The Breeders announce 20th anniversary tour for Last Splash so that it can make its last cash

The Breeders announce 20th anniversary tour for Last Splash so that it can make its last cash http://www.tinymixtapes.com/sites/default/files/1301/news-13-01-breeders.jpg

Dateline, 1993: Everything’s awesome. Great Simpsons episodes. Cool U.S. president. Nirvana freakin’ rules and The Breeders are respectably and effectively scratching your Pixies itch.

Dateline, 2013: Everything sucks ass. TV has Honey Boo Boo on it, all politicians are universally lame, and when Kim Deal isn’t busy plucking endless 8th notes and being miserable in the zombie-Pixies, she’s busy just generally avoiding doing stuff with The Breeders.

But then, to the joy of us all, the crackshot accountants who work for all the major music festivals did some brilliant math and realized that 2013 would be the 20th anniversary of The Breeders’ landmark Last Splash, Deal (along with her on-again-off-again sister Kelley and the rest of the line-up from that album’s era, including Josephine Wiggs and Jim Macpherson) was practically forced to hit the stage for the greater good of transporting thousands of festival goers (such as Deerhunter’s ATP and Primavera) back to that simpler time of of shrieking dial-up internet and terrible-looking bikinis.

Now, as Pitchfork points out, the idea has ballooned into a full-blown (by Breeders standards) tour in support of Last Splash, including several more European dates and a dry run in New York that’ll presumably be awful-but-cool-to-have-been-at. Like that one other band’s reunion show I saw. You know the one I’m talking about, right?

Oh! And TOTALLY coincidentally, 4AD is reissuing Last Splash in April. Which I know you’ll be needing to pick up, because when I was looking through the 700 used copies of the thing in the dollar bin at Reckless Records, I totally saw your motherfucking copy in there.

The Breeders:

03.29.13 - Brooklyn, NY - The Bell House
05.24.13 - Barcelona, Spain - Primavera
05.27.13 - Toulouse, France - Le Bikini
05.28.13 - Bordeaux, France - Le Rocher De Palmer
06.01.13 - Paris, France - Trianon
06.02.13 - Brussels, Belgium - Ancienne Belgique
06.03.13 - Amsterdam, Holland - Paradiso
06.21.13 - Camber Sands, UK - All Tomorrow’s Parties

• The Breeders: http://breedersdigest.net
• 4AD: http://4ad.com

Deerhoof release single disguised as EP, taunt fans with video of awesome times in Tokyo, tour

Are bands just calling ‘singles’ ‘EPs’ now? TMT loves Deerhoof, and new Deerhoof is always welcome, but this seems a bit suspect. Yes, it’s all just semantics, but let’s break the We Do Parties ‘EP’ down anyway:

• 01. The title track is from Deerhoof’s 2012 full-length release Breakup Song.
• 02. Track 02 appears to be a remix of another track from Breakup Song by Silver Apple’s The Simeon.
• 03. Track 03 is indeed a new song. Hooray!
• 04. A live cover of a Velvet Underground song. Awesome, but not exactly album-material.

Survey says: single. But again, if you’re a Deerhoof fan, who cares. They’ve put an album out just about every year for over a decade, so there’s probably lots of truly new Deerhoof just around the corner.

To get folks excited about the ‘EP,’ the band has released a video (courtesy of Pitchfork) for the title track (below) featuring Satomi and company having quite the good time out on the town. One might even say, in broken English, that they’re “doing a party.”

Last but not least, there’s always the real thing: Deerhoof live, (when AREN’T they on tour??) a not-to-be-missed experience. Full tourdates down below the video of Deerhoof shredding up Tokyo.

