Jason Lescalleet continues screening tour tonight in NY with C. Spencer Yeh and others; additional music shows lined up
Per an interview that Jason Lescalleet did in Slovenia, the stupendous Songs About Nothing (TMT Review) earned its title from an existentialist perspective about art. But exactly how are we supposed to extract our own meaning when he forces these thoughts of abstract “awesome” into our brains? It’s like pondering the subjective significance of pizza just prior to inhaling a cheesy triangle: “This reminds me of the moment of my birth, when the doctor lured me out of my mother’s womb with a single slice of classic Chicago deep-dish.” But no! The oral succulence starts to overwhelm… Forget the meaning! Let me consume!
Yes, well, the double album was certainly enough to overdose our aural palates, but as an artistic addendum two years later, Lescalleet has been mapping out a “screening tour” of Trophy Tape, the 36-minute first disc of Songs About Nothing. Featuring visual interpretations from artists such as Aaron Dilloway, Robert Beatty (Three Legged Race, Hair Police), and Ellen Frances (check the full credits below), Lescalleet intends to screen Trophy Tape in each of the respective cities of his collaborators. The tour began in February, but tonight marks a very special New York premiere, presented by Issue Project Room and taking place at the Anthology Film Archives. There, Trophy Tape will be preceded by separate videos from the three New York contributors: C. Spencer Yeh, Adele Souto, and Ellen Frances.
Anxious for even morecalleet, as opposed to less? He has a few non-Trophy Tape shows coming up as well, with John Wiese, Greg Kelley (nmperign), Suburned Hand of the Man, and more. Here are the dates:
04.19.14 - Boston, MA - School of the Museum of Fine Arts *
04.20.14 - Pawtucket, RI - Machines with Magnets #
04.21.14 - Easthampton, MA - Flywheel Arts Collective %
* with John Wiese
# Jason Lescalleet/Greg Kelley Duo + Brown Recluse Alpha, Titans of Jazz, Geoff Mullen
% Antti Tolvi, Joshua Burkett, Sunburned Hand Of The Man
Trophy Tape video tracklisting:
01. The Beauty of Independent Music – Aaron Dilloway [Oberlin, OH]
02. Old Theme – Ellen Frances [New York, NY]
03. Tarnished Copper (Copper Will Never Be Gold) – Annie Feldmeier Adams [Chicago, IL]
04. The Loop – Justin Meyers [Minneapolis, MN]
05. Euphoric Sting – Antony Milton [Wellington, New Zealand]
06. Beauty Is A Bowtie (HTDW) – C. Spencer Yeh [New York, NY]
07. The Power of Pussy – Olivia Block [Chicago, IL]
08. Escargot – Adel Souto [New York, NY]
09. In the Morning – Neil Young Cloaca [Turners Falls, MA]
10. Friday Night in a Catholic Home – Todd Deal [Worcester, MA]
11. 10 Amp Waves – Jubal Brown [Toronto, ON]
12. I Killed Another Day – Heidi Alasuvanto [Oulu, Finland]
13. In Through The Out Door & Another Whore – Robert Beatty [Lexington, KY]
• Jason Lescalleet: https://www.facebook.com/JasonLescalleet
Man or Astro-man? announce summer tour, search for answer to question that has plagued them for over two decades
It is man?
Is it astro-man?
A question, simple enough. If you are looking at a man, is he a regular man? Or is he, I guess, from space, making him some sort of astro-man? This is not a question that you or I spend much time considering, what with it being primarily nonsense. When I meet a man, I typically assume he is a regular man. Not once have I stopped to wonder if a new acquaintance might actually, unbeknownst to the general public, be an astro-man. It seems a waste of time and I have many important tasks to accomplish.
Man or Astro-man? do not live that way. Since forming in Alabama in the 1990s, they’ve dedicated their life to exposing the astro-man, wherever he may be. From what I gather, the way to luring out an astro-man is to play science-fiction-themed surf rock, presumably because it reminds him of the music of his home (space). As of today, Man or Astro-man? have yet to find a single astro-man in their two-decade search. But they’ll be damned if they stop trying! Hence their new album Defcon 5…4…3…2…1 and forthcoming summer tour, which will find them hunting their elusive prey in a number of major American cities. Will they finally hunt down an astro-man? Will their long search come to an end? No.
Man or Astro-man dates?
