Arca to present &&&&& at Pitchfork-sponsored multimedia event in hopes that Pitchfork will then review &&&&&

Arca to present &&&&& at Pitchfork-sponsored multimedia event in hopes that Pitchfork will then review &&&&& http://www.tinymixtapes.com/sites/default/files/1310/news-13-10-arca.jpg

Arca released &&&&& (TMT [Eureka!] Review) a few months ago as a free mixtape:

Visual artist Jesse Kanda made a grotesque moving image to accompany it:

Now Arca and Jesse Kanda are collaborating to turn &&&&& into a full-on grotesque multimedia experience, centered around a film that visually interprets a nice gooey chunk of the album. Just yesterday they made “the most beautiful mistake of all time”:

Said grotesque experience will be taking place this Sunday, October 6, from 4-7 PM in the VW Performance Dome at MoMA PS1 in Queens. The event was put together by FORMS (Pitchfork’s “multimedia initiative”) and Absolut (Pitchfork’s vodka of choice after their FORMS Festival didn’t happen). Along with the featured film, a vocal ensemble led by Abby Fischer will perform even-more-abstracted versions of Arca’s music, with Thunderhorse Ent. providing the light show. You can buy tickets for the event here.

• Arca: http://www.arca1000000.com
• Jesse Kanda: http://www.jessekanda.com
• MoMA PS1: http://momaps1.org
• FORMS: http://www.formsfestival.com

King Khan and The Shrines promise to play new songs for you on upcoming tour

King Khan is back! He wasn’t gone, but he’s back. While King Khan himself remained a relatively prominent presence over the past few years, it was a full six years of silence from his group, King Khan and the Shrines, until last month when King Khan was like “Oh yeah” and decided to put out a new record on Merge, called Idle No More. To prove this happened, here’s a song from that album by the title of “Born to Die” (very popular title):

If you’re still not convinced that King Khan is back, well, what’s your problem? What’s a man got to do to convince you he’s back? Go on an extensive tour of North America through October and November? Deal. King Khan and the Shrines are going on that very tour. If you go to those shows and you see them and you’re still not convinced that King Khan is back, then I don’t know what to tell you, buddy.

King Khan and the Shrines dates:

10.11.13 - San Diego, CA - Casbah
10.12.13 - Los Angeles, CA - Culture Collide Festival
10.13.13 - San Francisco, CA - Slims
10.14.13 - Portland, OR - Dantes
10.15.13 - Vancouver, BC - The Rickshaw Theatre
10.16.13 - Seattle, WA - Neumos
10.17.13 - Boise, ID - Neurolux
10.18.13 - Salt Lake City, UT - Urban Lounge
10.19.13 - Denver, CO - Larimer Lounge
10.20.13 - Kansas City, KS - The Record Bar
10.21.13 - St. Paul, MN - Turf Club
10.22.13 - Madison, WI - High Noon Saloon
10.23.13 - Chicago, IL - Bottom Lounge
10.24.13 - Cleveland Heights, OH - Grog Shop
10.25.13 - Detroit, MI - Magic Stick
10.26.13 - Toronto, ON - Legendary Horseshoe Tavern
10.27.13 - Montreal, QC - La Tulipe
10.29.13 - Boston, MA - Brighton Music Hall
10.30.13 - New York, NY - Webster Hall
10.31.13 - Philadelphia, PA - Union Transfer
11.01.13 - Washington, DC - Black Cat
11.02.13 - Durham, NC - Motorco Music Hall
11.04.13 - Atlanta, GA - Terminal West
11.05.13 - Birmingham, AL - Bottletree
11.06.13 - New Orleans, LA - Siberia
11.12.13 - El Paso, TX - Tricky Falls
11.13.13 - Phoenix, AZ - The Crescent Ballroom

• King Khan and the Shrines: http://kingkhanmusic.com
• Merge: http://www.mergerecords.com

The Flaming Lips finally quit goofing around, release one EP inspired by a sci-fi movie and another EP of Tame Impala covers. Never mind, definitely still goofing around!

Yeah, the Lips seemed to get a little serious on us for a minute or two this past spring when they put away the animal costumes and shit and savagely dropped some terrifyingly terrifying terror on us. But I think they maybe just needed to eat a Snickers bar or something, because now they’re back to doing what elder statesmen of psych-rock should be doing with their time and given status: recording EPs of vanity-style covers and incidental movie music for films they think are cool!

As Consequence of Sound tells it, Coyne and co.’s first forthcoming EP, entitled Peace Sword, was “inspired by” the forthcoming Hollywood movie Ender’s Game. It comes out on November 26 and features a healthy six (Dave Fridmann-produced) jams with such Flaming-Lips-title-esque titles as “Think Like a Machine, Not a Boy,” “Wolf Children,” and “Assassin Beetle/The Dream Is Ending.” In discussing the project with the Huffington Post back in August, Coyne remarked that he and the band “really ended up liking (the movie)” and that “Steven [Drozd] and I both remarked, ‘Man, I’d like to do some more music associated with this,’ and we think they’re going to let us… I think it could work out.” Sounds like it must have? (BTW: Coyne is all-too-aware of Ender’s Game creator Orson Scott Card’s recent controversial remarks about same-sex marriage and made sure to let everyone know via Instagram that “we try to do cool things with cool people that, obviously benefit us and the cool people we doing stuff with… occasionally these benefits extend to abstractly connected people who are NOT so cool… So we try to choose…” And they’re also planning on etching “Hey Orson Scott Card You Are Wrong” and “Gay People Are Cool” on both respective sides of the EP’s vinyl edition. So, yeah, chillax.)

