tUnE-yArDs announce summer tour WHAT’S THAT ABOUT WHAT’S THAT ABOUT

tUnE-yArDs announce summer tour WHAT'S THAT ABOUT WHAT'S THAT ABOUT http://www.tinymixtapes.com/sites/default/files/news-12-02-tune-yards.jpg

“WHAT’S THAT ABOUT!? WHAT’S THAT ABOUT!?” It was the question heard around the world, but only by anyone who happened to be listening to tUnE-yArDs’s w h o k i l l (TMT Review), released on 4AD last year. Well, Merrill Garbus, let me turn that one around on you. Prefix Magazine claims that you are going on a pretty lengthy summer tour. WHAT’S THAT ABOUT!? WHAT’S THAT ABOUT!? Oh, it’s exactly what you said it was about: a summer tour. That said, you are not coming to the place where I live and really, what’s that about?

Eh, I guess I can’t blame Ms. Garbus, though, considering that she seems to be going to every other place on the planet in the next six months. She’s touring through much of spring and the remaining bits of winter, doing runs of dates in Europe and North America. After that, she’ll recharge her psychic energy or something and kick off her summer tour with a string of North American dates, followed by some overseas festival, and then finally a few more North American dates. By the way, a few of those dates are with St. Vincent! You like her, right? You told me you did once.

tUnE-yArDs dates:

02.22.12 - Brussels, Belgium - Botanique (Orangerie)
02.23.12 - Amsterdam, Netherlands - Melkweg
02.25.12 - Oslo, Norway - Bla
02.26.12 - Malmo, Sweden - Debaser
02.28.12 - Berlin, Germany - Festsaal Kreuzberg
02.29.12 - Munich, Germany - 59:1
03.01.12 - St. Gallen, Switzerland - Palace
03.02.12 - Torino, Italy - Hiroshima
03.03.12 - Rome, Italy - Lanificio
03.04.12 - Milan, Italy - Tunnel
03.06.12 - Bologna, Italy - Locomotiv
03.07.12 - Medvednica, Croatia - Tvorncia Kulture, Zagreb/Sljeme
03.08.12 - Ljubljana, Slovenia - Menza Pri Koritu
03.10.12 - Istanbul, Turkey - Salon
04.12.12 - Santa Cruz, CA - Rio Theatre
04.14.12 - Indio, CA - Coachella Valley Music & Arts Festival
04.15.12 - Santa Barbara, CA - Soho
04.17.12 - Tucson, AZ - Rialto Theater *
04.18.12 - San Diego, CA - House of Blues
04.21.12 - Indio, CA - Coachella Valley Music & Arts Festival
04.24.12 - Oakland, CA - Fox Theater *
05.02.12 - Sao Paulo, Brazil - Beco SP
05.03.12 - Rio De Janeiro, Brazil - Teatro Odisseia
05.05.12 - Toluca de Lerdo, Mexico - Festival 5 Punto 5
05.25-28.12 - George, WA - Sasquatch!
06.01.12 - New York, NY - Terminal 5
06.03.12 - Washington, DC - 9:30 Club
06.05.12 - Charlottesville, NC - The Orange Peel
06.06.12 - Asheville, NC - The Orange Peel
06.07-09.12 - Manchester, TN - Bonnaroo
06.10.12 - Cincinnati, OH - Contemporary Arts Center
06.11.12 - Columbus, OH - Wexner Center for the Arts
06.12.12 - Millvale, PA - Mr. Small’s
06.13.12 - Buffalo, NY - Town Ballroom
06.14.12 - Northampton, MA - Pearl Street
07.07.12 - Roskilde, Denmark - Roskilde Festival
07.08.12 - Pulburough, UK - Nova Festival
07.31.12 - Montreal, QC - La Tulipe
08.01.12 - Toronto, ON - Phoenix Concert Theatre
08.02.12 - Pontiac, MI - Crofoot Ballroom

* St. Vincent

• tUnE-yArDs: http://tune-yards.com
• 4AD: http://4ad.com
• St. Vincent: http://www.ilovestvincent.com

RIP: Christopher Reimer, guitarist for Women

From the National Post:

The Calgary music scene was in mourning Tuesday with news that Christopher Reimer, guitarist for local noise-pop band Women, passed away in his sleep.