04.24.14 - Tallahasse, FL - Club Downunder
04.25.14 - Savannah, GA - The Wormhole
04.26.14 - Charlotte, NC - Visulite Theatre
07.15.14 - Nashville, TN - Exit/In
07.16.14 - St. Louis, MO - Firebird
07.17.14 - Kansas City, MO - Riot Room
07.18.14 - Omaha, NE - The Waiting Room
07.19.14 - Denver, CO - Larimer Lounge
07.20.14 - Albuquerque, NM - Launchpad
07.21.14 - Phoenix, AZ - The Crescent Ballrom
07.22.14 - Los Angeles, CA - Roxy Theatre
07.23.14 - San Francisco, CA - The Independent
07.24.14 - Eugene, OR - Cozmic Pizza
07.26.14 - Portland, OR - Doug Fir Lounge
• Man or Astro-man?: http://astroman.com
Those Sacred Bones creeps will publish their first book on May 13, and it’s an Alexander Heir collection
A cop’s torso with spider’s legs writhes at the end of a hairy tentacle. A punk kid yanks the grim reaper’s head off. A naked man sits in a lotus position, skin sliced off half of his body to expose pure skeleton.
This is the world of Alexander Heir’s artwork, fearlessly dark and undeniably surreal. He’s been drawing like this for years, channeling images from a weird punk underworld to create flyers and 7-inch record jackets for bands all over the world, including Hoax, Forward, The Mob, Nightbirds, Destruction Unit, and Modern Life Is War. Heir also runs Death/Traitors, a clothing line whose fans include Three Six Mafia, Fucked Up, Antwon, and Odd Future.
According to The Fader, Sacred Bones has compiled 164 pages worth of Heir’s work for a book called Death Is Not the End, which will see a May 13 release. It will include 10 never-before-seen illustrations, and a limited edition of 150 hand-numbered, signed copies will include an iron-on patch, bookmark, wrap-around sleeve, and will be wax sealed like all limited Sacred Bones releases. Death Is Not the End is limited to 500 copies and you can pre-order one here.
This year, Hopscotch Music Festival is celebrating its fifth anniversary, which basically means that a giant birthday party will be happening September 4-6 in Raleigh, NC. Bring a present — or a bicycle or a friendship bracelet or a pet turtle. Oh, and bring a cake too! No word on how many piñatas will be at this party, but we can confirm that almost 160 bands will be playing in all kinds of venues all over the city. Those bands include Spoon, Mastodon, St. Vincent, Death, Lonnie Walker, and Valient Thorr, who will all be playing the festival’s main stage at Raleigh City Plaza, plus other acts like Sun Araw, Lee Noble, Tony Conrad, Krill, How To Dress Well, Mutual Benefit, White Lung, Potty Mouth, and The Haxan Cloak.
Check out the full list at the Hopscotch website, and keep your eyes peeled for even more acts. Founding director Greg Lownhagen says, “We’ve presented everyone at once in the past, and because the festival is still five months away, we thought it made sense to pull back and reveal artists in two stages. We hope this approach is more welcoming and makes the lineup easier to digest.” 40 more bands will be announced at some point in the next few weeks.
Also, you might remember that Merzbow served as Hopscotch’s Improviser-in-Residence last year, playing sets alongside Wolf Eyes, John Moloney, and Thurston Moore. This year, it’s Thurston Moore’s turn, so he’ll play his own set on Thursday, September 4, then he’ll be joining other bands for impromptu performances. Maybe we’ll find out what a Thurston Moore/Prince Rama collaboration would sound like, or maybe Thurston Moore will just review the birthday cakes that everyone will hopefully bring.
Three-day and VIP passes are available here, and in June, you’ll be able to get both one-day passes and tickets for the shows at Raleigh City Plaza.
• Hopscotch Music Festival: http://hopscotchmusicfest.com
Robert Beatty’s Three Legged Race plans new EP on Underwater Peoples, the first of many audio commercials for rope
Robert Beatty, you rogue. We meet again. You thought you could outrun me, what with your third leg and all, but you learned the hard way that more isn’t always better. I learned that lesson too. I learned it last night when I sat in the parking lot of my local fast food joint at two in the morning and ate six hamburgers when I knew five was my limit. It’s a hard limit, reader. A very hard limit. Anyhow, to transition into talking about Robert Beatty’s music, when it comes to albums, more is actually almost always better. What I mean by that is, I’m almost always excited when someone announces a new album, because, I mean, if people didn’t keep releasing albums and going on tour, I’d be out of a job! So, Robert Beatty, I take back calling you a rogue just now. I actually want to thank you for announcing your new Three Legged Race EP on Underwater Peoples coming out May 27, because now I’ve got something to write about!
The EP is called Rope Commercial Vol. 1, and it’s the first in a series of EPs that Beatty has planned for Underwater Peoples (a fact that people who know about abbreviations probably gleaned from the title). It’s his first release as Three Legged Race since Taboo 3 a couple months ago and Persuasive Barrier in 2012, though of course in 2013 he released the collection of video scores Soundtracks for Takeshi Murata (TMT Review) and was party to Hair Police’s Mercurial Rites (TMT Review).
