Coachwhips to reunite for shows at SXSW; mass preliminary moshing not just a sign of people being really bored

Coachwhips to reunite for shows at SXSW; mass preliminary moshing not just a sign of people being really bored

In some corners, February might be reserved for tear-soaked chocolate gorging and a fleeting acknowledgment that “Oh hey, it’s Black History Month,” but concurrent with this most mispronounced of months (along with the weeks immediately before and after) is a holiday that TMT has clearly and enthusiastically gotten behind: The Definitive Days of Dwyer, Man Who Likes Doing Things.

I’m verging on creating a horse made of dead skin out of the dead horse that I’m currently beating, but for the sake of those who are viewing this article in a vacuum and are otherwise totally unaware of his recent activities: YES, John Dwyer announced a hiatus for Thee Oh Sees last December; YES, Thee Oh Sees have a new full-length Drop coming out this April; YES, Dwyer is re-forming Coachwhips for shows at this year’s SXSW; NO, I do not like being this affirmative. WAIT… (you’re asking), go back to that second-to-last bit about Coachwhips performing at SXSW!

As a conceivable follow-up to the vinyl reissue of Hands on the Controls last September, the endearingly abusive and lyrically unintelligible project initially active from 2001-2005, Coachwhips, have a spate of shows scheduled in Austin next month, in addition to one in Los Angeles. Hints of something resembling a full-blown reunion actually came in October 2012, when the band performed their first show(s) in seven years at Total Trash Halloween Bash in Oakland. And if those shows were an indication, the band’s form at SXSW will be same as its first iteration, meaning Dwyer on guitar/vocals, John Harlow on drums, and Mary Ann McNamara on keyboard/vocals/unbridled tambourine handling.

“Coachwhips, my old band, used to do like… way more drugs and stuff.” Gain more insight into the Coachwhips/Dwyer lifestyle with this rather awesome (if somewhat dated) interview. Schedule and a taste of the forthcoming insanity below:


03.08.14 - Los Angeles, CA - The Smell #
03.11.14 - Austin, TX - Hotel Vegas
03.12.14 - Austin, TX - Panache Bruise Cruise
03.13.14 - Austin, TX - Brixton Party - Yellowjacket
03.14.14 - Austin, TX - Castleface Party - Hotel Vegas
03.14.14 - Austin, TX - Sailor Jerry Party - Gypsy
03.15.14 - Austin, TX - Spider House
03.15.14 - Austin, TX - Beerland

# Mary Ocher, Hyenaz, Nad, HOTT MT

• Castle Face:

Shlohmo announces North American tour, collaborative EP with Jeremih… you putz

This one’s for all the putzes out there. Lo-fi R&B beatmaker Shlohmo will depart Los Angeles this spring for an extensive headlining tour. Because all L.A. residents are legally required to have something to do with Coachella, the producer will be playing both weekends of the festival before embarking on tour. A number of special guests are set to accompany Shlohmo on these shows, but the identity of said guests is currently unknown. You’ll just have to wait and find out, you big putz you.

Now hold on, putzes. I’m not done. Before going on tour, Shlohmo has a collaborative EP with R&B singer Jeremih titled No More coming out this March through Def Jam and Shlohmo’s WEDIDIT label. If you would enjoy listening to a song off No More that is also titled “No More,” please press “Play” below this paragraph. If you’d like to watch a semi-terrifying teaser video (with an out-of-date release prediction) for the EP, head to this particular YouTube page. If you’d like to be a putz, do nothing. You’re already a putz.