Women, who had released two albums to great acclaim, had been on indefinite hiatus for more than a year since the release of their last album, Public Strain.

The group had toured the world and performed with acts ranging from Mogwai to Wire.

The cause of Reimer’s passing as well as funeral arrangements have not been announced yet.

• Christopher Reimer/Women: http://www.jagjaguwar.com/artist.php?name=women

Fiona Apple announces 2012 tourdates. She’s the one who plays the harp, right?

It’s been a while since we’ve seen or heard from Fiona Apple. Of course, this is most likely because of the multiple legal battles with Sir Paul McCartney, the ghost of René Magritte, and that apple-eating pirate from Pirates of the Caribbean, in which she’s been embroiled for the past seven years concerning her rights to, variously, eat apples, take press photos with apples, and have Apple as a last name. They’ve kept her pretty busy since 2005’s Jon Brion-augmented Extraordinary Machine. But now that Steve Jobs has passed on and Paul’s busy lobbying to replace that Mac computer start-up tone with a new track of his called “Wild Honey Pie, 800% Faster,” the least consequential of all of the humble apple’s would-be masters and commanders has told all her FB friends that she is thinking of sneaking out for a couple of red-delicious shows this march, including Pitchfork’s “Best New SXSW Showcase” on March 15 in Austin, Texas.

Hmm… tourdates? Festival showcases?? Could this mean that Fiona’s elusive 4th LP is finally coming out this year?!? Well, probably. But since the last time we were told to expect her new album soon was an embarrassingly long time ago, I’m just going to keep my mouth shut about that this time so that when I’m linked-to in some future story, I don’t look like a fool. Tickets go on sale this Friday, February 24, at noon, because noon is the most popular apple-eating hour of the day.

Fiona Apple 2012:

03.19.12 - Chicago, IL - Lincoln Hall
03.21.12 - Washington, DC - TBA
03.23.12 - Brooklyn, NY - Music Hall of Williamsburg
03.24.12 - Atlantic City, NJ - TBA
03.26.12 - New York, NY - Bowery Ballroom
03.27.12 - Boston, MA - Royale Boston

• Fiona Apple: http://www.fiona-apple.com
• Epic: http://www.epicrecords.com

Dreamend is about to release a new LP on Graveface. Put down your accordions and kazoos for a second, because this shit is crazy.

Hey there, experimental noise folk band. You guys are called Dragon Ghost, right? I heard you just recorded an album about wizard home invaders using only the sounds of cats fighting and frisbees smashing through windows. You’re so avant-garde!!!

I have a question, though. Imagine you’re moving from Chicago to Savannah, and when the moving company finally delivers your valuables, you find all of your instruments in pieces. Destroyed. Snapped cello, splintered banjo, crushed bell set, broken organ. And your studio time is right around the corner. Can you handle this shit, Dragon Ghost?

When Ryan Graveface (a.k.a. Dreamend, also of Black Moth Super Rainbow) recorded And the Tears Washed Me, Wave After Cowardly Wave, follow-up to 2010’s So I Ate Myself, Bite By Bite (TMT Review), he had to handle that shit. He decided to record as planned, only using the damaged instruments. “You can hear these instruments dying in each note,” Graveface says. “Most of the percussion on the record is done by me bashing my anxiety pill bottles onto the floor or table.” The resulting 12 tracks reflect the album’s narrative — that is, the continuation and conclusion of a story begun on So I Ate Myself, Bite By Bite, the psychological breakdown and ultimate death of a serial killer, all inspired by a journal Graveface bought at an auction in the woods.

And the Tears Washed Me, Wave After Cowardly Wave will be available February 28 on Graveface. The LP will approximate a phenakistoscope a.k.a. a Victorian animation machine.

So, Dragon Ghost, how about heading over to Prefix to check out “The Face on the Tinytype,” or maybe to Absolute Punk for “Your Apparition Stays With Me Still?”

