Talibam! to release conceptual opera Discover AtlantASS album with Sam Kulik

Talibam! to release conceptual opera Discover AtlantASS album with Sam Kulik http://www.tinymixtapes.com/sites/default/files/news-12-01-talibam.jpg

Freak-jazz duo Talibam! and multi-instrumentalist Sam Kulik (Nervous Cabaret) have joined forces to create a “new underwater thriller fairytale” album Discover AtlantASS through UK publishers Belly Kids. The album consists of 19 tracks and an accompanying 25-page comic (drawn by London artist James Clapham) that illustrates this epic psychedelic opera, due out February 25 (advance order here).

According to the press release, Discover AtlantASS tells the elaborate story of a young teenager named Franklin, who gets abducted to the undersea world of Atlantis by a laid-back “jazz fish” revolutionary named Stinge. Together, they attempt to combat a disastrous oil spill that has nearly eradicated the underwater community of poets, musicians, artists, and fornicators. The story is said to be based on strange experiences the trio shared on a 2008 tour of Finland and recent geopolitical events, such as the 2010 BP oil spill in the Gulf of Mexico and the controversy surrounding the “Ground Zero Mosque” in Manhattan.

Belly Kids informs us that the overall aesthetic of the opera is “like a radio play for the post-television era” and makes ample use of Talibam!’s signature genre-riddled style, featuring synthesizers, trombones, voices, guitars, banjos, and homespun sound effects in an Ethiopian-jazz-meets-Balkan-folk rhythmic style.

Talibam! and Sam Kulik will be touring Europe in support of the release from February 27 - March 25. The trio will perform tracks from the album in full costume, with puppets and video accompaniment. After returning to New York, they will showcase the work in an eight-night festival at St. Mark’s Church, presented by Incubator Arts Project. The CD and comic book will be sold at all performances this year and will be available from retailers in New York, London, and wider Europe.


02.28.12 - Italy - TBA
02.29.12 - Italy - TBA
03.01.12 - Torino, Italy - TBA
03.02.12 - TBA
03.03.12 - Straubing, Germany - Raven
03.04.12 - Munich, Germany - TBA
03.05.12 - Germany -TBA
03.06.12 - Hannover, Germany - Cafe Glocksee
03.08.12 - Bremen, Germany - Lagerhalle
03.09.12 - Germany/Netherlands - TBA
03.10.12 - Germany/Netherlands - TBA
03.11.12 - Kiel, Germany - TBA
03.12.12 - Berlin, Germany - Schokoladen
03.12.12 - Cologne, Germany - TBA
03.14.12 - Antwerp, Belgium - TRIX
03.16.12 - Ebensee, Austria - Kino Ebensee
03.17.12 - Basel, Switzerland - Hirscheneck
03.18.12 - Besançon, France - La-cour-des-miracles
03.12.12 - Paris, France - TBA
03.20.12 - Tours, France - Le Temps Machine
03.21.12 - UK - TBA
03.22.12 - London, UK - Cafe OTO
03.23.12 - Dublin, Ireland - Whelan’s
03.24.12 - Cork, Ireland - Triskel Arts Center
03.25.12 - Dublin, Ireland - Whelan’s

• Talibam!: http://talibam.bandcamp.com
• Sam Kulik: http://www.myspace.com/samkulik
• Belly Kids: http://www.bellykids.co.uk

Disappears add more dates… the prophecies are all coming true! 2012 is real!

Ha. See? I TOLD YOU Disappears would be touring shitlessly in support of their new album Pre Language on Kranky that is due March 1 soon enough! SHA-BOOZ-BAZ!

Seriously though. I totally said that last Friday, like exactly. I also unloaded a bunch of A-list material about the band and about Steve Shelley and Sonic Youth and Joan of Arc… last Friday was a wild scene, man. Bottom line, the story was all hilarious and evocative and and still applicable here, and I’m not going to blow any more of my creativity on those assholes. Just go click on that link and read it. Then come back here and read this story again (being sure to let its latent brilliance wash over you) and check out the revised list of dates. There’s some European ones and a new batch of North American ones with Lotus Plaza, and even a couple with Lee Ranaldo milling around the stage. “Who the fuck’s that old man?!?” the kids will whisper to each other. It’ll be great.

