Ahnnu announces new album World Music on Leaving Records, featuring remixes by Andrew Pekler, Matthewdavid, and more

Ahnnu announces new album World Music on Leaving Records, featuring remixes by Andrew Pekler, Matthewdavid, and more http://www.tinymixtapes.com/sites/default/files/1308/news-13-08-ahnnu.jpg

Looks like Ahnnu is back in full force! After having just released two new non-album tracks via SoundCloud — “Kazu” and “Pe5” — the L.A. producer (a.k.a. Leland Jackson a.k.a. cakedog) has dropped details about his latest release. It’s titled World Music, and it features 12 new tracks + 5 remixes by the likes of Andrew Pekler (who, by the way, released one of our favorite albums this year), Matthewdavid, Nerftoss, and more. Here’s what Ahnnu had to say about the release:

World Music introduces a series of themes which represent various styles and likenesses I’ve adopted in my growth as a sound artist living in the digital age. In respect to my environment, I wanted to create a body of sound-work that is transient in nature. Each track was arranged as separate entities and are holistic in the sense that they are intended to inspire an experience of indifference within a space of perpetual sonic motion. “World Music” describes the continuous sensory shift of both meditative neglect and cognitive sophistication when active within a (digitally) connected culture.

Love it! World Music is out September 3 on Leaving Records. Pour yourself some scotchka and check out album track “Shame” here:

World Music tracklist:

01. Gala
02. Shame
03. Solo
04. Ghille in the Mist
05. Relative Research
06. Ballast
07. Non2
08. Reversology
09. Found
10. Mirror
11. Paia
12. Monica Swept
13. Found (Fumitake Tamura (Bun) rmx)*
14. Solo (EMV rmx)*
15. Reversology (Andrew Pekler “Mysteryology” rmx)*
16. (Lost and) Found (Nerftoss rmx)*
17. Gala (Matthewdavid rmx)*

• Ahnnu: http://www.dogtropic.net
• Leaving Records: http://leavingrecords.com

DJ/PURPLE/IMAGE sprinkling “Fresh Roses” into your bubble bath TONIGHT at 8 PM PST for first-ever Ustream show

Unless you’ve already got other plans, here’s what TMT urges you to do the second you’re off work tonight: hit up Walgreens. Grab dem bath beads. Grab dem supreme pizza. Grab whatever’s on tap at the pharmacy. Run home with a bag dangling from each arm. Smell like flop sweat when you come through the door. Sit in front of a box fan. Let the sweat-salt settle into your crevices.

Now it’s time — 8 PM PST to be exact — to step into the tub, drop trou, and log into Alex Gray a.k.a. DJ/PURPLE/IMAGE’s first-ever CHANCEIMAG.es Ustream wwwBROADCAST, where you’ll be treated to unique vibrations in real-time, using a combination of ultrasonics, echolocation, and microrepetition that will lather you up hands-free and brush past your erogenous zones in ways that evoke other times and places. This live-stream installment is called “FRESH ROSES” (implying more installments in the future!) and promises “ALL original videos/sounds by D/P/I” in addition to the fiddling going on below the water. See you there!

#streamchanceimages

Update: Here’s the archived stream of last night’s show!

• D/P/I: http://chanceimag.es

Yuck puke up new album details, vomit new single, then totally start licking both!

Guys, this is God. Your lord. Hello there! I just wanted to float down from heaven on this awesome white cloud here to bestow upon all you adorable little mortals the exciting news that the rock band Yuck, which you all loved so much back in 2011, is coming back a second time (sounds kinda like a certain son of mine! LOL!) with their second album on September 30 in the UK and October 1 in the US (via Fat Possum/Pharmacy). I totally decree that it shall be called Glow and Behold and, because I say so, will be available on both CD and white vinyl. I like the color white a quite lot; what can I tell you?

Anyway, here’s a few things that you should know. My man Chris Coady produced it, and guitarist Max Bloom is now in charge of the whole outfit (former frontman Daniel Blumberg was getting just a little too curious about the difference between good and evil, so I kinda had to banish him to experimental solo project status). So yes, as you could maybe tell from the first single they released earlier this year, the band does sound a little bit different than before. But be not afraid! It’s still rock ‘n’ roll, and you folks are gonna enjoy the heckaroony out of it (Monday through Saturday only, of course!). Heck, I’ll tell you what; because I’m pretty much THE MAN (they pretty much just call me “I Am Who I Am” upstairs; isn’t that, like, Tarantino-rad?), I’ll bestow another single from the album on you. This one’s called “Middle Sea.” Do you get it? Oh, and don’t worry; I’ll also make it so that you can preorder the whole album over at the Fat Possum website… right… about… now.

Glow & Behold tracklisting:

01. Sunrise in Maple Shade
02. Out of Time
03. Lose My Breath
04. Memorial Fields
05. Middle Sea
06. Rebirth
07. Somewhere
08. Nothing New
09. How Does It Feel
10. Twilight in Maple Shade (Chinese Cymbals)
11. Glow & Behold

• Yuck: http://www.yuckband.com
• Fat Possum: http://www.fatpossum.com

The Belbury Circle and John Foxx announce new EP on Ghost Box; ghosts are real and many of them are my friends

Are you tired of your one friend always scoffing when someone says, “Hey, you guys, I think I feel a presence in this room and it really wants us to watch The Big Lebowski instead of Reservoir Dogs,” during movie nights? Or are you just sick to death of having to go through the whole runaround every time you tell that friend about the translucent figure you accidentally made eye contact with in the bathroom during lunch? Well worry no more, because Ghost Box Records has yet again announced plans to loose its titular box of ghosts upon the music-listening public, effectively rendering all discussions of whether ghosts are “actually a thing” moot. This time they’ve got Empty Avenues from The Belbury Circle and John Foxx on offer.

