Blackest Ever Black release Weekend’s The ‘81 Demos on vinyl (ex-Young Marble Giants, not naughty-sex-man)
Another band named Weekend! Just what the world needed! But wait — this is the first Weekend, the trio of Alison Statton, Spike Williams, and Simon Booth, an ex-Young Marble Giants project that swooned its way through the sad post-punk hearts of 1981-1983. And the good people over at Blackest Ever Black are set to release the band’s The ‘81 Demos as a 12-inch. Doing the Lord’s Work they are, surely.
Out March 3, the Demos include the first versions of “Drumbeat” (a.k.a. “Drumbeat for Baby”), “Red Planes,” “Nostalgia,” and “Summerdays,” all of which appeared on Weekend’s 1982 Rough Trade release La Varieté, but which are even more beautiful and violintacular here. Vinyl Japan released this thing as a CD back in 1995, and the tracks were included as bonus material on the recent Cherry Red CD reissue of the band’s debut full-length, but this limited 12-inch marks the first time it’s been available on sweet sweet vinyl. Check out the gorgeous “Red Planes” here:
The ‘81 Demos tracklisting:
02. Red Planes
04. Summerdays Instrumental
• Blackest Ever Black: http://blackesteverblack.blogspot.com
It is with a heavy heart that we confirm the passing of Arthur Doyle, a performer of what he called “free jazz soul.” He died on January 25. We’ll be posting an essay on him next week, so for now, we’ll just leave you with some quotes and a few videos: one solo, one with drummer Sunny Murray, and one of a track off his 1978 debut, Alabama Feeling.
“You can’t separate the singing from the saxophone. You can’t separate the flute from the saxophone. You can’t separate none of it from the saxophone. It all revolves around one instrument, and that is Me, Myself.”
“I love being underground, man.”
“When I play in front of an audience I try to communicate all the things that happen to me in this life, the life before that, and the life after that.”
• Arthur Doyle: http://en.wikipedia.org/wiki/Arthur_Doyle
Cloud Nothings to release new album Here and Nowhere Else, share new single on the internet (and nowhere else)
Hey! You didn’t forget about the indie rock band Cloud Nothings already, did you? And so soon after their 2012 release Attack on Memory made us all fall in love with Pixies and Pinkerton-emo all over again? Damn. How quickly we forget! Oh man, if only main man Dylan Baldi would put out another record so that you could remember his band again! Alas and alack!
Oh wait. He totally IS. It’s called Here And Nowhere Else. Say, do you want to hear him talk about it? Sweet! Me too!
For starters, it’s apparently a little less sad than the last one. “I was feeling pretty good about everything so I just made stuff that made me happy,” Baldi says. “I had nothing to be angry about really so the approach was more positive and less ‘fuckeverything.’ I just sat down and played until I found something that I like, because I was finally in a position to do that.” Cool! I feel less angry now than I did in 2012 too! I blame Occupy Wall Street. Anyway, so yeah, Baldi wrote a lot of these songs on the road and is even “pretty sure every song was written in a different country.” Then he met up with hot-shit producer John Congleton at Water Music in Hoboken, New Jersey (which, unfortunately, is only in one boring country) to record it all.
Oh wait, did you still want to hear more quotes about the sound from Baldi? Sure! Let’s do it: “It’s more subtle,” he says. “It’s not just an in-your-face rock record. There’s more going on.” You want some more? BAM: “You can listen to a song 20 times and still hear different little things in there that you didn’t notice before. Every time I listen I notice something that I didn’t even realize we did.” Satisfied? Well, I hope not, because the album will hit us like a wave of mutilation on April 1 via Carpark/Mom+Pop and is available for pre-order as of today on some place called iTunes.biz. In the meantime, you can stream the first single, “I’m Not Part of Me,” below and maybe make up your own quotes about what it sounds like and share them with your friends on Facebook and Twitter! Yeah! Do that!
Here and Nowhere Else tracklisting:
01. Now Hear In
02. Quieter Today
03. Psychic Trauma
04. Just See Fear
05. Giving into Seeing
06. No Thoughts
07. Pattern Walks
08. I’m Not Part of Me
Down in a basement somewhere or maybe a skate park, some kid is handing out his band’s demo tape. Or maybe he raps. Or maybe she makes beats. Anything could be on this demo tape. And whatever’s on there, it’s probably bad. It’s probably really bad. But it might not be bad. It might be really good. Regardless, it tends to be an avenue solely occupied by new artists trying to get their work out into the world for the first time.
