Rock ‘N’ Roll Is The New York Dolls: New York Dolls for Live At The Fillmore East (Thanks Again Morrissey)
This is rock ‘n’ roll: Skinny boys who smoke smack and confidently flip their long hair back like conceited prom queens. It's beer cans crumbled like pieces of paper. It’s sneaking out of your parents' second-story window to go to a show, the show, probably the most important show of your life. (And if it’s not, then fuck it, at least you got drunk and/or laid).
Rock ‘n’ roll is a band like The New York Dolls, who played their very first show on Christmas Eve 1971 at a homeless shelter, who listened to The Rolling Stones, MC5, and The Stooges in the same way Kiss, Blondie, and The Smiths listened to them. Without The New York Dolls, rock record buffs would be missing essential building blocks in their collection: Too Much Too Soon, Seven Day Weekend, and New York Dolls are albums as important as Whiskey Sours and unfiltered cigarettes to every new generation of smut.
The New York Dolls' first break came when Rod Stewart invited them to fill the opening slot in London, but their second break is all because of Morrissey. In 2004, Morrissey organized his heroes to reunite for the Meltdown Festival, which gave way to both an album and DVD on Morrissey’s Attack label. So thank Morrissey for giving us a second chance to catch all the glory.
Which leads me up to the new news: On June 17, The New York Dolls are releasing Live At The Fillmore East, a new live album recorded last December, via Sony BMG. It's supposedly cleaner than any live document released before, but it still sounds like how we prefer them: raw.
Live At The Fillmore East tracklist
NY District Court Supports RIAA In Case Regarding Kazaa; Vague, Hulking Menace of Copyright Law Gradually Lumbering This Way, We Might Want to Move In a Few Years
On March 31, a federal District Court in New York provided “specific language” for labels to use when suing someone who didn’t necessarily share files per se, but merely placed them in a context in which they’re allowed to be shared.
Basically: A lady got sued in August 2005 for having 600 MP3s in her Kazaa shared folder. The woman, along with the Electronic Frontier Foundation and the Computer & Communications Industry Association, filed briefs saying, “Wait, guys, you don’t have any proof that these files were shared, just that they were in a shared folder.”
Copyright law regulates “publication,” which has a fancy legal definition wherein you distribute something by selling it or giving it away or lending it or whatever. The labels were accusing the woman of making a work available for “distribution,” which is a situation copyright law that hadn’t really been tackled yet.
Now I’m beginning to understand why this has taken so long.
The District Court spent over two-and-a-half years doing something, then issued a statement at the end of last month agreeing with the labels and alleging that, from a digital copyright law standpoint, “publication” and “distribution” are synonymous. An 11-year-old could have probably told you that the two words mean pretty much the same thing, of course, but from a legal standpoint, this provides a tiny little hole through which the RIAA can continue its string of large-figure lawsuits against just about everybody.
According to the new ruling, it’s kosher to sue for "offer(ing) to distribute copies or phonorecords (MP3s) to a group of persons for purposes of further distribution." Having files in a shared folder can be considered a tacit kind of offering, so here we are. People don’t use Kazaa anymore, but I could see this eventually affecting FTPs or, really, just about any method of transferring files from one computer to another. Of course, as long as legal proceedings move at about one-millionth the pace of file-sharing technology, piracy will probably reign. Woo.
I used to have this friend who was obsessed with the Southern Lord label. He would talk non-stop about bands on Southern Lord that I had never heard of. He would bring me to shows by other Southern Lord bands I had never heard of, which he promised would be "awesome" and "incredible." Oftentimes, he was right, but holy shit was this stuff degrading my self-esteem, because we both worked at a record store together. And like most record store employees, I did not want to admit that there could be record labels and entire genres of bands that I knew almost nothing about.
