Hide your ones and zeroes, folks, ‘cause the the criminal organization of musicians known as Sigur Rós will be releasing their potentially deadly Heima virus on YouTube tomorrow (Friday). Word has it that Sigur Rós will take over all 12 video slots on YouTube's front page, plastering them with ten videos from the "Minn Heima" YouTube/Sigur Rós competition, a "special message" from the band (possibly of the terrorist variety), and Heima in full, their viral documentary most likely about amateur pornography and Icelandic carpentry.
You can read the terrorist propaganda on their site here.
Half Japanese are playing five shows at SXSW this year, with one of its early lineups of Jad Fair, David Fair, Mark Jickling, Rick Dreyfuss, John Dreyfuss, and John Moremen. A couple of the shows will exhibit art by both Jad and David (worth checking out because Jad's art is AWESOME, and I'm sure David's is too), while the WFMU Showcase will feature Yo La Tengo's Ira Kaplan on saxophone.
Meanwhile, you can checkout free Jad Fair albums at his MySpace, and you might as well start changing your SXSW plans to fit in all five Half Japanese shows. I'll be sure to tell you to do other things in future TMT news stories.
We Are Those Who Ache With Amorous Love, as long as you have a badge:
* Jad Fair art exhibition
# Jad Fair and David Fair art exhibition
So, I came into the TMT offices today, and guess what? Same old shit. Mr P's in his office with a couple TMT fans, Gumshoe is yelling at a newbie for incorrectly using a semicolon, and NicoleMC99 is complaining to Squeo about the ass-chafing, eco-friendly toilet paper. Nobodaddy called in sick, and P Funk hasn't even showed up for the past two days! Don't get me wrong; I love TMT. But I'm getting so sick of it here.
Which is why I'm thinking of applying to Pitchfork. In addition to its foray into branding (TMT News), Pitchfork actually has its shit together. I'm sure you've heard of Pitchfork.tv by now, Pitchfork's "online music video channel" that debuts April 7. It'll feature full-length concerts, feature films, and more! I mean, why can't TMT do anything interesting? Seriously. Mr P's all "I don't want to post MP3s and videos because it's too promotional, blah blah blah." What a d-bag. I hear where he's coming from, but what about trying to expose new acts to readers? Is it really so bad to promote bands you believe in? Criticism is dead, Mr P! The lines have blurred a long time ago!
It really comes down to this: Jim DeRogatis (critic for Chicago Sun-Times and co-host of Sound Opinions) interviewed Pitchfork editor-in-chief Ryan Shreiber for his blog -- when asked if he knew who Mr P was, he responded: "Mr P? Isn't that a pizza shop on 46th?" Anyway, it's worth checking out the interview. He asks Shreibtown some tough questions:
- Now, what band is going to deny you the right to videotape them and show that content for free on Pitchfork.tv if it’s worried about not getting a good review on the Web site? What band is going to say no to playing the festival, even if it has a better offer somewhere else, and what band is going to reject letting you include them on a videogame soundtrack?
- I don’t know if I believe in the notion of selling out, but I do believe in the notion of credibility, and you guys have been very credible critics up to now. But when you get into the business of lining up bands for the soundtrack of a baseball video game, I’m going to start to wonder if I can trust that 9.4 rating anymore.
- What about the video game soundtrack? Doesn’t that kind of tarnish what you say Pitchfork is doing?
Meanwhile, check out Pitchfork.tv in April, and, really, stop reading "pizza shop" Tiny Mix Tapes. I've had one foot out the door for quite some time now. Oh shit, Mr P's coming. Gotta publish this quick!
Spring time: a time for gently falling rains, blossoming flowers, and the hatching of tiny, fuzzy chickens still too cute to be eaten. As the evil, cold, greying snow melts from the ground, new life bursts forth into the balmy, sweet air. It's a time for rebirth, for new hopes, for celebrations. But whatever, who really cares about all that when you know that it is also time for a Bonde do Role tour?!?!?!
