Melt-Banana is an easy to prepare and fun snack the whole family can enjoy. It's more commonly known as fried plantains, but whatever: here goes.
First, slice Â¼"-thick slices from a ripe plantain at an angle. Next, fill a frying pan Â¼"-deep with cooking oil. Vegetable oil is preferred; however, depending on your budget and/or dietary needs, olive oil may be substituted.
The plantains should be fried in the pan for a few minutes, until the plantain "meat" seems well-cooked.
The next step is the oft-forgotten and arguably most important: The cooked plantains should be removed from the frying pan and placed on either a paper towel or on a plate. Smoosh the plantains with a smooshing device, more commonly referred to as a spoon.
Return the smooshed plantains to the frying pan, and fry until the plantains are slightly crispy. Remove from the frying pan and garnish with any of the following: brown sugar, salt, guacamole, or salsa. Try experimenting with your favorite garnishments. While most would refer to the completed dish as fried plantains, I'd encourage the use of Melt-Banana — this slight alteration coincides with the musical group's altered tour arrangements. Then, simply serve and enjoy.
Not since Ozzfest '98 have I been so compelled to see Maynard dance half naked on stage. TOOL's tour — with Melt-Banana opening on several dates — coincides eerily with the re-formed Rage Against the Machine and The Smashing Pumpkins.
Melt-Banana's altered tour in support of their new album Bambi's Dilemma and also partially in support of TOOL:
Rejoice! Mirah's lastest album is in the works! Share This Place: Stories and Observations is a collective effort which includes the talent of Kyle Hanson and Lori Goldston (of Black Cat Orchestra and Shifting Light) and other instrumentalists, who have been performing under the name Spectratone International. The group will be playing a string of dates at Seattle's Internation Children's Festival this May, at the beginning of Mirah's summer tour.
The new album is said to be inspired by French entomologist Jean Henri Fabre. Mirah and co. have adopted Fabre's famed method of writing about insects in biographical format, implementing this concept in the lyrics to the new album.
Share This Place will be released with an illustrated lyric booklet and the short film Credo Cigalia. This film is one of twelve films by Britta Johnson, which are meant to be accompanied by the music on Share This Place.
Phil Elverum of The Microphones/Mount Eerie and Steve Fisk (Unwound, Screaming Trees, Nirvana) will be producing the album, which is slated for release August 7 on K Records.
Share This Place: Stories and Observations tracklisting:
If You Don’t Read the Entirety of This News Story, You Might Come Away Thinking There’s No Point to It; But There Is, and It Is This: Joel Gion’s Band is NOT the product of ‘Me,’ But of ‘We’ … (Wow, That Looks Even Lamer in a Headline)
As a heavily decorated -- meaning I've earned three TMT merit badges: the Gratuitous Profanity badge, the Bulbous Boner badge, and the You're a Giant Vag badge -- staffer here at Tiny Mix Tapes, it's my job to ponder a litany of subjects on a daily basis. This duty finds me endlessly digging deeper into the structures of music than anyone should rightfully dare. Like an avid surfer who just stumbled upon a cache of fecal fetish pics, I find myself often feeling that, though I've gained more knowledge through my excursions, I've lost more than my share of innocence. Luckily, with Leveer -- who once wrote “I consider myself a connoisseur of snuff films” during an IM conversation I had with him, causing me to write ‘LOM-F'nL!' in reply -- on staff I don't have to worry too much; at least Faces of Death still seems scary to me.
But, like visions of a Mr. T felch-job (goddamn), I find myself thinking about BALLS a lot. Bouncy, round, floppy, slightly smelly balls. For one, I think modern women have forgotten about the importance of balls in their quest to take command of the cock. Nextly, I've been thinking about Balls in the figurative sense, as in, Ballsy, as in, what's a ballsy move, musically speaking, and what isn't? And remember, we're not talking ‘admirable,' ‘lovable,' or ‘awesome,' so spare me the indignant e-mails. But I digress: In an effort to waste valuable TMT screen space (bet you love that, don't you advertisers?) and purge my inner demons, I've compiled a list of artists/people that are Ballsy and folks that are NOT ballsy:
Ballsy: Phil Spector – This guy has Balls that MUST be ready to burst at any moment. Damn, where do I start? I guess I'll have to go with one of his biggest head-scratchers: The guy fashioned a song called “He Hit Me (And it Felt Like a Kiss)” and actually tried to push it as a single for girl-group The Crystals. Yes, you read that correctly. Idiotic? Yes. Mysogynistic? You bet. Deplorable? OH FUCK YES. Ballsy? Hells yeah. He might have equated to a short, balding, trigger-happy, over-the-hill bitch as the '70s wore on, but perhaps his regression was merely a symptom of post-Ballsy syndrome.
