Virgin Megastore in Times Square To Close Because of No Good Illegal Music Downloading Scum Like You – Wait, Actually It’s Not Our Fault This Time, Their Landlord/Parent Company Is Just an Asshole
I’ve never been to New York City, but I have unfortunately watched a lot of TRL. Apart from Carson Daly’s just-do-it-for-the-paycheck insight or every guest’s just-do-it-for-the-publicity pandering, my most vivid mental image of the show is that colossal gleaming red tampon of a Virgin Megastore. Always the backdrop for freak-out heavy hordes of Fred Durstites or Christina Aguileriacs shouting their lungs out on the neon streets of Time Square, I can’t imagine how anybody in the studio could look down on that swelling crowd of shit-losing scream-sacks in front of America’s most garishly insipid music Mecca without launching into some treatment-bound tirade that no commercial break or flippant Daly-esque remark could ever segue out of memory. But those bad times are over. The hatred is no more, and calm reigns in its place. Tranquility rushes over me like a waterfall of Eskimo kisses, because not only has TRL vanished into the cold, fetid air of unpleasant recollection, so too shall the Virgin Megastore in April.
I’m probably so contented with Virgin’s closing because I know that neither you, me, nor any other human being with a BitTorrent client caused the highest-volume music store in the United States to shut its doors for good. Instead, the haft of the executioner’s axe lies in the hands of two real estate companies, Related Cos. and Vornado, who took over the Virgin Entertainment Group of North America in August 2007. According to a Vornado executive, Virgin only pays $54 per square foot in rent while the market rent in the area is $700 per square foot. Despite the store’s $55 million in annual sales, which amounts to $6 million in annual profit, tapping into a potential real estate goldmine is apparently too sweet to pass up. Yep, great idea guys, close down one of the few profitable record stores in the country so you can pool all your resources in the most reliable, risk-free business venture possible: real estate.
Well, at least we weren’t responsible for this one, ye proud illegal downloaders of the world. Although it can be kind of fun to pseudo-anarchically claim responsibility for dismantling a significant piece of a major corporate entity, it is nice for once not to be blamed for the music industry’s swirling voyage down the capitalist toilet.
Hey, there. Long time no see. Have you really been waiting here for that long? Wow. I can’t believe that you’d actually sit here and wait for four months just to see who got inducted into the Hall of Fame. I mean, I know that the reporting we did on the announcement of the nominees was top notch (TMT News), but... four months? Again, wow. Well, good thing we have an interview with James Hetfield of Metallica or you might be disappointed. Let’s get on with it!
Last week, the Rock and Roll Hall of Fame announced the 2009 inductees into, yep, the Rock and Roll Hall of Fame. Those to be inducted, on April 4, include Metallica, Run-D.M.C., Bobby Womack, Little Anthony and the Imperials, and Jeff Beck. Meanwhile, Wanda Jackson will be inducted into the “Early Influence Category,” and DJ Fontana, Bill Black, and Spooner Oldham will enter the hallowed hall of the Rock and Roll Hall of Fame's “Sidemen” category. That sounds great!
The organization had this to say:
In addition to being honored at the April ceremony, each inducted artist is commemorated at the Rock and Roll Hall of Fame and Museum in Cleveland Ohio, which serves as a monument to rock and roll’s impact on our culture. These inductees will be honored – along with previous year’s inductees and hundreds of other artists – with an exhibit and film that serve to tell the story of modern music. Then I’ll eat them.
If you go, make sure you don't get eaten too. And what about that interview with James Hetfield? Fuck that.
Goodnight Moon, Goodnight Bush, Goodnight Arthur Magazine? The Music Mag Bids Adieu to Print Media, Promises to Expand Online Offerings
Goodbye, print version of Arthur magazine. Your insightful music coverage and effortless ability to help us look cool by reading you at late-night vegan greasy spoon hangouts will be sorely missed. Computer screens are much more difficult to help broadcast one's innate coolness and "cred." As a new day dawns, the "transgenerational global counterculture" music rag is saddling up the horse of financial difficulty and riding off into the sunset of online publication.