After the departure of singer Marina Vello late last year, the future of the Brazilian baile funk dance powerhouse Bonde do Role was a big question mark. But they're back, and possibly better than ever! (Judge for yourself -- I haven't seen the new lineup yet.) They're performing at Coachella and across North America, and they've added not one but two new vocalists! These upstanding young women, Ana Bernardino and Laura Taylor, joined the band after what must surely have been a grueling audition process staged in conjunction with MTV Brasil.
Take off that parka, and get ready to get down, because Bonde do Role is coming to a town near you!
Good day consumers! Why the happy greeting, you ask? When your dependence and concerns over shares and other equities about your portfolio are at an all-time high, when subprime losses are turning everyone into headless investment chickens, when you throw good money after bad in the vain hopes of recovering some market and personal respectability, when both big-wig hedge funders and half-penny stock players are running for life's exits doors, why have I dared to open this otherwise asinine news story with that pert and positively perky welcome?
Because all news is not bad.
Drag City's financial advisers are standing by to give you some much needed respite from your anguish with this following optimistic portent: Silver Jews will return with a new album, Lookout Mountain, Lookout Sea. The band, the label, and a frothing pack of industry experts say that June 17 is the day when you should divert funds normally headed to your over-padded 401(k) or to your over-spudged collection of vintage Oui and Cheri skag mags and put them toward the latest effort by the incomparable David Berman and his current gang of touring, and now recording, collaborators: partner Cassie, Tony Crow, Brian Kotzur, Peyton Pinkerton, and William Tyler.
Lookout Mountain, Lookout Sea, Lookout Song Titles:
1. What Is Not But Could Be If
2. Aloysius, Bluegrass Drummer
3. Suffering Jukebox
4. My Pillow Is the Threshold
5. Strange Victory, Strange Defeat
6. Open Field
7. San Francisco B.C.
8. Candy Jail
9. Party Barge
10. We Could Be Looking for the Same Thing
Berman seems hellbent on making up for lost time lately, jumping into mundane muso activities like press and promotion and touring, with a zest that he used to reserve for things like shunning the telephone and daylight. When a Silver Jews North American tour is announced, we will bring it to you, but for now, the following dates are on Berman's sched:
05.07.08 - Brighton, England - Concorde 2
05.09.08 - Glasgow, Scotland - ABC #
05.16-18.08 - Minehead, England - Butlins Holiday Resort *
05.29.08 - London, England - Indig02
05.30-31.08 - Barcelona, Spain - Primavera Sound Festival
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# Deathbomb Arc/Cock Rock Disco/Load Records SXSW showcase
Pitchfork Media Lends Its Name, Discriminating Taste to Video Game Soundtrack; TMT Maybe Gets Back to the Future Pinball Machine for Office
Consummating a collective wet-dream for scrawny, irony-loving music hipsters everywhere who have longed for years to reconcile their fanatic love of music and geeky appearance with their severe phobia of all things athletic into a singular, unholy, masochistic mashup of love-to-hate-it, "cool-because-it's-not" clusterfuckage, 2K Sports (you know, the sports publishing label of Take-Two Interactive Software, Inc.?) has announced plans to partner with influential music outlet Pitchfork Media in support of their highly anticipated new game, Major League Baseball 2K8.
2K Sports has invited Pitchfork -- who, according to... ummm, Forbes Magazine... uh, "shares a passion for the game of baseball" -- to select half of the music to be featured in Major League Baseball 2K8, with the somewhat monstrously capitalist hope that the nerdy and jobless will be able to enjoy a pointlessly cutting-edge selection of the most intimidatingly discriminating music around (along with the deepest and most authentic baseball simulation experience available, of course). Artists include Modest Mouse, Peter Bjorn & John, The Cure, The Strokes, LCD Soundsystem, and Black Rebel Motorcycle Club. Apparently, the old bleacher mainstays like Van Halen's "Jump" and Mungo Jerry's "In the Summer Time" just don't cut it anymore, huh?
