A Winged Victory for the Sullen perform an auditory striptease with upcoming EP Atomos VII; new full-length set for release later this year
I’m listening to Kayo Dot right now, so allow me to channel what little knowledge of ballet I have by making a reasonable judgment on why rock-ish scores generally haven’t worked and don’t work in such a setting: the uncontrollable growing of that stereotypical long hair! Disregard, perhaps, more reasonable assumptions that the tone of rock music has a tendency to conjure disharmony with the fluid and graceful motions of the dancers; there’s actually a reason why the ladies of ballet commonly have their hair so tightly-packed into a virtual helmet around their skull — any melodic meandering into that once-devil music coaxes a follicular explosion! And don’t forget the emerging track marks! It really is a phenomenon. I’m surprised I’m the first to report on it.
Not wanting to tarnish with freakish controversy his legendary career as a choreographer, founder and Artistic Director of Random Dance, Wayne McGregor, recently commissioned A Winged Victory for the Sullen, whose music he had regularly played at practice following their self-titled debut (TMT Review), to score a long-form dance piece, Atomos. We’ll have to wait until later this year for the full-length version of that score, but in the meantime, the duo of Adam Wiltzie and Dustin O’Halloran have a preparatory EP, Atomos VII, coming out April 29.
The EP features a track from the upcoming Atomos, an “outtake” from their debut LP, and a remix of the title track from Ben Frost, who’s no stranger to scoring himself, if you’ve been following his movements. That’s neither a sports nor a sexual reference, though I could totally believe the latter, given his sumptuous facial hair.
Atomos VII tracklisting:
01. Atomos VII
02. Minuet for a Cheap Piano One
03. Atomos VII (Greenhouse Reinterpretation) (w/ Ben Frost)
Red Bull Music Academy purchases New York City, hosts 15 shows in May: Panda Bear, Autre Ne Veut, Wolf Eyes, Lucrecia Dalt, Lit City Trax, many more
Imagine: prep school blazers. Hot teens from Gossip Girl. Smoking weed and cutting class and not giving a fuuuuuuuck cuz ya daddy’s rich. And lots and lots of Red Bull. Okay, so Red Bull Music Academy NYC 2014 is actually nothing like that; it’s a ton of high-profile music events happening in a short amount of time in New York. Plus lots and lots of Red Bull.
SO MANY EVENTS! Over the course of May, Red Bull is gonna make crazy shit happen all over NYC. There’s Panda Bear. Autre Ne Veut. Wolf Eyes. Lucrecia Dalt. David Byrne, Kele from Bloc Party, Alexis from Hot Chip, and a whole bunch of other people paying tribute to William Onyeabor, the mysterious 1970s Nigerian synth/funk guy whose music has been most recently pushed by Luaka Bop but, like, nobody knows where he is or what happened to him and probably everyone wants to Searching for Sugarman him. The premiere of Robert Henke’s “audio/visual spectacle” Lumière with a soundtrack by The (mighty) Haxan Cloak. A lecture with D’Angelo at the Brooklyn Museum.
Basically it’s like Christmas, Halloween, and Mardi Gras all rolled into one, plus more caffeine. Full details/dates/answers to life’s burning questions here.
• RBMA: http://www.redbull.com
[Photo: Tony Blasko]
Lykke Li shares first track from new album, plots tourdates, also has breathtaking album trailer featuring a chimp on a motorbike from the future
Swedish singer/songwriter Lykke Li is back with a new album, I Never Learn, due May 5 on LL/Atlantic Records. Idolator is calling it “the final installment in a loose conceptual trilogy,” which started with the singer’s debut full-length Youth Novels (TMT Review) and continued with 2011’s Wounded Rhymes (TMT Review). The new album will bring Lykke Li’s epic song cycle about the travails of a motorcycle-riding chimp in a post-apocalyptic carnival to a conclusion. Wait, what? That’s not what the “loose concept” of the trilogy has been about? Oh, it’s about looooove? Ohhhhh okaaaaaay yeah that’s pretttttttttty conceptual.
