From a post by Nikola Acin's friend, George Pratt:
I’m shocked and saddened by the news that my good friend Nikola Acin passed away this last weekend. Nikola was such a great guy, a true, avid enthusiast of art and music. He wrote many wonderful articles on two of his favorite passions, comics and rock’n’roll.
Son of the great filmmaker Jovan Acin (Hey, Babu Riba), Nikola was an energetic soul who dove head first into his enthusiasms. He put himself out there in any way possible so as to be closer to the heart of what he loved.
Howlin Rain To Tour with The Black Crowes; Audience to Be Made Up Exclusively of Those Who Woke Up This Mornin’
AwlMuzikGuyde Howlin Rain biography:
Howlin Rain was born Rudy Remo “Rimmy Ray” Robyns either in Natchez, MS, Natchitoches, LA, or Nevernudenachos, NE in either 1909, 1910, or 1915. Nothing much is known of his early life, so many have speculated that he came out of the womb as a teenage semi-pro guitar and harmonica player who immediately began playing juke joints and dive bars for meals and rent. He was never consistently employed during his early career and supplemented sporadic gig money with piece-meal jobs at local packing plants, slaughterhouses, and teaching backwoods folk the electric slide. He also made a very small mark in films as Buster Keaton’s torso double.
But music was his first love and burning desire. His early recordings were emphatic faith-based ditties like “Hallelujah! It’s Easter!” and “Jesus! Jesus Keeps Beating Me at Checkers!” These recordings sold poorly locally, as he was living in a primarily Jewish part of Chicago at the time of their release. However, Robyns managed to make some money from these early records, by heating them over his stove elements and making groovy ashtrays out of them. The value of an early-period Robyns ashtray was recently estimated at $4,000 on Antiques Roadshow.
For years, people inaccurately attributed Howlin Rain’s stage name to the two acclaimed blues men, Howlin’ Wolf and Muddy Waters (né Muddy Rain), but this is hogwash. The unique moniker comes from a real life event, in which a drunken Robyns stood outside the window screaming his undying love to a certain “Miss Missy” before starting to pull out his own teeth with flat-nose pliers to prove that he meant every word. This misguided but romantic gesture led to unrequited spurning and a restraining order for Robyns, but spawned the creation of his stage name and a spate of regional hits inspired by the incident, like “I’m Pullin’ My Teeth Out (For You)” and “Please Don’t Let Me Be Understood” (later to be altered to “…Misunderstood” by popular beat combo The Animals).
With modest success came a change in behavior and attitude for Rain. He changed his name to ♪, predating Prince’s entity change to a stupid unpronounceable symbol by decades. “Note Symbol #2”,” as Robyns was calling himself, started dressing like the Monopoly Man mixed with the Marlboro Man, complete with silly ‘stache and monocle, ten-gallon hat and chaps. Thankfully, this nouveau riche/cowpie transformation was short-lived and “Note” went back to playing as Howlin Rain after some chick told him he looked like a “half-baked Alaska.” He continued to tour around the country and under the radar for years before succumbing to rickets in 1979 after a half-century eating exclusively uncooked Ramen noodles and gin. Howlin Rain died penny-full, leaving the one penny he owned to be divided among dozens of illegitimate kids. Contrary to popular Howlin accounts, he did not have a circus-sized dong, but he was powerfully virile; rumor has it he didn’t even need a receiving uterus to produce children.
Want the real story? Then go see the real Howlin Rain play live, as they start their next bunch of shows August 22 at the Outside Lands Music & Arts Festival in San Francisco. The Cali-centric combo will be tearing a psych-soaked swath of rock across the continent on their forthcoming tour, with many dates opening for a band that knows a thing or two about the blues: The Black Crowes. There may be some new tunes played and definitely some from both their self-titled debut and their latest disc, Magnificent Fiend (TMT Review). There may some blues played, too. If so, expect it to have a full set of teeth.
