Dan Deacon to score Francis Ford Coppola film, collaborates with So Percussion

Dan Deacon to score Francis Ford Coppola film, collaborates with So Percussion http://www.tinymixtapes.com/sites/default/files/news-11-01-dracula.jpg

When was the last time you saw a Francis Ford Coppola film you actually enjoyed? Lord knows it wasn’t Jack, and I hope for your sake it wasn’t Dracula — possibly The Rainmaker. Regardless, the guy hasn’t made an exceptionally solid film in quite some time, and what questionably halfway decent flicks he has made in the recent past have definitely left zero room for creative surprises……. until now. For Coppola’s next film Twixt Now and Sunrise, he will be enlisting Baltimore’s crazy king Dan Deacon to score it. And hey, if that weren’t enough, Deacon and Coppola are also going to be collaborating on a large(r)-scale secret project in the near future. Seriously?

With Dan Deacon scoring and all, you might think the plot of Twixt Now and Sunrise would involve, I don’t know, midget clowns, glitter, and visions of Satan or something, but it’s actually going to be a “gothic romance” staring Val Kilmer, Bruce Dern, Ben Chaplin, and Elle Fanning. Don’t worry, I’m just as wigged-out by all this as you are. No word on a release date for the film, but according to IMDB, it’s currently in post-production.

In other news, Deacon’s got some new composition for So Percussion that he’s debuting in NYC on the 20th and a new orchestral work he’s performing with the Kitchner-Waterloo Symphony in Kitchner, Ontario early next month. Other than that, I’m not convinced any of this is actually real.

Shows:

01.20.10 New York, NY - Merkin Concert Hall *
02.03.10 Kitchener, ON - Conrad Centre for the Arts #
02.04.10 Kitchener, ON - Conrad Centre for the Arts #
02.12.10 Iowa City, IA - Gabe’s Iowa City
02.23.10 San Francisco, CA - Rickshaw Stop
03.13.10 Denton, TX - 35 Conferette

* So Percussion
# billed as “Dan Deacon’s Electronic Bus”

• Dan Deacon: http://www.dandeacon.com

Buy your way into R. Stevie Moore’s life and onto his album

Do you feel the need to accomplish something? Do you have an extra $2,500? Would you like to executively produce an album?

If you answered “yes” to any of the above questions then this news story is for you! Yes, you! Let me tell you how: not-that-well-known-but-still-devotedly-loved-lo-fi-King-and-home-recording loner R. Stevie Moore has decided that he is going to finance his next album with the Kickstarter program. What’s the Kickstarter program? Well, if you didn’t visit the link above and want me to just tell you, I will: according the website at the link above: “We’re the largest funding platform for creative projects in the world.” Not counting my Uncle Bill, I bet that they really are the largest.

Synopsis: R. Stevie Moore wants YOU to help finance his next album, and, in return, he’s set up an excellent rewards program to make the action of giving much easier. Casual financial-backers receive gifts ranging from CDs and t-shirts up to Executive Producer credits for the album. For those more dedicated fans (or bored billionaires) you can keep on giving up to a $2,500 level and receive dinner with Mr. Moore, a chance for a 30-minute conversation where you can ask anything, a private home concert, or even the chance to sit in during a recording session and lay down your own bitchin’ tuba solo!

• R. Stevie Moore: http://www.rsteviemoore.com

[Picture: Richard Petrucci]

Archers of Loaf reunite for a few minutes, no big whoop

Like every other hard working, cult status-y group of heroic indie rock bro-dogs, North Carolina’s Archers of Loaf were contractually obligated to split up at the end of the glorious 90s. And even though they could have waited until each member’s death to be reunited in the Kingdom of Heaven, the band apparently decided to hedge their teleological bets and play now instead.

As Pitchfork reports, this past Saturday, they gave the hometown audience at the Cat’s Cradle in Carrboro, North Carolina a bit of a surprise when they mysteriously appeared on-stage as the opening act for The Love Language and proceeded to dole out thick-hewn slices of classic, steaming hot Loaf. No official full-on reunion plans have been announced as of yet, so it looks like we’ll be left wondering for a little while whether or not this spontaneous show was just a curious one-off or not.

Now, I can hear you asking, “‘Mysteriously appeared?’ Does that mean there were fog machines??” Well, see for yourself, man. A YouTube user posted videos and a full setlist from the gig. Which… I’ve gotta say, really makes my job a lot easier. You can take it from here, YouTube usermumblepop. Later, everyone. (There were no fog machines).

