of Montreal announce new album, lousy with sylvianbriar, recorded without computers; promptly use an ass-ton of computers to get the word out

of Montreal announce new album, lousy with sylvianbriar, recorded without computers; promptly use an ass-ton of computers to get the word out http://www.tinymixtapes.com/sites/default/files/1307/news-13-07-of-montreal.jpg

Hey, what the hell, man? It’s been a year or so since their last official release, right? So where the fuck is the next clockwork-banged-out of Montreal Record??? Oh. Here it is. Good. I was getting so bored with them!

Okay, let’s see, let’s see; so the next record from Kevin Barnes and co. is called… lousy with sylvianbriar; okay. And… um, it’s out October 8 on Polyvinyl. Cool, cool, cool; but what else? Oh, here we go: it was “created with a new songwriting approach, a different recording method, and a fresh group of musicians,” according to the press release. Great, FRESH! That’s exactly what I’m ALL ABOUT. FRESHNESS! NEWNESS! NOWNESS! Ahhhhh! Does anyone else smell paint fumes? No? Anyway: the album will have a limited pressing of 1,500 copies on clear green vinyl available for preorder before the ugly old pink retail copies hit the market. Also, there’ll be a limited run of 250 cassettes on Joyful Noise Recordings.

But yeah, about that new approach thing: basically, Barnes “eschewed computer recording, with its pitch correction, limitless effects plug ins and editing possibilities” for this new one, opting instead — with the help of engineer Drew Vandenberg (Deerhunter, Toro y Moi) — to record the whole shebang on a weak-ass, dime-a-dozen 24-track tape machine in his home studio. Can you believe that?!? (I’m using my 24-track as a coat rack right now, personally.) Anyway, the band (which consisted of of Barnes [guitars, bass, vocals], Rebecca Cash [vocals], Clayton Rychlik [drums, vocals], Jojo Glidewell [keys], Bob Parins [pedal steel, bass], and Bennet Lewis [guitars, mandolin]) tracked everything live in the same room and were forced to work quickly, “with the band members composing their parts on the fly with little second guessing.” Hey, that’s kind of how I work too! Onward! New approach!

“I knew I wanted the process to be more in line with the way people used to make albums in the late 60s and early 70s,” Barnes said of the process. “I wanted to work fast and to maintain a high level of spontaneity and immediacy. I wanted the songs to be more lyric driven, and for the instrumental arrangements to be understated and uncluttered.” The album was done in three weeks. You can check out the first single from it below, but you’d better do it fast, because it’s going to be old-as-shit and passé-as-balls in a few weeks (heck, maybe even days, I don’t know!). Personally, I’m already just furious that I don’t know what the next of Montreal album is going to sound like.

lousy with sylvianbriar tracklisting:

01. fugitive air
02. obsidian currents
03. belle glade missionairies
04. sirens of your toxic spirit
05. colossus
06. triumph of disintegration
07. amphibian days
08. she ain’t speakin’ now
09. hegira émigré
10. raindrop in my skull
11. imbecile rages

• of Montreal: http://www.ofmontreal.net
• Polyvinyl: http://www.polyvinylrecords.com
• Joyful Noise: http://www.joyfulnoiserecordings.com

of Montreal announce new album, lousy with sylvianbriar, recorded without computers; promptly use an ass-ton of computers to get the word out

Hey, what the hell, man? It’s been a year or so since their last official release, right? So where the fuck is the next clockwork-banged-out of Montreal Record??? Oh. Here it is. Good. I was getting so bored with them!

Okay, let’s see, let’s see; so the next record from Kevin Barnes and co. is called… lousy with sylvianbriar; okay. And… um, it’s out October 8 on Polyvinyl. Cool, cool, cool; but what else? Oh, here we go: it was “created with a new songwriting approach, a different recording method, and a fresh group of musicians,” according to the press release. Great, FRESH! That’s exactly what I’m ALL ABOUT. FRESHNESS! NEWNESS! NOWNESS! Ahhhhh! Does anyone else smell paint fumes? No? Anyway: the album will have a limited pressing of 1,500 copies on clear green vinyl available for preorder before the ugly old pink retail copies hit the market. Also, there’ll be a limited run of 250 cassettes on Joyful Noise Recordings.