Rope Commercial Vol. 1 will reportedly be of a piece with Beatty’s recent move away from the “fetishized hardware-oriented model so rampant in current electronic music discourse” (#shade), using a great deal less electronic hardware and even including acoustic instruments such as the dulcimer and piano. The whole thing will come on a picture disc with artwork by Beatty himself. Listen to “All Ajax Dial” off that album below, and give that pre-order button a clickety-click right here.
Rope Commercial Vol. 1 tracklisting:
01. All Ajax Dial
02. Aside From Each Other and Together Overnight
03. New Government
04. The Humidity Mascot
05. Rope Commercial
Thank. GOD. I’m STARVING. Where the hell has Kelis been for the last four years?!? We’ve all been WASTING away over here, suffering through endless climate change bullshit and less-robust-than-advertised job markets and cheap-ass, calorie-thin Macklemore hits! We’re positively dying for some more of the good fatty funk stuff!
Thankfully, we’re about to get our asses sated to the max. See, her new album, entitled Food, is due next week (April 22). Not only that, but the whole thing was produced by TV on the Radio’s Dave Sitek (and recorded at his place in L.A.) and is coming to us via Ninja Tune (in fact, the press release says that the recipe mixes “live horns and gospel organ [with] electronics,” and damned if that doesn’t make the whole situation sound even more delicious!).
But yo, best part is? We don’t even have to wait until next week for the buffet to open up. The whole album is streaming now over at NPR and is available for pre-order on some food blog called “Apple.” And we can also get a taste of the album via this live cut of new track “Friday Fish Fry,” recorded live at KCRW last month! Cool. Whatever! Just give it to me. Now now now. Nom nom nom… oh yeah, nomnom… she’s also touring some this summer… nom nom…
Kelis tour dates:
06.02.14 - San Francisco, CA - The Fillmore
06.03.14 - San Diego, CA - House of Blues
06.04.14 - Los Angeles, CA - El Rey Theatre
06.09.14 - Chicago, IL - Park West
06.11.14 - Toronto, ON - Danforth Music Hall
06.13.14 - New York, NY - Webster Hall
06.15.14 - Washington, DC - 9:30 Club
Ancient Astronaut, a mysterious group based in Vancouver and London, are set to release their self-titled debut
EP LP early next month. AND IT IS GLORIOUS.
Their moniker — a reference to the pseudo-scientific theory that extraterrestrials had made human contact back in antiquity — sets the tone for their jagged, rotting electronics; dark, out-of-focus beats; and blindingly harsh contrasts. The album is on the noisy side of the “dance” spectrum, a doomy and gloomy practice that shifts violently between transfixion and hyperacceleration, The Power And The Glory as seen through Black Light Spirals, time as a coaster, etc. — it’s a captivating debut.
Look for Ancient Astronaut May 5 on Nicolas Jaar’s subscription-based Other People imprint, and check out its incredible tracklist below:
• Other People: http://other-people.net
For various reasons, and much to my personal disappointment, compilations and individual LPs rarely get placed on equal footing come the period of mass judgment at the end of the year, but occasionally we’re dealt such a magnificent example of the former that we can’t help but attest to its qualities for years to come! I know this wasn’t what MLK Jr. had in mind for the figurative mountainside, but instead of letting freedom ring: “A notice to the people 15,000 feet below me! Shangaan Electro: New Wave Dance Music from South Africa is an amazing listen. Also, can we please take more considerable steps to combat climate change? It’s like the fucking tropics up here. Look, there’s a goddamn camel. What’s a camel doing on a mountain?”
The Honest Jon’s compilation from 2010 was enough of an amazing listen to inspire both a remix CD two years later featuring some noteworthy names and European tours dedicated to showcasing the increasingly popular (but previously localized) quick-tempo genre. While his name didn’t actually preface any of the tracks on Shangaan Electro, Nozinja produced all of them, and he’s been the principal emissary at shows across the Mediterranean. Apparently, at some point during his intercontinental ventures, the folks at Warp pulled Nozinja off the street and into a tinted-window SUV, where they offered him a spot on their roster. So on their roster he now is.
Expect some “fresh tracks” in the coming months, as well as a new live show planned for this summer. A Warp-compiled “Introduction to Nozinja” YouTube playlist and currently scheduled European dates are below.
