SNOW BEACH VOL. 01
As the cover art suggests, listeners should consider TMCT’s newest release SNOW BEACH VOL. 01 on Bootleg Tapes with a bit of lax and venture. The combination results in a stumbling pathway through alleys and dunes, crystal waters and peaks. There’s a duality to the movement in TMCT’s music here, and it definitely walks the pathway of both rough and smooth. It’s as if SNOW BEACH VOL. 01 is conscious of every tape player each cassette is being projected out of: considering the density of sound, acoustics of the room, hiss of the reel being magnetized, [brilliance]. Certainly, definition of each sense can be pinpointed and beheld within the reach of TMCT’s ability to mix and master tracks on a nearly seamless level of melt.
There’s a deep magic happening at Bootleg Tapes. They know exactly what you want, have a release for every mood, and haven’t even been around for a full year. And 100-percent NO strange occult or complex AWE factor. It’s straight up a label trying to remain composed with exceptional music and curatively within it’s on mindset and ambition. So grip that new TMCT SNOW BEACH VOL. 01 tape ASAP, ‘cause these tapes always plan on being released to completely sell out. Find out WHY? below:
However distant the notion of international marketing may have been for you previously, you’ve now come to the point of considering whether and how you can put globalization to work in your music. The “whether” part of your inquiry is relatively easy to answer: With the right product packaging, the right distribution tactics, and the right promotion, virtually any musical product should be saleable somewhere outside its home country.
Falling into a restless slumber beneath a tome of managerial fist-pump-prose, you wake up to imagine a world where GRIME was just a $$$-rich synonym for LONDON RAP and Tinchy joined N Dubz full time. This a dream worth fighting, and Ruff Sqwad are back on hand to nail hard, crisp tunes into Grime’s empty coffin.
“Prince” inverts the Biggie Smalls genre of hip-hop dream sequences, so instead of an expansive fuck you to the neighbours and teachers who couldn’t see any potential, Prince (not you Prince!) shows himself still at school, still grafting, still proud of his East London estate, still affirming Grime’s DIY collective ethos. The track is full of inversions, toying with tropes about hard upbringings, calling for dancefloor passivism, even reversing Flow Dan’s famous nurse/hearse verse from “Skeng” to more hopeful ends. Checking Zelda’s Swords and Bandicoot’s boundless energy, the video moves through a platform game of daily London life, a super-strength comeback of wit and skank.
Prince Rapid releases his new solo EP Turning Point out March 31 via Ruff Sqwad Records. This follows on from 2012’s crucial White Label Classics, a collation of rare Ruff Sqwad instrumentals from the turn of the millennium.
The Phantom Family Halo
“Hard Apple Moon Stomp”
Presented to fans by The Cult of Concerned Women, hurls the depth of The Phantom Family Halo featuring visuals for their new single “Hard Apple Moon Stomp” off new release Raven Town Witch. Yo, there’s cattle and serious faces, blurred mascara and cloaks, flowers in hair and the Virgin Mary, shoot. Needless to say, there’s some straight voodoo happening here between bones, wah’d out riffs, fields, tribal drumming, ritual motions, entrancing vocal effects, and an all encompassing electric pulse both seen and heard. Nobody’s face is the same color. Beauty is merely within the eye of the beholder’s personal perception of self. Let’s meet one day where our mentalities cross paths. Be there when I feel your telekinetic pulse. Lore is more than just powered blown in your face. It’s of the eternal. And a warm scoop like “Hard Apple Moon Stomp” is a process to swallow.
But no worries. It’s natural for shit to levitate. Especially in fields of white magic and pure mind melt. The Phantom Family Halo not only brings that fierce in Raven Town Witch, but if the levels of music “Hard Apple Moon Stomp” goes through as a single track doesn’t hit you hard, then you should go live in the wild for a year or two. Maybe. I’m not exactly sure what I’m suggesting, but The Phantom Family Halo have some interesting mythos to their lyrics and song writing, as well as depth in instrumental mysticism that is beyond the Bible in standards for fantasy. So grip they’s new album Raven Town Witch March 4 (next Tuesday) from Sophomore Lounge Records on LP and spin. In the mean time, freak on the video below.
