James Ferraro’s ringtone suite is live on the MoMA PS1 website; your phone is now a vessel for the vaporwave apocalypse

James Ferraro's ringtone suite is live on the MoMA PS1 website; your phone is now a vessel for the vaporwave apocalypse http://www.tinymixtapes.com/sites/default/files/1403/news-14-03-james-ferraro.jpg

Hey there pal, do you remember the last time we talked about James Ferraro’s 100% exhibit at the MoMA PS1 in Queens, New York and you were all like “Uh, sounds pretty artsy and over my head, Taylor,” and then I was all like, “Nahh, reader, believe me, James Ferraro is for the children,” and you were skeptical but neither one of us wanted our date to get weird, so we just let it slide and went on to talking about our jobs some more? Well it’s happening. Hang on, let me be a little more clear and a little less ominous: James Ferraro’s 100% exhibit is currently live at the MoMA PS1.

Now maybe you’re thinking, “Well that’s neat, but I don’t live in Queens, or even New York, so how is this even relevant to me?” If you’re thinking that, you clearly didn’t read the news post I linked up above — I’m not angry that you didn’t, just disappointed — because fully two-thirds of this shit can be accessed right from your very own couch (the other third, Dubai Dream Tone, can only be heard in the museum’s elevators). Go ahead and call the museum and hear the sweet sounds of Saint Prius, music that Ferraro created to act as the museum’s hold music. Or consider visiting this website right here, where you can listen to and download each of the ringtones in the Eco - Savage Suite. There’s also a little dropdown-type menu at the top of the page where you can read details about the project, and where the number for the museum is listed. Pro Tip: if you want to feel like you’re about to be sucked into some weird sort of atemporal vortex, try playing all the ringtones at once.

The ringtones are available for both iPhones and Androids, however iPhone users take note: these are actual ringtone files (.m4r extension), so the only way you can add them to your iTunes library is in the “Tones” section. It looks like the Android ringtone files are just MP3s though, so they might be addable in the traditional way to both types of phones. I’m really not sure, as I have no experience with Android phones since I am afraid of both robots and change. Either way, these hot tones are sure to impress your buddies when your boss or roommate calls you during that TED Talk.

Eco - Savage Suite ringtones:

Aerosol Smile
Saint Prius
Diaspora Gecko
Eco - Detergent
Earth Jump (Small Aboriginal Dreads)
The Warming Planet
Bottled Rain Water
Dream Sushi
100% 2
Pollution Technique
CD Skip Glitch 2 _ Recycle Landfill

• James Ferraro: https://twitter.com/LIL_ICEBUNNY
• MoMA PS1: http://momaps1.org

RIP: Dave Brockie a.k.a. Oderus Urungus, GWAR frontman

From Billboard:

The frontman for gore-loving heavy metal band Gwar has died. Police have confirmed earlier reports that Dave Brockie, known to fans as Oderus Urungus, was found dead at his Richmond, Va. home on Sunday evening. The singer was 50.

A Richmond police spokesperson told CBS 6 that a report of a deceased individual was made at approximately 6:53 p.m. ET. “When officers arrived, they found David M. Brockie, 50, deceased inside the home,” the statement reads. Foul play is not suspected at this time and officials are waiting for the Medical Examiner’s office to determine cause of death.

The band is expected to issue a statement later Monday.

Brockie formed Gwar in 1984 and was the last original member of the horror-inspired group. Band-members adopt outlandish, other-worldly characters like Beefcake the Mighty and Balsac the Jaws of Death, and their live concerts have become notorious for carrying out satirical scenes of blood-and-gore, often involving political or pop culture figures. The self-proclaimed “Scumdogs of the Universe” have released twelve studio albums, including last year’s “Battle Maximus,” and were nominated twice at the Grammys.

Statement from Jack Flanagan, GWAR’s manager:

It is with a saddened heart that I confirm my dear friend Dave Brockie, artist, musician, and lead singer of GWAR passed away at approximately 6:50 PM EST Sunday March 23, 2014. His body was found Sunday by his band mate at his home in Richmond, VA. Richmond authorities have confirmed his death and next of kin has been notified. A full autopsy will be performed. He was 50 years old, born August 30, 1963.

My main focus right now is to look after my band mates and his family. More information regarding his death shall be released as the details are confirmed.

• Oderus Urungus: http://www.oderus.com
• GWAR: http://www.gwar.net

Pitchfork Music Festival pulls back a consecutive curtain; full lineup includes DJ Rashad and DJ Spinn, Majical Cloudz, St. Vincent, Danny Brown, Kelela, and more

As expected, the full (as opposed to partial) lineup for the 2014 Pitchfork Music Festival in Chicago has now been revealed. Apparently the people behind festivals like to release their lineups in gradual iterations so that publications like us are forced to report on each announcement for sake of max exposure, and because they naturally like to emphasize their headliners, who presumably take priority when it comes to initial booking. In this case, a scheduled performance from Jeff Mangum and his lactose-tolerant bandmates would’ve been more than enough to motivate the spectacled masses into Union Park, but in case of any remaining fence-straddlers…

What/whom you might not have known about Pitchfork Music Festival 2014: It includes Friday performances from Avey Tare’s Slasher Flicks, SZA, Hundred Waters, and Isaiah Rashad. The Saturday schedule has been appended to include performances from Danny Brown, The Field, Kelela, Cloud Nothings, St. Vincent, FKA Twigs, Empress Of, and Twin Peaks. And Sunday! When fatigue, as opposed to the recitation of gospels, will be the likely impulse to stay off your feet: Majical Cloudz will be there, along with DJ Rashad and DJ Spinn, Real Estate, Hudson Mohawke, Earl Sweatshirt, Schoolboy Q, Jon Hopkins, Dum Dum Girls, Perfect Pussy, Deafheaven, Mutual Benefit, and Speedy Ortiz.

