When Pavement released the just-okay Terror Twilight in 1999, it was easy to believe the jig was up. The band had progressed from chaotic fuzz machines to slick popsters, and while the Twilight songs were catchy, they had little life in them. Pavement announced their breakup a year later, and it seemed things had run their course. Pavement frontman Stephen Malkmus put out a self-titled debut in 2000, and the ensuing media blitz obscured Preston School of Industry, another post-Pavement band who released their first record six month later. The group’s leader was Scott Kannberg, a.k.a. Spiral Stairs, Pavement guitarist and songwriter.
The record in question, All This Sounds Gas, sounds great in 2009, and it must have sounded even better in 2001 to Pavement fans who feared all was lost. It’s certainly not a Pavement record -- there are few rough edges, and Kannberg’s voice is a little more melodic than Malkmus’ yelp -- but it has the let’s-make-a-record charm that made his old band’s best work so appealing. First track “Whalebones,” for example, is a slow burner with a distorted guitar line that sounds like it was taken from a Built To Spill B-side. It’s a perfectly solid lead-in to a perfectly solid record, and a good indication of things to come.
“Falling Away,” super catchy and breezy as hell, follows. Although it would have been better placed midway through the disc, it’s a pleasure to hear the track so early in the proceedings, as if Kannberg is confident he won’t need to pick up the pace later on. “A Treasure @ Silver Bank (This Dynasty’s For Real),” with its bright steel guitar and wood block percussion, is yet another winner; it reveals the reason you’ve been bobbing your head for the last eight minutes: Kannberg has a knack for emphasizing every downbeat, whether on electric guitar or what sounds like a J. Geils-circa-“Centerfold” organ. He knows what it takes to keep a song moving.
Some of the credit for All This Sounds Gas also goes to bassist Jon Erickson and drummer Andrew Borger, both of whom played with the Moore Brothers, another act anchored by melody and strong arrangements. Their clockwork rhythm section provides the perfect backdrop to Kannberg’s rugged guitars and relaxed vocals. In fact, the record works best when using the bass and drum’s momentum, so deeper cuts like “Doping For Gold” get where they’re going through pure gravity. The best songs on the record, such as the poppy “Solitaire,” pair that momentum with truly catchy instrumentation, and the results are wondrous. When this combination doesn’t happen, such as on the dark “History of the River,” the results are simply uninteresting.
Pavement’s mystique has only grown since the band broke up, and each Malkmus release is greeted -- sometimes deservedly, sometimes not -- with a flurry of Pitchfork news updates. Kannberg, however, deserves perhaps more attention for providing both his old band and Preston School of Industry with what every good act needs: focus.
1. Whalebones
2. Falling Away
3. A Treasure @ Silver Bank (This Dynasty’s For Real)
4. Encyclopedic Knowledge Of
5. History of the River
6. Doping For Gold
7. Solitaire
8. Blu Son
9. Monkey Heart and the Horses’ Leg
10. The Idea of Fires
11. Take a Stand/All This Sounds Gas
