Steve Gunn tours Europe to escape the wrath of the very real diaper mafia

Steve Gunn tours Europe to escape the wrath of the very real diaper mafia http://www.tinymixtapes.com/sites/default/files/1310/news-13-10-steve-gunn.jpg

What follows will be a very serious news post. I know I joke around a lot on here. To be honest, I think it’s a defense mechanism. If I could swing it, my heart would be wrapped around in a prickly wall of dick jokes 24/7. My whole life I’ve been coasting, riding high on a spaceship powered by laughter, chortles, and retweets. Probably part of the reason I’ve felt comfortable joking like this is because I’ve never seen the human cost of my tomfoolery. That is, until now.

You might remember that back in April I wrote up a pretty glib little post about a new LP guitarist Steve Gunn was planning to release with Cian Nugent and John Truscinski as Desert Heat. The album is called Cat Mask in Huggie Temple so I did what was natural and made a couple diaper jokes. What’s the harm, right? Well that’s what we all thought, too, right up until the diaper mafia hits started happening.

It was a Friday afternoon. I was about to take a nap, and Steve Gunn was prepping for a little relaxing “time off” when people just started dropping like flies. Friends, families, neighbors, all of them. It turns out that not only is the diaper mafia actually a thing, but they also HATE being misrepresented, and they make “corrections” with a vengeance. There was never any Huggies® sponsorship. It was a dumb joke — I can see that now! That’s why I’m writing this from hiding, and why Steve is leaving for a European tour soon. He’s got to keep moving, and he’s traveling with bodyguards/rhythm section De Stervende Honden, which consists of Erik Heestermans on drums and Tommy De Nys on bass. Steve, I don’t know if you’ll ever read this, but if you do, know that I am so very sorry. If I had any idea that things would turn out this way, I would have never joked about you and about diapers. I would’ve kept my mouth shut. Things would’ve been different.

Dates:

10.12.13 - Barreiro, Portugal - Outfest #
10.15.13 - Vigo, Spain - Sinsal +
10.16.13 - Barcelona, Spain - Miscelanea +
10.18.13 - Paris, France - Espace en Cours *
10.20.13 - Amsterdam, Netherlands - OCCII *
10.21.13 - Ghent, Belgium - 019 *
10.22.13 - Brussels, Belgium - Ateliers Claus *
10.23.13 - Köln, Germany - King Gerog*
10.24.13 - Zurich, Switzerland - Elmo Delmo *
10.25.13 - Lausanne, Switzerland - Le Bourg *
10.26.13 - Torino, Italy - Blah Blah *
10.27.13 - Geneva, Switzerland - Cave12 *
10.28.13 - Bologna, Italy - Modo Infoshop +
10.29.13 - Rimini, Italy - Neon Club +
10.30.13 - Warsaw, Poland - Pardon To Tu +
10.31.13 - Copenhagen, Denmark - Din Nye Ven +
11.01.13 - Gothenburg, Sweden - Koloni +
11.02.13 - Moscow, Russia - Oldich Dress & Drink +

# duo show w/ Mike Cooper
+ solo show
* w/ De Stervende Honden rhythm section

• Steve Gunn: http://steve-gunn.com
• Paradise of Bachelors: http://www.paradiseofbachelors.com

Steve Gunn tours Europe to escape the wrath of the very real diaper mafia

What follows will be a very serious news post. I know I joke around a lot on here. To be honest, I think it’s a defense mechanism. If I could swing it, my heart would be wrapped around in a prickly wall of dick jokes 24/7. My whole life I’ve been coasting, riding high on a spaceship powered by laughter, chortles, and retweets. Probably part of the reason I’ve felt comfortable joking like this is because I’ve never seen the human cost of my tomfoolery. That is, until now.

You might remember that back in April I wrote up a pretty glib little post about a new LP guitarist Steve Gunn was planning to release with Cian Nugent and John Truscinski as Desert Heat. The album is called Cat Mask in Huggie Temple so I did what was natural and made a couple diaper jokes. What’s the harm, right? Well that’s what we all thought, too, right up until the diaper mafia hits started happening.

