Kurt Vile and Woods release split 7-inch to commemorate touring together and digging each other’s hair and beards, respectively

Kurt Vile and Woods release split 7-inch to commemorate touring together and digging each other's hair and beards, respectively http://www.tinymixtapes.com/sites/default/files/news-11-07-kurt-vile-woods.jpg

Earlier this month, psych-pop-rock outfit Woods shared a number of stages with pop-rock-psych outfit Kurt Vile & The Violators. Woods were excited because they had just released Sun & Shade (TMT Review) on Woodsist and a 7-inch on Sacred Bones, and Kurt Vile and his band members (who represent him at different stages of his life) were excited because they had somewhat recently released Smoke Ring For My Halo (TMT Review) on Matador. Yes, excitement was thick in the air, mutual admiration led to flirting, flirting led to kissing, and a few weeks after kissing came conception (a cautionary tale, children).

What shot out of the womb, though, was not a wavy-haired baby with a falsetto voice but a five-track, 33 RPM tour 7-inch on Woodsist that could be adopted and nurtured by the whole world. For this release, Woods laid down one song full of life and another on the brink of death, while Kurt returned to the lo-fi recording environment of his pre-Agnello material for a Cole Porter-indebted pop tune here, a fingerpickin’ blues number there, and some ambient coastal strumming to close it out. How can we possibly know all this without any information up online, even at the label’s website? It’s all because of the tireless work of this intrepid TMT reporter, who snagged a copy at a recent Vile show. Not sure if this will only be sold on tour, but it’s likely that supplies are going to be limited, so check the dates below for your nearest “7-inch store.”

Summer 2011 tour split tracklisting:

A1. Woods, “Skull”
A2. Woods, “Cold Blue”
B1. Kurt Vile, “Commercial Reject”
B2. Kurt Vile, “In/Out Blues”
B3. Kurt Vile, “Water Fingers”

Kurt Vile dates:

07.26.11 - San Francisco, CA - Great American Music Hall &
07.27.11 - Big Sur, CA - Fernwood
07.28.11 - Los Angeles, CA - Troubadour &
07.29.11 - Los Angeles, CA - Troubadour
07.30.11 - San Diego, CA - Casbah
08.02.11 - Dallas, TX - The Loft ^
08.04.11 - Salt Lake City, UT - Pioneer Park (Twilight Concert Series) &
08.05.11 - Nashville, TN - Mercy Lounge ^
08.06.11 - Athens, GA - 40 Watt
08.07.11 - Atlanta, GA - The Earl
08.09.11 - Carrboro, NC - Cat’s Cradle ^
08.10.11 - Washington, DC - Rock and Roll Hotel * ^ #
08.11.11 - Montclair, NJ - Wellmont Theatre
08.12.11 - New York, NY - Williamsburg Waterfront
08.18.11 - Hasselt, Belgium - Pukkelpop
08.20.11 - Parades de Coura, Portugal - Festival de Paredes de Coura
08.22.11 - Schorndorf, Germany - Manufaktur
08.23.11 - Berlin, Germany - Berghain Kantine
08.24.11 - Odense C, Denmark - Posten
08.25.11 - Malmo, Sweden - Malmofestivalen
08.26.11 - Stockholm, Sweden - Club What We Do Is Secret
08.27.11 - Oslo, Norway - Cafe Mono
08.28.11 - Masthugget, Sweden - Pusterviksbaren
08.29.11 - Helsinki, Finland - Tavastia
08.30.11 - Vesterbro, Denmark - Lille Vega
09.02.11 - Vlieland, Netherlands - Into the Great Wide Open
09.04.11 - Dorset, UK - End of the Road Festival
09.05.11 - Manchester, UK - Sound Control *
09.06.11 - Glasgow, UK - Stereo *
09.07.11 - Bristol, UK - Fleece *
09.08.11 - London, UK - Scala *
09.10.11 - Groningen, Netherlands - Take Root Festival
09.16.11 - Austin, TX - Austin City Limits
10.19.11 - Albuquerque, NM - Sunshine Theatre %
10.21.11 - San Diego, CA - Soma %
10.24.11 - Las Vegas, NV - The Cosmopolitan (The Boulevard Pool) %
10.25.11 - Santa Barbara, CA - Santa Barbara Bowl %
10.26.11 - Reno, NV - Knitting Factory %
11.12.11 - Philadelphia, PA - Union Transfer

* Woods
& Thurston Moore
^ True Widow
# White Fence
% Bright Eyes

Woods dates:

07.27.11 - Sacramento, CA - Sol Collective ^
07.28.11 - Felton, CA - Don Quixote’s Music Hall ^
07.29.11 - San Francisco, CA - The Independent ^
07.30-31.11 - Big Sur, CA - Woodsist Festival
08.02.11 - Los Angeles, CA - Echoplex ^#
08.03.11 - Phoenix, AZ - Trunkspace #
08.04.11 - El Paso, TX - Black Market #
08.05.11 - Austin, TX - The Mohawk #
08.06.11 - New Orleans, LA - Circle Bar #
08.07.11 - Oxford, MS - Cats Purring Dude Ranch #
08.08.11 - Atlanta, GA - The Earl #
08.09.11 - Asheville, NC - Grey Eagle #
08.10.11 - Washington, DC - Rock and Roll Hotel *#
08.12.11 - Philadelphia, PA - Johnny Brenda’s #
08.13.11 - New York, NY - Bowery Ballroom #%
09.04.11 - Dorset, UK - End of the Road Festival
09.05.11 - Manchester, UK - Manchester Sound Control *
09.06.11 - Glasgow, UK - Stereo *
09.07.11 - Bristol, UK - The Fleece *
09.08.11 - London, UK - The Scala *

* Kurt Vile & The Violators
^ The Fresh & Onlys
# White Fence
% Ducktails

• Woods: http://www.woodsist.com/woods.htm
• Kurt Vile: http://www.kurtvile.com
• Woodsist: http://www.woodsist.com

Decemberists frontman turns it up a notch with release of new children’s book; is it whimsical in here, or is it just me?

A Decemberist walks into a publishing house.

I started this news story with that famous first line of old man jokes everywhere, because I wanted to start it with a joke about how Wildwood, Decemberists frontman Colin Meloy’s first-ever children’s book features a plot along the lines of “Wicked, drunk grizzly bear takes children on magical, olde tyme-y journey to a whimsical carnival in the Appalachian mountains, where he teaches them lessons about life and friendship… and then just eats the S#%$ out of them.” It writes itself, really. But then I read the synopsis, and well, it’s a children’s book by the guy from The Decemberists, so OF COURSE it’s about a brave little lady who goes on a whimsical/dangerous quest to save her brother from a bunch of badass crows… and probably learns lessons about life and friendship along the way.

Sure, Meloy’s stories of yesteryear are easy to caricature, but that’s because dude’s style is so distinctive and unabashed. And all jokes aside, I kind of want to crawl inside this book, into its Decemberists-website-described “world full of warring creatures, peaceable mystics, and powerful figures with the darkest intentions.” (This is much like what I imagine goes on inside the product art for Celestial Seasonings.) The book’s illustrations were drawn by Meloy’s wife, Carson Ellis, and they’re every bit as charming as I hope this book will be. Throw a benevolent fox into this story and I’m even more sold.

Wildwood is available to literary-minded adventurers come August 30. If you can’t wait that long, you can like the book on Facebook and get a sneak peak at the first four chapters. The Decemberists haven’t released any original songs to accompany the book, but Meloy has posted a playlist that jives with Wildwood’s feel on the book’s website. So, you can introduce your kids (or the kid in you, I guess) to the joy of reading, and to the music of Karen Dalton and Esben and the Witch at the same time.

• The Decemberists: http://decemberists.com
Wildwood Chronicles: http://www.wildwoodchronicles.com

Radiohead expand King of Limbs vinyl remix series to 6… or maybe 7… or maybe a CD

Leave it to At Ease to not quite be 100% sure what Radiohead is up to. According to a recent stab in the dark on the site, the band called Radioheld will maybe be releasing more vinyl remix thingiemabobbers than was first thought. The site also says that Radialhead’s got a CD release of the remixes scheduled for some day or another in September. Just somewhere in there. Who knows.

For their part, the band isn’t really sure about anything either. They don’t really know how many releases will be put out in total, how long Thom Yorke’s hair will get, or how many drummers their band actually has. Right now, At Ease says that Radiaheed are expecting six or seven disc-shaped vinyl releases of The King of Limbs remixes. Four have been announced, and two have been released so far. The fourth, according to someone else entirely, will maybe possibly feature remixes of “Give Up the Ghost” (Thriller Houseghost Remix), “Codex” (Illum Sphere rmx), and “Little By Little” (Shed rmx), and is available for preorder at still another place. In the meantime, vinyls and digital downloads are still available at the King of Limbs store, and I still don’t really know what’s going on. Maybe there’s some Cockney I’m missing in here.

• Radiohead: http://www.radiohead.com

So nice it happens twice: Primavera Club 2011 features Fleet Foxes, The Pop Group, and Superchunk

The good people over at Spain’s San Miguel Primavera Club festival have released the first acts taking part in their fall lineup into the blogosphere, where they are currently swirling about like an early Windows screensaver, all psychedelic colored lines representing hopes, dreams, and the sweet, sweet harmonies of Fleet Foxes. Because, yes — Fleet Foxes have been confirmed. As have the much-loved Superchunk and the venerated post-punk outfit The Pop Group. Together, their voices shall ring out in the city streets of Barcelona and Madrid, where lucky, lucky, lucky European music fans are able to attend the festival in venues scattered across both cities.