In any case, you can check out the haunting album trailer for I Never Learn below, followed by the video for album track “Love Me Like I’m Not Made of Stone.” The trailer includes evocative footage of Lykke Li in a dramatic high priestess-y robe, and someone walking around in a house where people have either moved out, leaving behind the detritus of their broken dreams/lives (conceptual!), or been DRIVEN out by an off-the-rails motorcycle-riding chimp. Your call, dear readers.
I Never Learn tracklist:
01. I Never Learn
02. No Rest for the Wicked
03. Just Like a Dream
06. Love Me Like I’m Not Made of Stone
07. Never Gonna Love Again
08. Heart of Steel
09. Sleeping Alone
And here are the tourdates announced so far:
04.24.14 - Stockholm, Sweden - Berns
04.27.14 - Brussels, Belgium - AB
04.29.14 - Berlin, Germany - Astra
04.30.14 - Munich, Germany - Kesselhaus
05.02.14 - Cologne, Germany - E-Werk
05.03.14 - Utrecht, Netherlands - Tivolivredenburg
05.06.14 - Paris, France - Trianon
05.08.14 - London, UK - Village Underground
05.09.14 - London, UK - Village Underground
05.15.14 - New York City, NY - Apollo Theatre
05.19.14 - Los Angeles, CA - The Theatre at the Ace Hotel
Liars are back with a new album, an absolutely bonkers-sounding remix track, and an album teaser trailer that’ll make you say, “Why did I just watch that?” That’s right: Angus Andrew, Aaron Hemphill, and Julian Gross are celebrating the release of Mess, due March 25 on Mute, the record label God himself prefers. To get the party started, here’s the remix of lead track “Mess on a Mission” by friends of the band Black Bananas, followed by the album trailer, which features a rainbow laser shooting out of things you’d expect it to, like an ocean pier, the men’s room, and a car’s fuel tank. You know, STUFF.
And guess what? The boys and their laser are hitting the road this spring to promote Mess! They’re kicking it all off with a stint at Desert Daze, then on to Austin Psych Fest, then a few cities, then Sasquatch! Fest, then a few more cities. The album was produced by Angus Andrew and mixed by Timothy “Q” Wiles (VCMG). It will be available on CD/double vinyl/digital. Limited-edition vinyl is already sold out.
04.26.14- Mecca, CA - Desert Daze Festival
05.02-04.14 - Austin, TX - Austin Psych Fest
05.07.14 - Philadelphia, PA - Underground Arts
05.08.14 - New York, NY - Le Poisson Rouge
05.09.14 - Brooklyn, NY - The Wick
05.10.14 - Allston, MA - Brighton Music Hall
05.23.14 - George, WA - Sasquatch! Music Festival
05.24.14 - Portland, OR - Star Theater
05.27.14 - Los Angeles, CA - The Fonda Theatre
Fear of Men cower to the mythical male telling them to release more music, announce Loom LP, North American tour dates
No, Jessica, quit being so accusatory! I haven’t said I’m a seer, and just because I, along with my brethren in the Oracular Order, gather every Tuesday night for a cloaked consumption of Grand Slamwiches at the local Denny’s doesn’t mean I seriously think I can predict the future — no matter what you suggest in that relevant track off the new (and as it turns out, old) Fear of Men album! And now you’re strangling me for some reason. Society hasn’t known such an aversion to foresight since elementary school kids when they’re alerted of a snow-turned-rain storm. Meteorologists: the secret players of youthful emotion.
In reality, even if we hadn’t been afforded a press release on the subject, it wouldn’t have been hard to predict the release of Fear of Men’s new album Loom, which comes out via Kanine on April 22 (or April 19 if you want the Record Store Day-approved super-limited two-colored deluxe vinyl edition of stupendousness). The endearingly impassive lyrical delivery on Early Fragments (TMT Review; among our favorites of last year), along with the album’s unembellished pop melodies, might’ve inspired recollection of a litany of bands preceding them, but just as that wasn’t a hindrance to getting started in the first place, neither is that a reason to keep from moving forward.