NOT ballsy: Kevin Barnes (Of Montreal) – So, let me get this straight: You sell your song to Outback Steakhouse and not only let them use it in a commercial, but let them rework the lyrics to fit their goal of selling steaks along with a hearty portion of sizzle. What's weirder, you act thrilled at the prospect of “hear[ing] their take on one of our songs as a jingle.” But HOLD ON -- this actually isn't that crazy. Nowadays it's commonplace; even classic Dylan folk tunes are being co-opted by insurance companies. What renders Barnes, to me, ball-less is the fact that a fan holding up a sign that read ‘Outback Steakhouse' was kicked out of an Of Montreal show. Basically, rather than address the subject of ‘selling out' head-on, Barnes decided to get rid of what he saw as the source of his woe. Isn't that... a form of fascism? Look, I'm a reasonable guy; I'm not trying to conjure memories of Kent State here, but what's wrong with holding up a sign? A semi-ambiguous sign, no less? And why did everyone seem to say, ‘Good for you, Kev!' when they heard news of the kick-out? Barnes later told a music site that the situation made him “sad.” But if he's ashamed of selling his song to Outback Steakhouse, why doesn't he just say so? If he can't handle the burden of being faced with his decision, why doesn't he admit it? Wouldn't it have been more reasonable to simply ask the sign-holder to remove it instead of kicking a paying customer out of a show? Of course, now people are telling me that the guy didn't get kicked out, which may or may not be true (and certain sites have deleted information on the subject), but the sign was definitely taken away and likely burned like a Beatles album. So, in the end, people are coming down on this individual for holding up a sign that said ‘Outback Steakhouse,' which is pretty open to interpretation. Or maybe not. In any event, what's wrong with holding up a sign? It's not like the sign said ‘Of Montreal suck cock because they sold their song to a commercial like everyone else' or ‘Barnes can eat my tube steak' ... what's the deal? Regardless, Barnes seems to be doing fine, balls or no, so don't feel sorry for him. Feel sorry for me, I work at a daily newspaper! Besides, Barnes is defying the number-one rule of indie-rock etiquette: Stand By Your Steak.
Ballsy: R Kelly – As many of you know, Kelly allegedly peed on an underage girl, on camera. NO, that does not take balls. Naming his next single “Heaven I Need a Hug”? Nope, no balls. Bestowing the title of The Chocolate Factory on his next full-length album? Houston, we have balls.
NOT ballsy: Any Judge Letting R Kelly Off the Hook – How is this guy still free? Numerous videotapes, an annulled marriage to a then 15-year-old Aaliyah, allegations from ex-girlfriends and protégés? Raisin-sized, at best, your honor.
Ballsy: John Fogerty – This guy (who is admittedly sort of a 'ho' for other reasons) responded to his brother Tom's departure from Creedence Clearwater Revival by allowing -- some claim demanding -- his bandmates to contribute songs to CCR's last album, Mardi Gras. Stu Cook and Doug Clifford thus were responsible for not only writing and singing 1/3 of the album each, but also producing their entries, which by some reports Fogarty refused to sing. And guess what? The album tanked, forever discouraging petty drummers and bass players from aspiring beyond their abilities. Balls much?
NOT ballsy: Mike Love – The music world's nastiest red-headed stepchild, Mike Love's disapproval was listed, by Brian Wilson, as the number-one reason the SMiLE sessions were never released in their original format. Why did Love despise the sessions so? He is said to have been afraid that The Beach Boys would lose their audience if they abandoned their formula (which doesn't make ANY fucking sense because “Good Vibrations,” a wild divergence, had just become their biggest hit). Worst of all, he now denies that he had any problems with SMiLE, only that he didn't dig the lyrics too much. Location? No-Ballsville. Population? M. Love.