Earlier this week, Arthur editor/publisher Jay Babcock announced via an online memo that the print edition of the magazine will be taking a breather until someone special steps in to help run and finance publication. The one-man publishing machine had been editing, publishing, and managing the daily affairs of the magazine since 2007. (The free bi-monthly was launched in 2002.) Then summer 2008 happened. Babcock told readers that Arthur needed a serious cash infusion of $20,000 or the magazine would be unable to continue. Donations poured in, but well, you're reading this article, so I'm assuming you get the gist. On the upside, Babcock promises to "upgrade and expand greatly" Arthur's online content.
As the RIAA winds down its nearly decade-long campaign of lawsuits against file-sharers (read: youth and students), it still has a few unresolved suits to clear up. One of these, a $1 million action against Joel Tenenbaum, will be broadcast live on the internet thanks to the efforts of the law students of Tenenbaum's lawyer. According to hypebot, Professor Charles Musser and his students at Harvard Law School filed a motion with Massachusetts District Court Judge Nancy Gernter to make a live internet feed of the trial available. Gertner approved the motion, opining that since the case primarily concerns "a generation that does not read newspapers or watch the evening news, but gets its information largely, if not almost exclusively, over the internet," it would be beneficial to those following the case to have it streamed live.
The RIAA, none too happy that the world will be able to watch it and its lawyers sue the shit out of Tenenbaum for downloading a mere seven songs, moved to appeal the motion over the weekend. In a PDF response linked on the JoelFightsBack Twitter, Musser and his team said, "If the RIAA's position is to educate people about the business and legal climate of the music industry, it is unclear to us why they are appealing this decision."
While it seems uncertain at the moment how the stream will be made available, we know that the Berkman Center for Internet and Society at Harvard Law School will be undertaking the finances and logistics of the project under a Creative Commons license so that the feed will be free to whoever chooses to watch. Musser and company have said that they "are working hard to ensure that the Berkman Center is not the exclusive distributor of the content," so presumably there will be multiple sources for viewing the legal proceedings when they began with a hearing this Thursday. Check JoelFightsBack for updates.
Last week, Animal Collective announced a mega-sized European tour (TMT News), which made those of us living in the U.S. a little jealous. Today, however, AC have appended North American dates to their tour itinerary. BUT THERE'S A PROBLEM: you know you won't be able to find a date in time!
My solution? Find a date at the Animal Collective show! I know what you're thinking: why do some women always have men pursuing them, no matter what their age? I have a friend who is 74 who continually has interesting, successful Animal Collective fans asking her out. When I grow up, I want to be like her. She has sparkle. She has charm. She is a man magnet.
Recently, I asked a popular man magnet what some of her strategies were for attracting Animal Collective fans, and research substantiates many of her points. Here are three secret tips to help you attract the man you want at an Animal Collective show:
* Stand in the middle of the room.
At the show, try standing in the center of the room. (Don't hunch your shoulders, slouch, or wear a pair of shoes that hurt your feet so much you can't stand to stand.) Move around a little, talk with people near you, but if you want to be in a position to choose who you want to meet, never sit down. Stand smack dab in the middle of the crowd. When you see someone interesting (perhaps someone with an Animal Collective shirt), move near them -- gracefully -- and start a conversation about their new album, Merriweather Post Pavilion (TMT Review).
* Look your best.
This may sound too obvious, but never go out of the house without looking your best. Know what colors you look good in and wear attractive clothes in your best shades. Animal Collective fans are attracted to pink-peach. That color is flattering to most skin tones. People are also attracted to you when you are wearing the color(s) of your eyes. (You have multiple colors in your eyes -- choose clothes that include one of those colors.)
* Be aware of your body language.
Body language is everything. Smile a lot, look people in the eyes, get lost in their curls, and when you see that one special Animal Collective fan, tilt your head, drop your eyes, and then look back at him. This may sound contrived, but it helps to know what subliminal messages are being sent by your actions. Apparently, giving your hair a slight flip is also an attraction signal, as well as stroking the inside of your arm or your neck. If an Animal Collective fan is standing across the room, this is one way to let him know that you would be interested in talking to him.
Follow these steps, and you're sure to nab that one cute Animal Collective fan to share your life with. Test your skills at one of these shows:
01.20.09 - New York, NY - Grand Ballroom
01.21.09 - New York, NY - Bowery Ballroom ^
01.22.09 - Chicago, IL - Metro
01.23.09 - Los Angeles, CA - Fonda Theater #
01.24.09 - Los Angeles, CA - The Troubadour !