08.22.08 - San Francisco, CA - Outside Lands Music & Arts Festival
08.29.08 - Vancouver, British Columbia - Media Club
08.30.08 - Victoria, British Columbia - Rifflandia @ The McPherson Playhouse
08.31.08 - Seattle, WA - Bumbershoot Music & Arts Festival
09.10.08 - Arcata, CA - Van Duzer Theater %
09.13.08 - Las Vegas, NV - The Joint %
09.14.08 - Santa Cruz, CA - Civic Auditorium %
09.16.08 - Mesa, AZ - Ikeda Theatre @ Mesa Arts Center %
09.17.08 - Los Angeles, CA - The Greek Theater %
09.19.08 - Santa Barbara, CA - Santa Barbara County Bowl %
09.21.08 - Santa Rosa, CA - Wells Fargo Center %
09.25.08 - Redwood City, CA - The Little Fox ^
10.07.08 - Richmond, VA - The National %
10.08.08 - Richmond, VA - The National %
10.11.08 - Albany, NY - The Palace Theater %
10.12.08 - Northampton, MA - Calvin Theater %
10.15.08 - Portland, OPR - Merrill Auditorium %
10.17.08 - Boston, MA - Boston Opera House %
10.18.08 - Buffalo, NY - The Town Ballroom %
10.28.08 - New York, NY - Hammerstein Ballroom %
% The Black Crowes
^ acoustic performance, support to Pegi Young
Juliana Hatfield to Release Her 10th LP and Memoir; Nicole C. Cries Over How Such a Witty, Talented and HOT Musician Always Falls Below the Radar
If Juliana Hatfield and I were to have a conversation, it might go like this:
Juliana: Hi, how's it going? (in the most amazingly cute, girly, child-like voice)
Me: Teehee. Good.
Me (again): You are super awesome. Way more awesome than Liz Phair.
Me (again): I'm just sayin'.
Juliana: Um, thanks.
Okay, in reality, it'd probably be nothing like that -- more like an awkward, "Hi, I'm a big fan. Okay bye." Anyway, I'm not sure why I have this thing with comparing totally awesome artists with so-so artists of similar nature, but I do. I guess it has something to do with feelings of resentment toward certain less-talented artists who garner medium-to-large amounts of success, while other, more talented artists can only muster mere college radio "success" and a fanbase of forty-somethings.
Getting to the point, Miss Hatfield is releasing How to Walk Away, her 10th solo album, August 19 on her own label Ye Olde Records. To commemorate her many decades of awesomeness, Hatfield is also releasing a memoir, When I Grow Up, a promotional companion piece to her new album. She's also doing some touring and various promotional stops, including a Tonight Show appearance August 25, a performance on NPR's "World Café" September 10, and a gig at New York City's Housing Works Bookstore Café on October 23, as part of the CMJ Music Marathon.
Upcoming Hatfield tourdates:
# CMJ Music Marathon
From The Associated Press:
KINGSTON, Jamaica (AP) — Johnny Moore, a trumpeter and founding member of the pioneering Jamaican ska and reggae band the Skatalites, died on Saturday. He was 70.
He died at a friend’s house after being released from the hospital where he had cancer treatment last week, said Herbie Miller, a music promoter.
Mr. Moore helped form the Skatalites in 1964 along with the saxophonists Tommy McCook and Roland Alphonso and the trombonist Don Drummond.
Pitchfork.tv Programs Set to Premiere on Actual TV, Offer Solution to Vital Problem of How to Waste Time When Not at Work
Are you, like me, a member of the approximately 0.4% of western civilization who does not have internet at home? Has this been negatively affecting your social life? For example, are you having a hard time thinking of how to waste time at home without precious, precious online content? Do you find it difficult to launch into friendly conversations about online Pitchfork.tv programs -- such as "Interview," "Don't Look Down," "Daytripping," and "Juan's Basement" -- that I personally was unaware of until I started writing this story? If so, then fear not! Because Pitchfork and the Independent Film Channel are teaming up to bring you Pitchfork.tv -- tah dah -- on actual TV!
Starting August 24, you can catch all this and much much more as part of "Pitchfork Airwaves on IFC," a partnership between the two independently-minded entities that will bring you a block of programming related to the music website. Expect shorts taken from the programs mentioned in the previous paragraph, interspersed with the IFC's regular goings-on. How many shorts exactly? Ten. That's what it says on the website, so count ’em: ten. And of course, you can still catch this stuff online, if you are one of the many people I know and envy who actually does have the internet, both on IFC.com and on Pitchfork.
