Ticketbastard’s TicketsNow Announces Some New, Lame, Scam Service: “Sell Your Tickets On TicketsNow” – Y’all Should Just Use Craigslist
If you thought Ticketmaster was annoying, I bet you will find or do find TicketsNow even more annoying. TicketsNow is the Ticketmaster-owned company that allows you to buy premium-event tickets from ticket agencies, sometimes before they even go on sale. This means what could be a $50-face price ticket is instead a $300-face price ticket. It kind of makes you feel like an idiot knowing you paid $250 more than the person sitting next to you, just so you could be sure you got a ticket in the first place.
Well, now after you buy your insanely priced ticket from TicketsNow, you can resell it to some other dumbass for even more! The new service introduced by TicketsNow is called “Sell Your Tickets On TicketsNow” and gives ticket sellers access to tons of fans looking for tickets. The seller has the ability to set the ticket price to whatever they feel is appropriate and can be changed at any time. The seller can even list their tickets as free and just pay the commission fee to TicketsNow. How it works is you list your tickets for whatever asking price, and when someone buys them, TicketsNow sends you notification and a link to a printable shipping label.
Sorry, I know this article is pretty much all ‘opinion.’ I just think this service sucks. I’d rather just sell my ticket to an honest fan for face value.
Animal Collective’s Forthcoming Album Merriweather Post Pavillion Gets Tracklisting, So Yeah… I Guess It’s True
UPDATE: A recent press release confirms everything. Merriweather Post Pavillion, Animal Collective's ninth album, is set for release January 20 via Domino Records on CD, 2xLP and digital formats.
Okay, I'll admit, I didn't entirely believe Gorilla Vs. Bear when it speculated earlier this week that Animal Collective were releasing a new album in January 2009 called Merriweather Post Pavillion. Now? I believe it.
Thanks to Stereogum, all you have to do is poke around on Animal Collective's website and you'll find the forthcoming album's tracklisting. First, you'll see (and want to eat) a fish by Wolf Eye's Nate Young, but if you click on the lettering, you'll get another somewhat creepy video revealing the full tracklisting. Now that's what I call a complete aestheticization of the tracklist!
Maybe somewhere between now and January, when the album's released via Domino, they'll add another click to let us hear the full album. In the meantime, check out Paw Track's MySpace and see our animated mix tape enlarged and in action!
Merriweather Post Pavillion tracklisting:
[Photo: Adriano Fegundes]
M. Ward Record on Its Way, I Try to Remember What That Commercial Was That Used His Song to Sell Cars, Wonder if M. Ward Really Do Have Car-Selling Powers
Sometimes news is short and sweet; this is one such instance. M. Ward, also known as Matt Ward, is ready to release a new solo record, titled Hold Time, and according to Paste, we should all get our greedy hands on it February 2009. That's about all we have confirmed, but it's great news nonetheless!
M. Ward is a man I envy a great deal, not just because he is a great musician (which he is), but because he has also worked with one of my all-time celebrity crushes Zooey Deschanel on their She & Him project (TMT Review). Actually, those two have confirmed a She & Him Volume 2. Oh, and that super-collaboration between M. Ward, Jim James, and Connor Oberst? Apparently it's coming along slowly and should see light in either 2010 or 2011.
This may all be pretty vague, but we know there is more coming at some point, so feel free to rejoice!
Due to a stage accident committed by Mr. Jim James, My Morning Jacket were forced to cancel the rest of their Iowa City gig yesterday, and have now officially postponed a couple Chicago shows. I'd paraphrase the rest, but what's the point when you can read it straight from My Morning Jacket:
"As some of you may have heard we had to cancel our show last evening in Iowa City. We were finishing up the last few bars of ‘Off The Record,’ and just like any other night we were all having a great time. Jim went to get closer to the audience on his side of the stage, and as he moved forward to step onto the sub-woofer the lights darkened, and he inadvertently stepped off the stage. Upon falling, he suffered traumatic injuries to his torso, and was immediately taken to the hospital. Per the doctor's orders, Jim will be off the road and recovering from his injuries for the next two to three weeks. Sadly, we must postpone the two shows in Chicago on Thursday and Friday until further notice.
