EFF fights for your right to resell CDs in a hearing today

EFF fights for your right to resell CDs in a hearing today

Back in the wonder years of 2007, Seattle resident Troy Augusto enjoyed shopping at used music stores and second-hand shops, where he would buy shitty music for cheap prices and then turn around to sell the items on eBay. Nothing wrong with that, right? I’m sure you’ve all bought some used CDs on eBay.

Well, Universal Music Group (UMG) thinks otherwise, and it especially takes offense to Augusto’s practice of reselling promotional CDs (the type with that annoying “promotional use only, not for sale” label on the front). UMG believes that those labels have higher legal standing and outweigh Augusto’s (or any US citizen’s) “first sale” rights, and thus promptly sued Augusto.

Let’s take an educational detour and learn a little bit about “first sale” legality. According to an excellent and riveting piece of writing found in section 109 of The Copyright Act, the law states that once you legally own a lawfully-made piece of media (CD, book, or DVD), you can sell it, give it away, lend it to a friend, or even do nothing with it, and you never have to ask for permission from the copyright holder. In other words: You buy it, you own it — it’s yours, dude.

Of course, a giant conglomerate like UMG doesn’t like pinko-commie bullshit like that, because then all the NEW product it releases has to compete with all the OLD product being sold for reasonable prices at local shops or sold online without disgruntled record/book store types grumbling at your idiot selections. So it sues people instead.

The good news? Mr. Augusto won (YAY!). But then UMG was all “not yet you commie-pinko jerk” and appealed the ruling. Damn appeals! Why can’t it just help the common man and reformed criminals! Accordingly, the 9th Circuit of the US Court of Appeals will be listening to oral arguments this Monday, the 7th of June.

This is where the EFF comes in. The Electronic Frontier Foundation, an organization of lawyer types dedicated to “champion(ing) the public interest in every critical battle affecting digital rights,” has taken on the case in support of Mr. Augusto. The EFF, alongside legal-counsel Joseph C. Gratz of the San Francisco law firm Durie Tangri LLP, will argue the case with the goal of, according to the EFF, “urging the court to uphold the ‘first sale’ principle against self-serving ‘not for resale’ labels on compact discs.”

Good luck you pinko-commie heroes!

• Electronic Frontier Foundation: http://www.eff.org
• Official EFF press-release: http://www.eff.org/press/archives/2010/06/01
• UMG vs. Augusto: http://www.eff.org/cases/umg-v-augusto

RIP: Stuart Cable, former Stereophonics drummer

From MTV:

Stuart Cable, the former drummer with Stereophonics, has been found dead in Wales aged 40.

According to reports his body was discovered at 5.30am this morning at his home in Aberdare.

His mother told Wales Online: “Stuart has travelled all over the world with the band and I have worried myself silly. He is now settled down and then this has happens. It has not sunk in yet.”

Cable left the group in 2003 and later had his own radio and show on Welsh TV. He also started a new band called Killing For Company.

• Killing for Company: http://www.myspace.com/kfcband
• Stereophonics: http://www.stereophonics.com

[Photo: Rockhack.co.uk]

Superchunk reveal Majesty Shredding details, then make their kids’ lunches, then announce Fallon TV appearance, then weed their vegetable gardens!

On September 14, your older half-brother’s favorite band Superchunk will release Majesty Shredding on CD, LP, and digital download. The band’s first album in almost a decade was produced/engineered by Scott Solter (The Mountain Goats, John Vanderslice) and features some (presumably pretty scrappy) backing vocals courtesy of The Mountain Goats’ own John Darnielle. And, as we previously reported so eloquently, old man McCaughan and co. have announced a handful of summer festival dates and fall East Coast dates in support of the new record. Touring in support of a new album? It almost sounds like these kids know what they’re doing or something…

So why are we re-reporting old news to you, you ask? Has Tiny Mix Tapes run out of ideas? Dried out? Washed up? Gotten sponsored by Merge? While all of those things may seem like valid contenders for the truth, the real reason is that we now we have the tracklist and cover art for Majesty Shredding, along with the news that da ‘Chizunk will also perform on a little show called Late Night with Jimmy Fallon on Monday, September 20 (making this their first television appearance since 1994, a.k.a. The Beck Administration). And that’s news you can take to the BANK, kids. Which bank? I don’t know. Joseph A. Bank? (Is that a bank?)