I’ve never been, so I hereby delegate all qualitative judgments to our esteemed News Editor and forced-by-threat-of-feather-tickling festival attendee, Squeo. Look for the man donning a traditional press hat and messily eating a fudgsicle. He’s wiser than you’ll ever know. Tickets/passes available at the link below.

• Pitchfork Music Festival: http://www.pitchforkmusicfestival.com

Wold, not interested in going out for ice cream, announce possible final album Postsocial

There was a word I was looking for upon my introduction to the Providence-based but Saskatchewan-bred Wold just now, but whatever came to mind was quickly supplanted by images of the inevitable result of leaving bread out in warm, moist temperatures for too long. No, wait. It’s coming back to me… not unlike the gradual proliferation of that mint-green fuzz on my blueberry muffins just days after I bought them. Where’s the consideration in having an expiration date a mere three days post-shelving? Who can live up to those digestive expectations?

The word is “enigma.” The band for whom one collective moniker just wasn’t enough have been getting on the bad side of eardrums for more than a decade, but April 29 will mark their “most-likely” culmination in the form of “most-likely” last LP Postsocial. And in the world of appropriate album titles, this one has the added qualities of swearing to the band’s philosophical inspiration, and of accurately summarizing their upcoming album-supporting activities… which are effectively nil.

As a press release proclaims, “there will be no interviews, live performances or get-togethers,” but for those interested in a Wold experience separate from grimacing while listening to Postsocial on your home speakers, some themes are offered up for contemplation: each track supposedly represents a point on the inverted star. The first two tracks deal with “exterior and interior violence,” respectively. The next two tracks further the inverted star metaphor, culminating in “ritualistic conjuration” and “copulation of the hag.” That last track is (unofficially) about puppy dogs.

An old-ish interview is below. I’m suddenly aware of my pleb status.

Postsocial tracklisting:

01. Throwing Star
02. Inner Space Infirmary
03. Five Points
04. Spiral Star Inversion
05. Sapphire Sect of Tubal Cain

• Wold: http://wold-klan.blogspot.com
• Profound Lore: http://www.profoundlorerecords.com

Kate Bush emerges from mystical lair to play first dates in 35 years

From deep within the wizard’s lair, Kate Bush feels a cool breeze against her cheek. Sighs. Brushes away a Dream Unicorn’s silky mane that has been dangling over her nose. She blinks; awakens. “Holy shit,” she says, “somehow I’ve been recording all these albums yet haven’t played a damn concert in 35 years.” The wizard tried to remonstrate. “Fuck it,” said Kate. “I can’t live safely in this mystical Narnia forever. I gotta get to the Hammersmith, er, Eventim Apollo in London.”

And so Kate Bush journeyed on, battling mischievous elves, concert promoters, and falcons with LAZER EYES. And yea! She emerged from August 26 to September 19 at the venue formerly known as the Hammersmith Apollo, now rebranded as the, er, Eventim Apollo. The residency is called “Dubbed Before the Dawn” and tickets go on sale March 28. Bush has only toured one time, back in 1979 for six weeks in Europe, before telling The Guardian, “By the end, I felt a terrific need to retreat as a person, because I felt that my sexuality — which in a way I hadn’t really had a chance to explore myself — was being given to the world in a way which I found impersonal.” So no twerking at this one, sorry y’all.


08.26.14 - London, UK - Eventim Apollo
08.27.14 - London, UK - Eventim Apollo
08.29.14 - London, UK - Eventim Apollo
08.30.14 - London, UK - Eventim Apollo
09.02.14 - London, UK - Eventim Apollo
09.03.14 - London, UK - Eventim Apollo
09.05.14 - London, UK - Eventim Apollo
09.06.14 - London, UK - Eventim Apollo
09.09.14 - London, UK - Eventim Apollo
09.10.14 - London, UK - Eventim Apollo
09.12.14 - London, UK - Eventim Apollo
09.13.14 - London, UK - Eventim Apollo
09.16.14 - London, UK - Eventim Apollo
09.17.14 - London, UK - Eventim Apollo
09.19.14 - London, UK - Eventim Apollo

• Kate Bush: http://www.katebush.com

Wendy Carlos’ soundtrack to the original Tron gets reissued on vinyl, causing everyone to like Daft Punk a little bit less

Legacy, shmegacy. I know that movie’s reboot wasn’t the worst thing in the world or whatever, but let’s be honest. If you’re truly cool, you’re all about the original Tron movie. You know, the one that Disney made in 1982 and for which synth wizard Wendy Carlos did-up the epically orchestral score? That one. What do you say, then, reader? Are you “all about it”?? I am. Good. Now we’re being truly cool.

Anyway, according to a recent post at FACT, Carlos’ original soundtrack is getting a sweet, fat, 180 gram double-vinyl reissue this year, courtesy of Audio Fidelity Records. This is welcome news to audio-obsessives everywhere, as the original release packed what amounted to some 50 minutes of GIANT ASS MUSIC onto one dinky little LP, resulting in what expert audiophiles such as myself commonly refer to in-the-field as “brittle-as-shit” sound quality.

Original Tron Sound Supervisor Michael Fremer (a job title I’d kill for, by the way) will contribute new liner notes. “The score deserves another listen in the analogue domain by another generation,” he said recently on Analog Planet. And, again, as a truly cool person, I couldn’t agree more.

No word on official release dates just yet, it would seem; but fear not! In Tron-like fashion, you can use the AWESOME TERRIBLE POWER OF THE DISGUSTING COOL INTERNET to remind yourself of the epic insanity soon headed your way.

• Wendy Carlos: http://www.wendycarlos.com
• Audio Fidelity: http://www.audiofidelity.net