“Hole in the Ground”
Brian Chippendale (Lightning Bolt, Mindflayer) is so awesome that he’s decided to release a new solo LP under his Black Pus moniker. Primordial Pus is Chippendale’s fifth BP full-length, and it’s getting some pretty wide distribution courtesy of the almighty Load Records. As the label puts it:
On Black Pus’ fifth full length, a lot of the looped drum pop that has been percolating in this project’s gene pool is drawn so much closer to the surface. Insanely long saccharine loops are pushed, pulled, screwed and tattooed all over your face. With this ammo, an enduring record of stone-etched brute pop is forged. […] As shiny as the music sounds, it differs from the prevalent 80’s styled bottom feeder hynogagic poop in its muscular wing span. Be prepared to have your senses leave your body and obsessive/compulsive jitter overtake your reason in this buffet of freon electronic entropy.
It’s all true, too. I listened to Primordial Pus this morning.
“Firework Spraying Moon”
Jonti, Stones Throw’s last signee, is a South African arranger, producer, multi-instrumentalist, and vocalist who is now arranging, producing, multi-instrumentalizing, and vocalizing in Austraila. His debut album, Twirigig, is inspired by Canadian filmmaker/cartoonist Norman Mclaren. According to Jonti, “His films are complex, but they’re still fun. You can feel his enthusiasm for techniques and experimentation. I try make simple pop songs with that same enthusiasm.”
Twirigig is out October 11 on Stones Throw and will be preceded by the “Firework Spraying Moon” 7-inch, which is out mid-August.
“Sea Bed Meditation”
With the influx of modern synth wielders comes a look backwards at electronic pioneers from the 70s and 80s. Jürgen Müller is one such visionary getting the reissue treatment – his 1981 album Science of the Sea, which was originally limited to 100 copies, will be released on LP via Digitalis on the 16th. “Sea Bed Meditation” is a simple, gorgeous meditation on all things watery. Its intimacy recalls Hans-Joachim Roedelius’ minimal bedroom aesthetic as well as Raymond Scott’s early groundbreaking electronic tones.
• Jürgen Müller: http://digitalisrecordings.bandcamp.com/album/science-of-the-sea
• Digitalis: http://www.digitalisindustries.com/digi_ltd.html
Hertta Lussu Ässä
After playing shows all over the world since 2005, Hertta Lussu Ässä, a Finnish psych/improv/weirdo trio featuring Kuupuu (Jonna Karanka), Lau Nau (Laura Naukkarinen), and TMT darling Islaja (Merja Kokkonen), are set to release their self-titled debut on the always dependable De Stijl. The release is a sorta kinda follow-up to a self-released, limited-to-100 tour CD-R, each with their own titles, ranging from The Butterfly Fart Album to You Are Such An [sic] Pretty Sucker. (I hear they incorporate “dark humor” into their improvisational sets. Something about a “fart cushion,” too. Why is the Finnish underground so fucking awesome?) Anyway, check out “Mehukkaat Luut” — translation: “Juicy Bones” — above, and look for the new album June 21.
“Acids in The… Thin Razor, Attack Noise Hat, Linn”
Enjoy this sample track from the first side of Mark Fell’s Manitutshu, which you can pick up on double vinyl at Editions Mego. It’s interesting to hear Fell’s beats abstracted in this way, almost as if he’s manually resetting pre-programmed casio drums to create a chopped up, disorienting effect. Appropriately enough, as previously reported, the Manitutshu project came to fruition after Fell was hired to produce pre-set sounds for a new Native Instruments software synth. They note that none of the pre-sets were used in the final product.
Jozef Van Wissem
“His Is the Ecstasy” (with Jim Jarmusch)
Jozef Van Wissem, the Dutch “sublime master of the lute,” has a new album, The Joy That Never Ends. Rather than going at it alone, Wissem is joined this time by Jeanne Madic on vocals and filmmaker Jim Jarmusch (Strange Than Paradise, Ghost Dog, The Limits of Control) on guitar/feedback. Whoa. The album’s out June 28 on Important.