Majesty Shredding:

01. Digging for Something
02. My Gap Feels Weird
03. Rosemarie
04. Crossed Wires
05. Slow Drip
06. Fractures in Plaster
07. Learned to Surf
08. Winter Games
09. Rope Light
10. Hot Tubes
11. Everything at Once

The “Chunk Light” tour:

06.19.10 - Denver, CO - Westword Music Festival
06.20.10 - Chicago, IL - Taste of Randolph Street Festival
07.24.10 - Omaha, NE - MAHA Music Festival
09.17.10 - Washington, DC - 930 Club
09.18.10 - New York, NY - Bowery Ballroom
09.19.10 - Brooklyn, NY - Music Hall of Williamsburg
09.20.10 - New York, NY - Late Night with Jimmy Fallon
09.21.10 - Boston, MA - Royale
09.22.10 - Philadelphia, PA - Trocadero

• Superchunk: http://www.superchunk.com
• Merge: http://www.mergerecords.com
• Joesph A. Bank (not a bank, as it turns out): http://bit.ly/akfuYl

Attention rich people! World’s largest independent publisher Bug Music for sale

So, you’re a major label, and you’ve got this huge pile of money sitting around. Something in the ballpark of, oh, $300 million. Now this is where it gets difficult: you want to use the money for good… or at least for rock ‘n’ roll. If this describes you (and really, who reading TMT right now doesn’t see a little bit of himself/herself in the above scenario?), you’re in luck, because publisher Bug Music is currently for sale.

The first round of bids has seen the likes of Universal Music Group, Warner Music Group, Sony/ATV Music, and a partnered KKR and BMG stepping up to the plate. The next round of bidding takes place on June 18, so now is probably the best time to sell off that private island you bought in the Caribbean in order to raise funds.

In an interview with The New York Post, Lisbeth Barron, a Berenson & Company banker with music industry access, stated that , “Typical music publisher multiples currently range from 8 to 10 times net publisher’s share for quality assets.” Bug, however, is asking for 12 times net. (Their annual revenue is estimated at $70 million.)

So what makes Bug so special? Well, the company is the largest indie publisher in the world, with copyrights to over 250,000 songs. So, next time you hear “What a Wonderful World” in a commercial for cold medicine or that shitty Kings of Leon song “Use Somebody,” just know this: Bug Music owns publishing rights to them, but those rights could be yours.

• Bug Music: http://www.bugmusic.com

DOOM to release live LP, Expektoration, but is it really DOOM behind that mask?

Whenever DOOM performs, there’s a lot of hubbub about “who’s wearing the DOOM mask,” ever since it was discovered that a dude was just wearing the mask and lip-syncing. But fuck all that shit: DOOM is great live, and it takes a lot more than a mask and mouthing words to be DOOM. I mean, even Doctor Doom had Doom-Bots for those days when he just wanted to relax — nobody sees anything wrong with that, right? Okay, yeah, Reed Richards has a problem, but he’s a nerd.

Anyway, DOOM looks to dispel any and all negative thoughts about his live performances by releasing Expektoration on September 14 through Gold Dust, the label that also released Doom’s Unexpected Guests (TMT Review). The live disc highlights some of DOOM’s greatest songs, such as “Kon Karne,” “Accordion,” “Hey,” “Rhymes Like Dimes,” “Change the Beat,” and an appearance by King Geedorah on “The Fine Print,” as well as plenty of help from Big Benn Klingon.

The disc is broken into two acts and is seperated by a “Star Trek”-themed intermission. Act One focuses mainly on new works MM…Food and Doom’s 2004 collaboration with Madlib, Madvillainy. Act Two takes a blast to the past by shifting its focus to DOOM’s 1999 debut album Operation: Doomsday. Listen closely and not only can you hear the sound of audience members reciting lyrics, but you can also hear every music nerd ejaculating at the chance to hear “Doomsday” live. Trust me, I was there, and my pants are still sticky.

• DOOM: www.metalfacedoom.com
• Expektoration: www.mfdoom-expektoration.com
• Gold Dust: www.golddust-media.com

Dan Deacon presents whacked-out film at Incubate Festival

In September, Dan Deacon will be making the quantum leap from sound wizard/frontiersman/crowd dictator/spazoid/manipulator to an entirely new medium of spastic freakishness. Instead of controlling your bodily and aural functions, he will instead be attempting to manipulate your perception of, you know, visual shit. Yep, prior to the Incubate Festival, which will take place September 12-19, Deacon will be making things happen with main man Jimmy Joe Roche by shooting a film in a farm outside of festival local Tilburg, Netherlands.

According to PR peeples, the film is conceptualized around “explorations of culture and the body — and the ways that dreams can inspire and torture us — dreams weaving fluidly in and out of reality.” Wow. After viewing this thing, chances are Deacon will be the one doing the torturing… of dreams, that is. The shooting involves a large cast of members that stage a series of what Roche and Deacon refer to as “happenings,” with spoken word in both Dutch and English and a supposed abundance of improv motion(?). This whole mess will be screening prior to Deacon’s live performance at the festival. It’s sure to be a doozy.

Before then, don’t forget to get your tickets to Whartscape (TMT News)!

• Dan Deacon: http://www.myspace.com/dandeacon

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