Early Fragments is a collection of previously released singles. That essentially makes Loom their debut LP, and it’s an oddly refreshing thing to listen to in 2014. Who said emotional honesty needs to come with a performance fit for an Oscar nomination? Points for referencing recent pop culture happenings? Listen to a track below. Also, peruse these still-warm North American tour dates.
03. Green Sea
Hamilton Leithauser announces debut album Black Hours, having shrugged off all that Walkmen dead weight
Let me say what we’ve all been thinking: 4 out of 5 members of The Walkmen were totally worthless. Complete piles of garbage! Look, we all know frontman Hamilton Leithauser was great. But those other four guys? Pee-yew! Take those tight, inventive arrangements and shove ‘em. So, boy is it great to hear that Leithauser is shaking off all that Walkmen dead weight with his debut solo album Black Hours, out May 6 through Ribbon Music. Hamilton, my boy, I’m telling you: this Walkmen hiatus is the best thing to ever happen to you.
Replacing those Walkmen good-for-nothings as Leithauser’s Black Hours accompaniment is an all-star list of collaborators. Participants include Vampire Weekend’s Rostam Batmanglij, Morgan Henderson of Fleet Foxes, Amber Coffman of Dirty Projectors, Richard Swift of The Shins, and Paul Maroon of… The Walkmen!? Sheesh, you just can’t shake those guys. Later this year, Leithauser will hit the road with Henderson and Swift, though no dates have been announced yet. That said, the singer does have four dates scheduled at New York’s Joe’s Pub on April 15 and 16. Five bucks say the rest of The Walkmen show up at that show, all like “Hey Hamilton let’s play ‘The Rat’” and “Hey Hamilton let’s make another great Walkmen album wah wah wah” and et cetera. Whatever, dudes.
Watch a video for Black Hours’ first single “Alexandra” below. The track will be available as a limited 7-inch on Record Store Day (which falls on April 19 this year) with exclusive B-side “In The Shallows.” While you’re there, maybe pick up one of The Walkmen’s past records, because I’m sure the rest of those jokers will need the money. Ahhhh, I’m just yanking your chain: those guys are alright by me.
Black Hours tracklist:
01. 5 AM
02. The Silent Orchestra
04. 11 O’Clock Friday Night
05. St Mary’s County
06. Self Pity
07. I Retired
08. I Don’t Need Anyone
09. Bless Your Heart
10. The Smallest Splinter
11. Waltz *
12. In Our Time (I’ll Always Love You) *
13. Utrecht *
14. I’ll Never Love Again *
* deluxe edition only
Jeez. Even by his own insan-o standards, the illimitable entity known as “Robert Pollard-and-whoever-the-other-guys-in-Guided-by-Voices-happen-to-be-today” sure seems to be getting guided by a whole fuckton of a lot of voices right about now. I mean, we pretty much, like, just told you about this other album the other day, practically. And now, here’s old-boy again with another new record! Yup. I know. Insane. But luckily, there’s a few easy ways to tell it apart from the other one. And hey, I’m such a good dude that I’m going to take time out of my busy schedule of cursing-unnecessarily-in-print and hyphenating-things-for-slightly-exaggerated-comic-effect to share them with you right now!
For starters, unlike that other record, this one’s called Cool Planet. Also unlike that other record, this one is coming out on Fire Records. ALSO unlike that other record, this one has a release date of May 19. Still with me? Great! Let’s keep going. It was recorded at Cyberteknics in Dayton, Ohio “during the sub-freezing Polar Vortex of 2014” and features a lineup of Pollard on vocals and guitar (duh), Tobin Sprout on guitar and vocals, Mitch Mitchell on guitar, Greg Demos on bass, and former “ex-late-version” GBV member Kevin March on drums. This is all unique information, people!
There’s also a special release party thing being held solely for this one specific record. It’s being thrown by Fire Records on Sunday, May 18 at London’s The Lexington, and you can get yourself some tickets for it right over here.
