Dan Deacon taking a chance, remixing new Flaming Lips album in its entirety

Dan Deacon taking a chance, remixing new Flaming Lips album in its entirety http://www.tinymixtapes.com/sites/default/files/1303/news-13-03-dan-deacon-flaming-lips.jpg

There’s a hot new band coming out of Oklahoma City!

Relative unknowns The Flaming Lips have gotten a lot of press about their forthcoming debut album on Warner Bros. Records, The Terror. While the initial April 2 release date has been pushed back two weeks to April 16, fans of the up-and-comers need not fret, as veteran electronic musician Dan Deacon is taking a chance on the burgeoning psychedelic band in an effort to give them more exposure.

Aside from the standard version of the album, Warner Brothers is pulling out all the stops and releasing a deluxe 2 LP edition. That’s where Deacon comes in. He has reconstructed, broken down, and edited the entire album into a side-long remix titled “We Don’t Control The Controls (Mashed-The-F-Up-Remix)”.

Hopefully, the added exposure of the Deacon remix will boost sales enough to let these so called Flaming Lips have a long, eclectic, and successful career.

• Dan Deacon: http://www.dandeacon.com
• Flaming Lips: http://www.flaminglips.com
• Warner Brothers: http://www.warnerbrosrecords.com

Dan Deacon taking a chance, remixing new Flaming Lips album in its entirety

There’s a hot new band coming out of Oklahoma City!

Relative unknowns The Flaming Lips have gotten a lot of press about their forthcoming debut album on Warner Bros. Records, The Terror. While the initial April 2 release date has been pushed back two weeks to April 16, fans of the up-and-comers need not fret, as veteran electronic musician Dan Deacon is taking a chance on the burgeoning psychedelic band in an effort to give them more exposure.

Aside from the standard version of the album, Warner Brothers is pulling out all the stops and releasing a deluxe 2 LP edition. That’s where Deacon comes in. He has reconstructed, broken down, and edited the entire album into a side-long remix titled “We Don’t Control The Controls (Mashed-The-F-Up-Remix)”.

Hopefully, the added exposure of the Deacon remix will boost sales enough to let these so called Flaming Lips have a long, eclectic, and successful career.

• Dan Deacon: http://www.dandeacon.com
• Flaming Lips: http://www.flaminglips.com
• Warner Brothers: http://www.warnerbrosrecords.com

Andrew W.K. to embark on “Human Party Machine Solo Tour,” which for most people is slang for “eating mushrooms, then masturbating”

It’s no secret that working for Tiny Mix Tapes is arduous, thankless, shit-work (just kidding, editors; totally give me a raise!), and I would bet that a lot of our readers feel that way about their jobs from time to time as well. But dude, no matter what’s going on with your work or career path in general, aren’t you just routinely glad that you haven’t built your entire career on the shaky premise of being a “professional hard-partier”? I know I am. That just seems miserable. Not only do you have to go at everything you do with full-on, high-octane abandon (which just the sheer thought of makes me tired), but you gotta keep upping the ante and pumping out crazy new shit (and its accompanying rhetoric) to maintain your rep as someone who does crazy shit.

Case in point: Andrew W.K. has just announced (via Consequence of Sound) that he’ll soon head off on what he’s calling “The Human Party Machine Solo Tour” this coming April. In other words, he’s going on a solo tour, on which, according to his website, he’ll be “armed with only a microphone, a keyboard, and the will to survive.” In case you were wondering, the words that follow those words are these words: “Andrew brings the party chaos and drives it into your soul!” Woo-hooooooo! Can I get an air horn?!?

Okay, okay, so maybe I’m being a little glib about this. Besides, W.K. does seem legitimately jazzed about the prospect of dancing the night away in tiny, filthy clubs across the US. “I’m truly excited and also terrified by what will happen at these shows,” he states. “It’s designed for maximum chaos and to put us as close to the abyss as possible. But we’re going to survive and thrive, because we’ll be in it together, arm-in arm and heart-to-heart, becoming a human party machine made of blood, love, and courage. Get your friends together and let’s fucking do this!” Although you’d better be careful that he doesn’t headbutt you on accident when you’re gettin’ all funky together. Something tells me that, at this point, that dude doesn’t even feel his limbs and face anymore.

“The Human Party Machine Solo Tour”:

04.13.13 - Toledo, OH - Frankie’s Inner City
04.14.13 - Hamilton, ON - Club Absinthe
04.15.13 - Buffalo, NY - SoundLab
04.17.13 - Portland, ME - Studio 250
04.18.13 - Providence, RI - PVD Social Club
04.19.13 - Hartford, CT - Arch St Tavern
04.20.13 - Syracuse, NY - The Lost Horizon
05.18.13 - Freehold, NJ - iPlay America (Skate And Surf Festival)
05.19.13 - Pittsburgh, PA - The Altar Bar
05.22.13 - St. Louis, MO - The Firebird
05.23.13 - Des Moines, IA - Vaudeville Mews
05.24.13 - Joliet, IL - Mojoes
05.25.13 - Howell, MI - Harltand Performing Arts Center
05.26.13 - Covington, KY - Madison Theater
05.28.13 - Johnson City, TN - The Hideaway
05.29.13 - Douglasville, GA - The Seven Venue
05.30.13 - Mobile, AL - Alabama Music Box
05.31.13 - Tampa, FL - The Orpheum
06.01.13 - Jacksonville, FL - Roc Bar
06.02.13 - Wilmington, NC @-The Soapbox
06.04.13 - Greensboro, NC - Greene St Club
06.05.13 - Virginia Beach, VA - Shakas
06.06.13 - Richmond, VA - Kingdom
06.07.13 - Springfield, VA - Empire

• Andrew W.K.: http://andrewwk.com

Internet fest #SPF420 to feature Vektroid (Macintosh Plus), DJ PayPal, Contact Lens, Magic Fades, and more; starts tomorrow!

