Back in 1992, the influential hip-hop group Arrested Development sang, "Take me to another place, take me to another land," on the hit 'Tennessee." Who would have thought that the group would have actually gone to such a far-off land (that land being Japan and the land of obscurity)? Not until now, actually: after 12 years of not releasing any material in the U.S., the group has decided to release Since The Last Time in the U.S. October 30. Since The Last Time was released back in September 18, 2006, but not in the U.S.
So, in case you were wondering, who is Arrested Development?
Arrested Development was founded by Speech and Headline as a positive hip-hop alternative to gangsta rap. Besides being politically driven, the group was also known for having their song 'Revolution" in the Spike Lee film Malcolm X. After breaking up in 1996, the group got back together in 2000 and to my amazement created a loyal fan base in Japan.
The group made a U.S. fuss in 2003 by suing the FOX Network and the fictional characters of the sitcom Arrested Development. The lawsuit was even referenced in the episode "Motherboy XXX," and has become a conspiracy theory to the show's cancellation.
Lately, the group has been resurfacing their live act, performing recently at an unprecedented gig in Jerusalem alongside the Black Eyed Peas. Yes, Fergie was in Jerusalem. Also other spectacular ("shitacular?") groups like Gym Class Heroes have been citing Arrested Development as an influence. Hell, even the group frontman Speech contributed guest vocals to the song "Biter's Block."
The group returns at a time when rap in general has been under fire by the media. Even "gettin' paid and laid" rappers, like Chamillionaire, have purposely cleaned up their act to dissipate the dreaded "Parental Advisory" sticker from their albums.
Arrested Development's album Since The Last Time will include 12 new tracks, with "Miracles" as the first single. Additionally, a special mix tape will be available October 30 on Vagabond Record & Tapes. The mix will feature 18 classic and unreleased AD songs, as well as some collaborations with Gym Class Heroes (gasp!), TY, DJ Hasabe, and Braille.
So, all you hip-hop heads out there better get ready to be uplifted. Positive messages may not always equal positive beats, but now it may be possible for children to learn that they can do more with their lives (and sexual organs) than skeet, skeet, skeet. And what do Chamillionaire and Will Smith think about the return of Arrested Development?
They said, "Fuck the shut up."
I think they meant to say, "Shut the fuck up," but they were both drunk and performing coitus interruptus. Go figure.
Arrested Development should have tourdates sooner than you can say "Fergaliciouspeepants."
Since The Last Time tracklist:
Probably Shouldn’t Have CCed the Intern, Dude: Leaked EMI Memo Indicates Fiscal Retooling of the Record Industry May Be A Good Idea (Duh)
As we've reported before, EMI has a new top executive. However, what we never really stressed before is that his name is Guy Hands, and that is extremely funny.
Anyway, in a memo that recently leaked, Hands (whom I picture as the lovable Hamburger Helper mascot) noted that "rather than embracing digitalisation and the opportunities it brings for promotion of product and distribution through multiple channels, the industry has stuck its head in the sand."
He went on to suggest that labels abandon their bloated, advance-based economic model, provide smaller amounts of funding for their artists to record and tour, and recoup a piece of all the gains or losses the artists then experience.
No proprietors of smaller labels could be reached for comment, because they’ve all been very busy either already subscribing to this business model or have been practicing it for years.
According to the memo, this all has something to do with Radiohead’s forthcoming digital release of In Rainbows (1) (2) (3), marking yet another time in which Thom Yorke slapping his name on something has caused the masses to hail it as the new guard. I expect the Spin article on my desk by next weekend.
Trent Reznor's Greatest Hits (in chronological order):
Pre-NIN: "Reznor always reminded me of Harry Connick, Jr," said former piano teacher Rita Beglin.
Pre-NIN: Reznor was "very upbeat and friendly," said former Mercer High School band director, Dr. Hendley Hoge.
1993: Nine Inch Nails win a Grammy for "Best Metal Performance."
1994: The Downward Spiral goes double platinum.
2005: With Teeth
2007: "Steal it. Steal away. Give it to your friends." (TMT News)
08 October 2007: Big News
Hello everyone. I've waited a LONG time to be able to make the following announcement: as of right now Nine Inch Nails is a totally free agent, free of any recording contract with any label. I have been under recording contracts for 18 years and have watched the business radically mutate from one thing to something inherently very different and it gives me great pleasure to be able to finally have a direct relationship with the audience as I see fit and appropriate. Look for some announcements in the near future regarding 2008. Exciting times, indeed.
posted by Trent Reznor at 10:45 AM. 312 Comments
2008: NIN sign to Universal, Sony BMG, Warner, and EMI, sign up for Facebook.
2014: Reznor tells fans to steal his furniture. They do as they're told.