Full setlist:

01. Audiowhore
02. Harnessed in Slums
03. Revenge
04. Nostalgia
05. Lowest Part Is Free
06. Freezing Point
07. Greatest of All Time
08. You and Me
09. Might
10. Web in Front
11. Wrong
12. Slow Worm

-

• Archers of Loaf: http://www.myspace.com/archersofloaf
• Cats Cradle: http://www.catscradle.com

RIP: Don Kirshner, Brill Building publisher, The Monkees producer

From Rolling Stone:

Don Kirshner, the music industry impresario who established the Brill Building group of songwriters in the Sixties and later hosted a weekly live music television program called Don Kirshner’s Rock Concert, has died at the age of 77.

Kirshner began his career as jingle writer, but eventually found himself working behind the scenes as the head of the publishing company Aldon. At Aldon, Kirshner brought together the group of songwriters — including Neil Sedaka, Carole King, Gerry Coffin, Burt Bacharach, Neil Diamond and Laura Nyro — who would become known as the Brill Building.

• Don Kirshner: http://en.wikipedia.org/wiki/Don_Kirshner

Dr. Dre announces release date for OK Computer

“4/20, baby. 4/20, I’m coming,” said Dr. Dre.

He’s referring to his long-awaited release, OK Computer, an album featuring four discs intended to be played simultaneously on four different stereo systems.

• Dr. Dre: http://www.drdre.com

Supergrass singer Gaz Coombes is halfway done with his solo debut (or halfway undone, depending on how you look at it)

So, I’m readin’ Spinner the other day, right? And they’re all-like, “even though Britpop legends Supergrass have only been done for like nine months after 17 years together… blah, blah, blah, frontman Gaz Coombes is already hard at work on his debut solo album.” Or something like that. Anyway, so I’m like, “whoa, really? Who’s this guy think he is?” And I keep on readin’.

And you’ll never believe this guy Coombes. He’s like “telling all” here! Apparently, the record is being co-produced (whatever that means) by Sam Williams, who was twiddlin’ the knobs or whatever-ya-call-it for that first Supergrass album I Should Coco, and features Coombes playing all the instruments by his precious, lonesome self. Then he starts in with the artsy-fartsy particulars and all that. “It’s going well actually,” he says. “I’ve got five or six completed and totally mixed, so half the album’s totally finished, and the other half is written and just in the process of recording bits and bobs and finished vocals. It’s sounding great, I’m really chuffed.” Get a load of this guy! It’s like he’s freakin’ talking to Barbara Waters or some shit, right? And like, what the heck does “chuffed” mean anyway?! This guy’s somethin’ else.

So, yeah. I’m readin’ on, and Coombes is just talkin’ up a storm about all his motivations and this and that, saying how instead of feeling the urge to take a break after Supergrass split up, he “just really wanted to make [an album]” and gabbing on about how he had “a really productive couple of months, after the split. There’s a lot of songs that came from frustration, that feeling of ants in your pants, just a lot of energy blasted out.” Eee-ee-eew! Gross, right?! Like, what’s this sick-o’s problem, am I right?!

But then I’m thinkin’ to myself: like, what is this shit gonna sound like? Is it one of those things that’s all ‘different’ and ‘ambitious’? Cuz I don’t like music with a buncha bells and whistles and clicks and pops and all that, you know. But swear to god, just as I’m sittin’ there thinkin’ this stuff, there’s Coombes explaining it all! “It’s upbeat in many places, mixed with driving beats, in a cinematic, sort of psychedelic way. Will it scare Supergrass fans? I really don’t know… a lot of the drums are different odd cut up beats and weird things which I love. I need to do those things, get them out quick and spontaneous. That was the idea, spontaneous quick expression of my basement world.”

So, that’s basically the last freakin’ straw for me. I’m all like, “Jeez, check out the ‘artiste’ over here, right?” And I close the freakin’ browser tab or whatever-ya-call-it and I’m swearin’ up a storm about this Coombes guy, you know, cuz I’m hot under the collar. And, well… long story short, that was the first time I was ever “escorted” out of the public library.

• Supergrass: http://www.supergrass.com
• Gaz Coombes on Twitter: http://twitter.com/THEHOTRATS