"Baseball and video games are two of Pitchfork's favorite hobbies, so the opportunity to select music for Major League Baseball 2K8 is a dream come true," says Chris Kaskie, associate publisher at Pitchfork and lover of free video games. "Partnering with 2K Sports is a natural fit for Pitchfork, as they're a like-minded company that shares a passion for music and a desire to promote forward-thinking and exciting new projects instead of following a more traditional path. We're thrilled to work with 2K Sports to select one half of the Major League Baseball 2K8 soundtrack, and can't wait to play the game."
Oh, but the brand-building doesn't stop there. Each artist and song selected for the game by Pitchfork will also be denoted as a "Pitchfork Pick," when and wherever it shows up in the game, and each tune will supposedly include "additional bio information" as well. That way, you can stop to read a highly detailed review of the track you’re listening to before you, you know, play a simulated game of baseball from your couch.
"Pitchfork Media is a respected and reliable part of the independent music community and an integral part of the lives of hundreds of thousands of music enthusiasts worldwide," says director of brand and lifestyle marketing at 2K Sports Tim Rosa. "This is the first time Pitchfork Media has partnered with a video game publisher, which is exciting since we share the same dedicated passion for highlighting new artists and being involved in independent music. We've always respected their impeccable taste and no-holds-barred voice in the music industry because it complements our approach to games -- we both want to push our respective industries further by supporting independent substance over mainstream smoke." You heard him, people; give that little indie game Major League Baseball 2K8 a chance!
And speaking of awkward assimilations into "indie rock" culture, 2K Sports will apparently also join the 3rd Annual Pitchfork/Windish Agency Day Party at SXSW this year on Friday, March 14, because they are bros now. The lineup will include, duh, "Pitchfork Pick" Jay Reatard among others. Don't miss it! Meanwhile, Major League Baseball 2K8 (rated E) is due March 4, 2008 for just about every game system that is still competitive (sorry, Virtual Boy owners).
* denotes a "Pitchfork Pick" selection
All You Want In Life’s a Little Bit of Love to Take the Pain Away; Your Disgusting Ass is Gonna Have to Settle For a New Spiritualized LP and Short Tour
In which I ask a random selection of my fellow employees at a call center “what they’ve been doing since the last Spiritualized record came out”:
“Lost a lot of money in real estate.”
“Graduated from college.”
“What’s up, Swedish? You want some whiskey when we go on break?”*
“I got these stars shaved in my head last week.”
“I’ve been working here for over ten years.”
“The hell are you talking about, Swedish?”*
Songs In A&E will be released May 19 (June 3 in the U.S.) and will be supported by these here dates:
& Acoustic Mainlines
$ Electric Mainlines
*Several months ago, some of my coworkers observed me becoming furious when the vending machine refused to dispense the Swedish Fish I’d paid for.
The following consists of important issues and specific quotes that would only be obscured if I ran them through the puerile TMT filter. Hope you understand.
- Wikipedia (Kosovo context): Kosovo is a region in the Balkans, presently under the ad interim control of the United Nations Interim Administration Mission in Kosovo and protection of the North Atlantic Treaty Organization's Kosovo Force. Its Provisional Institutions of Self-Government have recently declared independence from the Republic of Serbia, which contested the act; as the Republic of Kosovo, it has received partial recognition.
- Wikipedia (Tibet context): The opinion of the PRC [People's Republic of China] is that the TAR [Tibet Autonomous Region] has ample autonomy, as guaranteed under Articles 111-122 of the Constitution of the People's Republic of China as well as the Law on Regional Ethnic Autonomy of the People's Republic of China. However, many human rights organizations around the world accuse the Chinese government of persecuting and oppressing the local population
- IcelandReview (Kosovo): Iceland’s Björk, who is currently on a world tour promoting her latest album Volta, dedicated her song “Declare Independence” to Kosovo during her concerts in Tokyo on Tuesday and Friday, causing her concert in Novi Sad, Serbia, in July to be cancelled.