And finally, one of the tracks, “Bad Love Is Easy To Do,” is streaming now at the band’s soundcloud page and at the below-embedded thingy and appears to be unique to this specific album. Although… yeah, admittedly, sometimes it’s kinda hard to know that for sure with a compulsive album-dropper like Pollard. Let’s take his word for it though, yeah?
Cool Planet tracklisting:
01. Authoritarian Zoo
02. Fast Crawl
03. Psychotic Crush
04. Costume Makes the Man
05. Hat of Flames
06. These Dooms
07. Table at Fool’s Tooth
08. All American Boy
09. You Get Every Game
10. Pan Swimmer
11. The Bone Church
12. Bad Love is Easy to Do
13. The No Doubters
14. Narrated by Paul
15. Cream of Lung
16. Males of Wormwood Mars
17. Ticket to Hide
18. Cool Planet
This Heat plan vinyl reissues of This Heat, Deceit, and the Health and Efficiency 12-inch; basically no other details yet!
And now for this week’s edition of news for which there is actually pretty much no detail available at this point but that still made news-writer Taylor do that little thing he does where he claps with glee: This Heat are re-issuing themselves on vinyl! That’s right, the self-titled blue-and-yellow guy, Deceit, and the Health and Efficiency 12-inch will be remastered “to the highest spec” and “with all the attention to detail that [This Heat] have maintained throughout [their] history.” “When am I going to be able to grip these fine, high spec reissues, Taylor?” Well, that’s the question on the tip of everybody’s tongue isn’t it? “Very Soon,” the band says on their Twitter and Facebook, which is just vague enough to let me hold onto the irrational belief that it’ll probably be tomorrow (it won’t be tomorrow). Also on their Twitter page they warn against purchasing any extant versions of the albums on vinyl because many of them are poorly mastered bootlegs. “Wait, This Heat have a Twitter account?” They do now, man. And a SoundCloud. It’s the future.
Okay, so let’s back up a minute and answer the question that’s probably nagging at a least a couple of you: “This heat? Which heat?” Alright, guy, quit trying to be cute. They’re called This Heat, and if you don’t mind I’m going to go ahead use the adjective “seminal” to describe them. Originally active between 1976 and 1982, over two full-lengths and one EP (all of which are getting reissued, see above) This Heat went totally bananas with that whole post-punk thing, incorporating elements of noise, prog, kraut rock, African rhythms, and industrial into “a sound all their own.” Quotes there because I’m 100% sure without even checking that somebody’s used that phrase before to describe some band they were really excited about, but listen, these guys were/are the real deal. You want to hear about them from a better writer than me? Strap yourself in and scope Miles Bowe’s really excellent Delorean on Deceit for this very website. Listen, Danny Brown is all up on that This Heat tip, so it’s high time you hopped on this train with Danny, me, and probably a bunch of other cool people I’d be too nervous to actually talk to in person. I’m pretty shy actually.
• This Heat: https://www.facebook.com/thisheat.official
Okay, okay; what’s rattling around in the TMT news queue this morning? Hmm.
New album news or something?
Boy, why the heck do you talk to yourself so much? Yeah. Monday, May 19 (probably May 20 in the US, I’d think?), via Parlophone/Atlantic.
Eh. Well, okay, skim the press release, at least… skimming, skimming… looks to be called Ghost Stories. Says they’re trying to sell hard-copy CD versions of the thing at Target with some “Deluxe CD edition” of the album that has “three bonus tracks” (weird, right? But… you know, Coldplay).
Wow, yeah, looks like there’s only nine tracks on the regular version. Maybe that means its kinda… artsy? Eh, who cares.
Oh, but it’s also up for pre-order on iTunes right now, and the pre-order comes with a download of the first single, “Magic.”
There’s probably a clip of that song somewhere, then, yeah?
Yeah, yeah. Found one. Okay. Anything else?
Hmm, they’re headlining the opening night of “the first US iTunes Festival” at SXSW on March 11, streaming live and on-demand from the iTunes Store? Could mention that.