03.04.09 - Oslo, NO - Rockerfeller
03.05.09 - Lund, SE - Mejeriet
03.06.09 - Copenhagen, DK - Amager Bio
03.08.09 - Cologne, DE - Gloria
03.09.09 - Heidelberg, DE - Karlstorbahnhof
03.10.09 - Fribourg, CH - Fri-Son
03.11.09 - Lucerne, CH - Konzerthaus Schuur
03.12.09 - Florence, IT - Viper Room
03.13.09 - Rome, IT - Auditorium -Teatro Studio
03.14.09 - Milan, IT - Rolling Stone
03.16.09 - Strasbourg, FR - Laiterie
03.17.09 - Amsterdam, NL - Paradiso
03.18.09 - Brussels, BE - Ancienne Belgique
03.19.09 - Lille, FR - Aeronef
03.20.09 - Nantes, FR - Olympic
03.22.09 - Bristol, UK - The Trinity
03.23.09 - Nottingham, UK - Rescue Rooms
03.24.09 - London, UK - The Forum
03.25.09 - Leeds, UK - TJs
03.26.09 - Liverpool, UK - The Static Gallery
03.27.09 - Dublin, IE - The Tripod
03.28.09 - Belfast, UK - Stiff Kitten
05.11.09 - Washington, DC - 9:30 Club
05.12.09 - Philadelphia, PA - Electric Factory
05.13.09 - New York, NY - Terminal 5
05.14.09 - Boston, MA - House of Blues
05.15.09 - Montreal, Quebec - Metropolis
05.16.09 - Toronto, Ontario - Sound Academy
05.18.09 - Royal Oak, MI - Royal Oak Music Hall
05.19.09 - Milwaukee, WI - Turner Hall Ballroom
05.20.09 - Minneapolis, MN - First Avenue
05.24.09 - Vancouver, British Columbia - Commodore Ballroom
05.25.09 - Portland, OR - Roseland Theater
05.26.09 - Oakland, CA - Fox Theatre
05.27.09 - Big Sur, CA - Henry Miller Memorial Library
05.29.09 - Los Angeles, CA - Wiltern
05.30.09 - Las Vegas, NV - House of Blues
05.31.09 - Tucson, AZ - Rialto Theater
06.01.09 - Albuquerque, MN - Sunshine Theater
06.02.09 - Boulder, CO - Boulder Theatre
06.04.09 - Dallas, TX - House of Blues
06.05.09 - Austin, TX - Stubbs
06.06.09 - Oxford, MS - The Library
06.08.09 - St. Petersburg, FL - State Theatre
06.09.09 - Fort Lauderdale, FL - Culture Room
06.10.09 - Orlando, FL - Club Firestone
09.12.09 - Monticello, NY - All Tomorrow's Parties
# Ariel Pink's Haunted Graffiti
Did you just finish watching the Inauguration? Feeling patriotic? Well you're not alone! Along with probably a few other people around the country, the musically adventurous, LA-based label Vosotros feels proud to be American today. So much so that they've decided to release a FREE compilation appropriately titled, Â¡Yes We Peude! (in case your Spanish is a little rusty, "peude" means "can").
You know the tides of this country have turned when small indie labels are suddenly releasing updated interpretations of classic "Go America!" songs, and that is exactly what Vosotros has done. Featuring the likes of B.R.A.M, Learning Music, and Obi Best, Â¡Yes We Puede! somehow manages to make a song like "My Country Tis of Thee" into an overdriven-Rhodes-and-drum machine jam! Similarly, the demented analog synths and 808s of Dream Kids' version of "Yankee Doodle" is more Ween than it is first grade.
Best of all? IT'S FREE. So if nothing else, download this, keep it on your shuffle playlist, and when one of these songs pops up months down the road, let it remind you of all the promises you made to get more involved and help improve this country back when President Obama was still President-Elect. I'm sure we'll need it just as much then as we do now.
Get iYes We Puede! here.
Speedo? Check. Suntan Lotion? Check. Creative Concept Album? Double Check! Today Is the Day for Frog Eyes’ Carey Mercer to Get All Dark and Wet and Sandy with His Side Project Blackout Beach
Although it was originally supposed to be released in December, today is the day when Frog Eyes’ Carey Mercer releases his second album as Blackout Beach, entitled Skin of Evil. Issued through the Soft Abuse imprint, Skin of Evil was written, played, and recorded entirely by Mercer and features an ambitious conceptual storyline concerning a girl named Donna and her past paramours. Loyal TMT readers have had this date circled on their “Indie Stars” calendar for awhile now, but if you haven’t already gone out to pick up Mr. Mercer’s opus, maybe these quotes will help you decide to run out or log on now or to finish your Fruit Loops then go get Skin of Evil.