Denmark's own Figurines have made progress since 2006's Skeleton (TCG). While that album found the band sounding like a sped-up Danish Modest Mouse, last month saw the release of the group's new album, When The Deer Wore Blue (TCG), which is decidedly more mature and experimental in a Brian Wilson kind of way. In fact, the LP sounds a lot like Pet Sounds and Smile fooling around with each other whilst on vacation in Denmark. If you can't imagine what that sounds like, you could buy (I know, what an antiquated idea) the new record and find out yourself, or you could just check out their tour with the recently grounded Dappled Cities, starting this week.
* Dappled Cities
Major Stars Release New LP on Drag City, Tour. Full Disclosure: I Am Somewhat Sure There Exists a Photograph of One of Them Shoving All Ten of His Fingers Into My Mouth At Once
Major Stars, the band CMJ recently described as “notorious” for some reason, have announced they are releasing their latest album on Drag City. The decision makes them labelmates with such zeitgeist-tapping luminaries as the Nig Heist.
Last night on MythBusters, they figured out that it’s way more efficient to turn your lights off when you leave the room than to leave them on.
Major Stars also has a short tour planned for next month and will be sure to turn the lights off before they leave.
MythBusters engineered their biggest explosion to date in the name of “Busting” ™ -- the myth that the shockwave from an explosion will break a dummy’s 500-foot fall. Something went wrong with the dummy, but they were still pretty sure it wouldn’t work.
Major Stars have never made a mistake like that.
The episode of MythBusters I watched was almost certainly a rerun. Major Stars have never done anything twice.
I couldn’t think of anything to write for this piece, and now it’s edging closer and closer to Chuck-Norris-Joke territory. Just go see Major Stars and buy their new record. Their shows are drunken catastrophes of the highest order and maybe if you leave the house and expand your mind, you’ll learn something for once, etc, etc.
Let’s get figurative, Reader, Baby, Sweetheart!
Melbourne-based trio Luke Horton, (guitar, vocals) Monika Fikerle (percussion), and Antonia Sellbach (bass, vocals) form the gitchy-gitchy-ya-ya music triangle that is Love of Diagrams, a more recent acquisition of indie-huff-huff-majahhh-supahhhh-important label Matador.
ALEX TREBEK MOMENT; SAYIN’: The name actually pays testament to Antonia’s abstract art work, some influenced by Russian constructionist designs. Antonia designs posters for the trio, and “Love of Diagrams” was actually in one of her works.
THE DEAL: Love of Diagrams is traveling across America touring with Enon.
Joey and Dawson are not.
Compliment my angles, baby-baby:
John Darnielle seems to be responsible for holding down Fort Blog at mountain-goats.com, but those of you who are awesome (?) enough to have a LiveJournal account leftover from middle school were totally wise to the influx of new tourdates on The Mountain Goats’ schedule. Hell, we can even tell you what PPH wore/drank/thought during the last Philly show. But we won’t. Scorned for too long on the basis of refusing to delete our LiveJournal accounts, we’re a testy bunch.
But hey! I’m laying these tourdates on you, ain’t I? I’ll also tell you that their new album drops in the new year, featuring sirens from the Bright Mountain Choir for the first time since 1996, which JD describes as “completely rad.”
Fresh jive. Tubular. Tourdates!:
Double Yr Pleasure, Double Yr Fun, Double Yr Freshness with a Double Viva Voce Reissue! (What the Hell Is a Doublemint Plant, Anyway?)
Without an inflated and inappropriate budget to work with, some bands have to make do with what they have and what they can afford in order to create effective records of quality. Others simply keep adding band members and guest players to build a grand sound. Viva Voce, the duo of Anita and Kevin Robinson, can probably command mucho recording bucks now that they have broken through from “hotly-tipped” to “unrestrainable force of nature.” They may even be able to enlist additional bandmates, too. We like Viva Voce as they are: a two-headed, two-hearted, yet synchronous beating beast that manages to make more noise than four quintets, seven octets, and ten Polyphonic Sprees. When Anita is torturing her double-necked axe and Kevin is pounding hell out of his kit in concert, they are even more ferocious, if you can believe it. The band’s own Amore!Phonics imprint will re-release the first two Viva Voce albums along with a smattering of demo and unreleased material tomorrow, October 9, as a double CD set. Viva the Robinsons, and the Robinsons alone!.
Disc 1: Lovers, Lead the Way!:
1. Fashionably Lonely
2. One in Every Crowd
3. Red D-Lish
4. Wrecking Ball
5. That’s Right…Watch out!
6. Birds On the Wing
7. N Luv W/U
8. Brightest Part of Everyone
9. Yr Epic Heart
10. Best Thing Ever (Maybe Not)
11. The Tiger & How We Tamed It
12. Perpetual No
14. Someplace Woth Being
15. Let’s Bend Light
Disc 2: The Heat Can Melt Your Brain + bonus material:
1. Alive With Pleasure
2. Lesson No. 1
3. Business Casual
4. The Lucky Ones
5. High Highs
7. The Centre of the Universe
8. Free Nude Celebs
9. Mixtape = Love *
10. They Never Really Wake Up
11. Paper Doll (previously unreleased)
12. Wrecking Ball (Tunng remix)
13. Lesson No. 1 (original demo)
14. Red D-Lish (live)
15. Fashionably Lonely (live)
16. Wrecking Ball (live)
17. Doo-Wap Death Trap (previously unreleased)
18. Tonight You Belong To Me (live)
(* This song should not be confused with Viva Voce’s lesser known tune “TinyMixTapes = Pure Fucking Hatred.”)