Ballsy: Anton Newcombe – Say what you will, this guy has Balls. He may be two LPs short of a record shop, but he's gotten the job done for years due to his extreme musical drive alone. That and his canyon-filling balls anyway.
NOT ballsy: Anton's Brian Jonestown Massacre bandmates in Dig! – Newcombe probably fucked these guys over a lot, but everything he dished out he got back and more... witness his cohorts constantly talking behind his back on camera, flubbing their parts in concert and generally acting just as childish. They're probably saner, but the balls in the family go to Newcombe.
[awkward transition in 5 ... 4 ... 3 ... 2 ... 1 ... BAM-BIP-BOOP]
Heyyy! Speaking of The Brian Jonestown Massacre, it looks like Joel Gion, EASILY the most likable tambourine-shaker of all-time, is putting out a new album with his band, The Dilettantes. BUT WAIT: Lest you think The Dilettantes are a BJM-esque unit centered around one beastly man, Gion insists that the writing process for the 'ttantes is purely democratic; like America! And Mardi Gras-era Creedence! Dubbed 101 Tambourines -- man, that just makes me smile, seriously -- the record shall be released August 12. Sadly, the publicity sheet ruined all chances The Dilettantes have of Balls-dom by claiming the record's “solution to success is ‘we,' ” proving that all artists should proof-read their one-sheets. Man, that's some cheesy, after-school-special shit.
Rick Rubin is a producer. Rick Rubin is joining Columbia.
Matt Filcher is a child molester. Matt Filcher makes me play mystery box.
It began in 3rd grade but climaxed the spring of my 4th grade year. Everyday, Filcher would pick me up from school, even though he didn’t belong to my family, nor did any of my family members realize he was the one picking me up from school. He had candy, and I said “what the fuck, why not?” I got to sit in the back of his kick-ass van that had a sick side panel airbrushed with a wolf howling at the moon. I would eat all of the candy he gave me, and then we would stop off at his house for a quick game of mystery box. This involved what looked like an old Fila shoebox and a blindfold. Some days, he would make me guess what was in the box using only my hands. I would use what he called “super sleuth lotion” to help me identify the member, and then if I couldn’t guess the package, he made me rub it until it spit hot gel. Other days, I got to use my mouth. On those days, it never took me that long to make the object spit. It took almost two years for my parents to catch on to the game, and when they did, they got so damn mad! My mother cried a lot, and my dad just bitched about wanting to castrate Filcher. Whatever, I got so much free candy those years.
But this had a point. Rick Rubin is not Matt Filcher. There it is. Yeah, and Rubin has now joined Columbia Records and will partner with Columbia Records Group chairman Steve Barnett. And much like the diversity of a game of mystery box, Rubin’s new job will allow him to continue producing artists for Warner Bros.
My dad had this to say about Matt Filcher: “Filcher is an animal that does not deserve a second chance. I feel jail is an unfair punishment for this thing. I would much rather make bird seed out of his face.”
Steve Barnett had this to say about Rick Rubin: "Rick is a fantastic producer, tremendous with artists and has total respect within the industry as an honest man and a creative genius. It is a great opportunity for me to have in Rick a true creative partner."
All I Wanna Do Is Zune-a-Zune-Zune-Zune and a Boom-Boom: Microsoft attacks iPhone, Expands Zune; William Henry Gates III Challenges Steven Paul Jobs to Cage-Match
In what has become an epic battle for the ages, the verbal sparring continues between Microsoft and Apple on the basis of their "flagship devices," the Zune and iPod respectively. Hot-button topics like abortion, the war in Iraq and the best boy band of the 1990s (...N*Sync, duh) pale in comparison to the ever-heated shouting match that erupts in a fiery fit of passion every time the rival MP3 players are pitted against one another. Reminiscent of history's greatest rivalries: Tupac vs. Biggie, Yankees vs. Red Sox, or Sparta vs. Athens, no comparison rings more true than the late 1990s bloodbath that was WCW vs. nWo. Immortalized on Nintendo 64, when these two behemoths faced off, no one was safe. Not since Diamond Dallas Page have we seen the level of intensity employed by Microsoft chief executive Steve Ballmer in his claims that the iPhone has "no chance" of any significant market share. He went on to call Apple's looming James Bond-style secret weapon a "$500 subsidized item." Them be fightin' words.
