My favorite Brooklyn noisy rock trio (Parts and Labour!) will be releasing a new album tomorrow!! The band just finished up a chunk of tourdates with ADULT and will be back on the road this June.
The new album, Mapmaker, was mixed and recorded at the Brothers Studio (!!!, Measles Mumps Rubella, Pterodactyl) in Brooklyn. According to Jagjaguwar, additional vocals and electronics were recorded by the band in a windowless room. Wow! The album will be released May 22 on Jagjaguwar/Brah.
If that wasn't enough to please you die-hard fans, check out what else P&L has or already had up their sleeves for this year, courtesy of Jagjaguwar:
- a bonus track on the 5RC/KRS Xiu Xiu tribute comp (covering the song "Apistat Commander"), available on iTunes
- an exclusive track for an upcoming compilation on No Pain In Pop, a new UK-based label
- an exclusive track for an Oh No Records vinyl compilation in support of Trees Not Trash, a Brooklyn non-profit organization
- an exclusive track to be featured on a 7-inch split with Fuck Buttons
- a tentative European tour in the fall
In addition to the above goodies, each member of P&L has been busy with his own solo material as well. BJ Warshaw is finishing up the debut release of Shooting Spires, to be released on Cardboard Records this summer; Chris Weingarten is also finishing up a full length with Poisson d'Avril; and Dan Friel is also working on a new solo album. Damn!
Phil Elverum Doesn’t Help Install Ubuntu on My Computer, But Releases Mount Eerie Pts. 6 & 7 and a Reissue of The Glow Pt. II
After months of annoying e-mails and shameless begging, multiple pitches and steady follow-ups, I finally agreed to interview Phil Elverum of Mount Eerie/The Microphones "fame." Blehhhh... Not like I don't have enough shit to do around TMT. Look, I don't care if he wrote "The Universe Is Shown" or "Antlers" -- shit, I don't even care if he wrote "November Train (Choo Choo Choo version)" -- I'm a busy guy! Do you know I edit practically everything on the site? Yep, that's right. I mean, just imagine how many e-mails I get daily in my seven inboxes. It's ridiculous. And guess what? So are the e-mails. Just this week, a writer (David Nadelle) said "Sorry this is written poorly. 'Twas in a rush. Fix it, please. Thanx..."? Fuck that noise. Hey, ever gotten a call from a publicist (Anna "Stupid Head" Bond, this time) saying "look, either you review their disc, or we ain't doing that $2,500 ad in July"? Didn't think so. BUT I HAVE.
Though, I'm not one to complain. In fact, there are good things about being editor-in-chief of possibly the most important, most culturally significant online magazine of all-time. I got an e-mail once from Ray Romano (dude from Everybody Loves Raymond) saying he loves when we cover DVDs and asked if we could write a review of ELR season 3 (best season, by far, IMO). And we recently hired one of the guys from The Strokes (can't remember which one). He can't write worth shit, but whatevs -- he looks great. My overall point is that being Mr P can be bittersweet.
I know what you're thinking. Oh P, tell me more please. I want to know more about you, you're amazing, great editor, blah blah blah. Visit my blog here; it's Mount Eerie time now! (Oh, forgot to mention that the whole TMT staff looks up to me, so...) Speaking via e-mail, Elverum says a hardcover, 132-page photo book, titled Mount Eerie pts. 6 & 7, is being bound right now in Vancouver at the "best printer in North America on recycled paper and everything." No words, just photos, though the last page features a 10-inch picture disc of music, tracks "Mount Eerie Pt. 6" and "Mount Eerie Pt. 7." According to Elverum, the music is a vague continuation of the themes left off from The Microphones album Mount Eerie. "The songs are about 'the known world' of living in the house while the 'unknown world' (eerie mountain) is going on out the door. Comfort vs. learning, certainty vs. rich chaos, etc."
Elverum's also busy preparing a three-vinyl, two-CD reissue of The Glow Pt. II with K Records. "The vinyl was gone and the CDs were almost gone and all the packaging was gone, so we figured if we had to manufacture everything again, why not make a new version?" The new version will contain an extra record of "un-mixes" (e.g., vocals only), as well as demos, outtakes, and other "weird shit."
In other news, P.W. Elverum & Sun is also re-releasing a "20th Anniversary Platinum Series Digitally Remastered Double Gatefold Album" version of Thanksgiving's Welcome Nowhere (this album is GREAT, by the way). Look out for a DVD and new music eventually, too, and if any of you work at a "amazing periodical or literature distribution company" and want to carry Elverum's "weird booklets" or Mount Eerie pts. 6 & 7, get in contact with Elverum.
