Advaitic Songs [preview]
If a 1:30 video ain’t enough for a preview, well, sorry: here’s a 1:26 preview of OM’s forthcoming new album Advaitic Songs on Drag City. Come July 24, let the fucking fantasy burrrrn. Too much future and space stuff right now. Ride this out for the summer and guarantee yourself infinite magic eyes. And who better to know what should be in your ears than Drag City. Fucking MELT to Advaitic Songs in 2xLP/CD-length this summer, and prepare for their spring tour.
Inspired School of Astral Music
10:10 Opening The Digital Door [excerpt]
It seems like I get into music buying so much more in the warm weather. Aside from jamming some hard cassettes at the beach, I also like using a bunch of shitty clearance-priced equipment to put LPs to digital to cassette to blare to beach to bikini. My bikini. Cause I keeps it Euro when I dig long jams. Long jams such as 10:10 Opening The Digital Door really get me moist… with sea breeze. Sunlight just beating down on my body, no shades; the vastness of the beach and flesh. Sand and bodies become one. And the copy I made of this reminds me of sitting in the same sunlight, on my patio, patiently waiting for 10:10 Opening The Digital Door LP to rip and rec on cassette. The LP is out now, co-released by Sonic Mediations and Psychic Sounds Recordings, limited to 147 copies. They also include a sunlight-absorbing essay on the Cybergenetic Fugue State and the meaning of 10:10.
Amid the commercial dubstep craze that’s sweeping the nation right now, it’s easy to forget to pay respect to the genre’s founders across the pond. Before there was Skrillex, after all, there had to be Burial and Benga. And while some UK artists have adapted grime and UK garage to reflect a broader four-on-the-floor appeal, there remain plenty of stalwarts determined to stay true to the sounds of the London underground. Case in point: Lil Silva.
“Gobble That” is an abrasive, mechanical piece of EDM, with enough sexually-charged sound effects to attest to its suggestive namesake. The hydraulic, hissing beats mesh perfectly with the whirling bass, with some nice dancehall-inflected samples thrown in the mix — call it one of the sexiest tracks in the Funky scene right now.
• Lil Silva: http://soundcloud.com/lilsilva
“JUICY J CAN’T (CYBERFUCKVERSI•N) (STR TRPP¥RMX)”
Who gon’ be ridin’ low to Heat Wave this spring/summer? Hopefully y’all with this new REMIX SERIES Alex Gray is cyberfucking. All this bathdub ‘bout to drown someone in all this infra-pop. Floodin’ knowledge with mind-grape flicking and old funk smmmuring — nahhh, fuck it. Bounce that bass. Trip it a bit. Feel the wave that “JUICY J CAN’T (CYBERFUCKVERSI•N) (STR TRPP¥RMX).” Reality precedes character precedes lying precedes music precedes the internet precedes Heat Wave produces a beholder. Scope “JUICY J CAN’T (CYBERFUCKVERSI•N) (STR TRPP¥RMX)” and “THE REAL HER (SEAOFSILKSTYLEZ),” part of the Heat Wave remix series always coming soon. Don’t be shy.
King Felix (Laurel Halo)
It’s Laurel Halo season, readers. Next week, Halo will release the Spring EP under her King Felix moniker. The EP is due on Liberation Technologies, a new imprint of Mute Records. Check out “SPRING02” below, courtesy of Liberation Technologies’ SoundCloud:
Meanwhile, Quarantine, Halo’s upcoming album on Hyperdub, is due June 5. Can you feel the love?
Death Grips were really good at the promo game from the start, tossing off their Exmilitary mixtape in 2011 for free like it weren’t one of the best albums of the year, letting vultures pick at it with Black Google, and offering a video companion for any song you’d like to share with potential pals. Now with major label backing, they’re doing promo like they’re doing rap, firing off “Blackjack” then “Get Got” then “Lost Boys” then AYE AYE AYE AYE AYE AYE.
Where to go from there but into the fucked unknown: RETROGRADE is Death Grips’ new video inspired by Mercury being in retrograde until Wednesday. Fair enough. But that video is made up of 109 separate videos meant to loop as “GIFs” (really, short YouTube clips), all original Gripz footage. Head to the RETROGRADE site and start/stop as many of the clips as you’d like in whatever order, or just press “PLAY ALL” to hear what I suppose is the “full song”! You can also check out each RETROGRADE video in order via the YouTube above.
Read a lot more about RETROGRADE in this statement/interview at The Creators Project.