Grimes cancels a few Canadian dates due to health reasons :-(

Grimes cancels a few Canadian dates due to health reasons :-(

“O Canada”? More like “Oh no, Canada! :-(” Sorry, this story was written by an aggregation of all Presidential Debate comments posted on Twitter within the past 12 hours that gained a semblance of sentient life and is now worming its way through the internet, talking about Mitt’s teeth and writing shitty intros to stories about non-shitty music, all while skirting the issues and inappropriately using emoticons and hiding any real opinions behind the acronym “LOL.” But there’s very little to LOL about in the Twitter announcement by Perryscope Concerts and Ms. Claire Boucher that a few Grimes shows have been canceled due to issues with tinnitus and hearing loss. SOL. (Sad Out Loud.) She writes, “Hey guys, so sorry 4 the cancelled shows. im having trouble w hearing loss, tinnitus & am trying 2 stay away from loud music 4 a bit -_-“. So, Vancouver is still on, but Calgary, Saskatoon, and Winnipeg, I’m afraid that you’ll be :-( and SOL.

As of today, the rest of Grimes’ tour is still going forward. LOL Vote!

10.17.12 - Vancouver, British Columbia - Commodore
10.19.12 - Calgary, Alberta - Saits The Gateway
10.20.12 - Saskatoon, Saskatchewan - Louis Pub
10.21.12 - Winnipeg, Manitoba - The Pyramid Cabinet
10.22.12 - Minneapolis, MN - Varsity Theater
10.25.12 - Brooklyn, NY - Music Hall of Williamsburg
10.26.12 - New York, NY - Bowery Ballroom
10.27.12 - New York, NY - Bowery Ballroom
10.28.12 - Brooklyn, NY - Music Hall of Williamsburg
11.13.12 - Bristol, UK - Motion
11.15.12 - Nantes, France - Stereolux Club
11.17.12 - Dijon, France - La Vapeur
11.18.12 - Zurich, Switzerland - Abart
11.20.12 - Munich, Germany - Kong
11.21.12 - Prague, Czech Republic - Lucerna Music Bar
11.22.12 - Warsaw, Poland - 1500m2
11.23.12 - Riga, Latvia - Paladium
11.24.12 - Helsinki, Finland - Korjaamo
11.26.12 - Copenhagen, Denmark - Pumpehuset
11.28.12 - Brussels, Belgium - Orangerie
11.29.12 - Koln, Germany - Gebaude 9
11.30.12 - Heidelberg, Germany - Kulturhaus Karlstorbahnhof
12.01.12 - Urecht, Netherlands - Ekko Le Guess Who Festival
12.06.12 - Melbourne, Australia - Corner Hotel
12.07.12 - Victoria, Australia - Meredith Festival
12.08.12 - Brisbane, Australia - The Zoo
12.10.12 - Sydney, Australia - OAF
12.16.12 - Coachella Cruise to the Bahamas
12.19.12 - Coachella Cruise to Jamaica

• Grimes:

Stephen Malkmus to play Can’s Ege Bamyasi front-to-back at German fest (Big deal, Steve; I play that record front-to-back in my car all the time)

Side One:

01. In a “Pinch,”* Cologne, Germany’s Week-End Fest decided to hire the coolly insane Stephen Malkmus (of Pavement fame and Jicks, uh, acknowledgement) to commemorate the 40th anniversary of Can’s insanely cool Ege Bamyasi album by performing it in of all its entirely cool insanity. (*Boredoms were unavailable.)

02. At first, Malkmus was nervous. But before he could even so much as open his mouth to practice his vocal sibilance exercises (consisting of a bunch of tongue-twisting s-words, like “Sing Swan Song” and so on) back at his rehearsal space, members of Cologne-based band Von Spar knocked on the door, eager to join him in fleshing out the jams just right.

03. Wishing he had just “One More Night” to practice these pretty goddamn idiosyncratic songs, Malkmus’ wish was granted when he learned that the fest wasn’t scheduled to go down until November 30 - December 2. Phew!