Mount Eerie pts. 6 & 7 and Thanksgiving's Welcome Nowhere are set for release July 19 at What the Heck Fest 2007. No date has been set for the The Glow Pt. II reissue. As for me? Well...
Animal Collective To Release Strawberry-Flavored Jam Session; Knob Twisting Never Sounded So Delicious
After the complete critical dismissal of Panda Bear's Person Pitch (TMT Review) and the unanimous cheer heard 'round the world for Avey Tare & Kria Brekkan's Pullhair Rubeye (TMT Review), the stakes are running high for our fuzzy friends. Who can predict what the final reception will be to Animal Collective's next slab of sugar-sqronk? Fortunately, while we knit our brows and ruminate on the group's proper artistic trajectory until we need to grab our albuterol inhalers, AC keeps right on churning out records. And now they're just about ready to put out a new one, essentially forcing us to renew our subscriptions to Asthma Explorers.
Strawberry Jam is its name and should be arriving sometime in September through Domino. Some of the album's tracks have been tested on the road, while others are fresher than strawberry jam before it gets all sour and watery, or maybe it's the bread that's making this taste weird (Is it the bread? Because I bought seven-grain this time instead of the usual 100% whole-wheat, so do different breads go bad at different rates, or maybe I didn't even check the expiration date before I picked it up, no wait, the seal was already broken on the jar of jam, okay, mystery solved, though now I need a ride to Meijer, and I know you don't like to take me twice in one week).
In a bestial celebration of their forthcoming disc, the Collective will be touring through the rest of May and then a few scattered dates in the months after. Please bring napkins; the Marfa ballroom can get sticky.
* Sir Richard Bishop
! Timothy McManus rules
Sometimes I really wonder what would happen if Müm and Sigur Rós decided to pull a Xiu Xiu Larsen on us and form a mega-group. I imagine it would sound like an abandoned shipyard that has a wormhole leading to an icy coral reef that has a wormhole leading to outer space. After that, another wormhole would appear and lead back to the abandoned shipyard. Sprinkle some really tiny supernovas in the distance with some really colorful acid splashes and I think we'd have ourselves an album. Let's face it, you know it'd be totally rad because Müm and Sigur Rós are like brother and sister, peanut butter and jelly, Danny Glover and Mel Gibson. Müm and Sigur Rós both know how to make sweet music by themselves, but put them together and you got yourself a Lethal Weapon.
Well, anyway, all my dreaming and horrible jokes aside, let's get down to business. Müm's new album is titled Go Go Smear The Poison Ivy, Let Your Crooked Hands Be Holy. Yep. It's due out on September 25 and parts of it were recorded in a music school in the fishing town of Ãsafjörur (see ridiculous foreign locales that I can't even begin to pronounce), where the band made use of the school's instruments. Some of those instruments include erasers, paper, a bell ringing, and the sloppy noise from the cafeteria's mashed potatoes. Okay, just kiddding! Evidently, Kristín Valty decided to leave the band before the new album was under way, so Müm was reduced to its other founders, Gunnar and Örvar. However, the band is absolutely gargantuan now, because they have utilized the last five remaining people in Iceland* (besides our friends, Sigur Rós and Amiina) to be in the band.
Does that mean Björk's in Müm? Find out at these dates:
06.02.07 - Barcelona, Spain - ATP stage - Primavera Festival
06.09.07 - Paris, France - Villette - Sonique Festival
07.17.07 - Murcia, Spain - La Mer De Musicas Festival
07.24.07 - Athens, Greece - Sync Festival
07.28.07 - Moscow, Russia - Afisha Festival
08.24.07 - Los Angeles, CA - Orpheum Theatre
10.09.07 - New York, NY - Wordless Music Series at St. Paul the Apostle
10.10.07 - New York, NY - Wordless Music Series at Society for Ethical Culture
* Alright, so maybe according to Wikipedia, Iceland's population is like 309,699 instead of five.
Aereogramme Pay Publicist By The Letter, Run Out of Money, Break Up; Or, How to Trivialize Seven Years of Someone’s Life
In the most unnecessarily verbose prose since Dickens, Aereogamme have announced that they will be breaking up. While the reasons for the break are “multiple and complex,” apparently the “superhuman ability to dodge the zeitgeist” plays a primary role.
It was at this point that I was going to launch into some petulant diatribe about the writing style of the announcement. Dostoevsky was mentioned. After I floored you with my knowledge of 19th century, I was going to pull out the archaic name-drops and make wild accusations involving Stabbing Westward and the Trans-Siberian Orchestra. While you were calling your friends and telling them to check out the scathing article, you would probably notice the snappy close which trivialized their career with some anti-RIAA reference (it’s Tiny Mix Tapes; that’s kind of our thing)... but you know what? I’m not doing that. These dudes are breaking up and I’m attacking them because (a) I need to turn in a story, and (b) I don’t like one of the lines in their press release... that seems somewhat inexcusable.
