As reported on Pitchfork, Dan Deacon has canceled seven upcoming shows in France and Portugal due to “matters in [his] personal life beyond [his] control.”
Pitchfork courteously took on the hard part of my job and asked Dan to comment: “In addition to working out the matters in my personal life,” he said, “I will be using the time to finish work on the record, work out the plans for possible build out of the new Wham City arts center, and finalize the remaining aspects of the Whartscape Festival.”
As we reported about a month ago (TMT News), Deacon’s new album, Bromst, is tentatively set for release in the fall. The Whartscape Festival will take place July 17-20 in Baltimore. I’m thinking about going. As far as the Wham City arts center, that’s the first I’ve heard of it. Awesome.
Take your time, Dan. Hope everything works out.
The Canceled Dates:
$ Ultimate Reality show
OiNK Users Arrested; We Ex-OiNK Users Should Probably Start Going Through The Name-Changing Paperwork Now
File-sharing utopia and invite-only torrent site OiNK.cd was shutdown by the Cleveland and Dutch police back in 2007. Since then, no users, not even the site's owner, have been charged.
Until now, that is.
The go-to torrent news blog TorrentFreak reports that Cleveland, UK police recently arrested six OiNK users for, according to their sources, “Conspiracy to Defraud the Music Industry.” This essentially means the accused OiNK members were apparently arrested for sharing advance/pre-release albums with ties to the International Federation of the Phonographic Industry (IFPI), an affiliate of the RIAA. (The IFPI mostly parties with the major labels, but judging by its extensive list of member sites, the group also expands its protection to indies.)
The British Phonographic Industry provided the following statement (via The Register):
The BPI and IFPI worked with the police in order to close down the OiNK tracker site last October. The illegal online distribution of music, particularly pre-release, is hugely damaging, and as OiNK was the biggest source for pre-releases at the time we moved to shut it down. We provided the information to assist this investigation, but this is now a police matter and we are unable to comment further at this stage.
At this point, it's unclear if more arrests are expected and why British police are involved in this particular investigation but not other file-sharing incidents.
Anyway, if you don't see any news stories from me for more than two weeks from today, then you can safely assume that I've either (a) gotten fed up with Mr P's bullshit or (b) have been caught and incarcerated.
I'm all for option A.
“I thank you in advance for the great round of applause I'm about to get.”
Wham City extraordinarily extraordinaire Benny Boeldt is Adventure, and Adventure is his debut album, set for release September 16 on Carpark. But does that mean Adventure is Benny? Does it mean that Benny himself is an album? Does it mean the release date is really Carpark, and that the record label is Benny's moniker? C'mon press release, tell me something good:
His ultra-melodic synth compositions pull from his earliest exposure to the 8-bit soundtracks of the Sega Genesis video game catalog. But it's not just retro video game music. Mix in the kitschy Moogy sound of Hot Butter's "Popcorn", the saturated disco-theatrics of late seventies electro-pop acts like Sparks and Yellow Magic Orchestra, and a penchant for Eastern European diminished scales and you've come pretty close to Adventure's accelerated baroque sound.
Adventure's tracklisting without line breaks: 1. Loredo 2. Poison Diamonds 3. Civilization 4. Hyper Glow 5. Travel Kid 6. Iron Stallion 7. Battle Cat 8. Wild Wild Ride 9. Ultra Zone 10. Crypt Castle Cult 11. Jurassic Park City
Finally, Adventure has a couple dates in June (at New York's Cake Shop on June 4 and at Talking Head in Baltimore the next day), but is planning on tagging along the Wham City Round Robin tour this October with Dan Deacon, Ponytail, Lesser Gonzalez Alvarez, and others. They all have new albums coming out too, as we've reported here and there. More dates too with Dan Deacon and Video Hippos!
[Photo: Lesser Gonzalez Alvarez]
Remember a few weeks ago when TMT reported that ’90s goddess Liz Phair was going to be performing her classic album, Exile In Guyville, in its entirety? (TMT News) Well, it turns out that the Hiro Ballroom in New York City isn’t the only lucky venue that’s being graced with Phair’s presence, as she just announced last week that dates have been added in Chicago and San Francisco.
All of this exciting news is of course due to the fact that Exile In Guyville is being reissued June 24 on CD, vinyl, and in digital format from ATO Records. The special reissue package will include three never-before-released songs from the original recording sessions: “Ant in Alaska,” with Phair simply accompanying herself on guitar, “Say You,” which features Phair and a full band, and an untitled instrumental with Phair on guitar.
She has also just completed a new, 80-minute DVD, Guyville Redux, for the reissue. The DVD examines the male-dominated indie rock scene in early-’90s Chicago, including interviews with Gerard Cosloy and Chris Lombardi of Matador Records, engineer Steve Albini, Ira Glass of NPR’s “This American Life,” and John Cusack among others!