In addition to that EP, though, there’s also another casual offering of goofy goodness in the works: A split EP with kindred psych spirits Tame Impala. The two bands will be crossing paths a few times on tour next month, and attendees at those shows (and probably all shows) will be able to pick up an “exclusive tour-only vinyl featuring a pair of covers from each band.” For their part, Coyne and the boys are tackling Tame Impala’s “Elephant” and “Runway, Houses, City, Clouds”, while Tame Impala will impossibly attempt to further-psychify the Lips tunes “Are You a Hypnotist?” and “Silver Trembling Hands.” Check out some footage of the Lips tracking “Elephant” below. Or don’t if you don’t like your Flaming Lips doing fun stuff. Cuz this seems pretty fun.

• The Flaming Lips: http://flaminglips.com
• Warner Bros.: http://www.warnerbros.com

Mika Vainio & Stephen O’Malley to soundtrack your newly anarchist life with new LP as ÄÄNIPÄÄ on Editions Mego

We have no federal government right now, and that means a lot of things. Let’s discuss the least important thing that this all means: you are going to need a soundtrack to your newly anarchist life. Something bleak, dark, and noisey, something that epitomizes the apathy of this downhill nation. It should kind of rock out too, just because.

Oh look, Mika Vainio (Pan Sonic) and Stephen O’Malley (sunn O)))) have a new project (under the moniker ÄÄNIPÄÄ) with an LP coming out via Editions Mego titled Through a Pre-Memory. This should do the trick.

Pan Sonic and sunn O))) first collaborated together on a Suicide cover version for a Blast First Petite series in 2007/8, and Mika and Stephen decided to collaborate further with what eventually became the ÄÄNIPÄÄ sessions. The record was tracked at Einstürzende Neubauten’s Andere Baustelle Ton studio in Berlin and mixed at Avast! (Soundgarden, Earth) in Seattle, and it captures the signature motifs of both players, resulting in a crushing block of sound rich with distortion and gritty unholiness.

Sure, the record isn’t due out until November 11, a time by which our government will likely regroup. But there’s at least a SoundCloud sample below that sounds as sweet as a Congressman’s face being smashed by your foot. Preorder here.

• Mika Vainio: http://www.media-loca.com/mikavainio
• Stephen O’Malley: http://www.ideologic.org/home
• Editions Mego: http://editionsmego.com/

Way Through take you on magickal English roadtrip on new album for Upset the Rhythm

Way Through are the English “pastoral punk duo” of all of our dreams. Formerly of Shropshire and now of London, Claire Titley and Christopher Tipton dig field recordings, traditional folk music, and off-kilter vocals and rhythms. They’re big into geography, writing songs about market towns, and crafting art projects around East London’s strangely lovely Bethnal Green area. They were invited by Resonance FM to write a processional work based on the Tate Britain, which inspired the duo to focus their songwriting around particular, meaningful places.

And so they began the process of writing Clapper Is Still, the new album due November 11 on Upset the Rhythm. Way Through spent a year doing research (i.e. looking up cat videos on the internet) and collecting field recordings, which they then spun into magickal English country songs about the places to which they traveled. Way Through’s oft-idyllic road trip can be yours on CD, digital, and that object most holy to the druids, white vinyl.

Listen to (and then download!) album track “Roughting Linn” below, “written about an outcrop of rock in Northumberland carved all over in prehistoric patterns, very off the map, no signs, no markers…”

Clapper Is Still tracklisting:

01. Dedham Vale
02. Imber & Tyneham
03. Stoke Poges
04. Roughting Linn
05. Westonzoyland
06. Dunkery Beacon
07. Haxey
08. Bacup / Knaresborough
09. Sipson
10. Eyam
11. Henry My Son / Dunwich
12. Whiteleaf Hill
13. Wharram Percy

• Way Through: http://waythroughwithyou.blogspot.com
• Upset the Rhythm: http://www.upsettherhythm.co.uk

Wooden Shjips emerge from their wintry Valhalla lair, share new acoustic version of song from new LP

The Celts and Picts were really into post-punk. The ancient Greeks were deep into chillwave and the Mesopotamians were into minimal techno. Obviously the Vikings were super into psych-rock. These are basic tenets of Western Civilization; ask anyone, if you slept through that chapter during freshman year of college. And so it is with great fanfare that Wooden Shjips once more set sail from the dark winding river of [something I’m too lazy to look up/make up] that runs through the halcyon halls of Valhalla, bringing their bounteous crop of experimental psych rock to scattered peoples of North America once more.

Back to Land is the name of the new album, out November 12 on Thrill Jockey. (Odin’s favorite!) The band’s acoustic version of single “These Shadows” has been floating around the internet lately, most recently showing up below this paragraph, and it’s available as a bonus 7-inch when you preorder the Back to Land LP from Thrill Jockey. Fans can also get a freeeeee downloooooad ooooooohhhhh. Preordering is not guaranteed to keep your eternal soul from daily death in monumental battles for the amusement of the old gods, but between you and me, it’s the next best thing. Oh yeah, Wooden Shjips have a tour date or two coming atcha this fall, too.

Dates:

11.08.13 - Chicago, IL - The Empty Bottle *
11.09.13 - Detroit, MI - PJ’s Lager House *
11.10.13 - Toronto, ON - Legendary Horseshoe Tavern *
11.11.13 - Montreal, QC - Casa Del Popolo *
11.12.13 - Boston, MA - Great Scott *
11.13.13 - New York, NY - Mercury Lounge *
11.14.13 - Brooklyn, NY - Knitting Factory *
11.15.13 - Philadelphia, PA - Underground Arts ^
11.16.13 - Baltimore, MD - Ottobar #

* Cave
^ Bardo Pond, Creepoid
# Purling Hiss, Arbouretum

• Wooden Shjips: http://www.woodenshjips.com
• Thrill Jockey: http://www.thrilljockey.com