Despite miniscule sales (in its launch-week, the Zune captured a 9% unit share to the iPod's 63%) and being far less buff, Microsoft furthered their offensive assault as executives made public plans to introduce a new line of Zune media players. Without a projected date, the manager of Microsoft's global marketing team promised video-enabled players with higher storage (like the 60 gig video iPod), a set of more music-focused devices (like the iPod Mini), and a set of USB pendants (like the iPod Shuffle).
In closing, a newly engorged Bill Gates stormed the stage in a one-piece leotard, steroid needles still hanging from his swollen veins and put out a bold proposition for Apple CEO Steve Jobs. Gates was quoted as screaming the following in a flurried union of the most fearless fighters before him:
"Watcha gonna do, Little Steven?! When the 24 inch pythons and Gatesmania destroy you! [takes bite out of iPod] I'm coming for you man. My style is impetuous. My defense is impregnable, and I'm just ferocious. I want your heart. I want to eat his children. Praise be to Allah!"
Balls in your court, Stevie.
Sub Pop pop-punk veterans The Thermals are gearing up for a loooooong tour overseas. And they're bringing B-sides. The band recently had a track featured on Bridging the Distance, a Portland, OR covers compilation, on which they cover Led Zeppelin's "Tangerine." (Other artists featured on this compilation include Britt Daniel, The Decemberists, and The Dandy Warhols.) In celebration of the tour, Sub Pop will be reissuing the band's latest LP The Body, The Blood, The Machine in the UK, as well as a 7-inch OR downloadable single of "A Pillar of Salt." Either way, the single comes packed with not one, not two, but THREE! -- count 'em -- three B-sides.
A Pillar of Salt 7-inch tracklisting:
* opening for The Cribs
1 And the LORD said unto Moses, I heareth that thine children's hearts of Europa and Mesoamerica hath been mighty saddened by vile sappy indie rock. To which, Moses enquireth, Like The Hold Steady, my LORD?
2 And the LORD said unto Moses, yes, like The Hold Steady, although the new Arcade Fire sucketh pretty bad too:
3 And the LORD said further unto Moses, behold, thy children of Europa and Mesoamerica need weepeth no more, for beginning on the date of June the twenty second two thousand and seven, I your LORD will bring a plague of The Locust into thy coasts. And, verily, The Locust shall shreddeth thine ears; so that thy shall cover them with thy hands and, afterwards, thine ears shalt pisseth pure blood:
4 And they shall fill thy temples of musics at least fifteen to thirty percent full. And they shall createth a cackly spaz racket, with all electronic squiggles and stuff, which neither thy fathers, nor thy fathers' fathers have heareth, since the day that they were upon the earth unto this day.
5 And Moses said, We will go; our young and our slightly older than young, our sons and our daughters, with our flocks and with our herds will we go; for we must hold a feast unto the LORD at all temples that holdeth The Locust.
6 And the LORD said unto Moses, Do not bother taking thy flocks and herds, for they will thinketh this shite to not be rad:
7 And, verily, on many days from June the twenty second onwards, Moses stretched forth his rod over the lands of Mesoamerica and Europa, and the LORD brought a great westerly wind upon those lands all those days; and when it was evening in various parts of the aforementioned plains, the east wind brought The Locust. And, indeedeth, the children of Europa and Mesoamerica did fully rejoice.
8 And verily, the LORD said unto Moses, for the express purposes of this plague, Mesoamerica doth fully include Los Angeles.
Rampant teabagging to honour the memory of Jerry Falwell will take place at the following locations:
This is an Example of a Simile: North by Northeast Is Like South by Southwest (Only in Toronto, Instead of Austin); So in Some Regards, They’re Antonyms
I've never been to South by Southwest, but it seems like a drunken bacchanalia from the reviews I've read and pictures I've seen. It also seems like a lot of people can't get into the shows that they want to see, and the shows rarely start on time. I've also heard that Austin can get pretty hot, but maybe that's just in the summer. It also seems like there's a slurry of shit bands. But hell, what do I know? I've never been there.
So it's with some hesitation that I inform you of Toronto, Canada's 13th annual North by Northeast Music and Film Festival and Conference. You wouldn't find Boris playing the Mountain Dew stage or Jandek playing a church, but you might have a chance to see Dinosaur Jr if you are among the 100 lucky enough to have a delegate badge and/or wristband.