I mean after seven years and, apparently, three somewhat successful records, these people are giving up on their life's work and I’m deciding to marginalize it for no valid reason. In fact, I imagine that the vague prose was masking tremendous hurt and regret and that, regardless of how foolish it looks, those cryptic words actually speak to something important for the band and their fans. It seems utterly inappropriate to denigrate a full career like that just because I cannot understand six words from a message board.
I don’t know. I’m feeling apathetic toward the entire situation. They’re touring before it’s all over. Go see them. Or don’t. I just really don’t care.
* Supporting Biffy Clyro
Dear KCRW: br>
I would like to extend congratulations regarding the 30th anniversary of your freeform morning show, Morning Becomes Eclectic. It has, however, come to my attention that the planned programming in commemoration of this milestone on Monday, September 3, Labor Day, will conflict with Jerry Lewis’ annual Muscular Dystrophy Association Telecast. I have no doubt that the three KCRW music directors each preparing segments for the event -- Tom Schnabel, Chris Douridas, and Nic Harcourt -- would be in accord over the importance of the MDA Telethon. The trio of three-hour specials, set to start at 9 A.M.(PT) and repeat at 6 P.M. (PT), will no doubt be “eclectic,” but more eclectic than Jerry in Vegas? Probably not.
One possible solution would be to rebrand your event as a soundtrack to the MDA Telecast. Since you’ll be airing live on both KCRW 89.9 FM, Santa Monica, and KCRW.com, listeners should have no problem piping the signal into their living room as they hunker down around the sound of ringing phones and show tunes.
Also, as a TMT reader, I would like to point out the diminishing effectiveness of the word “eclectic.” It’s simple economics. Please refer to the Shrimp Scampi sidebar of Tiny Mix Tapes.com for specific examples of aforementioned “eclecticness,” a label which it mercifully neglects to advertise. It’s like Target -- cheap shit without all that Wal-Mart baggage.
Thank you for your time, and I look forward to future eclectic communication.
Sincerely and eclectically yours,
Melt-Banana is an easy to prepare and fun snack the whole family can enjoy. It's more commonly known as fried plantains, but whatever: here goes.
First, slice Â¼"-thick slices from a ripe plantain at an angle. Next, fill a frying pan Â¼"-deep with cooking oil. Vegetable oil is preferred; however, depending on your budget and/or dietary needs, olive oil may be substituted.
The plantains should be fried in the pan for a few minutes, until the plantain "meat" seems well-cooked.
The next step is the oft-forgotten and arguably most important: The cooked plantains should be removed from the frying pan and placed on either a paper towel or on a plate. Smoosh the plantains with a smooshing device, more commonly referred to as a spoon.
Return the smooshed plantains to the frying pan, and fry until the plantains are slightly crispy. Remove from the frying pan and garnish with any of the following: brown sugar, salt, guacamole, or salsa. Try experimenting with your favorite garnishments. While most would refer to the completed dish as fried plantains, I'd encourage the use of Melt-Banana — this slight alteration coincides with the musical group's altered tour arrangements. Then, simply serve and enjoy.
Not since Ozzfest '98 have I been so compelled to see Maynard dance half naked on stage. TOOL's tour — with Melt-Banana opening on several dates — coincides eerily with the re-formed Rage Against the Machine and The Smashing Pumpkins.
Melt-Banana's altered tour in support of their new album Bambi's Dilemma and also partially in support of TOOL:
Rejoice! Mirah's lastest album is in the works! Share This Place: Stories and Observations is a collective effort which includes the talent of Kyle Hanson and Lori Goldston (of Black Cat Orchestra and Shifting Light) and other instrumentalists, who have been performing under the name Spectratone International. The group will be playing a string of dates at Seattle's Internation Children's Festival this May, at the beginning of Mirah's summer tour.
The new album is said to be inspired by French entomologist Jean Henri Fabre. Mirah and co. have adopted Fabre's famed method of writing about insects in biographical format, implementing this concept in the lyrics to the new album.
Share This Place will be released with an illustrated lyric booklet and the short film Credo Cigalia. This film is one of twelve films by Britta Johnson, which are meant to be accompanied by the music on Share This Place.
Phil Elverum of The Microphones/Mount Eerie and Steve Fisk (Unwound, Screaming Trees, Nirvana) will be producing the album, which is slated for release August 7 on K Records.