But it also appears to be the avenue of Isaiah Rashad, who happens to be signed to TDE. You may know TDE as the label that puts out very, very, very not obscure rappers like Kendrick Lamar and ScHoolboy Q. They’re also the label that put out Rashad’s Cilvia Demo today.
In fairness, Cilvia Demo may not be an actual demo. What it is actually remains a little hazy. Demo is in the title, yet demos don’t tend to get wide releases from large labels. Rashad has called the release an EP in the past, yet it’s 14 tracks, typically longer than the typical EP. Let’s leave it at this: Cilvia Demo is a new collection of music by Isaiah Rashad. It features appearances from TDE labelmates SZA, Jay Rock, and ScHoolboy Q. It is 14 songs long. It will probably not be handed out in a skatepark.
Listen to “R.I.P. Kevin Miller” below, and “Soliloquy” at the Chocolate Grinder.
Cilvia Demo tracklist:
02. Webbie Flow (U LIKE)
03. Cilvia Demo
04. R.I.P. Kevin Miller
05. Ronnie Drake (feat. SZA)
06. West Savannah (feat. SZA)
09. Menthol (feat. Jean Deaux)
11. Heavenly Father
13. Brad Jordan (feat. Michael Da Vinci)
14. Shot You Down (feat. Jay Rock and ScHoolboy Q) (Remix)
So, you know White Suns, who hastily bowled over the TMT collective with their second full-length album and adequate annoyer of neighbors Sinews (TMT Review) back in 2012? Remember how that album epitomized relentlessness, save a pause on the first track? Forget all that. In the intervening two years since that album’s release, the Brooklyn-based trio have allegedly softened their approach, affected as they were by the mental tranquilizers induced by a series of marathon hot yoga sessions. It’s more like Rainbow Twinkles now. The vocal similarities of Kevin Barry and Art Garfunkel now exist to the point of being easily pointed out.
A press release does mention a “tempering” on their upcoming album Totem, but context reveals the ends and offers relief to enthusiasts of White Suns’ previous work: tempered by “deadened stares” and “slow-burn instrumentals.” That sounds like a more apparent interspersion of drone to me, but a lack of samples only leaves us to speculate. Totem comes out March 11 via The Flenser, and a noteworthy credit applies to Martin Bisi as the recording engineer, who has previously worked with the likes of Sonic Youth, Boredoms, and Swans. A fitting recruit, then. Might want to preemptively raise the volume for this one. Yes, raise.
01. Priest in the Laboratory
03. Disjecta Membra
05. Fossil Record
07. Line of Smoke
From The New York Times:
Pete Seeger, the singer, folk-song collector and songwriter who spearheaded an American folk revival and spent a long career championing folk music as both a vital heritage and a catalyst for social change, died Monday. He was 94 and lived in Beacon, N.Y.
Mr. Seeger was a prime mover in the folk revival that transformed popular music in the 1950s. As a member of the Weavers, he sang hits including Lead Belly’s “Goodnight, Irene” — which reached No. 1 — and “If I Had a Hammer,” which he wrote with the group’s Lee Hays. Another of Mr. Seeger’s songs, “Where Have All the Flowers Gone?,” became an antiwar standard. And in 1965, the Byrds had a No. 1 hit with a folk-rock version of “Turn! Turn! Turn!,” Mr. Seeger’s setting of a passage from the Book of Ecclesiastes.
Mr. Seeger was a mentor to younger folk and topical singers in the ‘50s and ‘60s, among them Bob Dylan, Don McLean and Bernice Johnson Reagon, who founded Sweet Honey in the Rock. Decades later, Bruce Springsteen drew the songs on his 2006 album, “We Shall Overcome: The Seeger Sessions,” from Mr. Seeger’s repertoire of traditional music about a turbulent American experience, and in 2009 he performed Woody Guthrie’s “This Land Is Your Land” with Mr. Seeger at the Obama inaugural. At a Madison Square Garden concert celebrating Mr. Seeger’s 90th birthday, Mr. Springsteen introduced him as “a living archive of America’s music and conscience, a testament of the power of song and culture to nudge history along.”