Shlohmo dates:

04.11.14 - Indio, CA - Coachella (Weekend 1)
04.18.14 - Indio, CA - Coachella (Weekend 2)
04.22.14 - Santa Cruz, CA - The Catalyst
04.23.14 - San Francisco, CA - Great American Music Hall
04.25.14 - Portland, OR - Branx
04.26.14 - Seattle, WA - Neumos
04.30.14 - Denver, CO - Bluebird Theatre
05.01.14 - Lawrence, KS - The Granada Theatre
05.02.14 - Chicago, IL - Bottom Lounge
05.03.14 - Toronto, ON - Opera House
05.04.14 - Buffalo, NY - Waiting Room
05.06.14 - Boston, MA - Brighton Music Hall
05.07.14 - New York, NY - Music Hall of Williamsburg
05.10.14 - Philadelphia, PA - Johnny Brenda’s
05.11.14 - Washington, DC - U Street Music Hall
05.13.14 - Atlanta, GA - The Basement
05.14.14 - Nashville, TN - Mercy
05.15.14 - New Orleans, LA - Republic
05.16.14 - Houston, TX - Fitzgeralds
05.17.14 - Dallas, TX - Trees
05.18.14 - Austin, TX - The Parish
05.20.14 - Albuquerque, TX - Sister

• Shlohmo:

[Photo: Erika Miyagiwa]

Amen Dunes announces new album Love! It’s getting released in the spring, when love is all everywhere!

You know what’s cool? When we talked to you last about New York psych-raga whiz Damon McMahon’s Amen Dunes project, we weren’t sure what the hell was up with his alleged second-of-two releases planned for 2014. Sure, on the basis of 2011’s smash hit Through Donkey Jaw (TMT Review), we tried to keep our excitement up and everything; but truly, we were just kinda grasping at straws and making shit up, mostly.

Well, no longer! I’m happy to report that Amen Dunes has come along to cover our journalistically yellow asses by unveiling a new album for the Sacred Bones label! How convenient. It’s called Love and is being released on May 13. And yeah, like we said earlier, McMahon worked with members of Godspeed You! Black Emperor on it, as well as Elias Bender Rønnenfelt of Iceage and Colin Stetson. Hey, see? We were right on the money after all!

Anyway, according to the press release, the thing was “the result of 18 months’ hard slog, and is influenced by Astral Weeks, Sam Cooke, Tim Hardin and Alice Coltrane, among others.” Awesome, awesome, awesome, and awesome. Right?

• Amen Dunes:
• Sacred Bones:

Unsound Festival New York enlists the likes of Oren Ambarchi, Suzanne Ciani, copeland, Huerco S. and more to drill a hole through the space-time continuum

Listen, I don’t know much about science, but one thing I do know is wormholes are dangerous and unstable and often result in the folks from Star Trek getting into “space jams” of a wacky and treacherous sort. So you’ll understand my skepticism at the proposition of the originally-based-in-Poland Unsound Festival trying to throw cracks into the space-time continuum by way of putting on alternate versions of the festival all around the world, for example in Adelaide, Australia, and now in New York (this is the fourth version of the event in New York after a break last year). Before you try to tell me something like, “Dude, they’re just putting on festivals, no science tricks,” I’ll warn you that I’m pretty committed to believing this so just let me finish.

So, more details on the New York festival so you can either attend it (because the music part seems like it will be pretty cool) or avoid it, because, like most reasonable people, you fear unstable inter-dimensional pathways (n.b. though, if my calculations are correct and Unsound is successful, there won’t be a safe place in the universe and we’ll all be instantaneously ground to space bits). The festival will feature a whole bunch of musicians who are super cool and will probably make TMT readers’ little ears perk right up, including Oren Ambarchi, Suzanne Ciani, copeland, Demdike Stare, Stara Rzeka, and Huerco S. That’s not even all of them! That’s just as many as I felt like typing because my fingers got tired! A full list of the performers is available on the festival’s Facebook event page (a full website with additional details is forthcoming). The festival organizers have also partnered with The Wire to include a compilation CD entitled Tunnels (a reference to the wormholes the event’s organizers are attempting to create) featuring many of the performers with the magazine’s April issue.