For those who attended the Iowa City show, we would like to extend our gratitude for your understanding and cooperation. We take our fans and performances very seriously, and would never cancel a show unless it was absolutely necessary. Please know that we will be making every effort to return to your fine city.
Thank you so much to our fans for the kind sentiments and well-wishes on Jim's behalf. We hope for Jim's quick recovery and to be back out on the road soon.
My Morning Jacket
Tourdates, assuming James' torso recovers by then:
$ Neil Young
No, not The Ruby Suns and, no, not Joe Versus the Volcano (a 1990 film starring Tom Hanks, Meg Ryan, and Lloyd Bridges -- fucking great movie). I'm talking about Volcano Suns, a Boston group founded in 1983 by Mission of Burma's drummer Peter Prescott. Likened to groups like Hüsker Dü (Hüsker who?), Volcano Suns released six albums from 1985-1991 with a revolving cast of musicians.
Their first two albums, The Bright Orange Years and All Night Lotus Party, were originally released on Homestead Records, but Merge Records will do the band the honor of jizzing all over the albums January 27, 2009, just how the band always imagined. This will mark the first time the albums see release on CD, and this ain't no shitty vinyl rip using one of those shitty USB turntables either. Both discs will be remastered by Bob Weston, world-famous musician/engineer who at one point played bass for Volcano Suns.
Bonus tracks are expected, but here are the original tracklistings to get you in the mood.
The Bright Orange Years original tracklist:
I really want to watch Joe Versus the Volcano again.
Web-Friendly Musical Scores to Hit Internet, Provide Adequate Short-Term Politico-Economic Distraction to the Truly Poor and Nerdy
Attention band geeks, comp majors, and idealistic grade school music teachers with ’70s hairstyles everywhere! Get ready to flip-on the 4th movement of Beethoven’s 9th and rejoice! NoteFlight, a flash-based service for composing, editing and sharing musical scores online -- which is also, I might add, free to use if you sign up for the beta version -- is here to spruce up that lonely ivory tower of yours. No Faustian pact with the devil required!
Once you've registered for that free account, you can truly let your questionably-legitimate esotericism run (relatively) wild! Shame and embarrass the tiresome, life-ruining work of those great, consumptive Romantic composers by dragging notes onto a music staff to create scores, playing them with your computer's keyboard, editing the notes with the click of a mouse, and sharing them with others within the site's database using a simple URL! You can even embed a finished score right onto your cloyingly doting ‘Rachmaninoff Rules!’ fansite if you’d like. Then, wherever fellow geeks, er, devotees encounter your score, they'll be able to play it back as if they were on the main site, even if they don't have an account. This video does an every-good-boy-does-fine kinda job of explaining the site's basic features. All you have to do is sign up, bone up, and wham-bam! You’ll be shitting-out hits like Shubert shit-out lieder.
"Making music is not a solitary pursuit -- nearly everyone who works with music eventually wants to share it," stated NoteFlight founder and presumably fruitless comp. student Joe Berkovitz. "As both software creators and musicians, our team knows how painful it is to share notated music online today. That's because most musical applications treat the Internet as an afterthought: they’re geared to saving your music on your hard disk, not to sharing your music with other people." Software creators and musicians?? Man, these guys probably know how painful a lot of things are!
But seriously folks, NoteFlight plans to launch a paid version of the service eventually, although certain features will always be free to use. Apparently, if you sign up for the beta, you get grandfathered in and won't have to pay later to register. Which is good, because if you’re excited by this product, odds are you’re poor as hell.
NEW TELEFON TEL AVIV ALBUM NEWS + TRACKLISTING + TOURDATES + MYSPACE LINK + BAND PAGE LINK = THIS NEWS STORY
- NEW TELEFON TEL AVIV ALBUM NEWS:
New Orleans electronica ambient magic duo Telefon Tel Aviv are back after five years, and they have a new album called Immolate. Which is totally rad! They're releasing the album January 20 on Bpitch. Yes!