So, this one goes out to you, friend, who introduced me to Sunn O))). Here's a story for you, all the people like you, and all the people like me who hate to claim ignorance about a good thing. In this case, that "good thing" is ASCEND, a new project out on Southern Lord. It features Greg Anderson of Goatsnake, Engine Kid, and Sunn O))) along with Gentry Densley of Iceburn and Eagle Twin. The new album hits stores May 27, 2008 and promises to bring its share of the ominous, heavy jams needed for a killer summer. It features guest performances from pals like Soundgarden's Kim Thayil, Steve Moore of Earth and Sunn O))), and Andy Patterson. But that's not all -- there will also be Wurlitzer organs on this thing! It doesn't get much more rock ‘n’ roll than organs, am I right?
Wait wait wait. Comcast and BitTorrent?! Yes, according to The Wall Street Journal, internet service provider (ISP) giant Comcast will be working with the torrent protocol developers over at BitTorrent, Inc. in an effort to move video content more efficiently through its network.
Comcast has been at odds with the torrent community since August 2007, when it was reported that the ISP was blocking torrent traffic, causing net neutrality proponents to shit their pants. Comcast later issued a press release stating, "Torrents are destroying our network. In the near future, all of our bandwidth will be consumed by a protocol dedicated to illegal file-sharing. And that will leave no bandwidth for Joseph Goldbottom's Bar Mitzah Evite. And imagine how ka'ab Joseph will feel when nobody shows up to his manning party?"
No word yet as to any specifics of the agreement or what could possibly come out of it.
Avant Music Fans In Anticipation of the Bent Festival: “Don’t Put Me In Your Box Unless It’s Disassembled And Filled With Frayed Sparking Wires!”
If this year's festival lineups seem a little vanilla for your taste, and the prospect of moshing along to "Guerilla Radio" with an aged Rage Against the Machine doesn't spark your interest, perhaps the fifth annual Bent Festival of circuit bending is more your style. What the hell is circuit bending? Well, straight from the experts, "Circuit Bending is short-circuiting battery-powered sound making devices to create new musical instruments," and this year's festival will take place in Los Angeles (April 17-19), New York City (April 24-27), and Minneapolis (May 1-3). LA performances will take place at Zero-Point and the California Plaza, NYC at The Tank, and Minneapolis at Intermedia Arts (mere blocks from Mr P's house).
All shows start at 7 PM and are completely free, with small fees for those interested in participating in afternoon workshops and zapping some wires of their own. Artists performing who are guaranteed to impress your friends in skill and obscurity include:
Back Story: For the past year, our hero, Martin Dosh, has been held captive by a certain violin-playing, mouth-whistling, guitar-slinging villain, better known as Andrew Bird, or The Birdman, if you will. Against poor Dosh’s will, The Birdman allegedly forced him to tour around the country (And Europe and Australia too! Gasp!) playing drums and keyboard in his backing band. Word has it that the Birdman even resorted to pecking the defenseless Dosh in the face if he even mentioned anything about his own solo career. How dreadful!
Present Day: It appears with the help of some of his anticon. labelmates, Dosh has managed to escape The Birdman’s evil clutches. Yoni Wolf of WHY? (a.k.a The Wolfman) and Adam Drucker of Subtle (a.k.a. Doseone) were seen breaking into The Birdman’s tour bus while he sat perched asleep inside his cage. The Wolfman howled at Dosh, signaling to him that he was safe and it was time to go. Doseone grabbed Dosh’s shakey hand, and the two heroes led him out of the bus and back to anticon.'s Oakland, California hideout.
Conclusion: The Birdman has decreed on message boards across the land that he will seek revenge on Dosh, but for now, it seems that Dosh is safe from the evil beak of The Birdman and able to focus on his fourth solo album, Wolves and Wishes, due out May 13 on anticon.
The tracklisting is as follows:
Tune in next week to see if The Birdman finds out where Dosh is hiding! Will he wreck havoc on the anticon. offices? Will he ruin Dosh’s CD release party? Stay tuned to Tiny Mix Tapes for all the action!