Presented in conjunction with Fundacja Tone and the Polish Cultural Institute New York, the whole deal will take place between Wednesday, April 2 and Sunday, April 6. Remember that when the universe collapses, time will be meaningless, so it’s up to you if you want to mark your calendar or wait until every instant from all of time is happening simultaneously. The performances will take place in venues in Brooklyn and Manhattan including the ISSUE Project Room and Cameo Gallery, but, like time, space will also collapse into a functionally massless point once the wormholes open, so no worries about catching the train or anything.

• Unsound:

Deltron 3030 announce US tour dates, their closest dates yet to year 3030

Every day, it gets closer and closer to the year 3030. But who cares? By then, we’ll all be dead. There are only three people in the world who may be excited about the ever-approaching year 3030, those being the three members of hip-hop group Deltron 3030. Of course, Del the Funkee Homosapien, Dan the Automator, and Kid Koala will also all be dead by that year, unless Dan the Automator knows something we don’t. No matter, XLR8R reports the three will be celebrating the closest proximity to that distant time by going on a tour of the United States this spring.

The now-alive, dead-by-3030 trio will be supporting last year’s Event II, their first record since their self-titled 2000 debut. Though that 13-year wait between the two records was certainly lengthy, fans of the group will have to wait even longer for a third record. Sources report that the group are working on a new record, but upon completion will place the album in a time capsule only to be opened 1016 years from now. These sources reporting this information come entirely from my brain, because this is not a thing that is happening. It’s a lie. The only truth is that we’ll all die sometime before the year 3030. Happy future, everyone!

Deltron 3030 dates:

03.22.14 - Scottsdale, AZ - Pub Rock
03.23.14 - Albuquerque, NM - Sunshine Theater
03.24.14 - El Paso, TX - Tricky Falls
03.26.14 - Dallas, TX - Trees
03.27.14 - Austin, TX - Emo’s East
03.28.14 - Houston, TX - House of Blues
03.29.14 - New Orleans, LA - House of Blues
03.30.14 - Baton Rouge, LA - Spanish Moon
04.01.14 - Orlando, FL - The Social
04.02.14 - St. Petersburg, FL - State Theater
04.03.14 - Ft. Lauderdale, FL - Culture Room

• Deltron 3030:

Thee Oh Sees drop word about dropping new album Drop in April, thus overwhelming swaths of confused bassheads

As was previously alluded to, members of Thee Oh Sees scoff at societal convention and things like accepted definitions of words. While taking a “hiatus” might indicate for the rest of us a euphemism for involuntary career suspension, or entail an indefinite vacation with indefinite activities (but for sure, personally, an indefinite number of pizzas consumed), for Thee Oh Sees it apparently means a mere lapse in live performances — as if they hadn’t exceeded the quota already! Furthermore, with the following news, it’s clear that they’ve swapped ”hiatus” for one of its sorta-anagrams. “Ha, suit!” is their unmitigated response to the pressure to become slaves to The Man, greenback-lined though His swanky business attire may be. Deserving of kudos, they’re sticking to the music, collectively and otherwise.

Eh, sort of. Let’s temper that whole “lack of an actual hiatus” thing a bit, because while Drop, Thee Oh Sees’ fifth official full-length in four years, is set for release April 19, it was technically recorded last fall and not somehow instantaneously since the official announcement of a hiatus back in December. Obviously we’ll take it regardless: the album features contributions from Mikal Cronin, Greer McGettrick of the recently split, also-Bay Area band The Mallard, Casafis, and drummer Chris Woodhouse. Woodhouse apparently also owns the venue in which the album was recorded, a “banana ripening warehouse.” So in the absence of a definitive scientific answer either way, let’s assume the rage-inducing qualities of mass banana smells. The track below has been labeled “the heaviest Oh Sees song yet.”

Drop tracklisting:

01. Penetrating Eye
02. Encrypted Bounce
03. Savage Victory
04. Put Some Reverb on My Brother
05. Drop
06. Camera (Queer Sound)
07. King’s Noise
08. Transparent World
09. The Lens

• Thee Oh Sees:
• Castle Face:


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