Although he recorded more than 100 albums, Mr. Seeger distrusted commercialism and was never comfortable with the idea of stardom. He invariably tried to use his celebrity to bring attention and contributions to the causes that moved him, or to the traditional songs he wanted to preserve.
Mr. Seeger saw himself as part of a continuing folk tradition, constantly recycling and revising music that had been honed by time.
• Pete Seeger: http://peteseeger.net
Koen Holtkamp specifies his favorite aspect of physics class, announces new full-length Motion + Connected Works compilation
I don’t care if your geographical position doesn’t allow for a clear view of the nearest mountain range; hit up your friend with the super-ultra-high-powered telescope, or better yet, steal one in an elaborate display of cunning and acrobatics, and point it to the peak of your choice! Resist the allure of the stars and… holy shit, is that a fucking cougar going to town on that missing family reported on the local news relentlessly for the past week? No. Focus. A void of relatively flat landscape has somehow interrupted the symmetry of the formerly uniform Earth protrusion. Half the mountain is gone. Half of all mountains are gone. Christ, Koen, outdoorsy types everywhere would do well with some forewarning the next time you want to bugger off and attend to your solo work.
Koen Holtkamp, otherwise member of Mountains alongside Brendon Anderegg, will be releasing a new LP, Motion, on March 25 courtesy of Thrill Jockey. An option to extend that particular release comes with the CD version, which contains Connected Works, a compilation of Holtkamp’s previous vinyl-only releases Liquid Light Forms (2013), Gravity/Bees (2010), and Make Haste (2008). That would make the non-limited Field Rituals (2008) the likely point of familiarity, and speaking for myself, I have yet to get a complete handle on that one. Ambient tropes of sampled public transit and children playing mingle curiously with a genuine mix of acoustic (or acoustic-sounding) and digital sources. Motion apparently saw little straying from method, but there was a bit more composition directly in the studio this time around, making for a particularly intense listen on the home stereo.
01. Between Visible Things
Connected Works tracklisting:
03. Hudson Static (Live at Shea Stadium)
04. In The Absence of Gravity Please Note the Position of the Sun
05. Loosely Based on Bees
06. Make Haste
07. Free Birds
• Koen Holtkamp: https://www.facebook.com/pages/Koen-Holtkamp/142996465783687
• Thrill Jockey: http://www.thrilljockey.com
Pop-punk superstars The Swans announce new album for this spring, frontman Mikey Swan (Gira) plans European solo tour
Are you ready to get jacked? Well you better be, because everybody’s favorite pop-punk rascals, The Swans, have been making some news-shaped waves in the internet today. First off, and maybe you already knew this, but the frontman of The Swans, the always dapper and charming Mikey Swan (neé Michael Gira) will be heading out on a month-long tour of the great state of Europe this March. If you’ve somehow stumbled your way into Europe, I’d recommend heading out to take a gander at these shows (dates below).
That’s not all though. Not to be outdone by their prolific pop-punk peers, Green Day, The Swans have announced that they’ve just finished tracking their follow up to 2012’s The Seer (TMT Review) and that they’ll be releasing the new full-length, titled To Be Kind, this spring (May 13 to be exact) on Mikey Swans’ own Young God Records. It’ll be their third since re-activating in 2010, and their 13th overall (that’s of course not counting live albums, such as last year’s sold-out-in-four-days Not Here/Not Now). Though The Swans have been talking about this new full-length for a hot minute and today we found out that St. Vincent and Little Annie are contributing vocals, we still don’t know a ton about it. You can bet, however, that Mikey Swan will be joined by his spunky pals Thor Swan, Christoph Swan, Chris Swan, Phil Swan, and Norman Swan, and that the album will chock-full of the soaring hooks, passionate gang-vocals, and palm-muted guitar breakdowns you’ve come to expect from The Swans.
And, because even the poppiest of punks have a sensitive side, you can also pick up a collection of Mikey’s solo recordings, entitled The Milk of M. Gira: Collected Solo Home Recordings 2001-2010 from the Young God store right now. Collected from limited-release handmade CDs, of these songs Mikey says:
The recordings have been done with one stereo mic on my desk, no overdubs, just a casual performance in my office at home. Most of the songs presented are versions I recorded immediately after writing the song - they’ve also served as demos I can give to the musicians with whom I’m working to develop the material.