Let’s first hear from Mercer friend, frequent accomplice, and compatriot Dan Bejar, who seems to like the album:
Maybe it’s about a girl, about salvation’s undoing through romantic love, wreckage of this kind…No matter, the important thing is that this is the first time I’ve REALLY heard theatrics AND atmospherics in a records, and such an abundance of both. One exception is Roxy Music’s Avalon, which this record reminds me of if only for how incredibly well you can (thankfully) hear every last thing. And though Bryan Ferry’s version of control and release are slightly different than Carey’s, Skin of Evil is more just different lyrical concerns, which we’ll here call ‘worldview.’ I believe Skin of Evil is the best record I will hear this year, but let’s not get into that.
Any reason to bring in the ravaged but elegant corpse of Bryan Ferry’s early 1980s career into the mix is okay with us, but let’s see how Mercer himself breaks down his album in this stunning sound bite:
I wrote this record because I desired to make something that stays on task. I picked an easy task: desire, longing, flight, the sorrow of absence...the DNA of most good songs. The heart of the record is simple to describe: beautiful Donna and the men she has left. Eight past lovers, some bitter, some crushed, all in some state of duress, all still in love. Each dude gets his song. Donna gets her song. William, her boyfriend, gets his song.
Lastly, something is missing, so let’s pad out this newsie and read a quote I just nabbed from my neighbor Henzel, a devoted heavy metal fan trapped in 1987, a time when the only way to tell women and men apart was from their breasts or studded breastplates...
I have no idea what this is that you are talking about but I like a good concept if it has chix in it, he, he. Let me know if it has grave-rattling bass ‘n’ drums and twin blazing kamikaze guitars in the classic slow/fast manner that I am accustomed…you know, absolute savage menace! I dunno, I do like the album title. Sounds like something I would buy anyways if I saw that title. I wouldn’t mind that on my tombstone, he, he…”Here lies Henzel…skin of evil…”, he, he. If it comes on a shaped picture disc, maybe like a crucifix, or a sorcerer’s balls or sumthin’, I might buy it. Or if it was on blood red vinyl, or etched on one side with sexual magic scripture or Dio lyrics or sumthin.’ Death to false metal!!! Can I borrow an egg?
Confused? I don’t blame you. You should see how the dude cuts his lawn! When is the last time you’ve even heard talk of a scythe, much less seen a 45-year-old chartered accountant wearing a lime green tunic and chain mail wielding one on his front yard! Sorry for the distraction... but you are still excited about Blackout Beach, right? Good.
1. Cloud of Evil
2. Biloxi, in a Grove, Cleans Out His Eyes
3. Three Men Drown in a River
4. William, the Crowd, It's William
5. The Roman
6. Woe to the Minds of Soft Men
7. The Whistle
8. Nineteen, One God, One Dull Star
9. Sophia, Donna, I Was Down the River Waiting
10. Astoria, Menthol Lite, Hilltop, Wave of Evil, 1982
I don't know about you guys, but doesn't it seem like Julian Koster of The Music Tapes has... I don't know... changed? Ever since the acclaim for last year's Music Tapes for Clouds and Tornadoes (TMT Review), Koster has seemingly adopted a slacker attitude. Sure, 2008 was a great year for him -- Clouds and Tornadoes landed at #5 on our Favorite Albums of 2008 list; the E6 celebration he organized was a huge success; his caroling tour in support of The Singing Saw at Christmastime was met with rave reviews -- but his new claim to fame has definitely effected his creative energy in 2009. First off, he hasn't released any new music this year. C'mon, musician, do your job! Second, he's just announced a tour, but he only booked 19 shows! That's just downright crazy. (Why is that crazy? SHUT UP, that's why.)