So what are those dates again?
Good news, violent people! The band that has made you feel for years that being an unstable alcoholic, jovial party-goer, pensive stoic, and blubbering spiritualist are all reconcilable (and acceptable) ways to behave is finally consecrating your questionable obsession with caricature-music with that classic symbol of a tenured band-turned-obstinate social symbol: the lumbering 5CD Box Set.
This particular badge of stubborn permanence, Just Look Them In the Eye and Say... Poguemahone, will be released by Warner/Rhino June 2 in the UK and Northern Ireland and June 17 across the pond (June 3 for the import though, apparently) and is comprised of, you guessed it, previously-unreleased material and hard-to-find rarities.
Compiled by The Pogues themselves with track-by-track annotations from Phil Chevron, Just Look Them in the Eye promises to bludgeon its listeners with a hefty 109 tracks from 1983 demos (pre-dating their first recordings for Stiff Records) through to live recordings from 2001 when The Pogues reconvened, after disbanding in 1996, for their very punctual money-grab. As an illimitable Pogues fan, you'll revel in a treasure-trove of material that this monumental band never saw fit to release in the first place, including rehearsal recordings, B-sides, outtakes, rare mixes, and BBC sessions spanning their entire career, plus recordings with Steve Earle, Joe Strummer, and, duh, Kirsty MacColl.
But wait! There's more: You'll also get unreleased soundtrack recordings from Sid and Nancy, rarities from the films Garbo and Straight To Hell (yeah, remember those?), alternate versions of songs you already own like "Fairytale Of New York" and "Rainy Night In Soho," and a heaping helping of live recordings. Still not enough, huh?? Well, how's about if they smother some never-before-released covers on top of that hot heap of tracks, like The Lovin' Spoonful's "Do You Believe In Magic," Barry McGuire's "Eve of Destruction," and The Faces' "Maggie May?" The deal can't get any sweeter than that. Just think how much drinking and dart-throwing you could get done while these discs play out! The Pogues rule.
See the complete tracklist, in all of its relevant glory, here.
Summer dates w/ beer gardens:
Dude, remember back in 2002 or so when you got your first computer and your older brother had to have "the talk" with you? Sure, it was awkward and uncomfortable, but it seemed damn worth it at the time. After all, you didn't want to end up just knocking back a few T1 connections, hooking up with some random MP3s you met on the internet, and catching a DRM! "Take it from me," he said. "I had a little downloading fun, got slapped with a DRM, and now I can never feel comfortable sharing music again." A gruesome lesson.
But hey, now it's 2008, kids, and the pandemonium over catching DRM is finally on the wain, as the concept of free-love finally returns to digital downloads (which, uh, are still not "free," really). And the latest company to finally tune-in and get clean? Napster.
Yes, much to the chagrin of Lars Ulrich (we assume), the squeaky-clean Napster is letting it all hang out, sexily stripping DRM from all paid downloads on its digital music service in favor of hot, carnal, unprotected MP3s, just like they told us they would way back in January! As of last week, all 6 million (as compared with the less-manly 2 million over at AmazonMP3; sorry ladies) songs in the Napster catalog are now available for purchase without the buzz-killing threat of contracting DRM.
These new, uninhibited MP3 files will be of higher quality than the DRM carriers (256 kbps compared to 192 kbps) but will still cost a tantalizing 99Â¢. Plus, unlike other digital retailers who are also "getting DRM-free" -- such as Wal-Mart -- Napster actually hasn't lost any cool-points at school, as all four major labels as well as all of its existing indie label and aggregator partners are supporting its decision, conservative kids be damned! Perhaps most importantly, Sony BMG has come out in support of Napster's decision by replicating the same "agency" model it started using with the AmazonMP3 store. In addition, Napster is also winning some big time "social responsibility" points by reaching out to all Windows Media DRM victims with special support groups that allow those MP3s to stand up and be heard (unlike the now-defunct MSN Music service, which cruelly turned its back on victims of DRM)!
But despite its new sense of liberation, Napster wants the world to know that it's still all about the long-term relationships at heart. "We're really focused on subscription and driving subscribers as our business model," says Napster COO Christopher Allen. "It's a way for us, through MP3s, to get some exposure to our subscription service," he continues. "They may be initially attracted to the MP3s... and I think it will result in more subscribers over time." The company is hoping that by committing to Napster though a variety of internet-connected devices -- such as mobile phones, home stereos, and eventually car radios -- a beautiful, enduring relationship will eventually start to take shape in which a monthly subscription to access all the music they want from any device is more attractive to their customers than a quick, one-night download.