And the Tears Washed Me, Wave After Cowardly Wave tracklist:

01. Another Day
02. Winter Wheat
03. The Face on the Tinytype
04. Off Route 8
05. Mothers
06. Interlude
07. God Went Out of Me
08. Cold & Dead
09. The Sick Call Cabinet
10. Your Apparition Stays with Me Still
11. Oak Tree
12. Final Truth

• Dreamend: http://www.myspace.com/dreamend
• Graveface: http://www.graveface.com

Traxman to release full-length LP on Planet Mu, prepping European tour with fellow footworker DJ Earl

Traxman, aka Cornelius Ferguson, was producing tracks before your momma was born. Which is not to say that he’s “old” or anything, but that your mom gave birth to you when she was especially young. However, I’m also saying that, for someone who has been innovating since the days of 90s ghetto house, it’s surprising that this footwork/juke originator has managed to settle into an easily discernible style without sacrificing the cutting-edginess of his music: his music both pays tribute to early house music and envisages the future of dance music, a reflection of a veteran producer who knows what the hell he’s doing in the studio.

So, it’s a big fucking deal that Traxman, who is part of both the Geto DJz and Ghetto Tek (with DJ Rashad, Spinn, etc.) cliques, is releasing a full-length on Planet Mu. Titled The Mind of Traxman, the 18-track album continues his signature footwork/juke style — most widely heard on the first two Planet Mu footwork comps — which often incorporates soul, funk, house, and 303 acid lines into the usual footwork template of minimal beats, sub bass, and repetitive, cut-up samples. You can hear samples of the tracks at Planet Mu, as well on Mike Paradinas’ mix from earlier this year at the Chocolate Grinder.

Traxman is planning a European tour with fellow Ghetto Tek producer DJ Earl, who has his own full-length, New Era, coming soon on Oslo label Electropix. Details forthcoming. In the meantime, look for The Mind of Traxman April 9 on Planet Mu. And please, someone give Traxman his own reality TV show.

The Mind of Traxman tracklist:

01. Footworkin On Air
02. Itz Crack
03. Callin All Freaks
04. Slip Fall
05. I Need Some Money
06. Let There Be Rockkkkk
07. Rock You
08. Chilllll
09. Going Wild (ft. Rashad & AG)
10. Work Me 2011
11. 1988
12. I Must Deadly Killer
13. Sound Filed
14. Lady Dro
15. Setbacks
16. The Comeback 2011
17. Conq Dat Bitch
18. Lifeeeee Is For Ever

• Traxman (Ghetto Tek): http://soundcloud.com/traxman-2
• Corky Strong (Geto DJz): http://soundcloud.com/traxman
• Planet Mu: http://www.planet.mu

Orcas (Benoît Pioulard and The Sight Below) to release self-titled debut album alongside free sampling of chinook salmon

When it comes to an animal-based moniker through which they can distribute their work, Benoît Pioulard a.k.a. Thomas Meluch and The Sight Below a.k.a. Rafael Anton Irisarri could certainly have chosen worse. The orca whale is simultaneously one of the most endearing and misunderstood animals gracing this fair Earth, and I’m sure the attention whores over at PETA, who have recently compared the presence of these whales at SeaWorld to legitimate, unconstitutional slavery, would be more than willing to agree on this point. Without doing any research to actually figure out why, why exactly are orca whales commonly referred to as “killer whales”? Taking for granted their adeptness at killing, there appears to be some whale prejudice going on here; why don’t we refer to grizzly bears as “killer” bears, for instance? God damn whalist bastards, these days.

I can’t comment on the particular rationale behind Meluch and Irisarri’s choice of appellation; perhaps they hear a complementary relationship between the music that they create and the resonant sounds of their whale counterparts. Or, maybe they just have an unusual appreciation for Puget Sound public transportation, which can be facilitated by ORCA cards. Whatever the case, on April 24, Orcas will be releasing their self-titled debut album via the Berlin-based label Morr Music. A press release notes, “The duo’s music together is a careful balance of chiaroscuro elements, where pop hook and spatial ambience converge. Orcas has [sic] taken an immersive, fluid vector for their passions; a resonant call like sonar from the depths.” Wade over here to listen to the track “Carrion,” and go here to download “Until Then,” a track dedicated to the late Broadcast vocalist Trish Keenan. It’s all quite gorgeous.

Orcas tracklisting:

01. Pallor Cedes
02. Arrow Drawn
03. Standard Error
04. Carrion
05. A Subtle Escape
06. Until Then
07. Certain Abstractions
08. I Saw My Echo
09. High Fences

• Orcas: https://www.facebook.com/weareorcas
• Morr Music: http://www.morrmusic.com

  

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