“Lose Yourself (feat. Moska & RDX)”
I shit you not, I am actually in this video for “Lose Yourself (feat. Moska & RDX)” by Major Lazer a couple of times. There, right there in the trees. That shack there too. It all happened when I ran into Sean Paul, who’s on the second track “Come On To Me (feat. Sean Paul)” off the new Major Lazer EP Apocalypse Soon. Apparently he had read my piece on his single from last August and wanted to get to know me a bit more. We got to talking about Ukraine and cassettes, Jerry’s Kids and his kids in relation to Jerry’s Kids, religion and grades of tequila. All sorts of shit. And then was like, “What’s your e-mail?” He axed me in return if I knew who Major Lazer was, and I was like, “Diplo? The Block Party fucker off Pier 11? Yeah, owes me $12.” Sean corrected me, telling me all ‘bout how Diplo wasn’t really Major Lazer and that Block Parties were for Cubans. When I questioned him, “Aren’t YOU of Cubano decent?” he quickly changed the subject and offered me some [hidden] fan shots in the new Major Lazer video being filmed behind us conversing, featuring Moska and RDX. “Did you just sneeze?” I asked, which he clarified that Moska was Columbia and RDX was Jamaican.
Scope the video above for Major Lazer’s “Lose Yourself (feat. Moska & RDX),” and visually featuring me and Sean tucked away in the background. You can find the track on the aforementioned Apocalypse Soon EP Major Lazer is coming out with in May, but available for pre-order with -like- a bunch of other swag that got kids skrilling out MAD dinero. More adventures with Sean to come too, I’m sure. Enjoy the video above!
• Major Lazer: http://majorlazer.com
Ever wondered what Kanye West sounds like impersonating Young Thug? Me neither, but Rick Ross’ new Yeezy-/DJ Mustard-produced track “Sanctified” gives a taste anyway, and dammit it’s actually sorta kinda working. Aside from the obvious triplet spits and stuttered trap jabs, Kanye even gives his best attempt at harnessing Thug’s off-pitched wails, all of it atop smoothed-out production that’s highly reminiscent of — surprise, surprise — one of Thug’s breakout hits, “Danny Glover” (a.k.a. Kanye’s jam). Doesn’t have the same grit, of course, but what can you do.
Big Sean’s got the hook, and Rick Ross has the last verse. Check it out here:
“Sanctified” is off Rick Ross’ sixth LP, Mastermind, which is finally out March 4. Stream the whole fucking thing via iTunes here.
• Rick Ross: http://www.godforgivesidont.com
“Climbing The Corporate Ladder”
Just spitting what I’ve been shown: not only is Sam Benanti feeling the vibe in this here video of last year’s NMESH single “Climbing the Corporate Ladder,” but I also think the writer is picking up where listeners last left NMESH visually in the DREAM SEQUINS® trailer. FUN!
Yet, as the moisture stirs in every office environment, it’s purely a mystery how one can entirely and continuously try justly reaching for the top. Let’s figure morality, here. We got plenty of this clowning and joshin’ going ‘round, but when it comes down to it, your co-workers merely just want to do the dance better than you. But actually, Jan and Steve are your fucking husband and wife, and the corporate sector has replaced all three branches of the U.S. government. Rick in the corner is technically your son, but 35 years older than you. Having to shit every thirty minutes with the other employees feels like it might just be the coffee. Vacations to Puerto Rico are taken via pill under the basement stairs. Nothing is as everything seems.
Catch NMESH on the fly-video scene with new visuals for the sizzle-snap beat of “Climbing the Corporate Ladder,” off new AMDISCS release DREAM SEQUINS®. Shoot, maybe the fellah should just go Beyonce and pop off videos for the entire next album.. Orange Milk into this idea?? #hints #hi