Ende Tymes doing fundraiser for May festival: Aaron Dilloway, Macronympha, Crank Sturgeon, Pulse Emitter, Bhob Rainey, Andy Ortmann, more

Ende Tymes doing fundraiser for May festival: Aaron Dilloway, Macronympha, Crank Sturgeon, Pulse Emitter, Bhob Rainey, Andy Ortmann, more http://www.tinymixtapes.com/sites/default/files/1305/news-13-05-ende-tymes.jpg

As John spake it in the holy book of Revelation, chapter one, verse seven, “Look, it is coming with the clouds, and every eye will see it; and all peoples on earth will mourn because of the Ende Tymes Festival. So shall it be! Amen.” And so this prophecy shall be fulfilled, once again, for the third time, May 24-26.

But the miraculous advent of Aaron Dilloway, Crank Sturgeon, Work/Death, and countless other noisemakers will require much prayer, conviction, and tithing into the festival’s crowdsourcing fundraiser at IndieGoGo. Thou hast only four days left to contribute and reap the precious swag and benefits of timely responders! Make haste! So that these apostles of harsh sound may be compensated fairly!

Doth thou readers tire of our Biblical humor at every mention of this festival? Then thou art a stick in the mud! Haters doth hate.

• Ende Tymes: http://halfnormal.com/endetymes
• Ende Tymes Fundraiser: http://www.indiegogo.com/projects/ende-tymes-festival-of-noise-and-exper…

Ende Tymes doing fundraiser for May festival: Aaron Dilloway, Macronympha, Crank Sturgeon, Pulse Emitter, Bhob Rainey, Andy Ortmann, more

As John spake it in the holy book of Revelation, chapter one, verse seven, “Look, it is coming with the clouds, and every eye will see it; and all peoples on earth will mourn because of the Ende Tymes Festival. So shall it be! Amen.” And so this prophecy shall be fulfilled, once again, for the third time, May 24-26.

But the miraculous advent of Aaron Dilloway, Crank Sturgeon, Work/Death, and countless other noisemakers will require much prayer, conviction, and tithing into the festival’s crowdsourcing fundraiser at IndieGoGo. Thou hast only four days left to contribute and reap the precious swag and benefits of timely responders! Make haste! So that these apostles of harsh sound may be compensated fairly!

Doth thou readers tire of our Biblical humor at every mention of this festival? Then thou art a stick in the mud! Haters doth hate.

• Ende Tymes: http://halfnormal.com/endetymes
• Ende Tymes Fundraiser: http://www.indiegogo.com/projects/ende-tymes-festival-of-noise-and-exper…

Drag City reissuing Royal Trux’s 3-Song EP in June, could not be convinced to rename it

There seem to be two schools of thought concerning Royal Trux. One sees Accelerator (Drag City, 1998) as RT’s magnum opus, the long-awaited distillation of the heroin-damaged chaos that marked their earlier work; the other sees it as an album eight years past their prime, a perversely muted affair in comparison to the monomaniacal purity of 1990’s Twin Infinitives.

Regardless of the poison you pick — and don’t be fooled, it’s exactly that — you’re guaranteed a generous helping of hydrochloric substance. Royal Trux could always be counted on to provide an essence of something altogether broken, whole, dead, and alive all at once. Their sound? A nocturnal, Stooges-like mess of broken glass, smog, motor-oil, and frayed nerves. If Twin Infinitives was an exquisite corpse of shattered parts — the result of a monstrous structure collapsed from unbearable perversity — Accelerator was the sound of putting the Humpty Dumpty back together again. In the two records one can find both poles of the Royal Trux spectrum, a sort of diptych of their delightfully grotesque legacy.

Hanging somewhere in the void is everything else the band recorded, which includes 98’s 3-Song EP. After Accelerator’s unexpectedly warm reception, a tour was soon scheduled. This entailed assembling a full-fledged band, one made up of many Drag City players, most notably bassist David Pajo. After arriving at Royal Trux’s Virginia ranch for rehearsal, the newly formed band was hurriedly prepared for the recording of a new EP. The end result was the 3-Song EP, a relatively straightforward, proggy, and low-end heavy set of songs; which didn’t make them any less intoxicating, mind you. After all, it was still Royal Trux, for fuck’s sake.

The 3-Song EP has been rather difficult to track down as of late, being out of print for almost a decade. But! Drag City (swooping in to save the day) has been unearthing the Royal Trux archive piece by piece, and the next step will be reissuing the 3-Song EP on June 18.

And if you don’t already own the first few albums (as well as Accelerator) don’t worry, everything is going to be okay; you can still rectify your impoverished situation by picking them up at the Drag City store.