Share This Place: Stories and Observations tracklisting:
If You Don’t Read the Entirety of This News Story, You Might Come Away Thinking There’s No Point to It; But There Is, and It Is This: Joel Gion’s Band is NOT the product of ‘Me,’ But of ‘We’ … (Wow, That Looks Even Lamer in a Headline)
As a heavily decorated -- meaning I've earned three TMT merit badges: the Gratuitous Profanity badge, the Bulbous Boner badge, and the You're a Giant Vag badge -- staffer here at Tiny Mix Tapes, it's my job to ponder a litany of subjects on a daily basis. This duty finds me endlessly digging deeper into the structures of music than anyone should rightfully dare. Like an avid surfer who just stumbled upon a cache of fecal fetish pics, I find myself often feeling that, though I've gained more knowledge through my excursions, I've lost more than my share of innocence. Luckily, with Leveer -- who once wrote “I consider myself a connoisseur of snuff films” during an IM conversation I had with him, causing me to write ‘LOM-F'nL!' in reply -- on staff I don't have to worry too much; at least Faces of Death still seems scary to me.
But, like visions of a Mr. T felch-job (goddamn), I find myself thinking about BALLS a lot. Bouncy, round, floppy, slightly smelly balls. For one, I think modern women have forgotten about the importance of balls in their quest to take command of the cock. Nextly, I've been thinking about Balls in the figurative sense, as in, Ballsy, as in, what's a ballsy move, musically speaking, and what isn't? And remember, we're not talking ‘admirable,' ‘lovable,' or ‘awesome,' so spare me the indignant e-mails. But I digress: In an effort to waste valuable TMT screen space (bet you love that, don't you advertisers?) and purge my inner demons, I've compiled a list of artists/people that are Ballsy and folks that are NOT ballsy:
Ballsy: Phil Spector – This guy has Balls that MUST be ready to burst at any moment. Damn, where do I start? I guess I'll have to go with one of his biggest head-scratchers: The guy fashioned a song called “He Hit Me (And it Felt Like a Kiss)” and actually tried to push it as a single for girl-group The Crystals. Yes, you read that correctly. Idiotic? Yes. Mysogynistic? You bet. Deplorable? OH FUCK YES. Ballsy? Hells yeah. He might have equated to a short, balding, trigger-happy, over-the-hill bitch as the '70s wore on, but perhaps his regression was merely a symptom of post-Ballsy syndrome.
NOT ballsy: Kevin Barnes (Of Montreal) – So, let me get this straight: You sell your song to Outback Steakhouse and not only let them use it in a commercial, but let them rework the lyrics to fit their goal of selling steaks along with a hearty portion of sizzle. What's weirder, you act thrilled at the prospect of “hear[ing] their take on one of our songs as a jingle.” But HOLD ON -- this actually isn't that crazy. Nowadays it's commonplace; even classic Dylan folk tunes are being co-opted by insurance companies. What renders Barnes, to me, ball-less is the fact that a fan holding up a sign that read ‘Outback Steakhouse' was kicked out of an Of Montreal show. Basically, rather than address the subject of ‘selling out' head-on, Barnes decided to get rid of what he saw as the source of his woe. Isn't that... a form of fascism? Look, I'm a reasonable guy; I'm not trying to conjure memories of Kent State here, but what's wrong with holding up a sign? A semi-ambiguous sign, no less? And why did everyone seem to say, ‘Good for you, Kev!' when they heard news of the kick-out? Barnes later told a music site that the situation made him “sad.” But if he's ashamed of selling his song to Outback Steakhouse, why doesn't he just say so? If he can't handle the burden of being faced with his decision, why doesn't he admit it? Wouldn't it have been more reasonable to simply ask the sign-holder to remove it instead of kicking a paying customer out of a show? Of course, now people are telling me that the guy didn't get kicked out, which may or may not be true (and certain sites have deleted information on the subject), but the sign was definitely taken away and likely burned like a Beatles album. So, in the end, people are coming down on this individual for holding up a sign that said ‘Outback Steakhouse,' which is pretty open to interpretation. Or maybe not. In any event, what's wrong with holding up a sign? It's not like the sign said ‘Of Montreal suck cock because they sold their song to a commercial like everyone else' or ‘Barnes can eat my tube steak' ... what's the deal? Regardless, Barnes seems to be doing fine, balls or no, so don't feel sorry for him. Feel sorry for me, I work at a daily newspaper! Besides, Barnes is defying the number-one rule of indie-rock etiquette: Stand By Your Steak.
Ballsy: R Kelly – As many of you know, Kelly allegedly peed on an underage girl, on camera. NO, that does not take balls. Naming his next single “Heaven I Need a Hug”? Nope, no balls. Bestowing the title of The Chocolate Factory on his next full-length album? Houston, we have balls.