Dates:

02.20.13 - New York, NY - Merkin Concert Hall (Ecstatic Music Festival)
03.01.13 - Brisbane, Australia - The Zoo
03.02.13 - Sydney, Australia - The Annandale
03.03.13 - Melbourne, Australia - Schoolhouse Stuidos
03.06.13 - Adelaide, Australia - Adelaide Festival
04.04.13 - St. Louis, MO - The Firebird
04.06.13 - Madison, WI - UW-Madison Music Hall
04.07.13 - Iowa City, IA - The Mill (Mission Creek Festival)
04.08.13 - Chicago, IL - Lincoln Hall %
04.09.13 - Grand Rapids, MI - Pyramid Scheme %
04.11.13 - Pontiac, MI - Crofoot Pike Room %
04.12.13 - Pittsburgh, PA - Andy Warhol Theatre %
04.13.13 - Rochester, NY - Water Street Music Hall %
04.14.13 - Albany, NY - Valentine’s %
04.15.13 - Philadelphia, PA - Union Transfer %

% People Get Ready

We Do Parties EP tracklisting:

01 .We Do Parties
02. Mario’s Flaming Dessert (Simeon Silver Apples Remix)
03. Just for That
04. All Tomorrow’s Parties (live) (Velvet Underground Cover)

• Deerhoof: http://www.deerhoof.net
• Polyvinyl: http://www.polyvinylrecords.com

Date Palms find a good home at Thrill Jockey, offer up The Dusted Sessions album for June

Saints, that’s what they are over at Thrill Jockey. For years, they’ve been giving a good home to some of our finest indie rock, folk, and experimental musicians. Just the other day, they took in Date Palms, the wide-eyed, hungry duo of Gregg Kowalsky and Marielle Jakobsons. With their loving hands, Thrill Jockey will feed them, wash them, and release their third record The Dusted Sessions in June.

Without a good home, the mixture of modern drone and eastern traditional music the band offers on The Dusted Sessions may have wilted in the hot sun. Thankfully, the band went into LCR Studio with producer Phil Manley (Wooden Shjips, The Alps, Oneida) and recorded the album as a quintet. That very quintet made the album with electric bass, violin, tanpura, keyboards, and, for the first time in the band’s recorded history, GUITARS. Thrill Jockey, putting guitars in the hands of musicians who didn’t really use guitars before. God bless ‘em.

More details to come, but for now check out a clip from their 2011 performance at the San Francisco Zen Center.

• Date Palms: http://www.datepalmsofpsalms.com
• Thrill Jockey: http://www.thrilljockey.com

[Photo: Carly Hoopes]

Dirty Beaches to release double album in May (just in time for dirty beach-season!)

Yo, what’s up, all you filthy bitches? Did you know that dirty bastard Alex Zhang Hungtai from Dirty Beaches (the bitch who bastarded that badass record Badlands in 2011) was releasing a filthy, bitchy, new double-album this May with those sons-of-bastards at Zoo Music??? Because, personally? I, for one… did NOT! But then, like, I mo-friggin’ read about that shit straight from the Zoo Music website’s horse’s mouth’s website, and then again at the sites I always be check-a-leckin’, and ALL A SUDDEN? BAM! I straight-up KNEW that shit: ON-TO-LOGI-CAL-LY!

The bastard is called Drifters/Love Is The Devil and drops on May 21 (May 20 in Europe). According to Zoo Music’s PEEPS, “both records together are 16 songs and about 75 minutes of music. Drifters/Love Is The Devil will also be available as a single CD and single digital download.” To which I’m like, “DAY-UM.” And then I hear this shit on the TWITTERsphere about how he took it upon his badASS Bitch-self to share a track from Love is the Devil, saying:

I’m leaking 1 track from love is the devil. I’ve never been good at business. But this is my heart & soul. I need to get this off my chest. this title track has blood & tears all over it and is the sound of my empty self. I need to share this before it becomes something else. we always hurt the ones we love the most. I’m a rotten piece of shit. blast it LOUD if your hearts broken.

Umm… yeah? BLAM-O, motherfuckers!!! Eh, who am I kidding? The mood is gone.

• Dirty Beaches: http://dirtybeaches.blogspot.com
• Zoo Music: http://www.killzoomusic.com

RIP: Butch Morris, jazz artist and pioneer of structured improv called “conduction”

From NPR’s A Blog Supreme:

Lawrence D. “Butch” Morris, an improvising musician who pioneered a system of ensemble interaction he called conduction, has died at a hospital in New York City, his publicist confirmed. He had lung cancer, which was diagnosed last August. He was 65.