It appears Jeff Tweedy has grown out of his own records, telling WAMC (NPR affiliate and the recipient of my expertise as an intern), that he "kinda hate[s]" all of Wilco's six prior albums, because "none of them are a statement that I would be comfortable making right now at this point in my life." Obvious solution: new album! Regardless of whether or not the rest of the band shares his sentiment (wanna bet I'd get rich if I had a dollar for how many eyerolls happen in the practice studio?), Wilco are thinking 2009 will be the year for such an album, with a goal to be more performance-oriented and to minimize the mixing. Translation: Jeff Tweedy will lob throwing stars toward the sound board from time to time. Gotta keep those producers in check, you know? The band has dropped a few new tracks during their live shows, including the laid-back "One Wing" and more saucy "Sunny Feeling."
Wilco are wrapping up their summer tour next month. Tweedy's dry wit will be challenged by his future stage buddy, however, when Wilco open for Neil Young in a stretch of North American dates this winter. Hmm. Most of these places appear to be named after banks and other such evil entities. Perhaps there is some good old-fashioned mischief in store for the Man...
Heavy-browed frontmen unite:
* Fleet Foxes
% Neil Young
From a post on Dave Matthews Band's official website:
We are deeply saddened that LeRoi Moore, saxophonist and founding member of Dave Matthews Band, died unexpectedly Tuesday afternoon, August 19, 2008, at Hollywood Presbyterian Medical Center in Los Angeles from sudden complications stemming from his June ATV accident on his farm near Charlottesville, Virginia. LeRoi had recently returned to his Los Angeles home to begin an intensive physical rehabilitation program.
Muxtape, the online playlist service which launched in March to a user base larger than Germany but smaller than Japan, seems to have run into problems with the RIAA, according to a message posted on the site late Wednesday evening. While it alerts users that "Muxtape will be unavailable for a brief period while we sort out a problem with the RIAA," the Muxtape tumblr insists that "the site is not closed indefinitely" and "no bands or labels have complained."
Many people — including you, me, intellectual property attorney Fred von Lohmann, and site creator Justin Oullette — have speculated as to the soundness of maintaining such a website in the era of RIAA lawsuits and other digital music crackdowns. The optimism of the message displayed on the official site and on tumblr echo Oullette's assertion in interviews that Muxtape's primary purpose is to introduce listeners to new music and that labels and artists have been encouraging when talking to him. Indeed, it appears from the tumblr post that Oullette has been developing a service called "Muxtape for Bands," an as-yet-unexplained feature first hinted at in a tumblr post early last week.
For more details about "Muxtape for Bands," as well as about the issues with the RIAA, keeping an eye on the tumblr page is probably your best bet.
I went to see incredible Japanese garage rock band DMBQ once at a record store in Austin, TX, a detour from the usual SXSW showcases and shit. This was the year I discovered Sparks Caffeinated Malt Beverage and ended up consuming enough of the stuff that I thought it would be a good idea to buy every single Siouxsie and the Banshees 7-inch in the store -- and, so, I drunkenly brought up my pile of prizes to the register while the drummer from DMBQ dismantled and reassembled her drum kit without ever missing a beat or failing to kick out the jams. Okay, I didn't technically "see" it. My friends told me about it. It sounded awesome, though!
And now... imagine! You can have this very same sort of magical experience yourself, at one of several DMBQ tourdates planned for this October!
DMBQ -- or Dynamite Masters Blues Quartet, their longer, more difficult to remember full name -- have been around since 1988 in one form or another. They've released albums on Less Than TV, Estrus, and more, and have embarked on many a tour in these here parts. They're loud, they're fast, they're awesome, and apparently they just can't get enough of small New York liberal arts colleges, judging from this tour schedule. Enroll now!
After all the bullshit surrounding illegal music downloading, like the lawsuits against minors that in turn cost their parents thousands of dollars, iTunes is in talks of imposing a tax on the next Jonas Brothers track your little sister is downloading. Indeed, nine states are currently discussing the possibility of imposing a digital downloading tax, with four of them having already passed "digital taxation plans," including Indiana, South Dakota, Utah, and Nebraska.
However, it looks like it has proven quite difficult so far for most states to actually pass this law, since it's almost impossible to define state boundaries over the World Wide Web. The CNET report states, "Because most state tax laws were written long before the Internet existed, they may accidentally immunize downloads from taxation." And don't get too pissed off yet -- several eco-friendly groups are protesting the idea. "A digital download is the greenest way to buy music, movies, and software, since it requires no driving to the store, no delivery vans, and no plastics or packaging," according to Steve DelBianco, executive director of NetChoice.