Now, these Fleet Foxes will be performing twice in Madrid and once, two days later, in Barcelona. (So despite the fact that the festival is held simultaneously in two cities, no time traveling will be required to see bands. At least not yet.) Admission to bathe in the haunting folk melodies of the vulpine-named ones, however, comes at a little bit extra, so please, if you plan on attending, check out San Miguel Primavera Club’s festival ticket pricing options. But lest ye think that paying an additional fee for this musical event in addition to your Primavera Club admission is, like, totally whack, check out the other acts included in the festival pass. I see your Fleet Foxes, and I’ll raise you an UNKLE, in the form of something called “James Lavelle presents: UNKLE-SOUNDS.” (Sounds like dinner theatre. Maybe it’s dinner theatre.)

Also: they got an Olivia Tremor Control, a Handsome Furs, a Com Truise, a JEFF the Brotherhood, some Shabazz Palaces, a fabled R. Stevie Moore, one John Maus, a Factory Floor, a Puro Instinct, some American Girls (not the dolls, we hope), some fine Finns in the form of Uusi Fantasia, and just for kicks, a showcase put together by Thrill Jockey and the agency Iron Booking, which will include Thank You, Barn Owl, and High Places. With a lineup like this, maybe time travel WILL be necessary. You know, so you can see everything twice.

11.23-27.11 - Barcelona & Madrid, Spain - Primavera Club Festival

• Primavera Club: http://www.primaverasound.com

Trent Reznor warns fans not to buy newest reissue of Pretty Hate Machine, tweets about “record company bullshit”

Sometimes, musicians are true to their word when they say it’s not about money. Trent Reznor, now the Oscar/Golden Globe-winning man behind Nine Inch Nails, isn’t the first person that comes to mind when I think of people sincerely doin’ it for the music, man, but maybe I’ve misjudged him. In a recent Twitter post that’s now blowing up across the internet, Reznor entreated fans not to buy the most recently reissued version of Pretty Hate Machine.

On July 14, trent_reznor tweeted:
“NIN fans, don’t waste your money on this version of PHM that was just released. … a record label bullshit move repackaging the old version. Ignore please.”

This latest reissue (not remastered, we might add), is not to be mistaken with Pretty Hate Machine: 2010 Remaster, which came out last November. The latter includes a bonus track — a cover of “Get Down, Make Love” by Queen — and is a “greatly improved sonic experience,” Reznor said. But hey, if you don’t already have four copies of the CD and you don’t like quality sound or Queen, then sure, go for the newer reissue, which is reportedly very much like the original version released on TVT in 1989. It’s not like it sounded bad then, after all.

• Nine Inch Nails: http://www.nin.com

Class action lawsuit against major labels for digital music price fixing to keep rollin’, rollin’, rollin’, rollin’

Perhaps you’ve wondered, in times of mental clarity, why it is that a digital album tends to cost an amount comparable to a CD when the cost of distributing digital music is more or less $0. Adults and children alike have pondered this idea for years, but one group has never spent a single second thinking about it and in fact believes it to be a silly non-issue that should probably be ushered away into an oxygen-free chamber: the major labels. Sony BMG Music Entertainment, Capitol Records, Bertelsmann, EMI Group North America, Capitol-EMI Music, Virgin Records America, Time Warner, UMG Recordings, and Warner Music Group all have no idea how this relates to them and their controlling 80% of digital music sales in the US, and besides, they’d need some time to collect their thoughts before they made a statement one way or the other so if you’d please step into this limousine with tinted windows and let them give you a complimentary ride home they’d be much obliged and thank you so much for your concern.

Unfortunately you get no breaks when you’re at the top (don’t I know it), so the question has lingered in the air, and now all the labels mentioned above are going to have their mouths pried open, because U.S. District Judge Loretta Preska has allowed a consolidated class action lawsuit against them to move forward. The suit claims that the major labels collectively made distribution agreements with two joint-venture entities, MusicNet and Pressplay, for the purpose of fixing prices, terms of sale, and restrictions on digital music. Hidden from the public in each agreement was a most favored nation clause that allowed a price floor of $0.70 per song to be set across the board. Online retailers like eMusic were initially shut out of doing business with the major labels until they agreed to start selling their music for higher prices, and the suit further claims that less-than-loved DRM was included to make digital music less attractive than good ol’ shiny, higher-priced CDs.

It remains to be seen how far the lawsuit will go and what consequences the major labels might reap for their alleged shenanigans, but I think we can all at least agree that it’s fun to watch music industry fat cats get their collars all greasy with flop sweat. Turn up the heat, Judge Preska!


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