The topics covered in these songs include finding a date to the prom, being upset at your friends because they were acting all mature the other night and it was totally not fun, and trying to meet college kids who will buy you beer. You can pick it up here.
Mikey Swan solo dates:
03.06.14 - Madrid, Spain - El Sol
03.07.14 - San Sebastian, Spain - Andia Kuxta
03.08.14 - Barcelona, Spain - Sala Apolo
03.10.14 - Paris, France - TBA
03.11.14 - Amsterdam, Netherlands - MC Theater
03.12.14 - London, UK - Church of St John-at-Hackney
03.14.14 - Copenhagen, Denmark - Hofteatret
03.15.14 - Oslo, Norway - Blå
03.16.14 - Oslo, Norway - Emanuel Vigeland Mausoleum Museum
03.18.14 - Warsaw, Poland - Pardon, To Tu
03.19.14 - Warsaw, Poland - Pardon, To Tu
03.21.14 - St. Petersburg, Russia - Dada
03.22.14 - Moscow, Russia - Teatr Club
03.24.14 - Odessa, Ukraine - Bernardazzi Wine Club
03.26.14 - Bucharest, Romania - Control Club
03.27.14 - Bologna, Italy - Locomotiv
03.28.14 - Milan, Italy - Teatro Dal Verme
03.29.14 - Berlin, Germany - Kantine @ Berghain
To: [All Employees]
Subject: Hopscotch’s Birthday
As you may or may not be aware, the Hopscotch Festival’s fifth birthday is coming up. We will be celebrating from September 4 to September 6. Last year, nobody remembered Hopscotch’s birthday. Of course, if you caught the Raleigh, North Carolina-based festival crying in the bathroom, trying to hide its tears from the rest of us, you already know this. Let’s not have a repeat of last year. Hopscotch is a very nice musical festival that books a lot of great artists, examples being Merzbow, John Cale, Spiritualized, Public Enemy, Guided By Voices, The Mountain Goats, Big Daddy Kane, and Sleep. It deserves better than last year’s shabby treatment.
If you are interested in celebrating Hopscotch’s birthday, there’s a card going around. Additionally, you may purchase tickets on March 1 at the Hopscotch website. Those on the festival’s mailing list, i.e. its real friends, may participate in a pre-sale February 27 and 28. The entertainment (or lineup) will be released to the public in April, though you can follow Hopscotch on Twitter for updates.
We are now taking volunteers for picking up the cookie cake.
• Hopscotch Festival: http://www.hopscotchmusicfest.com
Kassel Jaeger plans Toxic Cosmopolitanism for Editions Mego, should be kept under close supervision at cocktail parties
If your headline-reading skills are up to snuff, you already know that Kassel Jaeger, the Paris-based solo and collaborative artist and member of Pierre Schaefer’s legendary Groupe de Recherches Musicales (GRM) has a new album coming out on Editions Mego. But the headline wasn’t enough for you, was it? You’re such a ravenous consumer of music news that a mere headline won’t sate you. You need more! You need cold hard details. Like a release date (March 17) , and a pre-order link (here), the title (Toxic Cosmopolitanism), and maybe even a joke or two about that album title (it’s a concept record about how easy it would have been to poison all the Sex and the City ladies when they were out on the town drinking Cosmos)!!
Reader, it’s people like you that make me proud to do what I do. I’m not just a headline machine. No, I’m more than that. I’m a human being, with feelings, and an ego so large that I’ve got to turn every news post into a joke about myself. And you need me to tell you things like the fact that this album consists of two side-length tracks, both of which are based on the same source material. Side A, “Toxic Cosmopolitanism,” takes an array of sounds from around the world, including “the balafon, tremolo, gnbri, gee, tibetan gongs,” and pan flutes, and swirls them all up into a milkshake of creativity. Side B, “Exposure Scales,” which is divided up into four sub-pieces, uses the same sounds found on “Toxic Cosmopolitanism” to build a more static composition. Hear “Sunlight,” part two of “Exposure Scales,” below.
Toxic Cosmopolitanism tracklisting:
01. Toxic Cosmopolitanism
02. Exposure Scales