Trust tour North America, share glorious Black Marble remix of “Capitol”

Trust tour North America, share glorious Black Marble remix of "Capitol" http://www.tinymixtapes.com/sites/default/files/1408/news-14-08-trust.jpg

If Trust’s most recent album Joyland was a full-on “hands in the air,” “buying drugs from shady dudes in the bathroom” gothic rave, this new remix of “Capitol” is walking back to your car with your friends as the sun first starts coming up: life-affirming, yearning, and just achingly lovely. The dudes of Brooklyn coldwave band Black Marble have really done some dark magick on their remix of this one. Says Mr. Trust himself Robert Alfons: “I teared up when I first heard their re-work of my song. It’s feels like that huge rush that creeps in when summer is ending. I think they’ve done something really special here.” End of summer, end of night.

And although summer will technically be on its way out once mid-September rolls around, Trust will keep you warm when they tour North America. Starting off in McAllen, TX, Alfons and co. are on the road through October, when the tour winds down in their hometown of Toronto. You can bask in those last hazy moments of a glorious summer night by checking out the “Capitol (Black Marble Remix)” below (via BlackBook):

Dates:

09.11.14 - McAllen, TX - Cine El Rey
09.12.14 - Austin, TX - Stargayzer Fest
09.18.14 - Montreal, QC - Pop Montreal
09.19.14 - New York, NY - Irving Plaza
09.20.14 - Philadelphia, PA - Voyeur
09.21.14 - Columbus, OH - Skully’s
09.22.14 - St. Louis, MO - Off Broadway
09.24.14 - Denver, CO - Bluebird Theatre
09.25.14 - Salt Lake City, UT - Urban Lounge
09.26.14 - Las Vegas, NV - Beauty Bar
09.27.14 - Los Angeles, CA - The Fonda Theatre
09.28.14 - San Francisco, CA - Mezzanine
09.30.14 - Portland, OR - Branx
10.01.14 - Seattle, WA - Neumos
10.03.14 - Calgary, AB - Saits The Gateway
10.04.14 - Edmonton, AB - Pawn Shop
10.05.14 - Saskatoon, SK - Amigos Cantina
10.07.14 - Winnipeg, MB - Union Sound Hall
10.09.14 - Chicago, IL - Lincoln Hall
10.10.14 - Toronto, ON - Danforth Music Hall

• Trust: http://ttrustt.com
• Arts & Crafts: https://www.arts-crafts.ca

Melvins just can’t hold in the announcement of their new album, Hold It In! Ew, what’s that SMELL?!?

Ah, the illustrious Melvins. This news story is ostensibly about “their return” with their first new album since 2010’s The Bride Screamed Murder — entitled Hold It In and due October 14 — but let’s be honest: had Seattle badasses Dale Crover and Buzz Osborne ever, even for one fraction of one second, left your forever-grungy, pot-addled mind? Exactly. Ours neither.

And why exactly is that? Because of all their radio hits? Because Dale Crover was totally a better drummer than Dave Grohl? Because Buzz Osborne is super-duper Teen Beat sexy-looking? No, double-no, and TRIPLE no. I’ll tell you why. It’s because, unlike all those other bands from that scene, the Melvins have a non-terrible band name.

Seriously. “Nirvana”? Totally the worst name ever. For real, though. Let’s think these through a minute now. Alice?… in Chains? Sound-garden? Face it. That’s all some serious, cliched high school garage-band bullshit, folks. The Melvins have a sweet, simple, cool name. It fits like a good buzz cut: perpetually kinda-sorta in style. Gotta respect the buzz cut.

So yeah, even though this new record (recorded in Austin and L.A. with Crover and Osborne being backed by Butthole Surfers’ Paul Leary and JD Pinkus) comes after four years of silence (well, kinda), it pretty much seems like they’ve never left us. Suck it, more popular bands from that era. Long live the Melvins. And, what the fuck? Long live the buzz cut. Don’t hate.