- Billboard (Tibet): Icelandic singer Bjork's first-ever concert in mainland China on March 2 may have been her last, after she chanted "Tibet" several times during "Declare Independence," the closing song in her set at the Shanghai International Gymnastic Center.
- Björk: i have been asked by many for a statement after dedicating my song "declare independence" to both kosovo and tibet ( amongst others ) on different occasions. i would like to put importance on that i am not a politician, i am first and last a musician and as such i feel my duty to try to express the whole range of human emotions. the urge for declaring independence is just one of them but an important one that we all feel at some times in our lives. this song was written more with the personal in mind but the fact that it has translated to its broadest meaning, the struggle of a suppressed nation, gives me much pleasure . i would like to wish all individuals and nations good luck in their battle for independence. justice !
- Mango Starr: I'm so in love with Björk.
Major Label Artists Still Waiting For Promised Copyright Infringement Settlement Money, Radiohead Just Smoking Weed and Hanging Out
Don't look now, kids, but many a manly, rippled artist manager and music lawyer are about to grease themselves up, tag themselves in, and enter the ring to square off against those heavyweight major labels in yet another frenzied fight to get their clients (and naturally themselves) paid.
So, what have those ‘roid-popping majors done this time? Well, it turns out that many bands haven't seen one red cent of the payments negotiated last year in a series of copyright-infringement settlements between the labels and various insidious file-sharing websites like Napster and Kazaa. Universal Music, Warner Music, and EMI have all settled claims with the sites, but many managers say that little to none of that money has actually trickled down to their clients. The solution? A possible cage match full of action... hot, sweaty, semantical, nickel-on-dime legal action!
"Artist managers and lawyers have been wondering for months when their artists will see money from the copyright settlements and how it will be accounted for," told lawyer John Branca, who has represented such heavyweights as Korn and The Rolling Stones, to the New York Post recently. "Some of them are even talking about filing lawsuits if they don't get paid soon." Gee, a bunch of lawyers are "talking about filing lawsuits"? Get me tickets to that!
Ah, but seriously, folks, all wacky wrestling metaphors aside, with the music industry's much publicized (and much lampooned) financial woes, it has been increasingly difficult for any artist of any status to get any extra money out of their label in the first place, let alone something as ambiguous as file-sharing settlement royalties. However, most labels argue that "corporate bosses" (yeah, totally sounds made up) are still deciding on how to split the money, as not every artist is owed money, and it must be calculated (like, on an abacus, I guess) with regard to the level of copyright infringement for each artist. Also, once the labels recouped their legal expenses from the whole ordeal, there wasn't much left to pass along to the artists anyway. So, you know, they should just forget about it... probably...
Oh, also, a spokeswoman for EMI has apparently stated that the label has started the process of "sharing proceeds from the Napster and Kazaa settlements with artists and writers whose work was infringed upon." Meanwhile, Warner Music's rep says that the company "is sharing the Napster settlement with its recording artists and songwriters and at this stage nearly all settlement monies have been disbursed," and Universal Music's spokesman insists that the label's policy "is to share its portion of various settlements with its artists, regardless of whether their contracts require it."
Well, isn't that just nice! I guess we were wrong about the labels hording that money. Sorry everyone, never mind. Cancel the report. Guys? Hey, yeah, Phil, why don't you go ahead and cut those cameras... right... yeah those mics too. Just take it all down. Dish and everything. It can all... no... right, yeah that stuff goes in the van. Hey, Jerry? Where's the van parked at? Can, can you take the keys from me? I've got to call HQ... "Hey, Mr P, it's me... yeah turns out it's a no-go... no, the labels are on top of this one... yeah, might as well kill the presses. Thanks. See you soon." Okay guys, are we outta here? Can we get the next news story up please? Oh, okay, here... looks like we've got one online here. Here it comes. Sorry again, folks. Let's go home, everyone... Phil, is that camera still on?? I thought i told you to kill it, alr...