But I'm missing the point, really. The conference, lasting from June 7-10, is a gathering of music industry insiders, music fans, and over 450 bands spread across 30 Toronto venues. NXNE also showcases a film festival, playing, among other things, the documentary Kurt Cobain: About a Son.
And while there'll certainly be a fair number of shit bands (read, mediocre), NXNE does a better job at focusing on bands looking for their big break, not already broken (see Boris playing the SXSW Mountain Dew stage), so it serves a far greater philanthropic purpose.
Playing in addition to festival headliners Dinosaur Jr are Awesome Color, Uncut, You Say Party! We Say Die!, Icarus Line, and potential up-and-comers Sleeping in the Aviary. All 400+ bands are potential up-and-comers, truth be told, and the full band list can be viewed here.
If you live in the Toronto area or plan on being in the area, I'd recommend this opportunity to check out some bands. I'm sure just as much fun can be had in Toronto during NXNE as can be had in Austin during SXSW, but as I said earlier, I wouldn't know.
On a dark winter day in the summer near the dumpster-divers and sewer rats of West Philly, I stumbled upon a gritty, old homeless man who claimed to be the ill-faded Wyclef Jean (I mean, ill-faded in the most generous way).
Emceegreg: Why, Wyclef... Is that you?
Wyclef Jean: Hell yeah. It's me son. Wanna buy a beat, boy?
Emceegreg: Uh, no. What the hell are you doing? Is that a turd that you're eating?
Wyclef Jean: Hell no, that ain't no turd. That's a steak, son [Clearly a turd]. Hey, aren't you that famous news reporter, Emceegreg? You're like the best Tiny Mix Tapes writer ever.
Emceegreg: I agree. Grant's okay, I guess. Seriously, what are you doing?
Wyclef Jean: I'm a refugee. And I'm on my way to Cali to see my girl Lauryn Hill play a couple special shows.
Emceegreg: Lauryn Hill? Who is that? I vaguely remember. Didn't Devendra Banhart cover that song she had?
Wyclef Jean: Dawg, she was in the Fugees! With me! Remember us? We were huge.
Emceegreg: Oh, now I sort of remember. Didn't Eminem diss her in a song about how she said she didn't like white people?
Wyclef Jean: No, she loves white people. In fact, I heard she's working with Mr. Bright Eyes himself, Conor Oberst, on her long-awaited upcoming album, Khulami Phase. Wait, you listened to Eminem?
Emceegreg: Uh, hey are you homeless now or something?
Wyclef Jean: Man, shit. I'm undercover. I'm looking for some fresh talent to record a new album, possibly cover another Bee Gees song, my son.
Then Pras walked by the two of us in a white sequin suit that read "Ghetto Superstar" and threw a handful of change at Wyclef. Wyclef screamed for him to come back. I walked back to my TMT limo, curling my handlebar mustache deviously. I was in deep thought, pondering how annoying Wyclef was in that damn Shakira song, wondering how Pras remained wealthy, and realizing that I had just banked a 5-star story for a 2-star publication. Score!
Lauryn Hill dates:
06.27.07 - Oakland, CA - Paramount Theater
06.29.07 - Palo, CA - Palomar Starlight
I am sure that everyone can think of at least one band that has a few top-flight songs, but they wouldn't classify any of that group's LPs as being front-to-back great. Maxïmo Park seem to be that kind of group. More than a handful of songs on the band's 2005 debut, A Certain Trigger (Warp), hit the mark, and their latest release, Our Earthly Pleasures (TMT Review), has almost as many great tunes. Hell, even Maxïmo Park's odds-and sods collection from 2006, Missing Songs (also Warp), has a couple gems.
When a band like this strikes out on a tour that will be hitting your city, your daydreams start to take over your mind. You think to yourself, "What if the band could somehow sync up with your thoughts, realize which of their songs you love, and only play those songs?" In other words, if they played your dream setlist, then it would most assuredly be an awesome show. On the flipside, if they choose to play many of the tracks you have deemed as filler from their discography, it will be boresville. I guess those are the risks associated with attending a show put on by the likes of Maxïmo Park. Peruse those dates below for MP's upcoming summer North American tour (with a couple extra European dates thrown in) and figure out whether or not you have the mettle to handle either outcome.