• Drag City: http://www.dragcity.com

Flying Lotus releases his newsworthy bowels: a jazz album, Brainfeeder compilation, and Captain Murphy tape are all in the works

So clear is the influence that when Flying Lotus says he’s on his “jazz shit,” and that he’s currently “doing a lot of jazz stuff,” the inclination is to sarcastically respond, “Well nooooooooooooooooo kidding,” acknowledging that his previous three albums were noticeably tinged by the genre, and of course, that he’s a relation of the Coltrane family. For a filmic analogy, it’d be like if director Michael Bay elucidated as to his “explosion” plans, and talked about how he’s currently “doing a lot of explosions.” Bay would then release his personal, feature-length version of the Robot Chicken parody, and everyone would be slightly relieved at this final and total indulgence of what is so clearly his obsession.

On a much more refined note, and expanding on now-confirmed rumors of working in the studio with jazz legend Herbie Hancock, Flying Lotus does appear to be working on a bonafide… something — possibly a jazz album. Here’s the relevant quotation from Steven Ellison himself:

Right now, I’m on my jazz shit, man. I’m doing a lot of jazz stuff. We’re trying to make something that’s kind of a geek album. There are crazy time signatures and really intense playing, just because we want to go there. We want to play really fast. It’s gonna be fun, man… At the moment, there’s a lot of people involved.

No, please, elevate my interest even further, Mr. Ellison.

There’s also a Brainfeeder compilation in the works, celebrating five years since the label’s inception, and a tape from Captain Murphy (Ellison’s rapping persona), featuring beats from Madlib, Hudson Mohawke, and Jeremiah Jae. Additionally, Apocalypse from Thundercat, which was produced by Flying Lotus, will be released on July 9. All of this looking forward can’t be good for the neck…

• Flying Lotus: http://flying-lotus.com
• Brainfeeder: http://www.brainfeedersite.com

Jim Jarmusch starts his own music project SQÜRL, readies debut EP for ATP, because suck it David Lynch!

I guess I don’t really know from firsthand experience, but if I had to smoke a bunch of weed and start monologue-ing about it at the top of a news story in order to pad it out a little (stop twsting my arm, readers!), I’d guess that one probably don’t end up being a film director/actor/writer/editor/etc. for 30+ years without getting the itch to score a film project or two with some sounds that you’re already hearing in your genius-y, grey-haired head. Besides: video takes up a LOT more space on a computer than audio does… so SOLID ASS LOGIC would dictate that making music must be like, 70% easier than making movies. Eh? Right? Right!

Anyway, so yeah, let’s all assume that what I’ve outlined above comprises the reasons why Jim Jarmusch — along with Carter Logan and Shane Stoneback — is starting a new project called SQÜRL and releasing a debut EP on May 20 courtesy of ATP (a festival for whom he’s already totally coincidentally also making an appearance at this summer) on “deluxe limited edition 12-inch Picture Disc vinyl with download (limited to 1000 hand-numbered copies), and digital download,” according to the band’s press release. Because heck, the only other motivations I could think of for the project would be to try and get in a crazier-names-for-things-contest with David Lynch. And I don’t really want that to be the reason. Do you?

Heck, I’m sure that press release will back me up here, won’t it? Let’s see… ah, here we go:

SQÜRL began in 2009 when Jim and Carter teamed with producer/engineer Shane to record some original music for the film THE LIMITS OF CONTROL. Echoing the varied Spanish landscapes captured in the film, the three emerged with a set of slow-motion psychedelic rock’n’roll songs (releasing them as Bad Rabbit).

Following these scoring sessions Jim, Shane, and Carter continued to record new originals while also exploring the back-alleys of American country, noise, and psychedelia. Now having changed their name to SQÜRL the group has readied a series of EPs of these songs, recorded over a 3 year period by Shane at Treefort Recording in Brooklyn, NY.

Ha, see? Makes perfect sense. Check out the first track below, and for god’s sake, stop making all this harder than it needs to be!

SQÜRL EP tracklisting:

01. Pink Dust
02. Dead Naked Hippies
03. Little Sister
04. Some Feedback For Jozef Van Wissem

• SQÜRL: https://www.facebook.com/squrlband
• Jim Jarmusch: http://www.jimjarmusch.com
• ATP: http://www.atpfestival.com/recordings.php

RIP: Chris Kelly a.k.a. Mac Daddy of Kriss Kross

From Mercury News:

Authorities in Georgia say Chris Kelly, a member of the 90s rap duo Kriss Cross, has died in Atlanta.

Investigator Betty Honey of the Fulton County Medical Examiner’s office said the 34-year-old Kelley was pronounced dead around 5 p.m. Wednesday at the south campus of the Atlanta Medical Center.

Honey said authorities are unsure of Kelly’s cause of death and that an autopsy has yet to be performed.

Kelly, known as “Mac Daddy” performed alongside Chris Smith, known as “Daddy Mac,” in the early and mid-90s. The duo might be best remembered for the song “Jump” from their 1992 debut album, “Totally Krossed Out.”

• Kriss Kross: http://en.wikipedia.org/wiki/Kris_Kross