, Kid Sister, and Nite Jewel.

That’s more than a few guests, but Invite The Light is billed as a record centered on Dam-Funk himself. The record’s set to be a loosely autobiographical concept album about the funk maestro’s personal and professional album over the past six years. Dam-Funk has stated the record to be his “first fully-realized effort,” a bold statement considering that his last album, Toeachizown, was 24 tracks and 2 hours long. Listen to the record’s first single, “We Continue,” below.

Now, attempt to sleep tonight while the idea of a funkless world rolls around in your head.

Invite The Light tracklist:

01. Junie’s Transmission [Feat. Junie Morrison]
02. We Continue
03. Somewhere, Someday
04. I’m Just Tryna’ Survive (In The Big City) [Feat. Q-Tip]
05. Surveilliance Escape
06. Floating On Air
07. HowUGonFu*kAroundAndChooseABusta’?
08. The Hunt & Murder of Lucifer
9. It Didn’t Have To End This Way
10. Missung U
11. Acting [Feat. Ariel Pink]
12. O.B.E.
13. Glyde 2nyte [Feat. Leon Sylvers III & IV]
14. Just Ease Your Mind From All Negativity [Feat. Snoop Dogg]
15. Virtuous Progression [Feat. JimiJames, Kid Sister, Nite Jewel, Novena
Carmel & Jody Watly]
16. Scatin’ (Toward The Lgiht)
17. Junie’s Re-Transmission [Feat. Junie Morrison]
18. I’m Just Tryna’ Survive (In The Big City) Party Version [Feat. Q-TIp]
19. ‘Kaint Let ‘Em Change Me
20. The Acceptance

Dam-Funk dates:

09.04.15 - San Diego, CA - The Casbah
09.05.15 - Los Angeles, CA - Teragram Ballroom
09.06.15 - San Francisco, CA - The Independent
09.08.15 - Portland, OR - Doug Fir Lounge
09.10.15 - Vancouver, BC - Venue
09.12.15 - Jackson, WY - Pink Garter Theatre
09.13.15 - Salt Lake City, UT - Urban Lounge
09.15.15 - Denver, Co - Cervantes
09.16.15 - Albuquerque, NM - Sister
09.18.15 - Las Vegas, NV - Bunkhouse Saloon

[Photo: Matthew Scott]

• Dam-Funk:
• Stones Throw:

Ariel Pink to co-headline tour with The Black Lips, swindle ‘em, jet off to Europe

Oh, when Ariel Pink gets together with The Black Lips, you best believe there’s gonna be trouble! Those two lo-fi garage-rock-pop junkyard scumballs could be the king scumballs of America… if they don’t kill each other first! Whoa! This October, the Pink man himself is teaming up with Atlanta’s greasiest for a co-headlining tour of the West Coast. Expect thrills, expect spills, expect chills — just don’t expect your money back!

Funny thing is, the Ariel Pink + Black Lips hijinks are only Act 1 of this screwball adventure. Just when Pink and Lips were getting closest, just as they were really understanding each other, just as Lips guitarist Cole Alexander got done telling Ariel the story about how his dog ran away as a child and that’s why he now pushes people away, well, that’s when Ariel Pink took the Tlack Lips’ money and ran off to Europe! What!? It’s there where Pink gets involved in an international jewel-heist plot involving a duke, a street urchin, and the seductive Miss Bellflower. Oh, also Ariel Pink will be playing a number of European dates.

Ariel Pink dates:

07.18.15 - Chicago, IL - Pitchfork Festival
07.18.15 - Chicago, IL - Lincoln Hall
08.15.15 - Toronto, ON - Time Festival
08.20.15 - Los Angeles, CA- Santa Monica Pier Twilight Series
10.05.15 - Los Angeles, CA - Teragram *
10.06.15 - Los Angeles, CA - Teragram *
10.07.15 - Santa Ana, CA - Observatory *
10.09.15 - Portland, OR - Roseland *
10.10.15 - Vancouver, BC - Rickshaw *
10.13.15 - San Francisco, CA - Bimbo’s *
10.14.15 - San Francisco, CA - Bibo’s *
10.16.15 - San Diego, CA - North T *
10.17.15 - Pioneer Town, CA - Pappy & Harriet’s *
10.29.15 - Paris, France - Pitchfork Music Festival
11.06.15 - Reykjavik, Iceland - Iceland Airwaves
11.07.15 - Malmo, Sweden - Inkonst
11.08.15 - Stockholm, Sweden - Kagelbanan
11.09.15 - Oslo, Norway - Vulkan
11.10.15 - Trondheim, Norway - Blaest
11.12.15 - Aarhus, Denmark - Voxhall
11.13.15 - Hamburg, Germany - Knust
11.14.15 - Prague, Germany - Meet Factory
11.15.15 - Budapest, Hungary - Dürer Kert Main Hall
11.17.15 - Warsaw, Poland - Hybrydy
11.20.15 - Heidelberg, Germany - Pret-a-ecouter Festival
11.22.15 - Utretcht, Netherlands - Le Guess Who Festival
11.24.15 - Linz, Austria - Posthof
11.25.15 - Salzburg, Austria - Rockhouse
11.26.15 - Vienna, Austria - Porgy & Bess