Morris, a Vietnam War veteran, first gained recognition among musicians as a cornet player. His most prominent impact, however, came as a bandleader of structured improvisation. He devised a vocabulary of gestures, signifying actions for musicians to follow: repeat, sustain, play louder, among others. Standing in front of an ensemble, which only sometimes had written scores in front of it, he then deployed those gestures according to his imagination and intuition. His musicians were free to interpret them as they saw fit, giving the performances a distinct flavor of unpredictability and intimacy.

• Butch Morris: http://www.conduction.us

Colin Stetson reveals details on third and final New History Warfare album, plots world tour

Canada has produced many a fine thing, such as You Can’t Do That on Television, high-stacked burger challenges, maple syrup, a functioning healthcare system, funny accents, and of course, Colin fucking Stetson, bursting blood vessels out of his straining neck as he fires heavy breaths into his enormous sax for your listening pleasure. And this Canadian is making his solo comeback this spring with New History Warfare Vol. 3: To See More Light, due out April 30 on Constellation.

As with the last installment of the Warfare series, the new LP was recorded live in single takes, with guest vocals — this time contributed by Bon Iver’s Justin Vernon, with whom Stetson plays with in Bon Iver — being the only overdubs. The whole shebang was mixed by Australian-gone-Icelander Ben Frost. Check the release page for more details and to preorder on CD or double-LP.

Take a listen to the album’s third track, “High Above a Grey Green Sea,” via Constellation’s SoundCloud and then clean yourself up, because this awesomeness may give you the squirts.

New History Warfare Vol. 3: To See More Light tracklist:

01. And in Truth
02. Hunted
03. High Above a Grey Green Sea
04. In Mirrors
05. Brute
06. Among the Sef
07. Who the Waves Are Roaring For
08. To See More Light
09. What Are They Doing in Heaven Today
10. This Bed of Shattered Bone
11. Part of Me Apart From You

Dates:

03.01.13 - Copenhagen, Denmark - Jazz House Copenhagen
03.02.13 - Hasselt, Belgium - Cultuurcentrum Hasselt
03.03.13 - Vendome, France - Chapelle St.-Jacques
03.05.13 - Metz, France - Caveau des Trinitaires
03.06.13 - Kortrijk, Belgium - De Kreun
03.07.13 - Paris, France - TBA
03.08.13 - Amsterdam, Netherlands - Muziekgebouw aan´t IJ main hall
03.09.13 - Stavanger, Norway - Tou Scene/Maskinhallen
03.10.13 - Bergen, Norway - TBA
03.12.13 - Luxembourg, Luxembourg - TBA
03.13.13 - Marostica, Italy - Panic Jazz Club
03.14.13 - Venezia, Italy - TBA
03.15.13 - Reykjavik, Iceland - TBA
04.05.13 - Montreal, QC - Musee d’Art Contemporain de Montreal
05.02.13 - Quebec, QC - Le Cercle *
05.03.13 - Montreal, QC - La Sala Rosa *
05.07.13 - Burlington, VT - Burlington City Arts Center *
05.08.13 - New York, NY - Le Poisson Rouge
05.09.13 - Boston, MA - Museum of Fine Arts *
05.10.13 - Philadelphia, PA - World Cafe Live *
05.11.13 - Pittsburgh, PA - Andy Warhol Museum *
05.14.13 - Cincinnati, OH - Contemporary Arts Center *
05.16.13 - Chicago, IL - Schubas %
05.17.13 - Ann Arbor, MI - The Blind Pig %
05.19.13 - Toronto, Ontario - The Great Hall
06.29.13 - Honolulu, HI - Honolulu Museum of Art

* Sarah Neufeld
% Justin Walter

• Colin Stetson: http://colinstetson.com
• Constellation: http://cstrecords.com

  

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