NOT ballsy: Any Judge Letting R Kelly Off the Hook – How is this guy still free? Numerous videotapes, an annulled marriage to a then 15-year-old Aaliyah, allegations from ex-girlfriends and protégés? Raisin-sized, at best, your honor.
Ballsy: John Fogerty – This guy (who is admittedly sort of a 'ho' for other reasons) responded to his brother Tom's departure from Creedence Clearwater Revival by allowing -- some claim demanding -- his bandmates to contribute songs to CCR's last album, Mardi Gras. Stu Cook and Doug Clifford thus were responsible for not only writing and singing 1/3 of the album each, but also producing their entries, which by some reports Fogarty refused to sing. And guess what? The album tanked, forever discouraging petty drummers and bass players from aspiring beyond their abilities. Balls much?
NOT ballsy: Mike Love – The music world's nastiest red-headed stepchild, Mike Love's disapproval was listed, by Brian Wilson, as the number-one reason the SMiLE sessions were never released in their original format. Why did Love despise the sessions so? He is said to have been afraid that The Beach Boys would lose their audience if they abandoned their formula (which doesn't make ANY fucking sense because “Good Vibrations,” a wild divergence, had just become their biggest hit). Worst of all, he now denies that he had any problems with SMiLE, only that he didn't dig the lyrics too much. Location? No-Ballsville. Population? M. Love.
Ballsy: Anton Newcombe – Say what you will, this guy has Balls. He may be two LPs short of a record shop, but he's gotten the job done for years due to his extreme musical drive alone. That and his canyon-filling balls anyway.
NOT ballsy: Anton's Brian Jonestown Massacre bandmates in Dig! – Newcombe probably fucked these guys over a lot, but everything he dished out he got back and more... witness his cohorts constantly talking behind his back on camera, flubbing their parts in concert and generally acting just as childish. They're probably saner, but the balls in the family go to Newcombe.
[awkward transition in 5 ... 4 ... 3 ... 2 ... 1 ... BAM-BIP-BOOP]
Heyyy! Speaking of The Brian Jonestown Massacre, it looks like Joel Gion, EASILY the most likable tambourine-shaker of all-time, is putting out a new album with his band, The Dilettantes. BUT WAIT: Lest you think The Dilettantes are a BJM-esque unit centered around one beastly man, Gion insists that the writing process for the 'ttantes is purely democratic; like America! And Mardi Gras-era Creedence! Dubbed 101 Tambourines -- man, that just makes me smile, seriously -- the record shall be released August 12. Sadly, the publicity sheet ruined all chances The Dilettantes have of Balls-dom by claiming the record's “solution to success is ‘we,' ” proving that all artists should proof-read their one-sheets. Man, that's some cheesy, after-school-special shit.
Rick Rubin is a producer. Rick Rubin is joining Columbia.
Matt Filcher is a child molester. Matt Filcher makes me play mystery box.
It began in 3rd grade but climaxed the spring of my 4th grade year. Everyday, Filcher would pick me up from school, even though he didn’t belong to my family, nor did any of my family members realize he was the one picking me up from school. He had candy, and I said “what the fuck, why not?” I got to sit in the back of his kick-ass van that had a sick side panel airbrushed with a wolf howling at the moon. I would eat all of the candy he gave me, and then we would stop off at his house for a quick game of mystery box. This involved what looked like an old Fila shoebox and a blindfold. Some days, he would make me guess what was in the box using only my hands. I would use what he called “super sleuth lotion” to help me identify the member, and then if I couldn’t guess the package, he made me rub it until it spit hot gel. Other days, I got to use my mouth. On those days, it never took me that long to make the object spit. It took almost two years for my parents to catch on to the game, and when they did, they got so damn mad! My mother cried a lot, and my dad just bitched about wanting to castrate Filcher. Whatever, I got so much free candy those years.
But this had a point. Rick Rubin is not Matt Filcher. There it is. Yeah, and Rubin has now joined Columbia Records and will partner with Columbia Records Group chairman Steve Barnett. And much like the diversity of a game of mystery box, Rubin’s new job will allow him to continue producing artists for Warner Bros.
My dad had this to say about Matt Filcher: “Filcher is an animal that does not deserve a second chance. I feel jail is an unfair punishment for this thing. I would much rather make bird seed out of his face.”
Steve Barnett had this to say about Rick Rubin: "Rick is a fantastic producer, tremendous with artists and has total respect within the industry as an honest man and a creative genius. It is a great opportunity for me to have in Rick a true creative partner."