- MYSPACE LINK:
- BAND PAGE LINK:
Apologies for the weak pun, and apologies to those Canucks who rely on a U.S.-based internet music zine for their tour news, because you have indeed missed some Herman Dune shows. Perhaps you should keep more of an eye out, so then next time you won't miss out on the sassy musical stylings of David-Ivar and Neman Herman Düne again. I don't know, maybe you were worried about the polar bears or your igloo melting and failed to notice that France's premier anti-folk band are hitting up North America in support of their upcoming album, Next Year In Zion. It certainly isn't my fault.
Nothing to regret for those of us in God's chosen country! All U.S. dates are with lovely and talented Texan Jolie Holland (we won't talk about her involvement with The Be Good Tanyas). And, as for all you Canucks, you've lucked out: some Canadian dates have just been added to the tour.
Next Year In Zion will be released in the States October 21. Here's the tracklisting:
Ade Blackburn and his cronies in Clinic are once again setting their sights on YOUR money with a relatively short European stint in November. But this ain't no typical stint. This tour will see Clinic collaborating with animator Clemens Habicht as Planetarium of the Soul, which is being dubbed as "live music and animation bleeding together in a contemporary vortex of psychedelic sight and sound." Sounds uh-mazin'!
Clinic's latest, Do It! (TMT Review -- it got
Most importantly, however, Clinic opened for Radiohead back in the day. Yep.
Planetarium of the Soul tourdates (all dates with Threatmantics):
DiMA & NARM Stand Up for Fair Use of 30-Second Song Samples; Find Inspiration After Watching Erin Brockovich on TBS
Market instability, oil price lunacy, hearing 30 seconds of 30 Seconds to Mars... it doesn't take much to get some organizations in a huff over what they believe to be their bucks. Music's publishing bodyrollaz like ASCAP and BMI are always trying to get paid in the name of protecting their musical charges, but it looks like they may be in for a fight when it comes to screwing royalties from those intent on using 30-second music clips. In an amicus brief filed jointly by DiMA (Digital Media Association) and NARM (National Association of Recording Merchandisers) last month, the two groups asked a federal court to apply "fair use" with regard to the use of 30-second song samples on the internet.
"DiMA supports fair compensation for copyright owners," states DiMA Executive Director of Jonathan Potter. "DiMA members pay tens of millions of dollars in royalties to songwriters and publishers for online music sales. But the performing rights organizations (ASCAP, BMI and SESAC) who represent songwriters and publishers demand additional payment for the preview clips that facilitate these online sales."
The legal action stems from an ASCAP vs. AT&T case, which has the telephone/DSL/wireless giant fighting for its right to use 30-second ringtone and ring-back-tone song previews. Amicus briefs contain pertinent but unsolicited information filed by "friends of the court" in order to get judges to consider broader legal implications and third-party ramifications when making their decisions. In this instance, DiMA and NARM would like a federal district court, in deciding the AT&T case, to consider protection and fair use for internet retailers that use 30-second song preview clips. If the courts decide on the side of ASCAP, then it may mean a double payday for publishing houses and songwriters in the future.
Lay back and let Potter further seduce you with his amicus brief impetuses:
Internet retailers sell an extraordinary percentage of all recorded music. The iTunes Store is America’s largest music retailer, and Amazon.com, Best Buy and other DiMA members use 30-second clips to sell both CDs and digital downloads. If ASCAP succeeds in pressing its demand for a new payment for these previews, Internet music retailers would be disadvantaged simply because they are selling online, and songwriters and music publishers would be getting a royalty for the preview on top of the appropriate and well-deserved royalty that is paid when the music itself is sold.
The joint filers hope the federal court will see the possible benefits of protected use of these 30-second clips. Essentially this is free promotion for the artists, songwriters, and publishers themselves and could only help to sell their products in the long run. But the law is an unpredictable, prickly beast. For instance, a court found O.J. Simpson guilty of armed robbery and kidnapping last week. That guy's never done anything wrong!
Be careful the next time you fart... an ASCAP stooge may request royalties on behalf of someone like Daughtry or something.