Side Two:

04. But performing Can’s arguably most-famous album? In Cologne?? In front of a bunch of your pretty formidable peers, including Scritti Politti, Ty Segall, Deerhoof, The Field, Nite Jewel, Chris Cohen, James Yorkston, Fainting by Numbers (Justus Köhncke and Hot Chip’s Alexis Taylor), Naytronix (of tUnE-yArDs), Little Wings, Chain and the Gang, and others??? Big responsibility, Steve. Better rest up and take plenty of “Vitamin C,” so that you’re in top form for the gig.

05. I hear you can get lots of vitamin C from squash and pumpkin “Soup,” actually.

06. But then again, what do I know? “I’m So Green” on the subject of nutrition and the culinary arts in general. I mean, I’ll be honest here; I shouldn’t really be dispensing advice about squash soup to Stephen Malkmus. All I really know about soups is how best to eat them.

07. You know, with a “Spoon.”

• Week-End Fest:
• Stephen Malkmus:

Jim O’Rourke and Will Oldham provide score and narration for Northern Lights documentary, because Danny Elfman and Morgan Freeman are both dead

Those of you gearing up for a long five months of slipping on ice and scraping snow off your windshields might need a lil’ somethin’ somethin’ to remind you of the beauty and majesty of winter. While copious amounts of mulled wine and hot toddies might be the obvious first choice, why not delve a little more into the spiritual, the artistic, the natural side of that sky crud we call snow? And why not do it with your two best musical buddies, Jim O’Rourke and Will Oldham?

But don’t break out those matching parkas and family-size pack of Coors Lite and don’t start mapping your indie vision quest and sleeping bag arrangements just yet. Because it’s a film. You three pals aren’t going on the best gall-darn orienteering trip the North has ever seen. But you are going on a journey into SCIENCE and NATURE, courtesy of Canadian filmmaker Kyle Armstrong’s short documentary on the northern lights, Magnetic Reconnection. Narrated by Will Oldham and scored by Jim O’Rourke, the film contrasts the wonders of the aurora borealis with the man-made junk falling apart near Churchill, Manitoba. Armstrong told Exclaim!, “The aurora footage is probably the best footage ever captured, as I travelled with an auroral imaging specialist with two decades of experience, and a custom built digital IMAX camera, purposely built for shooting the northern lights.” Using a special camera designed by Dr. Robert Eather of Brookline, MA, Armstrong and Norwegian scientist Dr. Trond Trondsen promise to show you the northern lights like you’ve never seen ‘em before. Bigger. Brighter. More northerner.

The film premieres at L.A’s AFI Film Fest, which runs November 1-8. Then, from November 8-16, it visits New York’s Imagine Science Film Festival. Watch the trailer here:

Ital is going to Italy, and many other nations on his European tour; Dream On out soon

Daniel Martin-McCormick is a very busy man. Focus on his Planet Mu-signed electronic project Ital right now. He released his debut record Hive Mind (TMT Review) a mere eight months ago, yet he’s already got a follow-up by the name of Dream On, which is out November 5 on Planet Mu. That would be plenty for one man. But wait! Martin-McCormick also plays in punk/electronic/disco/etc. group Mi Ami. And he has another act called Sex Worker! AND now he’s going to Europe! You know what that means?

Yeah. Ital is playing Italy. Cue the marching band. Bwomp womp a womp crash. My face lit up when I noticed that pointless coincidence.

Still exciting, though! Besides, Ital is playing quite a few European countries that aren’t Italy. You’ve got Poland, you’ve got Russia, you’ve got Sweden, and, hell, you’ve got Belgium. You’ve even got a few more that I didn’t list, because I didn’t want that sentence keep going. I will tell you that if you live in London, well, then you are a lucky person. Ital’s not playing just there once, he is playing there twice. Look at you, being lucky.