But yeah, about that new approach thing: basically, Barnes “eschewed computer recording, with its pitch correction, limitless effects plug ins and editing possibilities” for this new one, opting instead — with the help of engineer Drew Vandenberg (Deerhunter, Toro y Moi) — to record the whole shebang on a weak-ass, dime-a-dozen 24-track tape machine in his home studio. Can you believe that?!? (I’m using my 24-track as a coat rack right now, personally.) Anyway, the band (which consisted of of Barnes [guitars, bass, vocals], Rebecca Cash [vocals], Clayton Rychlik [drums, vocals], Jojo Glidewell [keys], Bob Parins [pedal steel, bass], and Bennet Lewis [guitars, mandolin]) tracked everything live in the same room and were forced to work quickly, “with the band members composing their parts on the fly with little second guessing.” Hey, that’s kind of how I work too! Onward! New approach!

“I knew I wanted the process to be more in line with the way people used to make albums in the late 60s and early 70s,” Barnes said of the process. “I wanted to work fast and to maintain a high level of spontaneity and immediacy. I wanted the songs to be more lyric driven, and for the instrumental arrangements to be understated and uncluttered.” The album was done in three weeks. You can check out the first single from it below, but you’d better do it fast, because it’s going to be old-as-shit and passé-as-balls in a few weeks (heck, maybe even days, I don’t know!). Personally, I’m already just furious that I don’t know what the next of Montreal album is going to sound like.

lousy with sylvianbriar tracklisting:

01. fugitive air
02. obsidian currents
03. belle glade missionairies
04. sirens of your toxic spirit
05. colossus
06. triumph of disintegration
07. amphibian days
08. she ain’t speakin’ now
09. hegira émigré
10. raindrop in my skull
11. imbecile rages

• of Montreal: http://www.ofmontreal.net
• Polyvinyl: http://www.polyvinylrecords.com
• Joyful Noise: http://www.joyfulnoiserecordings.com

Kurt Vile announces additions to fall tour, promises to violate but not in a rude way

“TIME TO GET VIOLATED!”

In an alternate universe, this 1990s video game boss dialogue is the sort of stuff Kurt Vile opens all his live shows with. We don’t live in an alternate universe, though, we live in this universe. Here in Universe-1, Kurt Vile is too genial of a soul to say anything so threatening. Instead, he puts out slowly drifting albums like his recent Wakin on a Pretty Daze (TMT Review).

As such, Vile’s planning on slowly sprawling across America this year. He’s currently on tour this very moment, but he’s added another batch of dates to his itinerary, making for a full fall tour. Attend these shows and prepare yourself for violation. The violation of listening to pleasant, texturally rich music for an hour-plus. This is no violation at all.

Kurt Vile dates:

07.15.13 - Birmingham, AL - The Bottletree #
07.16.13 - Atlanta, GA - Terminal West #
07.17.13 - Asheville, NC - The Grey Eagle #
07.18.13 - Carrboro, NC - Cats Cradle #
07.19.13 - Charlottesville, VA - Jefferson Theatre #
07.20.13 - Washington, DC - 9:30 Club #
07.27.13 - Edmonton, AB - Interstellar Rodeo
07.28.13 - Calgary, AB - Calgary Folk Music Festival
08.02-04.13 - Happy Valley, OR - Pickathon
08.05.13 - Vancouver, BC - Rickshaw Theater
08.06.13 - Seattle, WA - Showbox At The Market
08.09.13 - Fresno, CA - Audie’s Olympic
08.10.13 - San Miguel, CA - The Ranch in San Miguel
08.11.13 - San Francisco, CA - Outside Lands
08.13.13 - Salt Lake City, UT - Urban Lounge
08.15.13 - Denver, CO - Bluebird Cafe
08.16.13 - Lawrence, KS - The Granada
08.17.13 - St. Louis, MO - Firebird
08.19.13 - Dallas, TX - Trees
08.20.13 - Austin, TX - Mohawk
08.23.13 - Albuquerque, NM - Sister
08.24.13 - Phoenix, AZ - Crescent Ballroom
08.25.13 - Los Angeles, CA - FYF Fest
08.28.13 - Philadelphia, PA - City Hall Concert Series
09.05-07.13 - Raleigh, NC - Hopscotch Music Festival
09.25.13 - Pittsburgh, PA - The Warhol Sound Series @ Carnegie Music Hall
09.26.13 - Cincinatti, OH - Midpoint Music Festival
09.27.13 - Urbana, IL - Pygmalian Music Festival
10.12.13 - Mexico City, Mexico - Corona Capital Music Festival
10.25.13 - New York, NY - Terminal 5 !
10.26.13 - Philadelphia, PA - Union Transfer !
10.27.13 - Baltimore, MD - Ottobar !
10.29.13 - Athens, GA - 40 Watt !
10.31.13 - Jacksonville, FL - Jack Rabbits !
11.02.13 - Orlando, FL - The Social Club !
11.03.13 - Tallahassee, FL - Club Downunder !
11.05.13 - New Orleans, LA - One Eyed Jack’s !
11.06.13 - Houston, TX - Walter’s !
11.11.13 - Oxford, MS - Proud Larry’s !
11.12.13 - Chattanooga, TN - JJ’s Bohemia !