Okay, okay. Well, whatever. Not much else in the queue right now. Seems like you could write this one up pretty easily. Just get it done.
Should I maybe listen to the single first or something?
Naw. Just think of Chris Martin crooning and some watery, delay-ed out piano and a dull drum machine and stuff. You got this. Ooh, let’s put some Radiohead on, though.
K. King of Limbs, maybe?
Ghost Stories tracklisting:
01. Always in My Head
04. True Love
06. Another’s Arms
08. A Sky Full of Stars
Oneohtrix Point Never compiles (sick) commissioned work for Record Store Day 12-inch, plots more tour dates
Weep no more, children. Record Store Day is coming soon, so your tears are understandable, but I bring good news. Your options have expanded. 180 gram Toys in the Attic is not the only way to show your support for independent retailers. You don’t need to buy that Built to Spill one-sided picture disc 7-inch again this year. Oneohtrix Point Never is here. He’s got a 12-inch. It’s pretty. Let me tell you about it.
Commissions I compiles three OPN compositions originally commissioned for artwork, film, and/or performance. The most recent, “Music for Steamed Rocks,” is an interpretation of Polish composer Witold Lutoslawski’s Preludes and was part of a Polish Icons series at Sacrum Profanum:
Track 2 is “Meet Your Creator,” the 2012 quadrotor flying robot dance for Saatchi & Saatchi’s New Directors’ Showcase, and the B-side is Lopatin’s stunning rework of “I Only Have Eyes For You,” originally part of Doug Aitken’s “SONG1 Happening” installation event at the Hirshhorn Museum, and re-engineered by R Plus Seven (TMT Review) collaborator Paul Corley/mastered by Bedroom Community’s Valgeir Sigurðsson. The 12-inch comes in a fancy foil jacket with some die-cut peek-a-boo going on, the cover was designed by Robert Beatty, and it’s out on Warp. I’m in.
Commissions I tracklist:
01. Music for Steamed Rocks
02. Meet Your Creator
03. I Only Have Eyes for You
Lopatin has also added another slate of tour dates so Mr P can go see him in Minneapolis:
03.21.14 - Tokyo, Japan - Unit
03.22.14 - Osaka, Japan - Circus
03.27.14 - Miami, FL - Perez Art Museum
03.29.14 - Knoxville, TN - Big Ears Festival
04.02.14 - Grinnell, IA - Grinnell College
04.03.14 - Iowa City, IA - Mission Creek Festival
04.04.14 - St. Louis, MO - Kranzberg Art Center
04.05.14 - Oberlin, OH - Oberlin College
04.06.14 - Detroit, MI - Museum of Contemporary Art
04.18.14 - Istanbul, Turkey - Club2Club
04.19.14 - Brussels, Belgium - AB
04.23.14 - Zurich, Switzerland - Exil
04.24.14 - Turin, Italy - Hiroshima Mon Amour
04.25.14 - Krems, Austria - Donau Festival
04.26.14 - Berlin, Germany - Radialsystem V
04.29.14 - Milan, Italy - Teatro San Fedele
04.30.14 - Rome, Italy - Parco della Musica Auditorium
05.02.14 - Austin, TX - Austin Psych Festival
05.02.14 - Austin, TX - Austin Psych Festival
05.08.14 - Pittsburgh, PA - Andy Warhol Museum
05.16.14 - Brooklyn, NY - MHOW
05.27.14 - Montreal, QC - MUTEK
05.30.14 - Lyon, France - Nuits Sonores
06.04.14 - Amsterdam, Netherlands - Holland Festival
06.07.14 - London, UK - Field Day
06.08.14 - Bristol, UK - Arnolfini
06.13.14 - Barcelona, Spain - Sonar Festival
06.18.14 - Winnipeg, MB - Union Sound Hall
06.19.14 - Minneapolis, MN - Cedar Cultural Center
06.20.14 - Toronto, ON - NXNE BLKBOX
06.21.14 - Toronto, ON - NXNE Geary St. Warehouse
07.06.14 - George, WA - Sasquatch Festival