It was a Friday afternoon. I was about to take a nap, and Steve Gunn was prepping for a little relaxing “time off” when people just started dropping like flies. Friends, families, neighbors, all of them. It turns out that not only is the diaper mafia actually a thing, but they also HATE being misrepresented, and they make “corrections” with a vengeance. There was never any Huggies® sponsorship. It was a dumb joke — I can see that now! That’s why I’m writing this from hiding, and why Steve is leaving for a European tour soon. He’s got to keep moving, and he’s traveling with bodyguards/rhythm section De Stervende Honden, which consists of Erik Heestermans on drums and Tommy De Nys on bass. Steve, I don’t know if you’ll ever read this, but if you do, know that I am so very sorry. If I had any idea that things would turn out this way, I would have never joked about you and about diapers. I would’ve kept my mouth shut. Things would’ve been different.

Dates:

10.12.13 - Barreiro, Portugal - Outfest #
10.15.13 - Vigo, Spain - Sinsal +
10.16.13 - Barcelona, Spain - Miscelanea +
10.18.13 - Paris, France - Espace en Cours *
10.20.13 - Amsterdam, Netherlands - OCCII *
10.21.13 - Ghent, Belgium - 019 *
10.22.13 - Brussels, Belgium - Ateliers Claus *
10.23.13 - Köln, Germany - King Gerog*
10.24.13 - Zurich, Switzerland - Elmo Delmo *
10.25.13 - Lausanne, Switzerland - Le Bourg *
10.26.13 - Torino, Italy - Blah Blah *
10.27.13 - Geneva, Switzerland - Cave12 *
10.28.13 - Bologna, Italy - Modo Infoshop +
10.29.13 - Rimini, Italy - Neon Club +
10.30.13 - Warsaw, Poland - Pardon To Tu +
10.31.13 - Copenhagen, Denmark - Din Nye Ven +
11.01.13 - Gothenburg, Sweden - Koloni +
11.02.13 - Moscow, Russia - Oldich Dress & Drink +

# duo show w/ Mike Cooper
+ solo show
* w/ De Stervende Honden rhythm section

• Steve Gunn: http://steve-gunn.com
• Paradise of Bachelors: http://www.paradiseofbachelors.com

Chris Douglas invites you to stretch out your freakishly long calves with his new Dalglish full-length on PAN

Are you just sick to death of not having any legroom when you listen to music? It’s about as cramped as flying coach on an airplane, right? And don’t even get me started on the food! It’s despicable! Should be totally banned! Doesn’t even count as food if you ask me. Anyhow, I just flew in and my arms are totally exhausted, so I’ll get right to the point: I’ve got a solution to your no legroom conundrum in contemporary electronic music. It’s a brand-new release from Chris Douglas (a.k.a. O.S.T.) as Dalglish. Out on PAN November 8, it’s called Niaiw Ot Vile, which, according to Google Translate, is an old Swahili proverb meaning “such ot niaiw.”

Using the last 20 years of legroom technology combined with years of experience putting on his own ambient techno shows and getting all chummy with folks like James Stinson (Drexciya), Mike Banks (Underground Resistance), and Autechre, Douglas has finally perfected making a record big enough for even those of us with pathologically long calves. This will be Douglas’ first release with those legroom-jockeys over at PAN, and they’ve described it as “cavernous,” with “clangorous landscapes,” and “expanses even Leonid Stadnyk would be totally down with.” Niaiw Ot Vile is dedicated to Douglas’ late friend Wai Cheng, founder of Isolate Records. The artwork comes from Bill Kouligas (PAN label head) and Kathryn Politis, with mastering by… can you guess? You are correct: Rashad Becker.

Niaiw Ot Vile tracklisting:

01. Venpin
02. Noscrlu
03. Viochlm
04. Out_Kutzk
05. Ciaradh
06. Donsfe
07. Seit Nuin
08. Sclunt
09. Mothlitz
10. Oidhche

• O.S.T. (Chris Douglas): https://www.facebook.com/pages/OST/30279863388
• PAN: http://www.pan-act.com

Migrations in Rust announces Two Shadows LP for NNA Tapes, whilst dreaming of a cushy life in the Andromeda galaxy

Jesse Allen’s Migrations in Rust project — one of several (Hollow Seed, Goldeater, current performer in Cowards, former member of Cathode Terror Secretion), though this one has been given the most attention — stays true to the “migratory” bit if you contrast his previous, sometimes purely ambient work with the brand new track below, and presumably the album on which it appears, Two Shadows, due out October 29 on NNA Tapes.