But hey, before you go out there and pick up any old MP3 off the street thinking that it can't happen to you, remember that the DRM-free movement has not yet made it to the Napster Mobile service, which is the default mobile music service for several wireless operators worldwide, including AT&T Mobility (which also counts eMusic as a digital music provider). As of now, music purchased via Napster mobile will still be encoded in the Windows Media DRM. Allen says this will change "soon," as Napster and its liberated partners test a new system that would send a DRM-free version to users' computers, as well as a second copy to their phones without that nasty, "Windows" DRM. But until then, you know, watch where you stick your phones, huh?
Remember a couple weeks ago when we told you that the National Park Service found high levels of arsenic at Fort Reno, home to the Fort Reno Summer Concert Series? That Fort Reno was closed "immediately and indefinitely"? That the future of the concert series was up in the air? And that all this news came at an especially bad time because Fort Reno had just announced a campaign asking for donations? (TMT News)
Well, false alarm.
According to Dischord Records:
DC Mayor Adrian Fenty and environmental officials announced Wednesday afternoon that the closure of Fort Reno park was due to a "false positive" reading for arsenic and that the park would re-open immediately. We assume this means that the Summer Concert Series will begin as scheduled in mid June.
You can, of course, still donate to Fort Reno.
Revision3 Releases The Hounds That Shoot Bees on MediaDefender; RIAA, MPAA May Lose Their Partner In Crime
Quick, I gotta bring you whippersnaps up to speed on this issue with a quick glossary of germs... terms? Yeah I mean terms, cuz I know this ain't no tech site, most of you readers are just music lovers, which is awesome, so I don't expect you know all this shiaaat.
So, a DoS attack stands for Denial of Service, and if you toss an extra ‘d’ on the front (DDoS), it becomes a Distributed Denial of Service, which is a form of hackery. In regular peep speak, it'd be like trying to trying to start a conversation with a dude, who just says ‘what's up’ again and again. And you're the type of peoples who finishes a conversation to completion. Except this dude isn't alone; he brought along like 20,000 of his friends, who just keep saying ‘what's up’ without finishing the conversation. You're trying to keep on top of all of this, but you eventually buckle over and die.
This shit happens on a regular basis on the interwebs, and it's illegal. So, over the Memorial Day weekend, revision3.com was victim to such an attack. Revision3 is an original content internet video site. Think Comedy Central, not YouTube. Their employees spent the long weekend figuring out the details, and it turns out that the DDoS attack was brought on by a company called MediaDefender.
Backstory! MediaDefender is employed by various media groups (RIAA, MPAA) to infiltrate popular P2P and torrent sites and flood them with corrupted content, in an attempt to make a site's value go down or just to collect information on who's doing the downloading. They target sites that track copyrighted information, in hopes of pushing people back to more lucrative forms of media acquiary (*snicker*). MediaDefender is rumored to be the company behind Oink's demise, so it's cool to hate them.
Only problem is, revision3 is legit. They do host a BitTorent tracker, but only to serve up their own (legal) content. When the CEO of revision3 contacted MediaDefender about this incident, they actually bowned up to it. MediaDefender said they were injecting fake torrents into the site through a security hole, which revision3 closed last week. Apparently MediaDefender is set up to hammer the shit out of a server if such a hole is closed, which would explain the DDoS attack. MediaDefender claims they were only sending one connection attempt every three hours, but Revision3's server logs were showing 8,000 packets a second. That's 8,000 dudes saying ‘what's up’ per second trying to initiate a conversation. That's ridiculous.
So, want to read the awesome part? Revision3 has involved the FBI. MediaDefenders actions are illegal in various ways, and the PirateBay sued the companies making use of MediaDefender's services for exactly the same thing last year. When the big media companies are continually pointing the finger at consumers for fraudulent activity, it's just desserts when they get called out for being hypocritical assholes. Delicious.
We'll keep the details coming as they emerge.
It's hot outside. Too hot for soup. Too hot for pants. Too hot to be sitting in a coffee shop where the staff is playing bad trustafarian hippie reggae and I am struggling to write a story about Oneida on my day off from my crappy, soul-sucking job. But you know what else is hot? Experimental, art-punk kinda jams from the 11-years-young Brooklyn powerhouse known as Oneida. And that is what I'm here to tell you about. Not how my legs are sticking to the coffee shop chair. Not about the ultratan, swaggering middle-aged dude in cut-off jean shorts and no shirt, who's currently obstructing my view through the coffee shop window. No, this is about Oneida.
Oneida has a slew of summertime dates on the way, and you can be there to experience the magic. They haven't put out a full-length since 2006's Happy New Year (TMT Review), but they've got a little something something on the way for you this August, coming out on Jagjaguwar. In the meantime, the band will be takin' it to the streets in cities across America, with a quick detour into Quebec. The New York shows promise to be extra special, as the band will be performing all their songs from the 2005 album The Wedding backed by a string quintet and with the assistance of a lightshow. A lightshow! Nothing says summer like a lightshow.
* Carla Bouzulich's Evangelista
** Dirty Faces