It is a noise tape on House of Alchemy. Further, it is a free jazz noise tape on House of Alchemy. Don’t be frightened or turned away — while such a document may appeal to a specific, special sort of weirdo, Three Euro Breakfast (and indeed Sheldon Siegel as a band itself, a trio presented here through a series of live sets during a 2010 European tour) might just be that missing link to bridge gaps and harmonize a splintered jazz world that exists in an ever-awkward process of aging. Yes, things do get crazy on this free jazz noise tape on House of Alchemy. That saxophone, sometimes it sounds like it’s being violently murdered, possibly by the pursuing menace that is the bass voice or a trampling barrage of ecstatic rhythm. The drumming is anything but hinged, flying between cymbals and skittering around the toms, the sticks dancing something of a brutal ballet. But elsewhere (and often), the three manage a collected, restrained ensemble. The use of dynamics, particular those in the mezzopiano to pianissimo range, for something like this is remarkable. Subtle snare drum rolls are delicate and precise, and detailed brush work paints uneasy foundations for softly screeching sax to extend bands of color across the canvas, spinning itself into monologues that strain at the seams with emotional tension. Pizzicato cello flutters around to confuse and delight in satisfying head-spins when not in the throes of beautiful and mournful sections of bowed brilliance. Sheldon Siegel’s musicians explore the limitless aspects of each instrument’s palate of texture while finding interesting ways to layer and exploit those experiments on the fly, looking for spaces to fill with exciting new sounds while playing up to their familiarity. Oh, and watch for a killer rendition of “Caravan” while you’re at it. The first release of this sort to stop me dead in my tracks since Subtle Lip Can’s stunning debut, and to be sure a front-runner to be the best of its kind that will see the light of 2013.