Likewise, there’s a certain textural quality to the music that belies straightforwardness in favor of varied sources and element interspersion. When a press release describes this complexity as a diverse (if not necessarily conscious) draw from “noise, ambient, hip hop, musique concréte, and sci-fi R&B,” I can personally confirm that there isn’t a single exaggeration here, even if “sci-fi R&B” has yet to receive coinage among any particular musically inclined group. Would humanity open up to the idea of spontaneous probings if R. Kelly simply romanticized the idea a bit in his lyrics? Doesn’t the possibility of a violent machine uprising otherwise get the blood flowing to those alluring, candle-lit nether regions? Regardless, the soulful Holy Other comes to mind.

And it’s an aspect that really shouldn’t be underemphasized. Two Shadows, the creation of which coincided with Allen’s physical migration from NYC to Western MA, seems to be a release that avoids stasis but is nonetheless consistent in its emotion, as well as its fluid multifariousness. Probably a difficult thing to pull off in practice, but have a listen for yourself, and be convinced of its feasibility:

Two Shadows tracklisting:

01. Had We Left / Doors Between
02. Two Shadows Cast
03. Canticle for Melting Gold
04. Cradled Under Fern
05. Behind My Skin
06.You’re Near
07. Drawing Down the Moon

• Migrations in Rust: https://soundcloud.com/migrationsinrust
• NNA Tapes: http://nnatapes.com

Far-Out Fangtooth announce new album Borrowed Time, still won’t return the black lights you lent them

Oh, neat! An opportunity to write about a semi-brand new (c. 2009) psych outfit hailing from Philadelphia. Preceding the inclination to draw some sort of parallel between their moniker and the Hanna-Barbera character (initially named Snaggletooth), I decided to google “fangtooth” under the prediction that maybe it was the name of a rebellious, but lesser known older brother. Instead, I happened upon this monstrosity, the existence of which I can only explain by the overlordship of some evil deity of the underwater. What’s “far out” about a fangtooth, and why shouldn’t we harbor ill will towards the band for misleading us into revisiting nature’s “scurry”-ness, and then forcing us into home isolation for weeks on end?

Because their music is fucking trippy, maaaaan, as you’ll for sure realize if you take the time to listen to the tracks below (assuming their previous work hasn’t already met your acquaintance). Said previous work includes a self-titled 7-inch released in 2010, and their debut LP Pure & Disinterested released the following year, also on Siltbreeze. “Also” is in reference to their just-announced sophomore album Borrowed Time due out October 29.

A previously half-varying cast seems to have stopped its rotations, as the quartet of Vincent Alvaré, Nicholas Kulp, Joseph Kusy, and Tania Mesterhazy remain firmly in place for this second amalgam of fuzzy guitars and gloomy undertones. It’s certainly intriguing to hear a bass line reminiscent of post-punk as it joins noisy sequences, and vocals that at least sound like a harkening back to 60s-era activism. But don’t let me ruin it for you:

Borrowed Time tracklisting:

01. Bow Your Head
02. Mother Nature Fetish
03. Beyond Your Bones
04. Green Hands
05. Get Around
06. Admit It
07. Scalp
08. Girl (Like You)
09. Stretch/Lips

• Far-Out Fangtooth: http://faroutfangtooth.com
• Siltbreeze: http://www.siltbreeze.com

The Velvet Underground (or whomever) announce 45th anniversary edition of White Light/White Heat, now with more superness!

When it comes to anniversaries beyond the 10th, few things stand the test of time. High school reunions cease being worthwhile by virtue of being high school reunions, and tragic events like 9/11 fade from significance as if by rule, as the 10th anniversary comes and goes. Obviously this isn’t the case for everyone or everything in a particular context. There’s wedding anniversaries, the later of which start to become compulsions for third parties to wonder, “Hm, do they still… ?,” but are nonetheless seemingly more prized as time goes on. And then there’s The Velvet Underground, who were famously unknown during their period of most activity, but have more recently been hailed as legendary and superlatively influential.

Such facts allow for a rarely justified 45th anniversary release, that of their first post-fruit album, White Light/White Heat. Universal Music will be doing the sponsoring here, as December 3 will coincide with White Light/White Heat 45th Anniversary Super Deluxe Edition, comprised of three discs: remastered versions of the album in mono and stereo, and bonus material consisting of alternate versions, as well as new mixes. Additionally, and of particular note, it’ll come with a previously unreleased live set recorded at The Gymnasium in New York on April 30, 1967. Non-WL/WH songs like “I’m Waiting for the Man” and “Run Run Run” reportedly garnish the setlist.

Thank Lou Reed and John Cale for the content, as they helped out with the curative duties on this rather unprecedented collection.

• Universal: http://www.universalmusic.com