Or a special hip-twist, since you'll have to go to Brooklyn. New Yawk's DIY promoter Todd P is at it again, and as usual, I'm not complaining. The "secret" Atlas Sound show taking place this Friday at a yet-to-be-announced venue in the BK just got a whole lotta hypey, as Deerhunter announced on their blog that it would be them jamming out at said shindig, not Atlas Sound. And just what are they performing, boys and girls? Why, their new album, of course! It's called Microcastle, and only those with tickets will be informed of the show's definite location.
Deerhunter have been laying low since CMJ, so why this return with a vengeance? According to Bradford Cox's post, "It was originally intended to be just an Atlas Sound show, but we have had such a great time recording with each other and rehearsing in the studio that we thought it would be fun to try and pull off an impromptu show with borrowed equipment."
The band has been recording for quite some time at the Rare Book Studios in Brooklyn, so I guess they want to give some of those tunes a test run. Still, playing a new album in its entirety? Before it's even released? Someone just played a nasty joke on the BitTorrent crowd.
Of course, if you don't manage to catch this show, which is a distinct possibility for many of us, Deerhunter can be found elsewhere. Like, way elsewhere. Like, you probably need to get your passport renewed elsewhere. Oops.
For the Jet Set:
04.11.08 - Brooklyn, NY - TBA
05.08.08 - Dublin, Ireland - Whelan's @
05.09.08 - Camber, England - Camber Sands Holiday Centre (ATP vs. Pitchfork)
05.29.08 - Barcelona, Spain - Primavera Sound
06.03.08 - Paris, France - Villette Sonique
06.11.08 - Groningen, Netherlands - Vera $
06.12.08 - Amsterdam, Netherlands - Paradiso
06.15.08 - Glasgow, Scotland - Stereo $
06.20.08 - Brighton, England - Barfly $
06.23.08 - Arendal, Norway - Hove Festival
06.24.08 - Stockholm, Sweden - Accelerator Festival
06.25.08 - Calgary, Alberta - Sled Island Festival
$ High Places
Little-Known Post-Punk Band The Lines Gets Reissue Treatment; Aging Goths Around The Nation Celebrate
You look through the shelves of your post-punk music collection. You pull out record after record -- Bauhaus, The Birthday Party, The Cure -- but you just cannot find what you are looking for. You're in a rut. You love these bands, but you're searching for something different. Something more. Something so cultish, so obscure that you will be able to impress the most arrogant record store nerds and closet goth music bloggers. You know you're missing something, but what could it be?
Acute Records has the answer! It's The Lines, a little-known UK group who played alongside bands like those mentioned above, but never really achieved any popular acclaim. Featuring members of prag Vec and Alternative TV, The Lines lasted from 1978 to 1983, never aligning themselves with any movement or scene. They released five singles, one EP, and two LPs, but never made the big $$$.
But now, coming May 27, 2008, you will be able to experience The Lines' mixture of Wire, Mission of Burma, and The Feelies for yourself via the Acute reissue entitled Memory Span. Don't miss out! This could be your best chance to outsnob a record clerk this spring!
According to Digital Music News, Wal-Mart has stripped its online music store of all Sony BMG and WMG artists, while also announcing that it's ditching DRM. Although it will surely be a temporary breakup, Wal-Mart decided to do away with the Sony BMG and WMG catalogs because it couldn't strike a deal with the two majors due to its decision to go DRM-free. (Keep in mind that we're talking about the digital catalog -- Wal-Mart still sells Sony BMG and WMG CDs.)
Wal-Mart currently has lower prices than iTunes at 88-cents a track, but its digital selection has now been significantly diminished. And, of course, Wal-Mart's successes in pricing and catalog are in its physical products, so any decisions regarding its digital music store won't be industry-shaking until it makes actual waves in selling digital music. But ditching DRM is a positive sign at the very least.
^ Bat for Lashes
& Grizzly Bear