* The Black Lips

• Ariel Pink:
• Black Lips:

Dave Perron of Free Form Freakout starts Round Bale Recordings, first release Tilth’s Country Music out now

It’s a story as old as time: Boy starts radio show that spawns a podcast that spawns a record label that spawns a feature in the local press. It’s crazy to think that all this spawning is just a part of our collective unconscious in these troubled times, but it really is. So, when I tell you that Dave Perron of the weekly Free Form Freakout radio show and the bi-monthly FFFoxy Podcast has started a record label up in Mankato, you’ll probably think to yourself, “Ah yes, the cycle of spawning continues unabated.” And of course, you will be correct (like always). If you’re not familiar with the podcast or the radio show, you can peep old playlists here. Along with his radio co-host Carl Nordmeier, Perron is always swinging back and forth between the fringe and the center, populating the show with an odd assortment of jams new and old; one week you can hear The Rolling Stones, another Tashi Dorji.

The label’s called Round Bale Recordings, and its first release — Tilth’s Country Music — is already available in a limited run of 150 LPs (and the first 50 orders come with a special bonus of Backwoods Runoff, containing five tracks of bonus material culled from rehearsals, demos, and the like). Tilth, whose 2013 debut Angular Music molded a minimalist path out of the sonics of Americana into a looser structure, was initially a duo of Cody Yantis and Nathan McLaughlin. Country Music adds long-time collaborator Joe Houpert to the band, mostly on percussion, adding a more rhythmic texture to the busted reel-to-reel guitar sounds of Angular Music.

Listen to “Praire Waltz” and “Parcels of Earth” off the album below.

• Tilth:
• Round Bale Recordings:
• Free Form Freakout:

Panda Bear to release remix EP featuring Pete Rock, Andy Stott, Container, DJ Marfox, and Danny L Harle

On Monday, Panda Bear is releasing PBVSGR Remixes, which features reworked versions of songs from this year’s Panda Bear Meets The Grim Reaper. The five-track EP includes remixes by musicians we flat-out LOVE here at TMT: Pete Rock, Andy Stott, Container, DJ Marfox, and PC Music’s Danny L Harle.

We’ve already heard Harle’s wild trance remix of “Come To Your Senses” and Stott’s exquisite take on “Boys Latin,” and now you can check out Pete Rock’s remix of “Crosswords” here:

The PBVSGR Remixes EP is out digitally on Monday, June 29 via Domino. Fuck you.

PBVSGR Remixes EP tracklisting:

01. Crosswords (Pete Rock remix)
02. Come To Your Senses (Danny L Harle remix)
03. Come To Your Senses (DJ Marfox remix)
04. Boys Latin (Andy Stott remix)
05. Mr. Noah (Container remix)

Panda Bear dates:

07.16.15 - Chicago, IL - Thalia Hall $
07.17.15 - Chicago, IL - Pitchfork Music Festival
10.09-11.15 - Miami, FL - Soho Studios [III Points Festival]
10.13.15 - New York, NY - Bowery Ballroom @
10.14.15 - New York, NY - Bowery Ballroom #
10.15.15 - New York, NY - Bowery Ballroom *
10.17-18.15 - San Francisco, CA - Treasure Island Music Festival

$ Bitchin Bajas
@ PC Worship
# Image Man
* The Present

• Panda Bear:

Stars of the Lid to reissue last two albums on vinyl, working on new music

It is a momentous day for Austin drone titans Stars of the Lid. The duo has announced the reissue of its long out-of-print two final albums, and confirmed (via Self-Titled magazine) to be working on a new album. Next August, Kranky will be putting out 2001’s The tired sounds of Stars of the Lid and 2007’s And their refinement of the decline on vinyl for the first time in many years. The label had reissued a remastered version of the band’s 1996 LP The Ballasted Orchestra back in 2013, but these two albums are extra special, marking Kranky’s 50th and 100th releases in their catalog, with the 3LP symphonic megalith The tired sounds of… frequently cited as the Texan group’s best work.

Although news on their (reportedly) forthcoming album are still scarce, we know that in 2013 the band worked with Ben Frost, recording still-unreleased music alongside the Budapest Art Orchestra. Whenever such LP comes out — assuming it does — it will be the Stars of the Lid’s first release since 2007. Formed in the early 90s by Brian McBride and Adam Wiltzie, Stars of the Lid are one of the most influential ambient acts operating in the rock environment. Although the duo has not exactly been prolific in terms of releases or live shows, McBride and Wiltzie have partaken in multiple side projects and keep a well-deserved status as elders of drone-based music made in the crossing of post-rock and electroacustic composition.

