High Places / Mi Ami
Rickshaw Stop; San Francisco, CA
This show was so easy to space out at, in a good way. Two bands that play noisy music doing it pretty well makes for a satisfying night.
I saw Mi Ami open for HEALTH a while ago, and they’ve definitely honed their live act. By “honed” I don’t mean “polished” as much as “there is a much more noticeable dissonance between their instrumentation and their vocals.” Their music by itself is hypnotic, complicated and nicely jam-heavy. With Daniel Martin-McCormick’s vocals, though, it got sort of crazy. He just doesn’t look like he can make the kind of noises he squeals into a microphone jammed halfway into his mouth. But it’s not insincere, and it works. Mi Ami are not for the faint of heart.
High Places are, though, definitely. They’re warm and fuzzy and full of droning noise sure to envelop anyone in spacey bliss. Unfortunately many of their strongest moments – intricate instrumentation and sampling or complex vocals – get lost in the dense, overpowering guitar washout present in their live set. A rare moment of clarity came on “On a Hill in a Bed on a Road in a House,” from their latest record High Places vs. Mankind, as both their vocalists joined to sing a repeating string of words that guided the whole song beautifully. I think they sound better in the studio, where they can take the time to layer components of their music to the best effect.