Instead of heading into the studio to begin work on the follow-up to their breakthrough album Get Yr Blood Sucked Out, Viva Voce have opted to hit the road again (their NINTH tour this year!) to open a bunch of dates for Jimmy Eat World
10.26.07 - Atlanta, GA - Center Stage
10.27.07 - Myrtle Beach, SC - House of Blues
10.28.07 - Raleigh, NC - Disco Rodeo
10.30.07 - Washington, DC - 9:30
11.01.07 - Toronto, Ontario - The Docks
11.02.07 - Cleveland, OH - House of Blues
11.03.07 - Pittsburgh, PA - Carnagie Music Hall
11.06.07 - New Brunswick, NJ - State Theatre
11.07.07 - Boston, MA - Orpheum Theatre
11.08.07 - Brooklyn, NY - Music Hall of Williamsburg *
11.09.07 - New York, NY - Terminal 5
11.10.07 - Philadelphia, PA - Electric Factory
11.15.07 - Chicago, IL - Riviera Theater
11.16.07 - Champaign, IL - University of Illinois, Assembly Hall
11.17.07 - Omaha, NE - Kiewit Fitness Center
* Viva Voce headline show, without Jimmy Eat World
Ever since their beautiful new stationery came back from the printers, the RIAA has been sending off letters nonstop -- mostly in the interest of strengthening relationships with distant (yet no less cherished) relatives, but there are a notable 403 that have a colder tone and are not lightly spritzed with perfume. These letters have been sent to 403 of the most
notorious randomly selected file-sharers on college campus networks, and their demand for pre-litigation settlements is a continuation of the RIAA's campaign to crack the skulls of external-hard-drive-maxing-out college kids. Those who receive the letters are requested to visit p2plawsuits.com and settle their cases out of court at a discounted price.
"The music industry continues to develop exciting new digital models that offer fans, including college students, their favorite music how they want it and where they want it," said Steven Marks, Executive Vice President and General Counsel of the RIAA. "The good news is that students represent some of music's biggest fans. Unfortunately, they too often turn to illegal sites for their music." Marks then put up an image of stick-figures being dangled over a pit of snakes on the overhead projector. "And that is why students must be punished. Punished like the days of old. Hear my words, students: you are not safe. Not anywhere. You'll go to a football game and all of a sudden the man on the loudspeaker will call for a doctor -- it's an emergency. In a forest even, by yourself, one day you'll notice how the deer are diseased or how the rivers are dried up -- something. Run to the edge of nowhere, John Q. Public. We have the best binoculars."
The campuses targeted this time around are: Arizona State, Carnegie Mellon, Cornell, Massachusetts Institute of Technology, Michigan State, North Dakota State, Purdue (West Lafayette and Calumet campuses), University of California - Santa Barbara, University of Connecticut, University of Maryland - College Park, University of Massachusetts (Amherst and Boston campuses), University of Nebraska - Lincoln, University of Pennsylvania, University of Pittsburgh, University of Wisconsin (Eau Claire, Madison, Milwaukee, Stevens
Point, Stout and Whitewater campuses).
It appears that DeVry has received yet another pardon.
Halloween Is Coming and I Wanted To Share This Costume That I Totally Want With You; Well, I Guess I Could Tell You About eMusic’s New DRM Free Tool As Well
In the spirit of saving the best for last, you'll have to voluntarily read through this news article to get to the picture of the costume I want for Halloween. Let me just blaze through this story as quickly as possible, because I'm stoked to show you the costume!
Essentially, eMusic has a new DRM-free tool for downloading music instead of using its old proprietary downloader. The magic part about the OPEN SOURCE tool is that it runs on Windows, Mac OS X, or Linux, meaning it'll work with programs such as iTunes, Winamp, Windows Media Player, and Amarok. All of your songs will automatically download into your respective library as you purchase the music. Anyone can then freely edit the tool, and since it's based on Mozilla open source, Firefox extensions are a go! Gotta hand it to eMusic for this one, I like what they're doing by embracing an open source agreement.
Meanwhile, Epitaph has decided to pull out of eMusic because they aren't gettin' enough money per track. eMusic gives 27 to 33-cents a song, whereas iTunes gives 65 to 84-cents a song. It kind of blows to lose Elliott Smith and DangerDoom on eMusic, but whatevs.
Now time for that costume!