But perhaps most alarming are his new musical inventions. While his live performances up to this point have shared the stage with fantastic self-made band members like The 7 Foot Tall Metronome, Orbiting Human Circus Tapdancing Machine, The Clapping Hands Machine, and Static The Television, his newer toys are simply uninspired. Don't believe me? Here are exclusive looks at a couple inventions he plans to bring on his upcoming tour:
They're named "Amplified Hamster In a Wheel Thingy" and "Blender Machine Something Something." Like I said, uninspired
02.10.09 - Austin, TX - Mohawk
02.11.09 - Norman, OK - The Opolis
02.13.09 - Tucson, AZ - Solar Culture Gallery
02.15.09 - Los Angeles, CA - Echoplex
02.17.09 - San Francisco, CA - Bottom of the Hill
02.19.09 - Seattle, WA - The Vera Project
02.20.09 - Anacortes, WA - Department of Safety
02.21.09 - Portland, OR - Backspace
02.24.09 - Minneapolis, MN - 7th Street Entry
02.25.09 - Chicago, IL - AV-aerie
02.26.09 - Ann Arbor, MI - The B-side
02.27.09 - Toronto, ON, Canada, Lee's Palace
02.28.09 - Buffalo, NY - Big Orbit's Soundlab
03.01.09 - Hoboken, NJ - Maxwell's
03.02.09 - Cambridge, MA - Middle East Upstairs
03.03.09 - Brooklyn, NY - The Bellhouse
03.04.09 - Philadelphia, PA - First Unitarian Church - Basement
03.05.09 - Carrboro, NC - Cat's Cradle
03.07.09 - Athens, GA - 40 Watt
Mott The Hoople Announce Two Anniversary Show Dates, Set Out To Prove To Kids That They’re More Than Just “That Band That Got Juno Soundtracked”
British Rock ‘n’ Roll 101 Professor: Okay, listen up students. Who can tell me the name of the band that released the song “All The Young Dudes” in 1972? And extra credit goes to anyone who can tell me what famous glam-rock star wrote the song?
Student #1: I love that song! I just listened to the Juno soundtrack the other day!
[Professor looks dumbfounded.]
Student #2: Ohmygod, like, you know that song was in Clueless too, right? Which is, like, so much better than Juno!
[Professor opens desk drawer and discreetly pulls out a gun.]
Student #3: Y’all are so wrong! I just saw that movie The Wackness with one of the Olsen twins and Method Man, and that bald dude, damn I forgot his name! But, anyway, I heard the song in that movie too!
[Professor cocks the trigger and aims the gun at his head.]
Professor: No, no, no! What is wrong with you, people?! “All The Young Dudes” was released by Mott The Hoople and written for them by David Bowie! They were about to break-up, and, and, and Bowie wrote them that song and revived their career! And now it’s considered one of the greatest songs of all time! God, you kids just don’t get it!! AHHHHH!!! [KA-BOOM.]
Save the life of a disgruntled college professor and go see Mott The Hoople’s two 40th anniversary shows in London this year. Tickets go on sale January 22.
10.02.09 – London, England – Hammersmith Apollo
10.03.09 – London, England – Hammersmith Apollo
Living in a mid-sized Midwest city with a thriving, contemporary music scene and a storied past as a center for seminal 1980s punk groups like The Replacements and Hüsker Dü, eventually -- no matter who you are -- you start to hear stories about how someone you really admire, someone in, say, an influential no wave band lives in the same city as you. In this story, for example, that person would be Laura Kennedy, original bassist for the New York post-punk band Bush Tetras and recent liver transplant recipient. To help defray the costs of medical bills and to celebrate some damn good tunes, an extra special benefit is happening this Saturday at Nick & Eddie in Minneapolis.
It's a win-win situation: Ms. Kennedy gets the proceeds, you get to experience a lineup that would be the envy of any ATP attendee and its constant Jesus Lizard/My Bloody Valentine/Etc. reunions. Last fall, New York friends put on an another benefit for the Liver Fund, featuring legends like James Chance, Lenny Kaye, Voidoid Ivan Julian, Tetras drummer Dee Pop's Radio I-Ching, the B-52s' Pat Irwin, and the aforementioned Bush Tetras. Round 2 in Minneapolis features -- in addition to the headliners -- David Thomas of Pere Ubu, Suicide Commandos, and Skoal Kodiak. There's also a raffle, involving tons of fairly awesome prizes and an option to donate at the Laura Kennedy Liver Fund blog.
01.17.09 - Minneapolis, MN - Nick & Eddie