Melvins tour dates:

10.15.14 - Sacramento, CA - Assembly
10.17.14 - Bellingham, WA - Wild Buffalo House of Music
10.18.14 - Seattle, WA - The Showbox
10.19.14 - Portland, OR - Roseland Theater
10.21.14 - San Francisco, CA - Great American Music Hall
10.22.14 - San Luis Obispo, CA - SLO Brewing
10.23.14 - Los Angeles, CA - The Troubadour
10.24.14 - San Diego, CA - The Casbah
10.25.14 - Phoenix, AZ - The Crescent Ballroom
10.26.14 - Albuquerque, NM - The Launchpad
10.28.14 - Dallas, TX - Trees
10.29.14 - Austin, TX - Mohawk
10.30.14 - Houston, TX - Warehouse Live - Studio
10.31.14 - New Orleans, LA - Voodoo Fest
11.01.14 - Pensacola, FL - Vinyl Music Hall
11.02.14 - Gainesville, FL - The Wooly
11.03.14 - Jacksonville, FL - Jack Rabbit’s
11.04.14 - Orlando, FL - The Social
11.05.14 - Ft. Lauderdale, FL - The Culture Room
11.06.14 - Tampa, FL - Orpheum Theater
11.08.14 - Atlanta, GA - The Loft at Center Stage
11.09.14 - Birmingham, AL - Zydeco

• Melvins: http://www.melvins.com
• Ipecac: http://www.ipecac.com

Chris Watson plans field-recordings-based mobile app for September release

The music app game is getting a little crowded these days. Everybody and their brother is like, “Hey instead of making an album let’s just make an app and move to San Francisco and fly around in internet planes and buy Uber drivers with Google dollars and so on and so forth,” you know? I mean, to be fair, apps are pretty cool. And so, Chris Watson, the eminent field-recordist (and founding member of Cabaret Voltaire), and dude who was at the top of my list for people who I predicted would be next to dive into this exciting (not to mention disruptive) field, has decided to take a little slice of that “apps are cool” pie for himself with a new one of his own called Nimbus.

According to The Wire, the app was built by The Nimbus Group, and it’s planned for release in conjunction with the Brighton Digital Festival on September 10. In addition to including 14 pieces that Watson has recorded throughout his career with Touch Music (such as last year’s lovely In St. Cuthbert’s Time), the app also contains four audio-based games. One requires the player to use directional audio from within the app to navigate to a specific location, another uses the “north-south auditory axis,” the third is simply described as a “collection of sounds for insomniacs,” and the fourth apparently only unlocks if the user is somehow traveling at least as fast as a diving peregrine falcon (which is 300 km per hr or about 190 miles per hour). Unconfirmed sources from within the app developer community have told me that the game can also be unlocked by inviting your friends to play Candy Crush at a rate roughly equivalent to the speed of a sprinting cheetah (about 75 miles per hour). The app will be available for iOS and Android.

• Chris Watson: http://www.chriswatson.net
• The Nimbus Group: http://the-nimbus-group.org/2014

The Aislers Set announce catalog reissues, West Coast shows, foster an uneasy truce between sworn enemies Slumberland and Suicide Squeeze

Hens love roosters, geese love ganders, everyone else knows Suicide Squeeze and Slumberland hate each other. They’re like mongooses and snakes, oil and water, a duck’s back and water, fire and water, many other things and water. Yet, somehow even the bitterest of enemies join together for a worthy cause. Behold, a cause worthy enough to engender a partnership between Slumberland and Suicide Squeeze: reissuing the catalog of esteemed San Francisco indie-pop band The Aislers Set.

On September 23, Slumberland will reissue the band’s first two records, 1998’s Terrible Things Happen and 2000’s The Last Match. Taking the baton from their hated rival, Suicide Squeeze will reissue the group’s final album, 2002’s How I Learned to Write Backwards, on October 14. All three records have been remastered and given eco-friendly CD cases. In the case of the LP releases, this will be the first time the three records have been available on vinyl in a decade. Ever the overachievers, Suicide Squeeze have also re-sequenced How I Learned to Write Backwards. Beyond these reissues, a new record of singles and rarities from the band is being prepared for release in 2015. Until then, listen to a sampler of material from these records below:

To cap off this flurry of Aislers-related activity, the band will be getting together for a few West Coast shows this September. Though having ceased regular activity in 2004, the group has played sporadic reunion shows since, these dates being the latest in such a series. Word has it, all shows will be attended by Suicide Squeeze employees, who will stand at the left side of the club, and Slumberland employees, who will stand at the right.