Since SXSW was last week, I don’t have to make a choice between that shitstorm “fest” and #SPF420 FEST 3.0, but fuck it, I choose #SPF420 anyway. Thanks to #SPF420, an internet-based gathering that streams live through video/chat service Tinychat, I’ve had the pleasure of wearing pajamas to two fests — 1.0 back in September 2012, 2.0 in early January — while watching the likes of Vektroid (Prism Corp, Macintosh Plus, etc.), coolmemoryz, LAKE RADIO, Metallic Ghosts, Infinity Frequencies, No Taste, and more.

While the first couple fests were sorta heavy on “vaporwave” (or vaporwave-related) artists, the third installment sees fest organizers Stress (♥) and Chaz Allen (Metallic Ghosts) digging deep into the virtual dance underground. Vektroid, who performed at the first fest and DJ’d as Prism Corp for the second, is playing again (yay!), but the fest is also bringing in the ghettodisco of DJ PayPal, the cracked beats of Contact Lens, the futurist cyberpop of Magic Fades, the dreamtrap of Blackedout, and the smooth futurism of Kodak Cameo. (Look, new genres!) It’s a big departure at first glance, but when compared to the lineup of any other fest out there, the continuities between these artists — lust for the groove, masterful repetition, hyperreal imagery, sensual exaggerations, fluid aesthetics — become particularly pronounced.

#SPF420 FEST 3.0 starts at 10 PM EST on Wednesday, March 20 in this Tinychat room. Chaz will serve as the house DJ (as Sugar C), Transmuteo (who performed at 2.0 and writes here as Jonathan Dean) will do a slow rave DJ set for the afterparty, and Stress will be hosting it all. So get up and go to the show stay right there and wait patiently for showtime.

You can view the fest’s trailer and sample all the artists below:

DJ PayPal:

Contact Lens:

Vektroid:

Magic Fades:

Blackedout:

Kodak Cameo:

• #SPF420: https://soundcloud.com/spf420
• #SPF420 FEST 3.0: https://www.facebook.com/events/136903026484461
• @whtebkgrnd (poster artist): http://whtebkgrnd.tumblr.com

Jandek box set of three early albums emerges from the abyss for Record Store Day

If you’ve been looking for an introduction to the work of world-famous recluse Jandek, now might be your time.

Portland, Oregon’s Jackpot Records (in association with Corwood Industries) is prepping a deluxe box set featuring three of Jandek’s earliest records; 1978’s Ready for the House, 1981’s Six and Six, and 1982’s Chair Beside a Window. The box set, simply titled Jandek, will be limited to 500 copies worldwide and is an exclusive Record Store Day 2013 release. The package includes the three albums on heavyweight vinyl (presumably 180 gram), a hand-numbered hardbound slipcase, three 24”x24” posters, and a full Corwood Industries catalog insert.

With fans ranging from Thurston Moore to John Darnielle to Mandy Moore, Jandek managed not only to remain pretty much faceless for most of his career, but incredibly prolific. With over 70 albums spanning the course of 35 years, this box set is, as far as I can tell, the first not to be released outside of the Corwood Industries label.

Side note: if you want more info on the mystery that is Jandek (unfortunately, the internet killed the fun of “solving” a mystery) as well as other outsider music, I’d recommend Songs in the Key of Z by Irwin Chusid (check your public library or your local book retailer for more info).

• Jandek: http://www.corwoodindustries.com
• Jackpot: http://www.jackpotrecords.com

Quicksails preps dynamic Mayville Dream for an Aprilville release on Spectrum Spools

When it comes to operating his Spectrum Spools imprint, John Elliott (formerly of Emeralds) has previously expressed his desire to keep an open mind concerning the music that he promotes. PLVS VLTRA’s album Parthenon would possibly be the most ready example of this, with its firm residence inside synth-pop territory, but what about that pesky reversion to the mean theory? I’m not sure about its applicability to record labels, but I’ll be damned if a track off the new Quicksails album doesn’t sound slightly Emeralds-esque. I’m probably imagining things. Granola bars can be intoxicatingly delicious, and I just ate two of them.

In any case, Chicago-based artist Quicksails a.k.a. Ben Billington will be releasing Mayville Dream on Spectrum Spools on April 29. I referenced Emeralds, but Billington seems to bring a degree of style variability that I certainly never noticed on an Emeralds album, or across Emeralds albums. As the official album description points out, “[Billington] can morph his styles seamlessly and is fluent in many musical languages, whether he’s playing in Moonrises, Circuit [des] Yeux (as a touring drummer) or in the legendary underground free-jazz unit Tiger Hatchery.”

For a preview of that seamlessness, listen below:

• Quicksails: https://soundcloud.com/quicksails
• Spectrum Spools: http://editionsmego.com/releases/spectrum-spools