# Swirlies
! Beach Fossils

• Kurt Vile: http://kurtvile.com
• Matador: http://www.matadorrecords.com

Earl Sweatshirt announces Doris release date, enjoys freedom

FREE EARL! Never mind, Earl a.k.a. Earl Sweatshirt has been freed. With that task completed, the world must move on to its new rallying cry: FREE EARL’S ALBUM. Though the Odd Future member announced last year that his new album would be called Doris, he’s dropped very few details on it since. As such, let me blow your mind with a (relative) avalanche of details. As reported by Pitchfork, Earl has announced that Doris will be out August 20. Not only that, he released the record’s cover art, the likes of which you can see above. If you cannot handle this much information about Earl Sweatshirt’s Doris flooding your synapses, please stop reading now.

Alright, for those with unflooded synapses, here’s a little more. Earl recently took to Twitter to post a picture of the record’s tracklist, which you can view here. Fifteen tracks, roughly 45 minutes long, a wise decision according to some. If you hate looking at pictures, read the tracklist below. The album includes the trio of tracks Earl has released since returning to the Odd Future fold: the awesome “Chum,” the awesome “Whoa,” and “Guild,” which has Mac Miller on it.

Doris tracklist:

01. Pre
02. Burgandy
03. 20 Wave Caps
04. Sunday
05. Hive
06. Chum
07. Sasquatch
08. Centurion
09. 523
10. Uncle Al
11. Guild
12. Molasses
13. Whoa
14. Hoarse
15. Knight

• Earl Sweatshirt: http://www.earlsweatshirt.com

Sunglasses inspired by Ian Curtis: a real thing in America today

Ian Curtis sunglasses. It sounds like an LCD Soundsystem B-side, but no, my friends, it’s a very, very real thing. You too can protect your eyes from harmful UV rays in a sleek pair of shades commemorating the life of a guy who basically birthed the post-punk movement, inspired a solid 20% of American teens today to purchase Unknown Pleasures album art t-shirts, and tragically killed himself — all while looking super fucking cool.

So who are the nefarious masterminds behind this kinda cool, kinda just weird creation? The good folks at indie label Ghostly International have teamed up with glasses supplier to the stars Warby Parker to bring us “Curtis,” the sunglasses inspired by Ian Curtis. The shades will be available in black and gray, the colors of every Joy Division fan’s soul. The Curtis line will be available online starting tomorrow, July 16. Let the outraged tweets begin.

• Warby Parker: http://www.warbyparker.com
• Ghostly: http://www.ghostly.com

Slow Walkers (Liz Harris a.k.a. Grouper and Lawrence English) push back against sidewalk fascists, announce debut, self-titled LP on Peak Oil

Decibel Festival 2010 coincided with my first glimpse of the professional relationship between Australian composer/curator Lawrence English and the Portland, OR-based musical assuagement to my relationship problems, Liz Harris a.k.a. Grouper. As the principal figure behind the Room40 label, English performed and took on the role as MC for its dedicated showcase, which included him, Grouper, and the literally foundation-shaking Ben Frost. A brief introduction served as the only allusion, but little did we know that Harris and English ultimately shared a deeper bond — one that most of us find hard to empathize with: a craving for cerebrum. Intellectual fulfillment might be a reasonable conclusion, but I’m talking about a genuine desire for brain consumption, digestion, and releasing. They’ve so far chosen to keep it under wraps, but a new collaborative project serves as a clear disclosure…

Slow Walkers. Okay, so they aren’t actually zombies, but there’s no denying the inspiration. As the brief description of their self-titled release, due out August 20, points out, the album was “born from a mutual fascination with horrific depictions of the human present and future.” And if the phrase “horrific depictions” combined with their chosen moniker still doesn’t convince you, there’s the video for the track “Wake,” watchable below. There’s something drone-y, but not quite, about this music — analogous, perhaps, to being not quite human. Moooooreeee…

• Lawrence English: http://lawrenceenglish.com
• Liz Harris: https://sites.google.com/site/yellowelectric
• Peak Oil: http://www.thisispeakoil.com