First announced back in late June, Empty Avenues is the debut collaboration of Jim Jupp of Belbury Poly and Jon Brooks of The Advisory Circle as The Belbury Circle, and they’re joined on vocals by the eminent John Foxx (Foxx began as the lead vocalist for Ultravox, though he left that group in 1979 and has since created all manner of synth-oriented music with a wide cast of partners). Empty Avenues is out September 6 on CD and 10-inch vinyl (with different artwork for each format), though you can preorder it now. The EP features six total tracks, one of which is a remix of the title track by Pye Corner Audio. If you’re super anxious to get your friend to quit ruining social gatherings with his naysaying about ghosts and their scientifically verifiable capacity to haunt, you can check out a preview of three of the EP’s tracks below.

Empty Avenues tracklisting:

01. Empty Avenues
02. Almost There
03. The Right Path
04. Suit
05. Time of Your Life
06. Empty Avenues and Dark Corners (Pye Corner Audio Mix)

• Belbury Poly: https://myspace.com/belburypoly
• The Advisory Circle: http://www.ghostbox.co.uk/artist/artist_theadvisorycircle.htm
• John Foxx: http://www.metamatic.com
• Ghost Box: http://www.ghostbox.co.uk

Interpretations’ new music and creative improv monthly concert series starts next month

It’s pretty staggering to think of a concert series lasting a quarter-century, especially considering the vicissitudes of new and experimental music programming, but this fall marks the 25th concert season of Interpretations, a new music and creative improvisation series curated in part by vocalist Thomas Buckner and the Mutable Music imprint. Buckner’s connection to avant-garde composition and free music goes back at least to the early 1970s, when he ran the 1750 Arch concert series in Berkeley, as well as the 1750 Arch Records imprint (with releases by Gerald Oshita, Roscoe Mitchell, David Rosenboom, Infinite Sound, and many others). Buckner returned to his native New York in 1983, and began the Mutable label in 2000. Interpretations is an appropriate moniker, considering the fact that improvisation and new music composition sometimes appear like different branches of the same tree.

Buckner’s connection to the Chicago axis of free music is made clear from the series’ first concert of 2013, featuring solo and ensemble music from pianist and Association for the Advancement of Creative Musicians (AACM) founder Muhal Richard Abrams (pictured). Improvising composers such as reedman Yusef Lateef and percussionist Adam Rudolf will have their works performed by the Momenta String Quartet (Emilie-Ann Gendron, violin; Adda Kridler, violin; Stephanie Griffin, viola; Michael Haas, cello), and works by Walter Marchetti, Annea Lockwood, Gene Coleman, JG Thirwell, Pauline Oliveros, Anthony Braxton, and Joan LaBarbera will be performed in a variety of instrumental and vocal settings. Look out for bassist James Ilgenfritz’ solo and chamber interpretations of new and historical compositions from the books of AACM-ers and industrial musicians alike, an evening which also features the music of Oliveros and Marchetti. Excepting January, the concerts will be monthly, starting on September 26, 2013 with Abrams and closing on April 24, 2014 with music from electronics artist Tom Hamilton and reedman-composer Ned Rothenberg. All concerts will take place at Roulette in Downtown Brooklyn, a large-scale venue for left-field music.

Schedule:

09.26.13 - Muhal Richard Abrams solo / ensemble
10.17.13 - Gene Coleman // Momenta string quartet
11.13.13 - Anne LeBaron // Ross Bolleter with Tos Mahoney
12.12.13 - James Ilgenfritz // Reineir Van Houdt
02.20.14 - Bruce Gremo // Joan LaBarbara
03.20.14 - Thomas Buckner: Works by Tim Brady, Eric Griswold, John Encarnacao, Annea Lockwood
04.24.14 - Tom Hamilton // Ned Rothenberg

• Interpretations: http://www.interpretations.info
• Mutable Music: http://mutablemusic.com
• Roulette: http://roulette.org

Helm announces Silencer EP on PAN and Alter, perfect music for hissing at people/things

I don’t know if there’s been a definitive lapse in the amount of disturbing non-metal music being released over the last couple of years, but I know back around 2010, I was all about wallowing to new additions to the Miasmah catalog (for instance), with the lights in my apartment turned off and attempts at human interaction met with literal hisses. Such attempts included text messaging, deliveries from UPS, and the mere presence of my living room lamp over in the corner, which I deliberately attired with a coat and dress shoes just so that I could hiss at it. Have you tried indiscriminately hissing at things/people? There’s a reason why most (if not all) snakes hiss, and it only partially has to do with deterring would-be aggressors; the other part, because it’s enjoyable as fuck.

Anyhow, for 2012, there were but two albums on the dark end of the music spectrum that really caught my ear: the first was the Kreng box set Works for Abattoir Fermé 2007 - 2011, and the other was Impossible Symmetry from London-based sound artist Luke Younger a.k.a. Helm. Listening to the latter’s seamless incorporation of electroacoustic elements brought a welcome freshness… that made me want to weep and curl into a ball for its duration. I thank my relative emotional stability for keeping me upright.

Following up on that absolute (and absolutely ominous) achievement, Helm has new EP Silencer due out September 10 on PAN and Younger’s own Alter label. Four tracks long, you can count on an eerily disarming combination of aged, repeating rhythms and hypnotic drones. Certainly an artist to keep tabs on, in my opinion.

Silencer tracklisting:

01. Silencer
02. Mirrored Palms
03. Bergamo
04. The Haze

• Helm: https://www.facebook.com/hhelmm
• PAN: http://www.pan-act.com
• Alter: http://alterstock.blogspot.com