Stream their last-released track “December hunting for vegetarian fuckface,” off And their refinement of the decline, below.

The tired sounds of… and And their refinement of the decline will be out August 14 via Kranky.

• Stars of the Lid:
• Kranky:

Arovane shares new track despite illness, replaced by bvdub at upcoming Substrata Festival

To PNWesterners and those justifiably traveling from afar (including the curator himself): the final edition of Substrata is less than a month away, which hopefully means that you’ve opted for physical preparation by performing a series of yoga poses underneath a nearby body of water. The introspective event is still scheduled to go on mostly as planned, but this week, an unfortunate announcement was made concerning the lineup. Due to “serious ongoing health problems,” the influential Arovane (Uwe Zahn) has sadly had to cancel his rare trip to the United States and, therefore, his scheduled performance at Substrata. Taking his place will be bvdub (Brock Van Wey), who I’m sure is more than up to the task of doing justice to the moniker being replaced.

Uwe himself sent a note indicating his regret, along with an unreleased track originally meant to be a part of his Substrata performance. The note: “I’m deeply saddened that I couldn’t fly over to Seattle, to perform at Substrata, to meet you, to see my fans and friends. - Uwe”

Here’s the track:

TMT wishes Uwe a hasty return to better health!

• Substrata 1.5:
• Arovane:
• bvdub:

Google Play announces free, ad-supported version of music-streaming service, but what does T. Swift think?

Gonna really lean in to the tech-reporting angle and tell you about Google Play Music’s new free, ad-supported streaming service. Where previously the only way to access any music that you hadn’t uploaded to the free locker service yourself was to cough up the $9.99 monthly fee, on Tuesday, Google announced they’d open up that access just a little bit to anyone willing to sit through a jolly-sounding robot chatting you up about the new Kia Sorento every little while. In order, one imagines, to circumvent the cash-bleed experienced by Spotify, Google Play’s ad-supported service will not offer on-demand access to specific songs or album, offering only instead Google’s curated playlists (which they’ve been developing since buying Songza last summer) and radio stations for individual songs. No offline play either. The result of which is something pretty similar to Spotify’s free mobile experience. It’s available online right now, and it’ll roll out to Android and iOS throughout the week.

With Apple Music’s June 30 launch coming in less than a week, Google seems to be angling to scoop a few potential users of their very own by offering a free 30-day trial of the service to new users looking for the features they both have on offer, since, according to The Verge, “Apple and Google are running the same playbook: streaming, cloud, and store,” the store angle of which competitors like Spotify have not yet attempted to integrate. Will it make a difference? Will the one tech behemoth manage to out-maneuver the other tech behemoth? Which one will ultimately win that most coveted of licensing deals, the hearts and minds of the American people? Only time will tell, reader, and I for one am on the edge of my cloud-synced seat device in anticipation.

In closing, and speaking of the hearts and minds of the American people, apparently for fear of retribution by the mighty Tiny Mix Tapes in conjunction with Taylor Swift, according to Pitchfork Google will pay copyright holders for any plays racked up during their free trial periods. But then again, maybe that whole kerfuffle was just a ploy to get us music bloggers and Twitter users riled up. Who is to say? Either way, this particular music blogger slash Twitter user says, boy howdy! Money changing hands! The economy is very cool, and I definitely understand everything I just typed!

• Google:
• Taylor Swift:
• Tiny Mix Tapes:

Max Richter, not your mother, tells you to go to Sleep with upcoming eight-hour album

Hush, little baby, don’t say a word, Max Richter’s gonna ferociously deny you a mockingbird and instead deliver something that every kid secretly and unknowingly wants: an eight-hour album, explicitly called a “lullaby,” that’s accordingly meant to be slept through as some sort of cool and symbolic defiance against all of the (let’s admit it) weakling imagery conveyed by those traditional tunes. Richter elaborated, however, that his upcoming Sleep is more deliberately a mild rebellion against the en vogue European appreciation for musical inaccessibility, believing that “we lost something along the way.” Plus, our daily lives are just way too chaotic.

The eight-hour Sleep is set for release digitally on September 4, and for those wanting something listenable that doesn’t require an extended “commitment,” a one-hour version, characterized as a “series of windows opening into the big piece,” will be released on all relevant formats. The music itself is scored for piano, string, electronics, and vocals (but no lyrics).

Berliners and those proximal will also have the chance to experience the full-length Sleep firsthand at the world premiere this September. The concert is scheduled to take place from 12 midnight to 8 AM, and seriously, audience members will be given beds instead of seats. Nighttime flatulence, I imagine, will be seen as a scientific result…

• Max Richter:
• Deutsche Grammophon:



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