The Aislers Set dates:

09.22.14 - Seattle, WA - Neumos
09.23.14 - Portland, OR - Holocene
09.26.14 - Los Angeles, CA - Echoplex
09.28.14 - San Francisco, CA - The Chapel

• The Aislers Set: http://www.aislersset.com

Braids announce pair of festival dates, summon forth a beach ball

Here at The Tape, we pride ourselves on our exceptional service. Whether we succeed or not, our goal is always for every site visitor to feel like a close friend by the time they leave our humble site. Maybe we don’t always nail it, but I’d like to think that most of the time, we do. What we offer is a level of personal engagement that you will not find at other websites. So, friend, walk with me, while I tell you about Braids and their pair of upcoming festival dates.

I trust you know Braids, correct? If not, friend, let me tell you that they’re an art-pop group from the fine city of Calgary, Alberta. Last year, they put out a record, their second overall, titled Flourish // Perish. Now, as is proper, they are playing a pair of festival dates. The first will occur on August 23 in the fine city of Rock Creek, British Columbia, at the esteemed Ponderosa Festival. That appearance will find them sharing stage with the likes of Wampire, Plants and Animals, Ladyhawk, and plenty of others, though I’ll not bore you with too many details. Now, for the second date, it shall happen on September 24 at Decibel Festival in Seattle, Washington. The lineup for that one stretches far as the eye can see, but features Tiny Mix Tape favorites such as Oneohtrix Point Never, Andy Stott, Millie & Andrea, and Demdike Stare. As such, I think you may well be interested.

Our time together, in this story at least, has ended. Goodbye, friend. I think you will agree, you’ll not find this level of service anywhere else.

Braids dates:

08.23.14 - Rock Creek, BC - Ponderosa Festival
09.24.14 - Seattle, WA - Decibel Festival

• Braids: http://braidsmusic.com

Animal Collective get their paws on the ones and twos for upcoming DJ shows, leave hair everywhere

Animal Collective have been around for a pretty long time, and like any species that’s enjoyed similar company before and after leaving the burrow — somewhere along the line, becoming arguably the most popular unpopular band in existence — they’ve realized the necessity of branching out! Obviously, Panda Bear and Avey Tare both have their individual projects, but what about the subconscious social desire to return to the family? Why… yes! The members of AnCo don’t exist outside of the norms and theories of human psychology, which is why they’ve been reconvening, not for an extremely hyped new LP, but for… er, DJ sets!

Oh yeah, that’s a curtain of some sort. The outfit had a spate of DJ shows this past May and June, and now they’ve scheduled a few more on the East Coast this fall. Panda Bear won’t be at any of them, though, and apologies to fans in Miami, as only half of the collective will actually be on hand to “perform.” Yes, yes, go ahead and debate amongst yourselves the acceptability of using the name “Animal Collective” on the bill. Not sure about their DJ chops either, but try listening to a previous set here to get a sense. Diehards ensure sellouts, I’m predicting.

(DJ set) dates:

08.02.14 - Miami, FL - Grand Central *
09.10.14 - Philadelphia, PA - The Dolphin ^
09.12.14 - Brooklyn, NY - Brooklyn Bowl ^
10.02.14 Philadelphia, PA - The Dolphin %
10.03.14 - Brooklyn, NY - Brooklyn Bowl %
10.05.14 - Washington, DC - U Street Music Hall %
11.12.14 - Washington, DC - U Street Music Hall %
11.13.14 - Philadelphia, PA - The Dolphin %
11.14.14 - Brooklyn, NY - Brooklyn Bowl %

* Deakin and Avey Tare
^ Geologist and Deakin
% Geologist, Deakin, and Avey Tare

• Animal Collective: http://animalcollective.org