04.29.14 - Bristol, UK - Start The Bus
04.30.14 - Brighton, UK - Bermuda Triangle
05.01.14 - Liverpool, UK - Sound City
05.02.14 - Paris, France - La Machine du Moulin Rouge
05.03.14 - Krems, Austria - Donau Festival
05.04.14 - London, UK - Electrowerkz
05.05.14 - Sheffield, UK - The Harley
05.08.14 - Gent, Belgium - Vooruit
05.09.14 - Berlin, Germany - Urban Spree
05.10.14 - Utrecht, Netherlands - Spiegelbar
08.22.14 - Katowice, Poland - Tauron Nowa Muzyka Festival
The Mountain Goats announce duo tour because the road is all they know, and all they know is the road
Forget for a minute that John Darnielle is one of those story-telling types and that the bulk of his back catalog as The Mountain Goats is roundly not-biographical, and instead imagine that each song is written specifically about touring with pals like Peter Hughes and Jon Wurster. Like, take “The Recognition Scene” from Sweden and then imagine Darnielle, Hughes, and Wurster breaking into a candy store together, stealing “every bit of candy they had inside,” and then “gobbling it all up greedily.” Cute, right? Or “Psalms 40:2” from The Life of the World to Come (TMT Review), where the gang heads down toward Kansas and Darnielle says he “Feel[s] bad about the things we do along the way,” but actually, “not really that bad.” I just imagine Peter Hughes being all like, “Dude, John, you smell like some weird vegan soup mixed with B.O.” and Darnielle being all like, “Oh, sorry man, that’s probably because of all that weird vegan soup I ate back in Omaha. Also I haven’t showered in like three days. I feel bad about it, but actually never mind. No regrets. Yolo.”
With all of that held in your mind, I’d like to ask you to look below at the upcoming Mountain Goats tour dates. Sure the first few are Darnielle solo dates, but come June, Darnielle and Hughes will take to the road as a duo. Darnielle says this is the first time since 2007 that the band has played duo dates on the West Coast, which is cool, but doesn’t really affect me since I live in Indiana. They’re calling the tour The Twin Human Highway Fiends Tour, referencing “Twin Human Highway Flares” off of Full Force Galesburg (imagine Darnielle singing this adorable doozy to Hughes after a long day of driving: “When we shut the motel room door behind us/ we knew we’d hit the motherlode.”) The full band will regroup in July in North Carolina for Merge’s 25th anniversary. This news post is now over.
04.16.14 - Boston, MA - Somerville Theatre *
04.17.14 - Hudson, NY - Club Helsinki *
04.19.14 - Chicago, IL - Old Town School of Folk Music *
04.20.14 - Chicago, IL - Old Town School of Folk Music *
04.21.14 - Iowa City, IA - First United Methodist Church *
06.05.14 - Denver, CO - Gothic Theatre ^
06.07.14 - Salt Lake City, UT - Kilby Court ^
06.08.14 - Boise, ID - Knitting Factory ^
06.10.14 - Seattle, WA - The Showbox ^
06.11.14 - Portland, OR - Wonder Ballroom ^
06.13.14 - San Francisco, CA - Bottom of the Hill ^
06.14.14 - San Francisco, CA - Bottom of the Hill ^
06.17.14 - Los Angeles, CA - Mayan Theater ^
06.18.14 - Phoenix, AZ - The Crescent Ballroom ^
06.20.14 - Denton, TX - Dan’s Silverleaf ^
06.21.14 - Houston, TX - Fitzgerald’s ^
06.22.14 - Austin, TX - The Mohawk ^
06.27.14 - Saxapahaw, NC - Haw River Ballroom *
07.25.14 - Carrboro, NC - Cat’s Cradle (Merge 25) #
* John Darnielle solo
^ John Darnielle and Peter Hughes duo
# full band
[Photo: DL Anderson]
RIAA and several major labels sue Megaupload for making the internet a little too cool and convenient
What can I say? I guess when you’re a crazed, dazed, and hungry-hungry vampire, you gotta hopelessly try to squeeze that good blood from whatever wrinkly-ass turnips you can find out there in your churchyard.
According to the website Digital Music News, the lumbering RIAA (Recording Industry Association of America) filed a lawsuit against the (defunct since 2012, mind you) file hosting service Megaupload over the weekend. The suit, filed on behalf of Warner and Universal, alleges that Megaupload founder Kim Dotcom — along with co-founder Mathias Ortmann, majority shareholder Vestor Limited, and head programer Bram van der Kolk — “willfully engaged in, actively encouraged, and handsomely profited from massive copyright infringement of music on the Megaupload service.” See? And you know that’s a strong argument because it’s got three parts to it.
The suit then goes on to allege that Megaupload made a cool $175 million illegally while the good old music industry underdogs lost some half a billion dollars.
Naturally, Kim Dotcom’s attorney responded this way, probably without even looking up from his chai latte and crossword puzzle: “Megaupload used copyright neutral technology and whatever allegations they can make against Megaupload they can make against YouTube, Dropbox, and others.” Boom. Cancel the internet.
By the way, a court in Spain recently ruled that “offering advanced P2P technology doesn’t automatically encourage exploitative acts nor does it promote an unfair advantage.” But fuck that shitty country, right?!? This is AMERICA. Land of the free continental breakfast! Home of the brave and ballsy lawsuit. Also, just think of all the fucking jobs that these giant suits must be creating in the field of of justice! The RIAA has always been mad up of a bunch of heroes and patriots. Case closed.