Dates galore:

02.18.11 - Vancouver, BC - Biltmore Cabaret
02.19.11 - Seattle, WA - Chop Suey
02.20.11 - Portland, OR - Doug Fir Lounge
02.22.11 - San Francisco, CA - Bottom of the Hill [Noise Pop Festival]
02.23.11 - Los Angeles, CA - The Echo
02.24.11 - Pioneertown, CA - Pappy and Harriets
02.25.11 - San Diego, CA - Casbah
03.26.12 - Colmar, Fance - Supersounds Festival
03.27.12 - Paris, France - Bonnes Mani Glaz’art
03.28.12 - Tourcoing, France - Le Grand Mix
03.29.12 - London, UK - Corsica Studios
03.30.12 - Brussels, Belgium - Ateliers Claus
03.31.12 - Hasselt, Belgium - Kunstencentrum Belgie
04.01.12 - Amsterdam, The Netherlands - Paradiso
04.13.12 - Chicago, IL - Lincoln Hall *
04.14.12 - Ann Arbor, MI - The Yellow Barn *
04.15.12 - Toronto, ON - The Garrison *
04.16.12 - Montreal, QC - Casa del Popolo *
04.17.12 - Ithica, NY - The Haunt *^
04.18.12 - Albany, NY - Valentine’s *^
04.19.12 - Brooklyn, NY - Glasslands Gallery *
04.20.12 - Philadelphia, PA - Johnny Brenda’s *
04.21.12 - Raleigh, NC - King’s Barcade *
04.22.12 - Knoxville, TN - Pilot Light *
04.24.12 - Atlanta, GA - The Earl
04.25.12 - Birmingham, AL - The Bottletree *
04.27.12 - Austin, TX - Austin Psych Festival
04.28.12 - Dallas, TX - Club Dada *
04.29.12 - Memphis, TN - Hi-Tone Café *

* Lotus Plaza
^ Lee Ranaldo

• Disappears: http://www.myspace.com/disappearsmusic
• Kranky: http://www.kranky.net

[Photo: Drew Reynolds]

Elfin Saddle have a new LP on Constellation! Saddle up your foxes, gentlefolk!

Elfin Saddle’s music is exactly what its name sounds like. Singing saws? Check. Accordion? Check. Non-obnoxious xylophone? Tiny charming Japanese woman? BUT OF COURSE! This Montreal-based four-piece is an enchanted fox ride through a forest of dandelions, fireflies, and tweed-clad wee folk. It’s like late-80s kids series David the Gnome tunneled its way out of the past and into a Québécois art school.

And now the group wants to take you on a whole new fox journey with their latest album, Devastates. Multi-instrumentalists/vocalists Emi Honda and Jordan McKenzie, cellist Kristina Koropecki, and upright bass-slapper Nathan Gage have crafted a lovely little “soundworld” on this one, as their label (Constellation) puts it. It’s art folk for a new millennium, and the band pulls from that whole sea chanty/European vagabond school of indie rock while still sounding super fresh, urgent, and innovative. Entrance to elfland is open to mortals come March 6, when the album hits stores.

Devastates tracklisting:

01. The Changing Wind
02. Kiboho
03. Boats
04. The Power & The Wake
05. Chaos Hands
06. Invocation
07. In a Blanket of Leaves
08. The Wind Come Carry

• Elfin Saddle: http://elfinsaddle.com
• Constellation: http://cstrecords.com

Jim O’Rourke will curate, perform for ATP Japan; Tiny Mix Tapes editors’ heads collectively implode then explode

Today just got a little lot brighter.

ATP announced this morning that Jim O’Rourke has been selected to curate this spring’s I’ll Be Your Mirror. The event, named after the brief Velvet Underground B-side, had its inaugural run last summer with headliner Godspeed You! Black Emperor and was so successful they’ve decided to give it another go.