10.19.12 - Krakow, Poland - Unsound Festival *
10.20.12 - Moscow, Russia - TBC
10.26.12 - Stockholm, Sweden - Under Bron
10.30.12 - Dijon, France - Novosonic Festival
11.01.12 - Bergen, Norway - Ekko Festival
11.02.12 - Paris, France - Point Ephemere
11.03.12 - Brussels, Belgium - Les Ateliers Klaus
11.06.12 - Brighton, UK - Sticky Mike’s Frog Bar
11.07.12 - London, UK - Corsica Studios (Illuminations in Association with Bleed)
11.09.12 - London, UK - Lightbox (Wavey Tones vs Sneaker Social Club) &
11.10.12 - Torino, Italy - Club to Club Festival

* Interplanetary Prophets, Hieroglyphic Being
& DJ Set

• Ital:
• Planet Mu:

Grails set to provide the score for your life again with Black Tar Prophecies, Vol. 5

Grails, your favorite Portland instrumental rock band, has some new music on the horizon. The band is set to release the fifth volume of its Black Tar Prophecies series, appropriately titled Black Tar Prophecies, Vol. 5, the follow-up to last year’s Deep Politics (TMT Review), on October 30 via Kemado. Finland’s Pharaoh Overlord will provide the B-side for the album, so be ready for all kinds of psychedelia and sprawling soundscapes.

The band’s finishing up an Australian tour right now. Here are the remaining dates:

10.17.12 - Brisbane, AU - The Zoo
10.18.12 - Melbourne, AU - Northcote Social Club
10.19.12 - Sydney, AU - Oxford Art Factory

• Grails:
• Kemado:

Emeralds’ Steve Hauschildt to melt your brain with Sequitur

You can’t fault perennial TMT favorites Emeralds for resting on their laurels. The Ohio psych/drone trio is nothing if not productive, with plenty of solo work from Mark McGuire and John Elliot since Does It Looks Like I’m Here? (TMT Review) came out, as well as an album due later this year.

Not to be left behind, Steve Hauschildt is looking to get back into the action with his second album on Kranky. Sequitur, the follow up to Tragedy & Geometry (TMT Review) is due November 12. Like its predecessor, Sequitur will feature more song-based music than what is generally featured on Emeralds albums, along with a slew of different instruments and sounds. Be on the lookout for vocoders, vintage synthesizers, as well as the kind of stuff you could probably find at your local Guitar Center. Check out samples here, and read Hauschildt’s lengthy description here:

This new album was recorded in both Vancouver and Cleveland. I used almost 20 different instruments, from every decade from the 60’s to the present, most of them synthesizers, drum machines and effects. This gives the album a much wider palette than my last, Tragedy & Geometry, and it also gives it a more classic/new sound, yet it is still a logical follow up to that LP. I also used some techniques in the studio where I controlled older instruments with the computer and this opened up new ways for me to explore their potential as well as their innate idiosyncrasies.

I was very interested in the artificiality of vocal or choir-like sounds that emulate a person or group singing, and how this has evolved with the advancement of musical technology over the years. I also sang myself, and used a vocoder, not to sound robotic, but to remove the connotations of gender.

Those sounds are androgynous because they carry both masculine and feminine characteristics. I was inspired to carry this idea into music mainly because of the work of Camille Paglia and Donna Haraway. I feel that the album in a sense treads the imaginary boundary between Nature and Artifice. It is postmodern, but not necessarily a post-Freudian statement on cyborg theory or feminism. Rather it is a musically mimetic domain where these ideas freely collide and coalesce.

By the time you finish reading this, there will probably be another Emeralds-related release announced, hopefully dealing with the the politics of cyborg theory in a post-Freudian world.

Sequitur tracklist:

01. Interconnected
02. Accelerated Yearning
03. Constant Reminders
04. Sequitur
05. Mixed Messages
06. Vegas Mode
07. Kept
08. Steep Decline

• Emeralds:
• Kranky: