1986: Sonic Youth - “Express Way To Yr. Skull”

EVOL was a hell of a leap for Sonic Youth. Considering that it’s bookended by the dreamily experimental, if slightly underbaked, Bad Moon Rising and the masterpiece duo of Sister and Daydream Nation, this LP is the blueprint for what became the instantly recognizable “Sonic Youth Sound” which drove late 80’ indie rock. From the downright creepy dirge “Tom Violence” to the near radio-friendly pop of “Star Power,” the album is loaded with gems, but the indisputable high-point is the closing seven-minute epic “Expressway To Yr. Skull.”

“Expressway” is a skeleton of a pop ditty surrounded by an ocean of seething guitar noise and remains one of Sonic Youth’s most popular and exhausting live experiences. The whole song is a rush of monstrous rave-ups and a slow descent into delicate, gurgling noise both of which the band handles with supreme ease. They lead the audience along with them until the taut pause in the middle of the song when they bash us over the head with a wall of guitar which starts the soundscape-ish second half that slowly dissolves into blistering feedback for the final minutes.

This is Sonic Youth, and noise rock generally, at the top of its game. From this point on, Sonic Youth could do no wrong, cranking out a series albums where every melodic line and guitar squawk feels equally essential and perfectly placed. As is evidence by the blatant riff “borrowing” on “Ex-Dreams” from The Men’s excellent 2012 LP Open Your Heart (skip to 2:20 if you don’t believe me), “Expressway To Yr. Skull” is still is still one of the finest and most beloved pieces from Sonic Youth’s 80’s pinnacle.

P.S. As the begging of this video proves, Thurston Moore is the fucking man.

DeLorean

There’s a lot of good music out there, and it’s not all being released this year. With DeLorean, we aim to rediscover overlooked artists and genres, to listen to music historically and contextually, to underscore the fluidity of music. While we will cover reissues here, our focus will be on music that’s not being pushed by a PR firm.

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