While the initial line-up has yet to be announced officially, ATP did share that O’Rourke is scheduled to perform at the event — and that’s enough info for us. O’Rourke moved to Japan several years ago and has continued to regularly perform, record, and release music while living overseas. O’Rourke’s last LP of new material in his own name was 2009’s stellar The Visitor (TMT Review), though he’s unloaded a plethora of material — archival, sorta-new, and collabs aplenty in the last couple years.

I’ll Be Your Mirror is scheduled for April 14 and 15 at Studio Coast in Shin Kiba, Tokyo, Japan.

• Jim O’Rourke: http://tisue.net/orourke
• ATP: http://www.atpfestival.com

The Minimal Wave Tapes: Volume Two to receive February release via Stones Throw, alongside free copies of Sartre’s Being and Nothingness

Many people understandably have a love/hate relationship with what’s stereotypically considered 80s music. Even beyond the hit singles that received national or international attention, the decade, in terms of music, was generally characterized by an overabundance of undoubtedly cheesy tunes, but which were simultaneously infectious in the way that they compelled listeners to dance, sing along, or imagine how much better life would be if they just had ebola instead of all of those goddamn relationship problems. Minimal wave, which I suppose (along with cold wave) you could consider a sub-genre of new wave, was no exception to the moderately cheesy tradition, but there are a couple of important differences between it and the more radio-friendly 80s pop songs: 1) The production is typically less polished, and the approach by artists was generally more experimental. 2) The likelihood of feeling cool while listening to it is significantly greater.

Lucky for you, the opportunity to experience this oddly happening form of 80s music has just been renewed, as Stones Throw have announced the release of The Minimal Wave Tapes: Volume Two, the sequel to the similarly-named compilation from 2010, and which is due out February 27. If Volume One was any indication, I expect this release to be yet another enjoyable, international commentary on existential crises, set to the sounds of vintage drum machines and analog synthesizers. If I only had some time…

The Minimal Wave Tapes: Volume Two tracklisting:

01. Hard Corps, “Dirty”
02. In Trance 95, “Presidente”
03. Philippe Laurent, “Distorsion”
04. Das Ding, “H.S.T.A.”
05. Subject, “What Happened to You?”
06. Ohama, “The Drum”
07. Geneva Jacuzzi, “The Sleep Room”
08. Antonym, “Cinnamon Air”
09. Ruins, “Fire”
10. Ende Shneafliet, “Animals From Outer Space”
11. Felix Kubin, “Japan Japan”
12. Class Info, “Out of Line”
13. In Aeternam Vale, “Annie”
14. Aural Indifference, “Theme”

• Stones Throw: http://www.stonesthrow.com
• Minimal Wave: http://minimalwave.com

Merzbow and Lasse Marhaug to release new collaborative LP in March… and I love it!

You know what I hate? When people say shit like, “my true self” or “we’ll touch base.” I also hate when I’m stuck next to law school students projecting at high volumes about the philosophical foundations of tort law. But you know what I love? Noise. Brutal, gut-wrenching noise to drown out the obnoxious chatter of the world. I love it like black metal kids love spiked gauntlets. I love it like indie filmmakers love anti-climatic story lines.

I love Merzbow. What’s better than Merzbow? Not much, but when you put Merzbow (Masami Akita) and Lasse Marhaug together, you get something like Megazord. And on March 13, Megazord will be unleashed on the unsuspecting public via Editions Mego. Merzbow and Marhaug’s collaboration, Mer Mar, was recorded at GOK Sound Studios in Tokyo in 2010 and is finally set to be released in luminous and highly flammable vinyl; pre-order here.

According to Editions Mego, the record was “made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies.” That’s nuts.

Noise trivia:

  • This isn’t the first time Akita and Marhaug have worked together. In 2001, Merzbow and Jazzkammer (Marhaug’s project with John Hegre) released a live album.
  • The first release on Marhaug’s label Jazzassin Records in 1995 was the “First Rock” split single.
  • Masami Akita is a hardcore vegan and has pet chickens.
  • Marhaug is responsible for Mer Mar’s beautiful album art.

• Merzbow: http://merzbow.net
• Lasse Marhaug: http://www.lassemarhaug.no
• Editions Mego: http://editionsmego.com